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Tesis sobre el tema "Australian fiction"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 31 de julio de 2024

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1

Athique, Tamara Mabbott. "Textual migrations: South Asian-Australian fiction." Thesis, School of English Literatures, Philosophy and Languages - Faculty of Arts, 2006. https://ro.uow.edu.au/theses/621.

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This thesis responds to gaps in the scholarship of 'minority literatures' and makes a new contribution to diversifying the field of literary criticism. Given the prominence of South Asian diasporic fiction overseas, the study of South Asian-Australian fiction is now overdue. Given the growing recognition of multicultural and Asian-Australian literatures, the study of South Asian-Australian cultural production now requires attention. Working from the premise that a fictional text is a storytelling device open to a number of interpretations and a commodity with a degree of cultural capital, this

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2

Dahlstrom, James. "Imagining Australia: The Struggle to Locate Australian Identity in Peter Carey’s Early Fiction." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15356.

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In this thesis, I examine in Peter Carey’s early fiction the portrayal of Australia’s struggle to imagine a unique identity for itself. Three different, but overlapping, approaches will be woven together to serve as a lens through which his work can be read. First, it will be useful to situate the work within the context of Australian history and popular culture, which suggests an obsessive search for an “authentic” Australian identity, as well as the theoretical work on the social construction of such identities. Second, I will draw upon the work of Benedict Anderson, paired with that of Phen

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3

Dallmann, Tino [Verfasser]. "Telling Terror in Contemporary Australian Fiction / Tino Dallmann." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1105292754/34.

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4

Beere, Diana. "Nurturing ideology: Representations of motherhood in contemporary Australian adolescent fiction." Thesis, Griffith University, 2000. http://hdl.handle.net/10072/366558.

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This study analyses the ways in which motherhood is represented in a corpus of contemporary, critically acclaimed Australian adolescent fiction. The 18 texts in the research corpus were those short-listed by the Children's Book Council of Australia for its annual Book of the Year: Older Readers award in the years 1992 to 1994 inclusive. The publicity, prestige and power attached to these awards means that short-listed books, taken to be 'good' books for children and adolescents, are often used as educational resources in Australian schools, particularly to support teaching and learning activ

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5

Barker, Elaine M. "Civilization in the wilderness : the homestead in the Australian colonial novel, 1830-1860 /." Title page, contents and abstract only, 1989. http://web4.library.adelaide.edu.au/theses/09ARM/09armb255.pdf.

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6

Paton, Elizabeth, and n/a. "Creativity and the Dynamic System of Australian Fiction Writing." University of Canberra. Communication, 2008. http://erl.canberra.edu.au./public/adt-AUC20090825.125448.

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Given the growing interest in fiction writing in Australia, seen in the rise in the number of festivals, writers' centres, how-to books, biographies and creative writing classes, it is surprising that very little research has been done within Australia on the nature of literary creativity itself. A review of international literature on creativity from areas such as the arts, history, psychology, sociology, cultural studies, business and education shows movement away from traditional and conventional ideas of creativity that focus primarily on the individual, towards more contextual approaches

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7

Reid, Michelle. "National identity in contemporary Australian and Canadian science fiction." Thesis, University of Reading, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413934.

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8

Wang, Labao. "Australian short fiction in the 1980s : continuity and change." Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.

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This thesis offers a critical survey and a comprehensive bibliography of the Australian short story in the 1980s. Conceived partly as an continuation of Stephen Torre’s study of Australian short fiction of the 1940-1980 period, it starts where Torre’s thesis stopped, focusing on Australian short story writing published in the ten years between 1981 and 1990. Torre has summed up the 1940-1980 period as ‘a time of development and innovation’ in the history of Australian short fiction. In comparison, the 1980s is probably best described as a decade of unprecedented expansion and diversific

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9

Penazzi, Leonardo. "The fellow (novel) : and Australian historical fiction, debating the perceived past (dissertation) /." Connect to this title, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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10

Geddes, Robert John William. "The unsettled colony : contruction of aboriginality in late colonial South Australian popular historical fiction and memoir /." Title page, contents and conclusions only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arg295.pdf.

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11

Burns, Kathryn E. "This other Eden exploring a sense of place in twentieth-century reconstructions of Australian childhoods /." Connect to full text, 2006. http://hdl.handle.net/2123/1691.

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Thesis (Ph. D.)--University of Sydney, 2007.<br>Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2007; thesis submitted 2006. Includes bibliographical references. Also available in print form.

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12

Serra, Pagès Conrad. "Men in David Malouf’s Fiction." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/668922.

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The aim of this thesis is to assess David Malouf’s contribution to the field of gender and men studies in his fiction books. In order to do so, I have proceeded by offering a close reading of each of his novels so as to emphasise those parts of the plot where gender and masculinities are more relevant, and from here engaging in a series of theoretical discourses as I saw convenient in the course of my analysis. We read his largely autobiographical novel Johnno in the tradition of the Bildungsroman. In this tradition, the main characters fulfil themselves when they meet the roles that society

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13

McGuire, Myles T. "Fruitful approaches: Queer Theory and Historical Materialism in contemporary Australian fiction." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/230862/1/Myles_McGuire_Thesis.pdf.

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"Fruitful approaches: Queer Theory and Historical Materialism in contemporary Australian fiction" investigates the application of Historical Materialist ontologies to gay-themed, contemporary Australian novels, examining these subjects through the lens of totality and reification.

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14

Flavell, Helen. "Writing-between : Australian and Canadian ficto-criticism /." Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.

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15

Spencer, Beth University of Ballarat. "The Body as Fiction / Fiction as a Way of Thinking: On Writing A Short (Personal) History of the Bra and its Contents." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12813.

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This thesis uses fiction as a research technology for investigating and thinking about issues to do with bodies and knowledge at the cusp of the 20th and 21st centuries. It includes sample material from a novel in progress -- A Short (Personal) History of the Bra and its Contents -- to illustrate some of the unique outcomes of this approach to exploring cultural history and writing cultural criticism. One of the advantages of fiction is that it allows me to create a discursive field in which it is possible for the very wide range of issues raised by my topic to coexist, work off each other and

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16

Spencer, Beth. "The Body as Fiction / Fiction as a Way of Thinking: On Writing A Short (Personal) History of the Bra and its Contents." Thesis, University of Ballarat, 2006. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/62487.

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This thesis uses fiction as a research technology for investigating and thinking about issues to do with bodies and knowledge at the cusp of the 20th and 21st centuries. It includes sample material from a novel in progress -- A Short (Personal) History of the Bra and its Contents -- to illustrate some of the unique outcomes of this approach to exploring cultural history and writing cultural criticism. One of the advantages of fiction is that it allows me to create a discursive field in which it is possible for the very wide range of issues raised by my topic to coexist, work off each other and

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17

Spencer, Beth. "The Body as Fiction / Fiction as a Way of Thinking: On Writing A Short (Personal) History of the Bra and its Contents." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15469.

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This thesis uses fiction as a research technology for investigating and thinking about issues to do with bodies and knowledge at the cusp of the 20th and 21st centuries. It includes sample material from a novel in progress -- A Short (Personal) History of the Bra and its Contents -- to illustrate some of the unique outcomes of this approach to exploring cultural history and writing cultural criticism. One of the advantages of fiction is that it allows me to create a discursive field in which it is possible for the very wide range of issues raised by my topic to coexist, work off each other and

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18

Kemp, Joshua M. "Heartwood: Spiritual homebuilding and white-vanishing in Australian gothic fiction." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2022. https://ro.ecu.edu.au/theses/2549.

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This thesis represents the spiritual connection between a non-Aboriginal Australian and the Australian natural landscape through a creative work, Heartwood, and an exegesis, which engages with the white-vanishing trope in Australian Gothic fiction. It critically examines ways in which this trope has been used in Australian literature to, consciously or not, represent Aboriginal characters as Other, peripheral or absent, and sometimes appropriated their religious beliefs. Heartwood (2021) is an Australian Gothic novel which features two white Australian characters and their spiritual connection

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19

Penazzi, Leonardo. "The fellow (novel) ; and Australian historical fiction, debating the perceived past (dissertation)." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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Novel The Fellow What is knowledge? Who should own it? Why is it used? Who can use it? Is knowledge power, or is it an illusion? These are some of the questions addressed in The Fellow. At the time of Australian federation, the year 1901, while a nation is being drawn into unity, one of its primary educational institutions is being drawn into disunity when an outsider challenges the secure world of The University of Melbourne. Arriving in Melbourne after spending much of his life travelling around Australia, an old Jack-of-all-trades bushman finds his way into the inner sanctum of The Universi

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20

Rolley, Anne-Maree. "Cast iron and making fiction : a novel and critical essay /." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19339.pdf.

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21

Skyes, Gillian E. "The new woman in the new world : fin-de-siècle writing and feminism in Australia." Phd thesis, Faculty of Arts, 2002. http://hdl.handle.net/2123/16473.

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22

Ham, Rosalie, and rosalieh@optusnet com au. "Representations of men and women of the bush in Australian fiction." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080110.100527.

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At the heart of this exegesis is the city-bush gap and the rivalry and stereotypes that gap has generated. I acknowledge how and why our national identity evolved from the writing of the 1890s but I argue that most current artists, particularly novelists, have failed to incorporate the ongoing cultural, societal and industrial changes that have occurred since, particularly in the last thirty years. I assert that the majority of artists still refer to and draw inspiration from established, inaccurate myths and stereotypes rather than the bush and Australian characters of today. Through examinin

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23

Kwast-Greff, Chantal. "Distorted bodies and suffering souls : women in Australian fiction, 1984-1994." Toulouse 2, 2001. http://www.theses.fr/2001TOU20031.

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Ma thèse étudie l'image de la femme dans la fiction contemporaine australienne écrite par des femmes, en se concentrant sur la distorsion des corps et la souffrance psychique. Les outils forgés par la psychanalyse et l'humanisme, et les théories féministes, me permettent de construire un sens de ces histoires d'anorexie, de boulimie, d'auto-mutiliation et de meurtre d'enfant, une mise en relation du corps et de l'âme. Ma thèse est que le corps déformé fonctionne comme un signe, à la fois réaction et langage, qui est interprété socialement comme folie. Les personnages féminins opprimés inscrive

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24

Vlatkovic, Michelle. "Voice in Australian creative non-fiction: The project of my belonging." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/376833.

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The Notebook of Belonging engages with and contributes distinct values in relation to connection, belonging and narrative. Its ‘Voice’ situates an ontological approach originating from familial and cultural traditions. Multifaceted, it speaks to Western intellectual values, Aboriginality and the transformative nature of silence. Primarily a practise-based creative nonfiction project, the Notebook of Belonging has an embedded exegetical commentary. The exegetical cannot be sliced away at either end without weakening the centre; the centre is not as strong without the exegetical. In this way, th

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25

Bach, Lisa [Verfasser]. "Spatial Belonging: Approaching Aboriginal Australian Spaces in Contemporary Fiction / Lisa Bach." Gießen : Universitätsbibliothek, 2020. http://d-nb.info/121614284X/34.

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26

Byrski, Elizabeth. "Visible signs of ageing : representing older women in Australian popular fiction." Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/251.

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At the start of a new millennium, after thirty years of writing journalism and non-fiction, I began my first novel. I had always wanted to write fiction but the need to earn a living had kept me working to short deadlines with the reassurance of a pay cheque. It was when I was in my mid-fifties and searching for intelligent popular fiction featuring women of my own age as the central characters, that I drew a blank. This started me thinking; popular fiction was packed with younger women, but older women as central characters were noticeably absent, they were absent too from the other products

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27

Davies, Jasmine Yvette. "The candidate : a novella and examination of Australian Gothic crime fiction." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/37294/1/Jasmine_Davies_Thesis.pdf.

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Australia is a land without haunted castles or subterranean corridors, without ancient graveyards or decaying monasteries, a land whose climate is rarely gloomy. Yet, the literary landscape is splattered with shades of the Gothic genre. This Gothic heritage is especially evident within elements of nineteenth century Australian sensation fiction. Australian crime fiction in the twentieth century, in keeping with this lineage, repeatedly employs elements of the Gothic, adapting and appropriating these conventions for literary effect. I believe that a ‘mélange’ of historical Gothic crime traditio

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28

Kucharova, Sue. "The torch collector." Thesis, View thesis, 1999. http://handle.uws.edu.au:8081/1959.7/30737.

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The Torch Collector is a Magical Realist novel set in Sydney. It is a story of non conformity, history, hope. The story moves between three recognisable but not clearly identifiable spheres. A past, a present and the non identified other, which could be called the unreal, magical, other-worldly or third-dimensional The genderless protagonist collects torches which enable him/her to transgress the boundaries between the spheres of existence. S/he moves freely across filling the gaps in her/his identity created by her/his cross-cultural background. The novel examines life on the fringe of contem

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29

Hughes, Carolyn Mary. "The paradoxical taboo : white female characters and interracial relationships in Australian fiction /." St. Lucia, Qld, 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18008.pdf.

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30

Huggan, Graham. "Territorial disputes : maps and mapping strategies in contemporary Canadian and Australian fiction." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/29115.

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This dissertation represents an attempt to reflect and account for the diversity of maps and mapping strategies in contemporary Canadian and Australian fiction. Its methodology, outlined in the opening chapter, draws on a combination of geographical and literary theory, placing particular emphasis on semiotic and other post-structuralist procedures (reconstructing the map as model; deconstructing the map as structure). The map is first defined as a representational model, as an historical document, and as a geopolitical claim. Its status as model, document or claim brings into play a series of

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31

Barry, Michael, and n/a. "The long fall : Australian speculative fiction for adolescents as 'literature of anxiety'." University of Canberra. Creative Communication & Culture Studies, 2001. http://erl.canberra.edu.au./public/adt-AUC20060607.165243.

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32

Ungari, Elena. "Australian national identity/ies in transition in the fiction of Patrick White." Thesis, University of Wales Trinity Saint David, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683214.

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33

Thamm, Shane Peter. "My private pectus : the construction of masculinities in Australian young adult fiction." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/17221/1/Shane_Thamm_Thesis.pdf.

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In recent decades, male protagonists in Australian realist fiction for young adult readers have increasingly become more others-regarding, emotionally intelligent, and self-aware. (John Stephens 2000; Perry Nodelman 2002). Psychologist Roger Horrocks (1995) claims these protagonists are less “tendentious and more realistic” than male protagonists of the past. These boys, despite not bearing the hallmarks of hegemonic masculinity, develop subjective agency and ultimately propose new ways for young men to construct their gender identity. Using Phillip Gwynne’s (1998) Deadly Unna? and David Me

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34

Thamm, Shane Peter. "My private pectus : the construction of masculinities in Australian young adult fiction." Queensland University of Technology, 2008. http://eprints.qut.edu.au/17221/.

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In recent decades, male protagonists in Australian realist fiction for young adult readers have increasingly become more others-regarding, emotionally intelligent, and self-aware. (John Stephens 2000; Perry Nodelman 2002). Psychologist Roger Horrocks (1995) claims these protagonists are less “tendentious and more realistic” than male protagonists of the past. These boys, despite not bearing the hallmarks of hegemonic masculinity, develop subjective agency and ultimately propose new ways for young men to construct their gender identity. Using Phillip Gwynne’s (1998) Deadly Unna? and David Me

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35

Burns, Kathryn E. "This Other Eden: Exploring a Sense of Place in Twentieth-Century Reconstructions of Australian Childhoods." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1691.

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This thesis explores the sense of place formed during childhood, as remembered by adult Australians who reconstruct their youth through various forms of life writing. While Australian writers do utilize traditional tropes of Western autobiography, such as the mythology of Eden and the Wordsworthian image of the child communing with Nature, these themes are frequently transformed to meet a uniquely Australian context. Isolation and distance from Europe, and the apparent indifference of our landscape towards white settlement, have received much critical attention in Australian studies generally

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36

Weeda-Zuidersma, Jeannette Weeda-Zuidersma Jeannette. "Keeping mum representations of motherhood in contemporary Australian literature : a fictocritical exploration /." Connect to this title online, 2006. http://theses.library.uwa.edu.au/adt-WU2007.0054/.

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37

Voskuyl, Heather. "Plainsong or polyphony? : Australian award-winning novels of the 1990s for adolescent readers /." Electronic version, 2008. http://epress.lib.uts.edu.au/dspace/handle/2100/923.

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38

Anderson, Anastasia. "Synathesia : a novel." Thesis, Queensland University of Technology, 2001.

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It is important, if we are to know each other, that you also know my alphabet, because from the moment I hear your name - and ever after - I will associate you with a colour. Do not be offended; without it I would have bugger all chance of remembering what your name is. And please do not assume the colour of your name is in some way a reflection of your character: it is nothing more than the outcome of a struggle between the letters that make it up, of which the first will almost always win. Like, I have this friend, Colin, and his name is pink. And when I told him this he looked bemused and

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39

Bell, Pamela. "Art that never was : representations of the artist in twentieth-century Australian fiction." Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

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This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other co

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40

Booth, Sharron. "Venturing into silences:The silence of water (novel) - and - Convicts, women and Western Australian stories (essay)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2020. https://ro.ecu.edu.au/theses/2312.

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This thesis examines the harsh impact of convict transportation on Western Australian life and literary production with a novel, “The Silence of Water”, and an accompanying essay. The Swan River Colony (Western Australia) was established in 1829 with the express intention never to accept convicts; however, almost 10,000 men were transported there from Britain between 1850 and 1868. “The Silence of Water” depicts the life of one convict, Customs and Excise officer and former tailor Edwin Thomas Salt, who was convicted of the murder of his wife, Mary Ann, in Edinburgh in 1860. The case attracted

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41

Hawryluk, Lynda J., University of Western Sydney, of Arts Education and Social Sciences College, and of Communication Design and Media School. "Call waiting." THESIS_CAESS_CDM_Hawryluk_L.xml, 2001. http://handle.uws.edu.au:8081/1959.7/6.

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This thesis examines the life and career of Bret Easton Ellis, and the influences of his work on the author's development as a writer. Part one encapsulates a novel written specifically for this thesis. 'Call waiting' is a harsh look at modern friendships, the role of work in these relationships and the proliferation of shallow communication through the advent of email. A critical reflection follows, examining the process that led to the novel's creation. Three specific areas are focussed on: the direct influence of Ellis' novel 'The rules of attraction' on the overall themes of 'Call waiting'

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42

Kucharova, Sue. "The torch collector /." View thesis, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030905.143557/index.html.

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43

Brooklyn, Bridget. "Something old, something new : divorce and divorce law in South Australia, 1859-1918." Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.

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44

Wanning, Sun, and n/a. "The literature of fact : a study of the representations of Chinese society in some Australian fiction and non-fiction writings." University of Canberra. Communication, 1991. http://erl.canberra.edu.au./public/adt-AUC20061109.174027.

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The present study argues for a generic approach to the study of the representation of Chinese society in a selection of Australian fiction and non-fiction writings, based on the assumption that how China is represented is as important as what is represented. The three works that will be used to represent travel literature, journalism and the novel are: The East Is Red by Maslyn Williams, Real Life China by Richard Thwaites, and the Avenue of Eternal Peace by Nicholas Jose, all of which have been written by contemporary Australian writers. The study re-examines the obligations and meanings inhe

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45

Jarvey, Ali Marie. "On the corner of north and nowhere. A novel ‐ and ‐ Going back to go forward: An invitation to get lost. A critical essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1931.

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This thesis comprises a young adult (YA) novel called On the Corner of North and Nowhere and an exegesis entitled ‘Going Back to Go Forward: An Invitation to Get Lost’. On the Corner of North and Nowhere follows 18‐year‐old Nev Isles, who lives and works at Cleary’s, her grandmother’s art retreat in the Perth Hills. She dwells happily in an old cottage by herself, until her mother decides that she wants to move there too. Rather than live with her again, Nev runs away with her friend, Cole, set for the WA roads she travelled as a child and the mining town of Newman, where her father lives. The

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46

Van, Langenberg Carolyn. "With tender contempt /." View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051122.103129/index.html.

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Thesis (Ph.D.) -- University of Western Sydney, Nepean, 2000.<br>"A thesis submitted to fulfil the requirements for the award of the degree Doctor of Philosophy from the University of Western Sydney, Nepean" Bibliography : leaves 327-348.

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47

Perrin, Steve. "The plughole of time." Thesis, View thesis, 2003. http://handle.uws.edu.au:8081/1959.7/30107.

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This thesis is comprised of a survey of all the varying influences behind the author's art making. All pre-occupations are included, the concepts of childhood memory; the use of imagination; the ability to comprehend and put together an old fashioned story in varying forms; as well as considering the notion of blurring historical and actual fact with personal elements of fantastical fiction. These themes have all been threaded delicately through the motif of time-travel, the author's personal favourite of literary genres. The main aim has been to make an attempt to re-create the feelings of ch

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48

Hawryluk, Lynda J. "Call waiting." Thesis, View thesis View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/6.

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This thesis examines the life and career of Bret Easton Ellis, and the influences of his work on the author's development as a writer. Part one encapsulates a novel written specifically for this thesis. 'Call waiting' is a harsh look at modern friendships, the role of work in these relationships and the proliferation of shallow communication through the advent of email. A critical reflection follows, examining the process that led to the novel's creation. Three specific areas are focussed on: the direct influence of Ellis' novel 'The rules of attraction' on the overall themes of 'Call waiting'

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Ritchie, Nicol James Samuel. "‘Passion Du Sens’ for an Australian Novella-Bildungsroman: an Australian fiction writer’s purpose-driven exploration of the novella-Bildungsroman form." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15493.

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This thesis consists of a novella and an accompanying exegesis. The exegesis is a critical reflection on the process of creative writing and research that resulted in The Deaths (the novella-Bildungsroman here included). The fiction-writing process also hinged on the periodic specialist-reader feedback of my supervisor, which was brought to bear at various major draft stages. The practical impact of this feedback is also reflected in the exegesis. The exegesis is by no means offered as exhaustive, or prescriptive; it is not a manifesto on how to write a novella-Bildungsroman (or, more specific

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Thistleton-Martin, Judith. "Black face white story : the construction of Aboriginal childhood by non-Aboriginal writers in Australian children's fiction 1841-1998 /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20031024.100333/index.html.

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