Tesis sobre el tema "Australian journalists"

This thesis examines the changing professional practice of Australian journalists since they began reporting in Indonesia from 1945. Existing literature on the Australian media in Indonesia has emphasised the problem of biased and troublesome Australian journalists who have deliberately caused bilateral relations disturbances between Australia and Indonesia. It is argued that the existing literature overstates the agency of Australian journalists, and downplays the attitudes and roles of governments and news forces in the shaping of journalists’ professional practice. This thesis will show how Australian journalists and their Indonesian staff have attempted to report what they saw as the ‘truth’ from the archipelago, yet have been subjected to numerous pressures and vii constraints that hinders their professional practice and limits their autonomy. In particular, Indonesian staff working for Australian news agencies have been subjected to numerous pressures from a hierarchical system of newsgathering and from their own government. The Indonesian Government and military have attempted to control the flow of news through often crude and violent tactics to hinder journalists’ professional practice. The Australian Government, which supports the notion of a free press, has also limited Australian journalists’ professional practice in Indonesia. The news system requirement for journalists to seek elite sources and the improvements in communications technology have also hindered the freedoms for Australian journalists as they operate from Indonesia. Thus, it is argued that Australian journalists in Indonesia and their local staff have worked under a range of constraints and have been pressured to serve a variety of competing masters in reporting from the archipelago. Their work has to be understood as a complex artefact crafted in response to this range of insistent and intrusive pressures.

The notion of the 'public intellectual' has been a recurring discussion topic within sociology and the humanities for decades. Yet it has been largely neglected within media and cultural studies. Accordingly, few scholars have discussed in much depth how public intellectuals operate within the media and what functions this media role may facilitate. Intellectuals in the Australian Press is an exploration into this generally overlooked area of scholarship. It aims to provide three levels of insight into the topic. Firstly, the study looks closely at the appearance and the function of public intellectuals in the Australian press. It outlines how public intellectuals contribute to the newspapers and how newspapers contribute to Australian public intellectual life. Secondly, the thesis outlines and examines in detail three types of public intellectual in Australia. Specifically, it examines the journalist, the academic and the think tank researcher as types of intellectual who write regularly for Australia's newspapers. Thirdly, Intellectuals in the Australian Press delivers detailed intellectual biographies of three of Australia's most prominent press intellectuals, each of whom exemplifies one of these three categories. These commentators are The Australian's Paul Kelly, The Age's Robert Manne, and the Sydney Morning Herald's Gerard Henderson.

This dissertation questions whether the current system of journalistic self-regulation in Australia can give effect to ethical journalism given the conceptual paradigms that have informed its understanding of journalism and journalism ethics. It argues the ideological focus of journalistic self-regulation has constrained the current system's ability to encourage ethical journalism. By taking a grounded theory approach to developing an alternative theory of journalism, this study attempts to fill a void in the reform of journalistic self-regulation in Australia by first highlighting the shortfall in recent reviews. It then argues reform must address the ideological focus of the journalism industry. This means looking at the ideologies espoused in the industry codes. It also means looking at the ideologies that frame how values reflected in the codes are interpreted. In summary, my aim in this dissertation is to articulate a praxis-driven theory of journalism by which to examine the suitability of the Australian self-regulatory environment to give effect to ethical journalism. This will be done by: mapping the current system of journalistic self-regulation; distilling the ideological foci of contemporary interpretations of journalism and journalism ethics; postulating an alternative theory of journalism as practice; evaluating the current system of self-regulation in light of the theory of journalism as practice; and recommending an alternative model of self-regulation that takes account of the theory of journalism as practice. The grounded theory approach to this study involves a textual analysis of a representative sample of self-regulatory codes to identify deficiencies in the way philosophical understandings of identity and ethics have been applied to journalism. By highlighting the gaps in the conceptual paradigm that frames the current theories of journalism and journalism ethics, I offer insights into key problems facing industry self-regulation. Given its grounding in substantive data analysis, the theory developed in this study is able to offer significant insights into ways of improving journalistic self-regulation to encourage ethical journalism. By categorising the self-regulatory codes according to ideology, I aim to explain how core journalistic values can be marginalized. Thus, this study aims to reveal problems with the way in which journalism self-regulation has been conceptualised and operationalised. In this way, it uses the tools of meta-ethics and normative ethics to analyse an ethical problem. Thus the grounded theory emerging from this study falls into the conceptual category of applied ethics. This approach offers a flexible methodology that allows the development of an emergent theory based on raw data derived from the various codes that operate within the journalistic self-regulatory environment. The research problem starts broadly, looking at the ability of the current system of journalistic self-regulation to encourage ethical journalism. The focus of the study is on organizational ideology and conceptions of journalism, rather than individual values of journalists. Through a process of constant comparison I will focus the research problem, constructing a theoretical framework to evaluate whether the current system of journalistic self-regulation can encourage ethical journalism. To achieve these objectives, the study will canvass both process (the ability of self-regulation to give effect to ethical journalism) and action (building a theoretical framework for conceptualising reform). A grounded theory approach offers a way of categorising conceptions of journalism and self-regulation allowing me to develop an alternative theory of journalism that promotes a holistic approach to journalism ethics. This study does not purport to offer final solutions to the ethical problems within Australian journalism. It does, however, aim to present an alternative pathway towards reform of journalistic self-regulation in Australia that focuses on encouraging ethical journalism and expanding the theoretical paradigms that shape current approaches to ethics.

Thesis (MA)--Macquarie University (Division of Society, Culture, Media & Philosophy, Dept. of Media and Communications), 2006.
Bibliography: leaves 176-188.
Precursors -- An imperfect war -- Interregnum -- The perfect war -- Conclusions.
This thesis explores how war reporting on Australian television has been dramatically reshaped over the last 40 years, particularly by new technologies. Specifically, it seeks to answer these questions: 1. How did differing cultural, social, political and professional contexts, available technology and battlefield experience affect the attitudes, editorial content and narrative forms of two generations of television correspondents - in Vietnam and Iraq respectively? 2. How did technological and other industry changes over the 30 years between Vietnam and Iraq reshape the power relationship between the war correspondent in the field and his news producers and managers? What impact did these changes have on the resulting screened coverage? What are the longer-term implications for journalism and for audiences?
Mode of access: World Wide Web.
192 leaves ill. (some col.)

This thesis consists of an introduction and six of my books, published between 1985 and 1999, on aspects of the history of women in nineteenth-century Australia. The books are The Governesses: Letters from the Colonies 1862-1882 (1985); A Colonial Woman: The Life and Times of Mary Braidwood Mowle 1827-1857 (1986); Pen Portraits: Women Writers and Journalists in Nineteenth Century Australia (1988); Pioneer Writer: The Life of Louisa Atkinson, Novelist, Journalist, Naturalist (1990); Tasma: The Life of Jessie Couvreur (1994); and Rosa! Rosa! A Life of Rosa Praed, Novelist and Spiritualist (1999). At the time they were published each of these books either dealt with a new subject or presented a new approach to a subject. Collectively they represent a body of work that has expanded knowledge of women's lives and writing in nineteenth-century Australia. Although not consciously planned as a sequence at the outset, these books developed as a result of the influence on my thinking of the themes that emerged in Australian social and cultural historical writing during this period. The books also represent a development in my own work from the earlier more documentary-based books on letters and diaries to the interpretive challenge of biographical writing and the weaving of private lives with public achievements. These books make up a cohesive, cumulative body of work. Individually and as a whole, they make an original contribution to knowledge of the lives and achievements of women in nineteenth-century Australia. They received critical praise at the time of publication and have led to renewed interest and further research on the subjects they cover. My own knowledge and expertise has developed as a result of researching and writing them. The Governesses was not only the first full-length study of a particular group of letters but it also documented aspects of the lives of governesses in Australia, a little researched subject to that time. A Colonial Woman, based on a previously unpublished and virtually unknown diary, pointed to the importance of 'ordinary' lives in presenting an enriched view of the past. Pen Portraits documented the early history of women journalists in Australia, a previously neglected subject. Three of the women I included in Pen Portraits, Louisa Atkinson, Tasma and Rosa Praed, the first two of whom were pioneer women journalists as well as novelists, became the subjects of my full-length biographies. In my biographies of women writers, Pioneer Writer, Tasma, and Rosa! Rosa!, I recorded and interpreted the lives of these important writers placing them in the context of Australian cultural history as women who negotiated gender barriers and recorded this world in their fiction. My books on Louisa Atkinson and Tasma were the first full-length biographies of these significant but largely forgotten nineteenth-century women writers, while my biography of Rosa Praed was the first for more than fifty years. Each introduced original research that changed perceptions of the women's lives and consequently of attitudes to their creative work. Each provided information essential for further research on their historical significance and literary achievements. Each involved extensive research that led to informed interpretation allowing insightful surmises essential to quality biography.

This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. It therefore might be more worthwhile for scholars to think about, research and teach journalism in the plural: as a series of complementary or antagonistic journalisms, rather than as a single coherent entity.

The Larrikin Paradox is concerned with the unexplored nexus between Australian journalism's larrikin tradition and Enlightenment-informed normative theories relating to journalism's public responsibility in liberal democracy. Australian journalism's larrikin tradition, with its connotations of irresponsibility, has so far been considered an inappropriate lens through which to conceptualise Australian journalism's public role. Yet, paradoxically, it is the larrikin's capacity for irresponsibility that gives him, or her, the potential to be an enacting agent of Australian journalism's public responsibility. Using a form of Cultural Historiography, The Larrikin Paradox tests this Thesis Statement: In Australian history, larrikin journalists have been responsible for facilitating and protecting democratic freedom in the public sphere from authority. Because this freedom is in a state of vulnerability, contemporary Australian journalism still needs its larrikin tradition to vouchsafe a work culture capable of maintaining its declared responsibility to 'inform citizens' and 'animate democracy'. However, the dearth of theory concerning the larrikin as a democratic figure has meant that The Larrikin Paradox has had to conceptualise it, more or less, from scratch. After first assembling the figure from over a century of references to the larrikin, The Larrikin Paradox approaches this conceptualisation using a process of historiographical recovery and interpretation. Using a literature review of larrikinism in general, The Larrikin Paradox investigates a possible larrikin axiology relevant to Australian journalism micro-culture. This axiology is gleaned from an analysis of the term's meanings in sources such as dictionaries and commentaries on Australian English, as well as biographical and autobiographical material directly related to Australian journalism. Once gleaned, this axiology is used to inform an investigation into the history of larrikinism in Australian journalism. The history is drawn from those salient sources of journalism as a micro-culture: biographies and autobiographies by, or about, Australian journalists. Here we assume that our axiological 'compass' can help us seek out the larrikin elements in those micro-cultural sources; thereby identifying manifestations of larrikinism within almost 150 years of Australian journalism history. With larrikinism's historical and axiological significance established, The Larrikin Paradox moves on to a comparative analysis of Australian journalism during the Whitlam (1972 - 1975) and Howard (1996 - 2007) eras using oral history and industry-specific publications. This part of the investigation finds there is marked divergences in Australian journalism's cultural interpretation of its larrikin tradition arising from distinct socio-political contexts. In short, the Howard generation (1996 - 2007) of journalists is found to be less larrikin than those of the Whitlam generation (1972 - 1975). However, with the cultural theories of Stuart Hall (1978) and Raymond Williams (1958, 1977) in mind, The Larrikin Paradox concludes that the larrikin, as a democratic figure, can be re-constructed within the micro-culture of Australian journalism.

Thesis (Ph. D.)--University of Sydney, 1991.
Title from screen (viewed June 17, 2009) Degree awarded 1991; thesis submitted 1990. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Includes bibliographical references. Also available in print form.

This research thesis investigates news journalists?? role in the promotion and protection of peace and human rights. I explore how news journalists do not just have the ability, through the discursive selections they make, to be a catalyst for peace and non-violent solutions, it is their obligation under international human rights. My study links arguments about universal ethics for media based on international human rights with the practical and analytical approach of ??peace journalism??. The main argument rests on the idea that objectivity or impartiality in news journalism does not equal ethical neutrality since there is always a discursive selection made by the news journalists. In order to monitor whether news journalists discursive selections comply with the international human rights obligations, I have explored how the Human Rights and Equal Opportunities Commission (HREOC) report A Last Resort? were covered in three Australian newspapers when it was published in 2004. The HREOC report was a testament of human rights abuses by the Australian Federal Governments towards children in Australian detention centres. I establish that health professionals were a significant group for both HREOC??s main findings and recommendations and a key group for the contextualisation of the human rights violations explored and exposed in the HREOC report. Informed by conflict analysis and peace studies theories I argue HREOC establish how the detention policy equals ??structural violence?? that caused ??direct violence??, which was justified and normalised because ??cultural violence??. I use discourse analysis to explore the discursive selections in the newspapers, and establish that the report received limited coverage and health professionals were omitted in the news while the political conflict was reported. This trivialised the report and health professionals?? role, which led to the naturalisation and normalisation of the violence. I finally reinforce these finding by exploring alternatives to the coverage using a peace journalism framework, which further clarifies the subjective nature of the discursive selection.

The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. This thesis, therefore, argues that the production of music journalism is one that is influenced by the practices of consumption.

Doctor of Philosophy(PhD)
This thesis is a contrastive genre study which explores newspaper commentaries on terrorism in Chinese and Australian newspapers. The study examines the textual patterning of the Australian and Chinese commentaries, interpersonal and intertextual features of the texts as well as considers possible contextual factors which might contribute to the formation of the newspaper commentaries in the two different languages and cultures. For the framework of its analysis, the study draws on systemic functional linguistics, English for Specific Purposes and new rhetoric genre studies, critical discourse analysis, and discussions of the role of the mass media in the two different cultures. The study reveals that Chinese writers often use explanatory rather than argumentative expositions in their newspaper commentaries. They seem to distance themselves from outside sources and seldom indicate endorsement of these sources. Australian writers, on the other hand, predominantly use argumentative expositions to argue their points of view. They integrate and manipulate outside sources in various ways to establish and provide support for the views they express. It is argued that these textual and intertextual practices are closely related to contextual factors, especially the roles of the media and opinion discourse in contemporary China and Australia. The study, by providing both a textual and contextual view of the genre under investigation in the two languages and cultures, aims to establish a framework for contrastive rhetoric research which moves beyond the text into the context of production and interpretation of the texts as a way of exploring reasons for the linguistic and rhetorical choices made in the two sets of texts.

The present study examined the role of the Korean ethnic press in Australia with special reference to the ways in which their professional backgrounds shaped the construction of the news content of their newspapers. The study sample consisted of six Korean ethnic newspapers produced in Sydney. Both intrinsic and extrinsic factors relevant to the role of journalists were identified in interviews with the editors and publishers. The overall news content was analyzed through quantitative and qualitative content analysis. The principal finding of this study was that none of Shoemaker's (1987) theoretical statements about how economic factors shape news content could be applied to the Korean ethnic press in Australia. Despite their reliance on commercial sources for their economic survival, all six papers devoted more space to issue oriented news than to event-oriented news, and were not responsive to their readers and advertisers in Shoemaker's terms. Journalistic professionalism as discussed by Henningham (1989) also was treated as a less important factor by Korean ethnic newspaper staff. Rather the professional identity of the ethnic press editors and publishers was grounded in the culture of their local community instead of in the mainstream standards of It is concluded that Korean ethnic newspapers in Australia have more pragmatic criteria both for the selection of their news content, and for the professional standards of their newspaper staff.

Australian newspapers in recent years have increased significantly the column space devoted to obituaries. The Sydney Morning Herald, the Australian, the Age, the West Australian, the Herald Sun, the Canberra Times, the Advertiser, and the Courier-Mail now publish them in dedicated sections, often allocating an entire page to the obituary art. Their popularity in Australia follows a pattern established during the 1980s in Britain and the United States. Australian practice has been influenced in particular by developments in British journalism, which has seen a phenomenon described by the Wall Street Journal as ‘an odd revival…the rebirth of long newspaper obituaries’.† In its first incarnation, the obituary can be traced to the newsbooks of England which appeared in the 1660s, during the Restoration. It flowered in the 18th century, in the first daily newspapers and magazines; it grew luxuriant, and sometimes ornate, in the 19th century; it became unfashionable and fell into some general neglect in the 20th. Then, with the appointment of reformist editors and, particularly in Britain, the publication of bigger newspapers by an industry no longer subjected to labour restraint, the obituary itself experienced restoration. Though the momentum of renewed practice has been of mutual rapidity on three continents, there are some significant variations in its application. The American product generally favours a style faithful to news-writing principles so far as timing and content are concerned and is frequently expansive when relating the details of surviving family and funeral arrangements. In Britain, the emphasis is more on creative composition and a recitation of anecdotes, with less of a sense of urgency about news value and a consequent accent on character sketch. Both models, in recent years, have displayed a propensity for explicit appraisal and an increasing willingness to publish obituaries of those who have undermined, rather than adorned, society. Newspapers in Australia, while adopting the obituary with apparent fervour, have found their delivery of the product restrained by a lack of resources. Obituary desks in this country are staffed by a solitary journalist-editor. This has resulted in a reliance, often to an unhealthy degree, on contributions by readers. The tone of this material, with its intimacy of address and excess in sentiment, sits uneasily when appearing on the same page as obituaries syndicated from overseas sources. Contemporary obituary publication in the United States has been subjected to some scholarly analysis in terms of gender balance, identification of cause of death, and the demographic mix of its subject selection. This thesis, by means of a six-month content analysis, addresses such questions for the first time in an Australian context. In addition, it examines issues of style, origin and authorship. It finds that cause of death is identified much less than is the case in American obituary practice, that women are significantly under-represented, and that editing is sometimes haphazard. Nevertheless, the accumulated body of evidence points resolutely to a remarkable reinvigoration of practice in Australia’s daily newspapers. The thesis, by discussing the views of specialists in the field of obituary publication, pursues mechanisms for sustaining the momentum and for improving the product.

Doctor of Philosophy (PhD)
Television is the favoured news source for most Australians and is regarded as having the potential to influence public opinion. From its inception however, television has been regarded as ill-suited to cover economic and business issues because of a perceived reliance on visual material and an inability to deal with complex issues. This tyranny of vision has been mitigated by technological developments such as electronic news gathering (ENG) and satellites that provide large amounts of varied material as well as improvements in production tools that assist the visual presentation of abstract concepts. The presentation of complex issues has also been enhanced by the increased skills and knowledge among newsworkers. Economic and business news has become a staple in television news programs and has evolved from ritualised reporting of data such as market indices and exchange rates to a genre that shares broader news values such as consequence, conflict, proximity, human interest, novelty, prominence, political controversy and scandal. Economic and business news also shares the normal imperatives of television such as a strong reliance on scheduled occasions and reliable and prolific sources. In between occasions of economic, business and political controversy or scandal, these programs are able to rely on a steady supply of economic, business and investment information. Dedicated economic and business segments and programs and now even whole channels meet two sets of demands. One is those of niche audiences seeking news and information on economic and business conditions, economic debate and policy making, the activities of economic and business leaders and an opportunity to hear and observe economic and business leaders. The other is from broadcasters seeking to maximise their profits by attracting viewers in the AB demographic (those with the greatest disposal income) to otherwise poorly-performing time slots, by broadcasters seeking an inexpensive and dependable supply of programming material and by broadcasters seeking to promote their institutional role and specific programs through presenting material that is followed up by other media. Economic and business reports however, continue to portray issues in a limited way that neglects business’s interaction with workers and the larger social environment. Economic events are often framed as political competition. These reports present a hierarchy of sources and privilege political and business elites. Television news favours debate that is presented by individuals as contrasting causal narratives. Political and economic sources have become adept at presenting brief causal narratives in response to the requirements of television. This approach highlights celebrities and favours the promotion of agency over structure. The increase in total economic and business reporting boosts the interdependence of television and political and economic sources. Technological development is continuing and traditional free-to-air television audiences are being eroded by pay television and the internet. Although these are altering the nature of political, economic and business debate their overall influence is difficult to determine.

In this thesis I address the research question: 'How has the Internet delivered pluralism by promoting structural diversity and/or content diversity in Australia's newspaper industry?' Structural diversity is defined here as diversity in newspaper ownership and content diversity as the diversity of views published by individual newspapers. Central to the thesis is the notion of pluralism, the belief that the news media should provide a range of views and opinions, contradictory as well as complementary, to allow informed citizens to effectively take part in the democratic process. The newspaper industry in this country, however, is controlled by a powerful press oligopoly across a range of markets, a situation believed to greatly limit pluralism. A review of newspaper ownership and circulation from 1986 to 2002 shows that, as at 2002, four newspaper owners are the sole occupants of Australia's national and capital city newspaper market. Seven owners are predominant in Australia's regional daily newspaper market, although just three owners controlled 69 per cent of the market's circulation in 2002. Two owners controlled 69 per cent of Australia's suburban newspaper market in 2002. Similar trends were seen in the country's Saturday newspaper and Sunday newspaper markets. In all markets except the regional daily newspaper market, News Limited is the dominant newspaper owner. Australian Provincial News and Media is the dominant owner in the regional daily newspaper market with a 27 per cent share of circulation in 2002. Australia's concentrated newspaper ownership structure has led to a number of formal inquiries into diversity in the industry since 1980. In this thesis I review two of these inquiries, the 1991-92 House of Representatives Select Committee on the Print Media (the Print Media Inquiry) and the 2000 Productivity Commission Inquiry into Broadcasting, to determine (among other things) the nature of and the relationship between structural and content diversity as they apply to Australia's newspapers. (By virtue of major media groups' involvement in the Productivity Commission's inquiry - particularly News Limited, Publishing and Broadcasting Limited and, to a lesser extent, Rural Press - this inquiry, although broadcast-oriented, considered Australia's newspaper industry at length.) This review shows both inquiries were clear on how they saw this relationship - structural diversity is necessary for content diversity. However, the Print Media Inquiry suggested it was almost impossible to guarantee structural diversity in the nation's newspaper industry. The Productivity Commission, meanwhile, said that while it accepted content diversity was not inconsistent with media ownership concentration, it was more likely to be achieved where there was diverse ownership. With the relationship between structural and content diversity in mind, and the Print Media Inquiry's and the Productivity Commission's beliefs that new entrants in the newspaper industry were unlikely in the short term, I examine the suggestion that the Internet has the potential to increase structural diversity in Australia's newspaper industry by allowing new players to efficiently enter the industry via the World Wide Web. The extent to which this might occur is determined by a study of 18 Australian newspaper websites with one argument being that if established newspapers find the transition online relatively easy, then independent online-only news sites might be similarly established. Mings and White's four online news business models - a subscription model, advertising model, e commerce-based transactional model and partnership-based model - are used as a framework to examine the study's results. The study shows Australia's experience mirrors international experience in terms of the growth of newspapers online and in terms of their lack of profitability. It shows that 28 per cent of the newspapers surveyed maintained their circulation while offering free online news content, while a further 33 per cent registered circulation increases. Advertising revenue increased for seven of the nine newspaper websites containing advertising, suggesting that, for some Australian newspapers at least, gaining online advertising (as opposed to gaining overall profitability) has proved successful. And while the survey shows little evidence of Australian newspapers using the transactional model in any real sense, it does show that Australian newspapers are forming local online partnerships with other media and non-media businesses to facilitate their online activities. The study's key finding is that of the 18 newspapers surveyed, just two websites were profitable. This finding is consistent with literature that highlights a lack of commercially viable independent online news ventures both in Australia and internationally. While considerable hopes were held that the Internet would introduce more structural diversity into Australia's newspaper industry, I argue that the Internet's commercial imperatives, as they apply to newspapers, have to a large extent precluded it from adding structural diversity in the industry. In these circumstances, it may be that the only viable way of increasing content diversity in the nation's newspaper industry is to increase the availability of diverse information sources to journalists. I propose that one way to do this is via the Internet. The extent to which this is occurring is determined by a survey of Australian journalists' Internet use, the survey results showing that 97.4 per cent of the journalists who responded now use the Internet regularly, including 97.5 per cent of newspaper journalists. But most journalists who responded use the Internet as a preliminary research tool and as a way to check facts rather than as a means of accessing diverse news sources. The respondents' top five Internet uses, for example, are to e-mail work colleagues, to undertake preliminary research, to access media releases from websites, to verify facts and to search other news organisations' websites. They access major news organisation websites most frequently, followed by government websites, university/research institution websites and corporate/company websites. The least frequently accessed websites are those that could conceivably provide the alternate views demanded by pluralism: online news and current affairs discussion groups and websites set up by private individuals. The survey shows the types of websites Australian journalists most frequently access are linked to the credibility they give to information contained on those websites. Major news organisation websites are seen as providing the most credible information, followed by university/research institution websites and government websites. Websites perceived as providing the least credible information were those that host online news and current affairs discussion groups and websites set up by private individuals. The survey also shows Australian journalists have not embraced online reader interaction to any extent, lessening the likelihood that readers will be able to provide journalists with more diverse news sources. Less than 20 per cent of journalists interact with readers via the Internet and less than 10 per cent use this interaction to create or follow up news stories. The survey does provide results that support source diversity, however. It shows that almost a third of Australian journalists have obtained additional news sources via the Internet. The Internet has also allowed more than 40 per cent of journalists to access individuals or groups that they would not otherwise have accessed. The survey also shows that journalists who have had experience working in the online media environment consistently use the Internet more productively, in terms of diversity, than other journalists. It is these journalists that interact online with readers more, that participate in online discussion groups more and that appear more willing to seek online information from non-traditional sources such as independent news websites and the websites of private individuals or groups. Journalists with online media experience also represent the group that has most sought training in online journalism and online media practice and that most believes the Internet will play an increasingly important role for journalists and news consumers in the future. At present, the survey suggests, journalists with this online media experience comprise just 19 per cent of Australian journalists. But as the number of journalists with online media experience increases in the workforce, these journalists' greater acceptance of the Internet may then assist in greater source diversity leading to greater content diversity in Australia's news media. The studies of newspaper websites and journalists' Internet use suggest and support differing diversity models. In this thesis I propose two models for diversity, the first drawn from views espoused by the Print Media Inquiry and the Productivity Commission's Inquiry into Broadcasting. This model (below) sees a one-to-one correspondence between structural and content diversity and assumes that to increase the diversity of views available to the public, the number of media outlets must similarly be increased. The argument that the Internet can provide media pluralism by permitting new players to enter the media market relatively easily, an argument tested by my study of Australian newspaper websites, is commensurate with this model. The second model is based on my inquiries into journalists' Internet use and proposes a method of increasing content diversity within a fixed media ownership structure. This model (below) acknowledges that journalists produce content mostly via traditional news sources, but proposes this content can be increased and/or changed, with an emphasis on more diverse information, via non-traditional news sources obtained via the Internet. The success of this model, however, is predicated on journalists' acceptance of online information as a viable news source. The implication for journalism is that established journalistic norms and practices, which can limit online-supported content diversity, need to be overcome. Overall, the results of my inquiries suggest the answer to the research question is that the Internet has so far delivered little in terms of structural and content diversity in Australia's newspaper industry. However, the Internet's potential to do so remains, particularly if independent online-based media ventures find ways to become commercially viable and if journalists adopt the technology as a means of finding more diverse news sources.

This thesis sheds light on the ways in which audiences are made through the relationships between organisational policy and news production practice. It explores the relationships between news practitioners� perceptions and definitions of audiences, production, and organisational policies, using the radio news service of the Australian national public broadcaster, the Australian Broadcasting Corporation (ABC). In so doing, the thesis demonstrates that production, in its institutional context, is a crucial site for the creation of audiences in the study of news journalism. In the process, it illuminates the role of public service broadcasting, in a world of digital media The conceptual framework utilises a new approach to framing analysis. Framing has been used to examine the news "agenda" and to identify the salient aspects of news events. This thesis demonstrates ways in which framing can be used to research important processes in news production at different levels, from policy level to that of professional culture, and generate insights to the relationship between them. The accumulated evidence of the bulletin analysis - using structural and rhetorical frames of news - field observation and interviews, shows that a specific and coherent audience can be constructed as a result of newsroom work practices in combination with organisational policies. The thesis has increased knowledge and understanding both of how news workers create images of their audiences and what the institutional factors are that influence the manufacture of audiences as they appear in the text of news bulletins.

Denna uppsats syftar till att få en generell uppfattning av hur svenska medier rapporterar om vildmarksbränder som sker i ett annat land. I vårt fall fokuserar vi på bränderna i Australien säsongen 2019/2020 och hur svenska medier rapporterade om dessa med särskilt intresse för gestaltningsformer, berättartekniker och på vilken nivå rapporteringen skedde. I samband med fysiska kriser, som vid isolerade naturkatastrofer, är det vanligt att rapportera inom ramen för en nationell medielogik. Men i en globaliserad värld där det krävs lösningar på en transnationell nivå argumenterar medieforskare för att journalistiken behöver en global utblick i sin rapportering. Bränderna tros bli värre till följd av klimatförändringarna och den globala uppvärmningen (Intergovernmental Panel on Climate Change 2019). Därför betonar även vissa forskare vikten av en hållbar journalistik som inkluderar samtliga aspekter av ekologiskt, ekonomiskt och socialt. Dessutom kan krisjournalistik behöva kliva ur sin nationella skrud. Denna uppsats använder en kvantitativ innehållsanalys på fyra av Sveriges största tidningar. Resultatet visar att medierna rapporterade på en nationell nivå där gestaltningsformer som fokuserar på mänskliga aspekter var vanligast. Rapporteringen visar symtom på en styrning av medielogiken där bland annat personifiering och konkretisering identifierades. Däremot visar resultatet att klimatförändringarna nämndes i samma kontext som bränderna i cirka 40 procent av fallen. Jämfört med tidigare forskning är det en ökning. Dock misslyckades rapporteringen att implementera en global utblick och visar förhållandevis få symtom på en global journalistik.

Media, being a strongly cultural specific phenomenon is always closesly connected to society. The role of a journalist is influenced by the same process. This thesis is focused on the evolution of the journalism profession in a young and unfamiliar Australian environment and it's differences to a European journalstic environment where the profession has been evolving for a much longer period. Journalism was "imported" to the Australian Continent during British colonisation. This diverse evolution of the journalism profession post colonisation has influenced contemporary journalism education at Australian Universities. Analysis of the study curiculums of Six Universities (Three Czech Universities, which represent the academic model for European academic traditons, and three Australian Universities) will show that differences in journalistic education have strongly influenced the preparation of students into the journalism profession. The thesis will aim to show that Australian Universities are strongly oriented toward practicing skills. This will be shown to be in comparrison to the Czech Universities which focus on principles of general academic knowledge and understanding in the wider context of the journalism profession.

The Internet is now a significant medium for sport coverage, allowing fans to access the latest news about their favourite team, sport or event. To date, Internet sport journalists, the content creators of sporting news websites, have received little attention in academic research. Accordingly, the aim of this research project was to construct a profile of Australian Internet sport journalists within the context of recent developments in the field of sport and new media. In terms of print journalism, some researchers have previously examined the educational background, working practices and self-assessment of print sport journalists. Similar themes were explored in this thesis, using semi-structured interviews with thirteen Internet sport journalists. Key research questions that guided the study were: How did the subjects become Internet sport journalists? What are their work routines? What are their experiences of online sport journalism and what is their perception of the future of sport journalism? It was discovered that, with certain limitations, traditional journalism skills still apply to the Internet sport environment. In comparison to print media, Internet sport journalists tend to write shorter articles, have to respond to a continuous deadline and do not work within a traditional beat system. In addition, it can be noted that the interactivity of the Internet forces Internet sport journalists to continually re-evaluate their skills and the manner in which they respond to their audience. Overall, this thesis provides important insights into the working practices of Australian Internet sport journalists and the online environment, an occupational field that is currently in a considerable state of flux.

Now when information is abundant, practice of Data Journalism is quickly becoming a core technique of the 21st century newsrooms. The diploma thesis "Data Journalism aimed by Datablog IHNED.cz" is focused on introducing Data Journalism as a genre responding to the changes in the society and the technology development. The theoretical part concerns with the history of the subject, the workflow of Data Journalism in the newsrooms and the limitations; such as inappropriate business models, difficult process of collecting data or the lack of training. The main goal of the research is to map the work of the Czech data team in the IHNED.cz and compare the results with the work of teams in Australia. The research methods are combination of quantitative and qualitative analyses. The main source of information are interviews conducted with data journalists from the Czech Republic and Australia. On top of that the research gives deeper understanding of how the integration of data journalists in the newsrooms affect the way journalism can support the existence of media organizations and contribute to the public good. The last part offers predictions of the future of Data Journalism.