Bibliografías temáticas / Authorship Cycle

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Literatura académica sobre el tema "Authorship Cycle"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 3 de febrero de 2022

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Artículos de revistas sobre el tema "Authorship Cycle"

1

Bradlow, Ann. "Promoting student publishing success: The progressive co-authorship cycle." Journal of the Acoustical Society of America 145, no. 3 (2019): 1749. http://dx.doi.org/10.1121/1.5101408.

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Hartung, Blake. "The Authorship and Dating of the Syriac Corpus attributed to Ephrem of Nisibis: A Reassessment." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 22, no. 2 (2018): 296–321. http://dx.doi.org/10.1515/zac-2018-0033.

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Abstract A large portion of the Syriac works attributed to Ephrem of Nisibis survives in the form of collected poetic anthologies. This paper argues that previous attempts to assign authorship and date of composition to Ephrem’s hymn cycles mistakenly treat these works as if they were treatises written by Ephrem. Scholars have tended to treat the hymn cycles as units and to judge the authenticity of each cycle as a whole. By contrast, this paper contends that the cycles postdate Ephrem and were assembled and supplemented by later editors. It further proposes that the heterogeneous origin of mo
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3

Tang, Bor Luen. "Responding to devious demands for co-authorship: A rejoinder to Bülow and Helgesson’s ‘dirty hands’ justification." Research Ethics 14, no. 4 (2018): 1–7. http://dx.doi.org/10.1177/1747016118798876.

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Bülow and Helgesson discussed the practice of gift/honorary authorships and expounded on a most devious form of these, termed ‘hostage authorship’. The authors drew a parallel of such situations in research and publishing with the problem of ‘dirty hands’. In this case, acceding, albeit with regrets, may well be ‘… what we ought to do, even if it requires us to do something that is intrinsically bad’, especially if ‘this is both practically necessary and proportionate to the end’. Here, I caution against this being a morally cogent, normative course of action. Tangible benefits from research n
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4

Otlivanchik, Alexander V. "“Embroidery on Someone Else’s Canvas”: Dostoevsky as Co-Author of the “Answer to a Protest”." Dostoevsky and world culture. Philological journal, no. 2 (2021): 151–71. http://dx.doi.org/10.22455/2541-7894-2021-2-151-171.

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The article is dedicated to the question on the authorship of the “Answer to a Protest” which is adjacent to the cycle of essays by V.P. Meshchersky “Letters of a Freethinker” in the weekly journal “Grazhdanin” (“The Citizen”). The attributions of the “Answer to a Protest” undertaken by V.A. Viktorovich (Dostoevsky’s authorship hypothesis) and B.V. Fedorenko (Meshchersky’s authorship hypothesis) are compared and critically examined. The documentary sources for the attribution of the article are analyzed: the fee list of the journal “Grazhdanin”, Meshchersky’s letter to Dostoevsky dated August
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5

Addolorato, Silvio, Ferran Calabuig, Vicente Prado-Gascó, Leonor Gallardo, and Jorge García-Unanue. "Bibliometric Analysis of Fitness Equipment: How Scientific Focuses Affect Life-Cycle Approaches and Sustainable Ways of Development." Sustainability 11, no. 20 (2019): 5728. http://dx.doi.org/10.3390/su11205728.

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Research Question: Although fitness equipment is recognised worldwide as a tool for physical activities and a sustainable result in optimizing human movements within a wide range of environments, the state of the art and scientific advances have not been analysed from a bibliometric point of view. Research Methods: Using descriptive bibliometric software, this study examined the scientific production, and the most prolific authors, articles, and institutions. Bibliometric maps were used to visualise the content of published articles and to determine the most prolific terms, co-citation, and co
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6

Dorchin, Uri. "Authorship, subjectivity and resistance in the mainstream: A lesson from Israeli rap." European Journal of Cultural Studies 21, no. 4 (2017): 452–68. http://dx.doi.org/10.1177/1367549416682963.

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Notions of authenticity and resistance are often addressed concomitantly in the context of popular culture and in the discourse that surrounds blackness in particular. Avoiding such a perspective, this article draws on Israeli mainstream rappers for whom rap is a way to converge popular style with the ability to speak their mind in the most sincere way. Based on ethnographic description, I therefore call to acknowledge rappers’ position as ‘authors’: aware and critical subjects whose sense of personhood depends not on strict avoidance from mainstream routes but rather on a sober participation
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Sotirova-Valkova, Kalina. "Technological and Legal Aspect in Digitalization of Movable Cultural Assets. Copyright and Intellectual Property Rights." Cultural and Historical Heritage: Preservation, Representation, Digitalization 5, no. 2 (2019): 35–45. http://dx.doi.org/10.26615/issn.2367-8038.2019_2_004.

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The article presents the cycle of digitization of cultural heritage objects (movable cultural values stored in museums and galleries) with its three main stages: preparation, conversion and access. The focus is on the technological aspect, the preparation of the museum team and the standards used. In parallel, the legal framework of digitization is viewed as a serious, nationally specific and rarely presented topic related to copyright and intellectual property over the original and its digital derivative Keywords: digitization, cultural heritage, authorship and copyright, intellectual propert
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8

Heffernan, Thomas J. "The Authorship of the ‘Northern Homily Cycle’: The Liturgical Affiliation of the Sunday Gospel Pericopes as a Test." Traditio 41 (1985): 289–309. http://dx.doi.org/10.1017/s0362152900006929.

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In the north of England, as the thirteenth century was drawing to a close, an enterprising and pastorally zealous cleric was engaged in the composition of the most extensive preaching codex in the English language since Aelfric's Catholic Homilies. The text now known as the Northern Homily Cycle (hereafter NHC) was left untitled by an anonymous author who wrote in his native dialect and was well versed in the lore of the north country. He used a rhymed octosyllabic line throughout. His plan encompassed a free rendering of the Gospel pericope for the particular Sunday (the homilies are chiefly
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9

Sheen, Erica. "Un-American: Dmytryk, Rossellini and Christ in Concrete." Film Studies 7, no. 1 (2005): 32–42. http://dx.doi.org/10.7227/fs.7.5.

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Focusing our understanding of Hollywood and HUAC on questions of presence and content is to apply paradigms of authorship and genre which were critical by-products of the cultural transformation to which HUAC contributed, and will as a result have limited critical purchase on its causes. What might break this critical impasse would be the discovery of something outside the circle; something not easily, or at least not yet, assimilated into its cycle of repetitions. Such a remainder can be found in a film which is arguably one of the most important productions of the period: Edward Dmytryk‘s ‘l
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10

Glass, Loren. "Zuckerman/Roth: Literary Celebrity between Two Deaths." PMLA/Publications of the Modern Language Association of America 129, no. 2 (2014): 223–36. http://dx.doi.org/10.1632/pmla.2014.129.2.223.

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Philip Roth invented Nathan Zuckerman to manage the temporal dissonance between the gradual and frequently posthumous canonization associated with Roth's modernist forebears and the instantaneous and contemporaneous celebrity characterizing his own postmodern career. After the mass cultural renown precipitated by Portnoy's Complaint and the devastating attack on that text by Irving Howe, Roth decided to re-create his career on the model of his literary forebears—James, Flaubert, Proust, Malamud, Mann, and especially Kafka, who died young after having published little. The first Zuckerman trilo
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Tesis sobre el tema "Authorship Cycle"

1

Sousa, Júlio César Ruiz de. "As práticas avaliativas no Ciclo Autoral: proposições para o seu aperfeiçoamento." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21761.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-12-14T11:45:18Z No. of bitstreams: 1 Júlio César Ruiz de Sousa.pdf: 1084181 bytes, checksum: 6d9c541e539ff97c35caae48beb35568 (MD5)<br>Made available in DSpace on 2018-12-14T11:45:18Z (GMT). No. of bitstreams: 1 Júlio César Ruiz de Sousa.pdf: 1084181 bytes, checksum: 6d9c541e539ff97c35caae48beb35568 (MD5) Previous issue date: 2018-10-31<br>This work had as aim to analyse the evaluation practices declared by the teachers from the authorship cycle of a school from the Education Municipal Network of São Paulo, with the goal to pres
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2

Feuillebois, Victoire. "Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France)." Thesis, Poitiers, 2012. http://www.theses.fr/2012POIT5013.

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La thèse isole un corpus particulièrement large dans l'Europe romantique, constitué de fictions à récit-cadre oral nocturne organisées en « veillées », « nuits » ou « soirées ». Ce constat bibliographique fait apparaître un paradoxe : la littérature de l'époque romantique rêve-t-elle encore de pratiques orales alors que s'inaugurent au même moment le fonctionnement moderne de l'ordre des livres et sa régulation par des techniques commerciales ? Comment conjuguer l'idée du sacre de l'écrivain et la nostalgie apparente pour le récit de vive voix ? Le cycle de fictions nocturnes semble d'abord un
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Libros sobre el tema "Authorship Cycle"

1

Life cycle: Classroom activities for helping children live with daily change and loss. Zephyr Press, 1993.

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2

Sperber, Michael. Henry David Thoreau: Cycles and psyche. Higganum Hill Books, 2004.

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3

Poetry as an occupation and an art in Britain, 1760-1830. Cambridge University Press, 1993.

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4

Das Symposium der XII sapientes: Kommentar und Verfasserfrage. de Gruyter, 2002.

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5

Felber, Lynette. Gender and genre in novels without end: The British roman-fleuve. University Press of Florida, 1996.

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6

Berman, Joshua A., and Joshua A. Berman. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658809.003.0001.

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The introduction opens by reviewing the fragmented state of the field of source criticism as it was presented in 2013, at a conference titled “Convergence and Divergence in Pentateuchal Theory: Bridging the Academic Cultures of Israel, North America, and Europe.” The premise of the book is that modern scholars who are doing diachronic work do so under anachronistic notions of literary unity. Examples are adduced from both the Baal Cycle and the Sefire Treaty which exhibit precisely the types of inconsistencies that scholars take as evidence of multiple authorship in the Pentateuch, even though
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7

Friedrich, Anne. Das Symposium Der XII Sapientes: Kommentar Und Verfasserfrage (Texte Und Kommentare, 22). Walter De Gruyter Inc, 2001.

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Felber, Lynette. Gender and Genre in Novels Without End: The British Roman-Fleuve. University Press of Florida, 1995.

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Capítulos de libros sobre el tema "Authorship Cycle"

1

Nelson, Andrew Patrick. "Don’t Be Too Quick to Dismiss Them: Authorship and the Westerns of Delmer Daves." In ReFocus: The Films of Delmer Daves. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403016.003.0002.

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Andrew Patrick Nelson offers a revaluation of Broken Arrow, which is often credited with helping to inaugurate a cycle of ‘pro-Indian’ Westerns featuring more sympathetic and even heroic portrayals of aboriginal characters. As a counterpoint to reflectionist readings of the pro-Indian cycle, Nelson explores an alternative explanation for the character of the famous Chiricahua leader, Cochise. He argues that Cochise is, in fact, a common character in Daves’ Westerns: the stoic secondary hero who steadies, strengthens, and defers to the mildly neurotic leading man who, rather than being a natural agent, proceeds based on reason. Re-conceiving Cochise as a ‘Davesian’ character is a small step towards reclaiming Daves’ pivotal role of the development of the Western in the 1950s.
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2

Desser, David. "‘Crazed Heat’: Nakahira Ko and the Transnational Self-remake." In Transnational Film Remakes. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407236.003.0011.

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Transnational film remakes present a variety of complicating issues – of geography, culture, translation, and temporality, among others. Directors have remade their own films, sometimes quite directly, other times by shifting genre, but the case of a director moving from one national situation to another and remaking an earlier film is rare. What makes such an auto-remake particularly interesting is that it calls into question issues of authorship. This chapter will look at the case of Nakahira Ko who made the influential Kurutta Kajitsu (Crazed Fruit,1956) and later in his career remade the film (under the Chinese pseudonym Yang Shu-hsi) as Kuang lian shi (Summer Heat, 1968). The case of Crazed Fruit and its transformation into Summer Heat is interesting, partly due to the stature of the Japanese original and also due to some of the more obvious transformations, such as from Ishihara Yujiro in the original to a more generic male star in the remake. More significantly, while Crazed Fruit was part of a cycle of Japanese films examining post-war disaffected youth, the Hong Kong remake is far less implicated in a cultural moment.
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Actas de conferencias sobre el tema "Authorship Cycle"

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Carrion, Cueva, Samanta Patricia, Rodriguez Morales, Germania del Rocio, Romero Pelaez, and Audrey Elizabeth. "OER's production cycle with social authorship and semantic tools." In 2010 IEEE Education Engineering 2010 - The Future of Global Learning Engineering Education (EDUCON 2010). IEEE, 2010. http://dx.doi.org/10.1109/educon.2010.5492588.

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Barbosa, Helena. "From the children’s author to the adult author: a story of the cycle(s) of the authorship(s)." In 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-27.

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Langlois, Lucille M., Alan McDonald, Hans-Holger Rogner, and Ivan Vera. "Energy System Expectations for Nuclear in the 21st Century: A Plausible Range." In 10th International Conference on Nuclear Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/icone10-22499.

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This paper outlines a range of scenarios describing what the world’s energy system might look like in the middle of the century, and what nuclear energy’s most profitable role might be. The starting point is the 40 non-greenhouse-gas-mitigation scenarios in the Special Report on Emissions Scenarios (SRES) of the Intergovernmental Panel on Climate Change (IPCC, 2000). Given their international authorship and comprehensive review by governments and scientific experts, the SRES scenarios are the state of the art in long-term energy scenarios. However, they do not present the underlying energy sys
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