Bibliografías temáticas / Autobiographical memory – South Africa

Índice

  1. Artículos de revistas
  2. Tesis
  3. Libros
  4. Capítulos de libros
  5. Actas de conferencias

Literatura académica sobre el tema "Autobiographical memory – South Africa"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 4 de febrero de 2022

Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros

Elija tipo de fuente:

Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Autobiographical memory – South Africa".

Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.

También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.

Artículos de revistas sobre el tema "Autobiographical memory – South Africa"

1

Pineteh, Ernest A., and Thecla N. Mulu. "Tragic and Heroic Moments in the Lives of Forced Migrants: Memories of Political Asylum-Seekers in Post-Apartheid South Africa." Refuge: Canada's Journal on Refugees 32, no. 3 (2016): 63–72. http://dx.doi.org/10.25071/1920-7336.40285.

Texto completo
Resumen
This article examines the memories of a group of Cameroonian asylum-seekers in South Africa, analyzing personal accounts of memories of fear, suffering, and pain as well as resilience and heroism during their forced migration. The article argues that the legitimacy of applications for asylum often depends on accurate and consistent memories of specific life-threatening episodes at home and during migration. Drawing on theoretical conceptions such as construction of memory, autobiographical memory, and politics of storytelling, this article teases out how personal memories of asylum-seekers pro
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Rubiya, S., and Sumathy K Swamy. "Testaments of Resistance and Resilience: An Analysis of Trevor Noah’s Born a Crime: Stories from a South African Childhood." Shanlax International Journal of English 8, no. 1 (2019): 63–66. http://dx.doi.org/10.34293/english.v8i1.859.

Texto completo
Resumen
Where there is Oppression, there is going to be resistance. This is the story of almost every Independence struggle history has ever seen. Such was also the story of one the most shocking and horrendous tale of oppression the world has come to know, the apartheid system of South Africa. It was a system of institutionalised racial segregation that divided the whites and blacks living in South Africa, which gave the former full rights to enjoy all the privileges that the natives ought to enjoy rightfully, depriving the latter of every good thing the country had to offer. This paper will attempt
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Hand, Felicity. "“Picking up the crumbs of England”: East African Asians in Yasmin Alibhai-Brown’s autobiographies." Journal of Commonwealth Literature 53, no. 1 (2016): 61–77. http://dx.doi.org/10.1177/0021989416652646.

Texto completo
Resumen
Ugandan-born journalist, Yasmin Alibhai-Brown has published two autobiographical works: No Place like Home (1995) and The Settler’s Cookbook: A Memoir of Love, Migration and Food (2008). The former is an account of her childhood and adolescence in Uganda up to the expulsion of the Asian community in 1972. The latter work is a highly unusual combination of autobiography combined with no less than 113 recipes, each of which highlights a specific person, period, or event in her memoir. While No Place Like Home responds to the accepted principles of autobiographical writing, The Settler’s Cookbook
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Sideris, Tina. "Recording living memory in South Africa." Critical Arts 4, no. 2 (1986): 41–53. http://dx.doi.org/10.1080/02560048685310041.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Ginslov, Jeannette. "The poetics of temporal scaffolding and porosity: sharing affect and memory[Jeannette Ginslov]." Repertório, no. 28 (December 5, 2017): 222. http://dx.doi.org/10.9771/r.v0i28.25008.

Texto completo
Resumen
<p class="p1">Abstracts:</p><p class="p2"><span class="s1"><em>P(AR)ticipate: body of experience/body of work/body as archive </em>and <em>AffeXity </em>are two AR (Augmented Reality) and Screendance works that attempt to capture, amplify and share affect and memory using AR, mobile phones and audience participation. <em>P(AR)ticipate</em> is an immersive, autobiographical, participatory and live installation work comprising: text, analogue hieroglyphs and gestural Screendance videos, tagged to the hieroglyphs, using the AR app Aurasm
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Adegoju, Adeyemi. "Autobiographical Memory, Identity Re/Construction, and Stylistic Creativity in Tayo Olafioye's." Matatu 40, no. 1 (2012): 123–41. http://dx.doi.org/10.1163/18757421-040001008.

Texto completo
Resumen
This essay attempts a deconstructive reading of Tayo Olafioye's by stylistically analysing the autobiographer's linguistic inventiveness in evoking memories that revolve around the culture of naming in Africa vis-à-vis the protagonist's identity, which inexorably raises socio-cultural and philosophical issues about the fe/male figure in a typical African society. Further, the essay interrogates the autobiographer's invocation of the archetypal maternal figure in Africa as epitomized by his grand/mother's apprehensions about his well-being and prospects, on the one hand, and his mother's strugg
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Dladla, Ndumiso. "Contested Memory." Theoria 64, no. 153 (2017): 101–27. http://dx.doi.org/10.3167/th.2017.6415307.

Texto completo
Resumen
Abstract South Africa since 1994 is widely represented as a society which has broken both historically and politically with white supremacy. One of the central discursive pillars sustaining this representation is the appeal to the most recent South African constitution Act 108 of 1996, the founding provisions of which declare that South Africa is founded on the value of non-racialism. The central argument of this article is that an examination of the philosophical underpinnings of the non-racialism of the constitution can give us a better understanding of why and how South Africa remains a rac
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Gil-Alana, Luis A. "Inflation in South Africa. A long memory approach." Economics Letters 111, no. 3 (2011): 207–9. http://dx.doi.org/10.1016/j.econlet.2011.02.026.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Okech, Awino. "Screening Winnie and African Feminist Herstories." Radical Teacher 119 (April 17, 2021): 71–74. http://dx.doi.org/10.5195/rt.2021.855.

Texto completo
Resumen
This teaching note offers reflections on the screening of Winnie an autobiographical documentary about the life of Winnie Mandela, South African liberation struggle actor. I explore the pedagogical decisions I made in screening this film which deals with the history of apartheid South Africa to a mixed audience at a university in London.
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Tembo, Nick Mdika. ""Born-Frees" on South Africa's Memory Traps: The Year in South Africa." Biography 42, no. 1 (2019): 140–46. http://dx.doi.org/10.1353/bio.2019.0021.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
Más fuentes

Tesis sobre el tema "Autobiographical memory – South Africa"

1

Hookham, John Henry. "Lives are led: autobiographical film and the new documentary." Queensland University of Technology, 2004. http://eprints.qut.edu.au/16170/.

Texto completo
Resumen
This thesis consists of two parts: an autobiographical documentary film and a written exegesis. The film, My Lovers Both, is a record of two journeys back to my native South Africa wherein I confront aspects of my past. These two trips offer a means to explore a personal history around the experiences of immigration, displacement and exile. In the exegesis, I argue that autobiography is changing and rather than offering catalogues of public achievement, contemporary personal histories deal with sites of trauma and challenge dominant narratives of official memory. Likewise, the New Documenta
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Solani, Noel Lungile Zwelidumile. "Memory and representation: Robben Island Museum 1997-1999." Thesis, University of the Western Cape, 2000. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=init_9418_1178281992.

Texto completo
Resumen
The notion of what constitutes a nation has been a subject of many debates. The nation, like individual is the culmination of a long past of endeavours, sacrifice and devotion. The post aprtheid project of reconciliation in South Africa is part of this desire to live together as citizens of one country irrespective of past differences. This desire transforms itself to cultural institutions like museums or rather cultural institutions represents this desire in a more systematic way in the post apartheid South Africa as they seek to transform.
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Devereux, Stephen. "Post–exilic an old South African returns to the new South Africa." University of Western Cape, 2020. http://hdl.handle.net/11394/7934.

Texto completo
Resumen
Magister Artium - MA<br>This portfolio of poems, prose poems and short fiction pieces is quasi-autobiographical and tracks the trajectory of my life, from childhood in Cape Town (‘pre-exilic’) to emigration abroad (‘exilic’) and return to Cape Town in late middle age (‘post-exilic’). Themes explored include the deceptive nature of memory and the risk of imbuing a childhood recollected in later life with affective or narrative nostalgia; the psychologically dislocating nature of exile on personal identity and notions of home; and Cape Town as both an imaginary construct and a multi-layered real
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Arbi, Linda Margaret. "Unearthed : personifications of widowhood and acts of memory : volume 1 and 2." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002225.

Texto completo
Resumen
By researching visual traditions of representing widows in relation to a social role, I explore how these may be related to processes of mourning and memory. My study begins with an historical reading and, along with an analysis of Renaissance widow portraiture, I trace the experiences of widows in the Cape of Good Hope. For the purposes of this thesis, I have selected images of widows to investigate memory-work particularly when speaking of loss. I re-view these memory processes through recent historical and art historical discourse with reference to contemporary South African artworks in ord
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Du, Toit Justin. "The role of memory in urban land restitution : case studies of five families in Stellenbosch." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6786.

Texto completo
Resumen
Thesis (MA (Sociology and Social Anthropology))--University of Stellenbosch, 2011.<br>ENGLISH ABSTRACT: Limited academic work has paid attention to the memories generated by claimants engaged in the restitution process. My thesis thus sought to investigate the role of memory in urban land restitution, with specific focus on the Stellenbosch context. In my discussion, I highlight how claimant memories are not only generated by the restitution process but how the master narrative of restitution shapes the memories produced. I argue that claimant memories function and gain wider meaning within th
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Greenfield, Denise. "Violent southern spaces : myth, memory, and the body in literatures of South Africa and the American South." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/366606/.

Texto completo
Resumen
‘Violent Southern Spaces’ examines the narratives, archetypes and metaphors of memory, myth and the body that writers from South Africa and the American South have used to contest histories of racial oppression and segregation. In so doing, it seeks to identify significant transnational interactions and connections between the aesthetic forms, politics and histories of literary texts from South Africa and the United States. By analysing texts and situations that are both analogous and singular, this thesis utilizes Jean-Luc Nancy’s Inoperative Community as well as Sam Durrant’s Postcolonial Na
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Doubt, Jenny Suzanne. "Making memory work: performing and inscribing HIV/AIDS in post-apartheid South Africa." Thesis, Open University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607456.

Texto completo
Resumen
This thesis argues that the cultural practices and productions associated with HIV I AIDS represent a major resource in the struggle to understand and combat the epidemic. Research into HIV / AIDS is dominated by biomedical scholarship, and yet in South Africa, the main drivers of the epidemic are social and economic. The cultural productions analysed in this thesis confront and illuminate many of the contradictory and unresolved questions facing HIV/AIDS research today. The primary materials analysed in this thesis are the cultural texts that explore representations and performances of HI VI
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Tryon, Denzil Jordan. "Hermeneutics and memory in selected works by Willem Boshoff." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1004453.

Texto completo
Resumen
From Introduction: Willem Boshoff was born in Vereeniging, South Africa, in 1951. The son of a carpenter, Boshoff developed an early interest in art. Although never taught formally by his father, he nevertheless acquired a knowledge of the craft of carpentry, a skill which he continues to utilize in much of his art-making today. Boshoff studied at the Johannesburg College of Art, and obtained a Master's Diploma in Technology in Fine Art in 1984. He taught at that institution for twelve years, becoming a full-time art practitioner in 1996. He produced some significant works prior to and during
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Altschuler, Jenny. "Between forever and never : the photograph as a bridge between past and present; memory and it's fiction, 1981-2009." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/7802.

Texto completo
Resumen
Includes bibliographical references (p. 62-64).<br>In Camera Lucida Roland Barthes (1980: 64-66), describes the process of looking through his mother's photographs after her death. He weighs up how much of her he recognises in the images he comes across. He evaluates the versions of her that are portrayed and deduces that "none seem to be really 'right':" neither as photographic performances nor as existing recurrences of "the beloved face" that he carries in his psyche. He talks about trying to find her, and achieves only part satisfaction in pinpointing fragments in each image that seem to d
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Brandt, Nicola. "Emerging landscapes : memory, trauma and its afterimage in post-apartheid Namibia and South Africa." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:9dfe7938-670a-40fc-a063-5617c0503fcd.

Texto completo
Resumen
Visual records of place remain to a large degree inadequate when attempting to make visible the ephemeral states of consciousness that underlie the damage wrought by brutal regimes, let alone make visible the extraordinary histories and power structures encoded in images and views. This practice-led dissertation examines an emerging critical landscape genre in post-apartheid South Africa and Namibia, and its relationship to specific themes such as identity, belonging, trauma and memory. The landscape genre was traditionally considered inadequate to use in expressions of resistance under aparth
Los estilos APA, Harvard, Vancouver, ISO, etc.
Más fuentes

Libros sobre el tema "Autobiographical memory – South Africa"

1

The persistence of memory. W.W. Norton, 2004.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

South Africa: A picture memory. Central News Agency, 1996.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Segal, Lauren. Mapping memory. 2nd ed. David Krut, 2007.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Becoming worthy ancestors: Archive, public deliberations and identity in South Africa. Wits University Press, 2011.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Coombes, Annie E. History after apartheid: Visual culture and public memory in a democratic South Africa. Duke University Press, 2003.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

Coombes, Annie E. History after apartheid: Visual culture and public memory in a democratic South Africa. Duke University Press, 2004.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Marschall, Sabine. Landscape of memory: Commemorative monuments, memorials and public statuary in post-apartheid South-Africa. Brill, 2010.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Bernstein, Rusty. Memory against forgetting: Memoirs from a life in South African politics. Viking, 1999.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Alexander, Jocelyn. Violence & memory: One hundred years in the "dark forests" of Matabeleland. James Currey, 2000.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Landscape of memory: Commemorative monuments, memorials and public statuary in post-apartheid South-Africa. Brill, 2010.

Buscar texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
Más fuentes

Capítulos de libros sobre el tema "Autobiographical memory – South Africa"

1

Watts, Jane. "Autobiographical Writings." In Black Writers from South Africa. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20244-7_4.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
2

Grange, Lesley Le. "South African Curriculum Studies: A Historical Perspective and Autobiographical Account." In Curriculum Studies in South Africa. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230105508_6.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
3

Duffey, Alexander E. "Art History in South Africa: Past and Present." In Memory & Oblivion. Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4006-5_14.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
4

Field, Sean. "From the ‘Peaceful Past’ to the ‘Violent Present’: Memory, Myth and Identity in Guguletu." In South Africa in Transition. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26801-6_5.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
5

Grzęda, Paulina. "Trauma and Testimony: Autobiographical Writing in Post-Apartheid South Africa." In Postcolonial Traumas. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526434_5.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
6

van Der Rede, Lauren, and Aidan Erasmus. "Eddies and Entanglements: Africa and the Global Mnemoscape." In Entangled Memories in the Global South. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-57669-1_5.

Texto completo
Resumen
AbstractVan Der Rede and Erasmus provocatively characterize Africa as a “disobedient object” of memory studies, posing a series of radical challenges to the terms and methods of the field. In empirical terms, they point out how two specific cases, the Red Terror in Ethiopia and States of Emergency during Apartheid in South Africa, inflect our Europe-centered models of trauma and memory. Beyond this, positing Africa “not as a cartographic and geological location but as a concept and methodology,” van Der Rede and Erasmus challenge the liberal universalism implicit in the problematics of memory studies (and indeed in the notion of mnemonic solidarity) with an insistence on hearing/listening rather than speaking that draws on postcolonial theory and the new methods of sound studies.
Los estilos APA, Harvard, Vancouver, ISO, etc.
7

Hlongwane, Ali Khangela, and Sifiso Mxolisi Ndlovu. "Workers’ History in the Post-Apartheid Memory/Heritage Complex: Public Art and the Workers’ Museum in Johannesburg." In Public History and Culture in South Africa. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14749-5_2.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
8

Nieves, Angel David. "Engagements with Race, Memory, and the Built Environment in South Africa." In The Routledge Companion to Media Studies and Digital Humanities. Routledge, 2018. http://dx.doi.org/10.4324/9781315730479-41.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
9

Botha, Catherine F. "The Dancing Body, Power and the Transmission of Collective Memory in Apartheid South Africa." In The Routledge Companion to Dance Studies. Routledge, 2019. http://dx.doi.org/10.4324/9781315306551-2.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
10

Ndlovu, Duduzile S. "Violence and Memory in Breaking the Silence of Gukurahundi: A Case Study of the ZAM in Johannesburg, South Africa." In Healing and Change in the City of Gold. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-08768-9_4.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.

Actas de conferencias sobre el tema "Autobiographical memory – South Africa"

1

Tyilo, Nonzukiso, and Rivca Marais. "ASSESSING MEMORY OF CHILDREN USING NEWLY DEVELOPED TABLET-BASED ITEMS IN SOUTH AFRICA." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.1412.

Texto completo
Los estilos APA, Harvard, Vancouver, ISO, etc.
También puede estar interesado en las bibliografías ampliadas sobre el tema "Autobiographical memory – South Africa" para tipos de fuentes particulares:
Artículos de revistas Tesis Libros
Ofrecemos descuentos en todos los planes premium para autores cuyas obras están incluidas en selecciones literarias temáticas. ¡Contáctenos para obtener un código promocional único!

Pasar a la bibliografía