Bibliografías temáticas / Autobiography – jewish authors

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Literatura académica sobre el tema "Autobiography – jewish authors"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Autobiography – jewish authors"

1

Burton, Adi, and Samuel D. Rocha. "A Phenomenology of Utterance and Prophetic Teaching in the Threshold." Journal for Continental Philosophy of Religion 3, no. 2 (2021): 144–63. http://dx.doi.org/10.1163/25889613-bja10015.

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Abstract In this essay, the authors explore the phenomenon of utterance we find in speech and teaching. Jean-Luc Marion’s third phenomenological reduction serves as a methodological foundation for this exploration which moves through Biblical literature and autobiography – both centred on the story of the election of Samuel – before leading into a meditation on the Call of and Response to the Other. The Call and Response guide the essay to a theory of prophetic teaching emerging within its phenomenology of utterance that situates itself between philosophical anthropology and philosophical theo
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Grojnowski, Davina. "Flavius Josephus, Nehemiah, and a Study in Self-Presentation." Journal for the Study of Judaism 46, no. 3 (2015): 345–65. http://dx.doi.org/10.1163/15700631-12340106.

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Scholars have frequently noted that in his writings, Josephus consistently styles himself as standing in the tradition of the biblical prophets and that he remodels his retelling of the prophets’ narratives to align them more closely with himself. What scholars have largely overlooked, however, is the fact that in his autobiography, Josephus minimizes the prophetic allusions, including instead subtle details that are reminiscent of Nehemiah and his actions. This paper, therefore, offers a new approach to the relationship between Josephus and Nehemiah: rather than comparing Josephus’ presentati
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3

Jancke, Gabriele. "Persons, the ‘Autobiographical Person’ and Cultural Concepts of the Person." Medieval History Journal 18, no. 2 (2015): 346–77. http://dx.doi.org/10.1177/0971945815601307.

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Autobiographical texts have long been seen, from a micro-level perspective, as evidence of the ‘individuality’ of the writer, and, from a macro-level perspective, as evidence of the long-term historical development of European or Western individual-oriented society. However, recent research has undertaken to deconstruct this notion, suggesting that ‘Western’ texts are as deeply embedded in a social world and in social-oriented perspectives as those from other world regions. The individualised person is now recognised as just one among many concepts of the person. This article summarises the re
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Ben-Eliyahu, Eyal. "Josephus's Lands: Mining the Evolution in the Depiction of the Land of Israel in the Works of Josephus." Journal for the Study of the Pseudepigrapha 26, no. 4 (2017): 275–304. http://dx.doi.org/10.1177/0951820717718419.

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This article notes the disparities between the way Josephus depicts the extent of the borders of the Land of Israel in his different works, and shows the connection between the view of the borders he offers in each work to that work's nature, goals, and historical context, as well as to the author's personal life. When he wrote The Jewish Wars, Josephus sought to minimize Jewish territorial aspirations, but later, in Jewish Antiquities, Against Apion, and his autobiography, The Life, he expressed large-scale territorial hopes and visions. This article proposes that the different depictions of
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Wiszniowska, Monika. "Dom z dwiema wieżami Macieja Zaremby Bielawskiego jako „arcypolska opowieść reporterska napisana po szwedzku”." Polska szkoła reportażu w świecie 18, no. 3 (2021): 430–47. http://dx.doi.org/10.4467/23531991kk.21.032.14319.

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Maciej Zaremba Bielawski jest jednym z czołowych szwedzkich publicystów i literatów polskiego pochodzenia, reporterem znanego sztokholmskiego dziennika „Dagens Nyheter”, laureatem prestiżowych skandynawskich konkursów dziennikarskich i wyróżnień pokojowych. Jest też w Polsce autorem poczytnym i uznanym, wszystkie jego książki zostały udostępnione polskiej publiczności. W swoim artykule przyglądam się oddziaływaniu cech polskiej szkoły reportażu na twórczość autora Higienistów, w szczególności na kształt jego ostatniej książki zatytułowanej Dom z dwiema wieżami. Najpierw próbuję wskazać jej wyr
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Kühne, Jan, and Anna Rosa Schlechter. "Bücherblühen – Anfänge aphoristischer Autorschaft bei Elazar Benyoëtz." Judaica. Neue digitale Folge 3 (October 10, 2022). http://dx.doi.org/10.36950/jndf.2022.16.

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This article focuses on the beginnings of the aphoristic writings of Austrian-Israeli Hebrew poet and rabbi Elazar Benyoëtz (*1937). It draws on two novel sources: his personal library, which is one of the last private book collections in Israel to contain the German-Jewish literary canon, and a first draft of his autobiography. This article follows the first-time analysis of reading traces from the library’s marginalia and paraphernalia; five case studies progressively trace Benyoëtz’s transformation in the 1960s and 1970s from solely a Hebrew poet into the most influential contemporary aphor
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"Alternative US History in Philip Dick’s Novel The Man in the High Castle (1962) and Philip Roth’s Novel The Plot Against America (2004)." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 83 (2019). http://dx.doi.org/10.26565/2227-1864-2019-83-15.

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The paper gives a comparative analysis of Philip K. Dick’s novel The Man in the High Castle (1962) and Philip Roth’s novel The Plot Against America (2004) focusing on the role of the US national cultural mythology, primarily the American Dream, in the time of trials. Both works belong to the genre of alternative history with elements of dystopia and autobiography. The genre, plot and narrative peculiarities of these novels and the TV series The Man in the High Castle (2015–2019) are compared, namely: the alternative historical background of events, the subjective and objective factors of possi
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Currie, Susan, and Donna Lee Brien. "Mythbusting Publishing: Questioning the ‘Runaway Popularity’ of Published Biography and Other Life Writing." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.43.

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Introduction: Our current obsession with the lives of others “Biography—that is to say, our creative and non-fictional output devoted to recording and interpreting real lives—has enjoyed an extraordinary renaissance in recent years,” writes Nigel Hamilton in Biography: A Brief History (1). Ian Donaldson agrees that biography is back in fashion: “Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure” (23). For
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Scholes, Nicola. "The Difficulty of Reading Allen Ginsberg's "Kaddish" Suspiciously." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.394.

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The difficulty of reading Allen Ginsberg's poetry is a recurring theme in criticism of his work and that of other post-WWII "Beat Generation" writers. "Even when a concerted effort is made to illuminate [Beat] literature," laments Nancy M. Grace, "doing so is difficult: the romance of the Beat life threatens to subsume the project" (812). Of course, the Beat life is romantic to the extent that it is romantically regaled. Continual romantic portrayals, such as that of Ginsberg in the recent movie Howl (2010), rekindle the Beat romance for new audiences with chicken-and-egg circularity. I explor
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Brabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1547.

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IntroductionThe wandering narrator is a familiar figure in contemporary literature. This narrator is often searching for something abstract or ill-defined connected to the past and the traces it leaves behind. The works of the German writer W.G. Sebald inspired a number of theories on the various ways a writer might intersect place, memory, and representation through seemingly aimless wandering. This article expands on the scholarship around Sebald’s themes to identify two modes of investigative wandering: (1) wandering “in place”, through a city where a past trauma has occurred, and (2) wande
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Tesis sobre el tema "Autobiography – jewish authors"

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Bianconi, Simona. "L' autobiografia italo-ebraica tra il 1848 e il 1922 memoria di sé, identità, coscienza nazionale." Stuttgart Ibidem-Verl, 2008. http://d-nb.info/99438999X/04.

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Molkou, Elizabeth. "Contributions d'ecrivains juifs a la problematique de l'autofiction." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37784.

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The present literary production in France indicates the return of the subject, which has been proclaimed dead since the New Novel. With the proliferation of autobiographical texts in the nineteen-eighties, a generalized movement towards an aesthetic genre valuing this particularity was noticed. This proliferation renders the scope of this literary form immense. It covers a range from strictly historical texts, including autobiographies, memoirs and intimate journals to semi-referential texts, qualified as autobiographical fictions, "autofictions" or again "factual fictions". Midway between the
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Lindsley, Carissa M. Maier-Katkin Birgit. "Barbara Honigmann's autobiographical writing in "Damals, dann und danach," "Eine Liebe aus nichts," and "Roman von einem Kinde" bridging the past, present, and future /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04112005-110726.

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Thesis (M.A.)--Florida State University, 2005.<br>Advisor: Dr. Birgit Maier-Katkin, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vi, 50 pages. Includes bibliographical references.
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Libros sobre el tema "Autobiography – jewish authors"

1

Phyllis, Lassner, and Lawson Peter 1960-, eds. A tempered wind: An autobiography. Northwestern University Press, 2010.

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2

Marcia, Leveson, and Isaac and Jessie Kaplan Centre for Jewish Studies and Research, eds. South African odyssey: The autobiography of Bertha Goudvis. Picador Africa, 2011.

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Dannie, Abse. Goodbye, twentieth century: An autobiography. Pimlico, 2001.

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Freadman, Richard. This crazy thing a life: Australian Jewish autobiography. UWA Press, 2007.

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Joshua, Singer Israel. D'un monde qui n'est plus . trad. du yiddish. Denoel, 2006.

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Joshua, Singer Israel. Of a world that is no more. Faber and Faber, 1987.

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Ido, Bassok, Merkaz le-ḥeḳer ha-tefutsot ʻa. sh. Goldshṭain-Goren, Merkaz Zalman Shazar le-toldot Yiśraʼel та Bet Shalom ʻAlekhem (Tel Aviv, Israel), ред. ʻAlilot neʻurim: Oṭobiyografiyot shel bene noʻar Yehudim mi-Polin ben shete Milḥamot ha-ʻOlam. Bet Shalom ʻAlekhem, 2011.

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8

Malo, Markus. Behauptete Subjektivität: Eine Skizze zur deutschsprachigen jüdischen Autobiographie im 20. Jahrhundert. Niemeyer, 2009.

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1946-, Sadow Stephen A., ed. King David's harp: Autobiographical essays by Jewish Latin American writers. University of New Mexico Press, 1999.

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Shukert, Rachel. Have you no shame?: And other regrettable stories. Villard Books, 2008.

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Capítulos de libros sobre el tema "Autobiography – jewish authors"

1

Kella, Elizabeth. "From Survivor to Im/migrant Motherhood and Beyond: Margit Silberstein’s Postmemorial Autobiography, Förintelsens Barn." In Narratives of Motherhood and Mothering in Fiction and Life Writing. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_6.

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AbstractThe Swedish journalist and author Margit Silberstein’s autobiographical memoir, Förintelsens Barn (2021), represents her post-war upbringing in a survivor family. Both parents were Hungarian-speaking Jews from Transylvania, who were the only members of their respective families to survive horrendous persecution and conditions during the war. After the war they immigrated to a small town in Sweden, where Margit and her brother were born. This chapter examines the tensions in Silberstein’s account of her childhood and her relations with her parents, particularly her mother, viewing these
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2

Ravvin, Norman. "What Is In the Picture (and What Is Not): Canada, Women, and Autobiography in the Work of Geraldine Moodie, Eva Hoffman and Alice Munro." In The Woman Artist: Essays in memory of Dorota Filipczak. Wydawnictwo Uniwersytetu Łódzkiego, 2024. http://dx.doi.org/10.18778/8331-397-9.06.

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An artist may be drawn toward, or overtly resistant to, autobiography. The range of possible approaches affects the inward, intimate portrait they create, but also their rendering of place and time. The impact of such varied approaches can be seen in the work of three women: photographer Geraldine Moodie, memoirist Eva Hoffman, and fiction writer Alice Munro. In Moodie’s case, a documentary portrait of place and time is found in her studio and landscape photographs of Cree in south Saskatchewan, as well as in her photographs of early 20th-century Inuit at Fullerton Harbour. For Munro, in a sui
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3

Meng, Jing. "Introduction." In Fragmented Memories and Screening Nostalgia for the Cultural Revolution. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528462.003.0001.

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Autobiography, then, has the unenviable task of confronting, confounding, and even confirming the assumptions, impressions, and (mis)conceptions about the author’s or filmmaker’s identificatory positionings. —Alisa S. Lebow<sup>1</sup> 1.Alisa S. Lebow, First Person Jewish (Minneapolis: University of Minnesota Press, 2008), xviii. Born after the Cultural Revolution, I began to know about that historical event from the odd line in a textbook and through occasional films and television dramas set in that period. To a large extent, filmic representations, be they memoirs or fictions, form the way
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Stanciu, Cristina. "“This Was America!”." In The Makings and Unmakings of Americans. Yale University Press, 2023. http://dx.doi.org/10.12987/yale/9780300224351.003.0007.

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This chapter turns to Americanization in new immigrant literature, using Jewish American writers as case studies because of their prolific contributions to the literature of Americanization and its critique. Juxtaposing two Americanization stories—a fictionalized account and an autobiography, both published in 1917—the chapter charts several strategies new immigrant writers used in their encounters with Americanization and negotiations of the pressures of the literary market. By making both immigrant manual labor and immigrant intellectual labor coterminous rather than mutually exclusive categ
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Truskolaski, Sebastian. "Benjamin, Walter (1892–1940)." In Routledge Encyclopedia of Philosophy. Routledge, 2022. http://dx.doi.org/10.4324/9780415249126-dc089-2.

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Walter Bendix Schönflies Benjamin was an influential German intellectual, whose activity spanned the late years of the German empire and the volatile Weimar period, culminating in a tragic suicide at Portbou while fleeing from Nazi persecution. Born into an assimilated Jewish family in Berlin, Benjamin’s prismatic writings straddle diverse fields, including philosophy, art and literary criticism; however, they also mark significant forays into broadcasting, travel-writing, and translation. Although Benjamin remained relatively unknown to a wider public during his lifetime, his influence can be
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