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Artículos de revistas sobre el tema "Autobiography"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Welch, Kathleen E. "Logical Writing in the Education of John Stuart Mill: The Autobiography and the Privileging of Reason." Browning Institute Studies 16 (1988): 153–68. http://dx.doi.org/10.1017/s0092472500002145.

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In his Autobiography, published posthumously in 1873, twenty years after it was first drafted, John Stuart Mill writes a series of logical essays on ideas. The people who appear in the book do so as personifications of these ideas rather than as palpable characters. This writing strategy leads Mill to make ideas rather than people exciting, and this unusual hierarchy makes his autobiography not only a fascinating book but a peculiar one as well. One in fact wishes that Mill had thought of the title The Autobiography of an Idea sixty years before his intellectual grandson, Louis Sullivan, used

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2

Depkat, Volker. "Autobiography as Political Legacy in Transition Periods. Benjamin Franklin and Konrad Adenauer Compared." European Journal of Life Writing 9 (December 28, 2020): BE51—BE74. http://dx.doi.org/10.21827/ejlw.9.37325.

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Developing consciousness of epoch as a category of autobiographical time, the article approaches the autobiographies of Benjamin Franklin and Konrad Adenauer as acts of political communication in historico-biographical transition periods. The temporal semantics of Franklin’s and Adenauer’s autobiographical texts anchor in a consciousness of epoch, which suggests that (a) the foundations for an anticipated ideal future have been laid through the political decisionmaking of the autobiographer, and that (b) it is uncertain whether the succeeding generations of political decision-makers will conti

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3

Boros, Gábor. "Body and Mind in Two Discourses on Method." KÜLÖNBSÉG 21, no. 1 (2022): 171–87. http://dx.doi.org/10.14232/kulonbseg.2021.21.1.292.

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The point of departure of my presentation will be the fact that in his monumental History of Autobiography, Georg Misch considered Descartes’ Discourse on Method a fine example of intellectual autobiography. Yet, the Discourse is a highly complex text far from a simple autobiography. And what is even more, and more disturbing is that for his work, Misch made intensive use of Dilthey’s concept of an autobiography that was meant to capture the sense of “life as narrating itself” laying down the proper, i.e. “objective” foundation for the historical sciences. But how shall we take “sincerit

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4

Garziano, Svetlana. "Le projet autobiographique de Vladislav Xodasevič." Chroniques slaves 5, no. 1 (2009): 19–37. http://dx.doi.org/10.3406/chros.2009.936.

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The article “Vladislav Khodasevich’s Autobiographical Project” studies the question of the autobiography’s status in Vladislav Khodasevich’s work. This writer develops autobiographical genre's criteria in his critical and theoretical works. The present study is composed of three parts : Khodasevich about the autobiography and the biography, memories and the diary and the autobiography Infancy [Младенчество, 1933]. The author of the article distinguishes two structuring elements in Infancy : things’ futility and humor. phy Infancy [Младенчество, 1933]. The author of the article distinguishes tw

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5

Hanssen, Jorid Krane. "The researcher-initiated autobiography’s work as an actant in producing knowledge about the social." Qualitative Research 19, no. 3 (2018): 311–22. http://dx.doi.org/10.1177/1468794118760748.

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This article addresses how a researcher-initiated autobiography’s work as an actant may offer illuminating insights into how we as humans and nonhumans are associated in networks. The aim is to discuss how the effects of these associations produce knowledge about the social. With inspiration from actor-network theory and by using an example of a researcher-initiated autobiography from the study ‘The Daughters and Sons of Rainbow Families’, the discussion firstly concentrates on how associations between the autobiography and the researcher may produce emotional effects. Secondly, the discussion

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6

Zweers, A. F. "An Autobiography, is an Autobiography, is an Autobiography." Canadian Slavonic Papers 34, no. 4 (1992): 487–92. http://dx.doi.org/10.1080/00085006.1992.11092006.

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7

Klein, Holger. "Robert Nye’s Falstaff: A Remarkable Case of Creative Reception." Revista Alicantina de Estudios Ingleses, no. 25 (November 15, 2012): 209. http://dx.doi.org/10.14198/raei.2012.25.16.

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Among fictitious autobiographies as well as among historical novels, Robert Nye’s Falstaff (1976) is a special case in that it is not the autobiography of a historical personage, but of a dramatic character —who happens to be one of the most famous in Shakespeare, indeed in world drama, to be dictated by Falstaff to various amanuenses. After briefly discussing the sub-genre of fictitious autobiography, this paper will analyze the varied use of intertextuality, the tensions fabricated between the autobiographer and his helpers, and the critical thoughts and tendencies which Nye absorbed in prep

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8

Watson, Julia. "Is Relationality a Genre?" European Journal of Life Writing 5 (September 21, 2016): R16—R25. http://dx.doi.org/10.5463/ejlw.5.201.

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Review of Anne Rüggemeier, Die relationale Autobiographie: Ein Beitrag zur Theorie, Poetik und Gattungsgeschichte eines neuen Genres in der englischsprachigen Erzählliteratur [Relational Autobiography: A Contribution to the Theory, Poetics, and Genre History of a New Genre in English-language Narrative Literature] (Wissenschaftlicher Verlag Trier, 2014)

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9

Vizcaíno-Alemán, Melina. "The Autobiography of an Ancient Statue." Aztlán: A Journal of Chicano Studies 38, no. 1 (2013): 45–71. http://dx.doi.org/10.1525/azt.2013.38.1.45.

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This essay focuses on Fray Angélico Chávez’s 1954 narrative La Conquistadora: The Autobiography of an Ancient Statue as a critical model for re-reading Mexican American women’s literature and Chicana feminist art. The statue of La Conquistadora, which arrived in Santa Fe in 1625, is venerated as the oldest Marian representation in the United States. The autobiography is worth serious study because of its transvestite narrative voice: the female statue tells “her-story” as written by the male author. In La Conquistadora Chávez crosses gender and genre in ways that prompt a critical assessment o

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10

Svetlana, MELNIC. "THE ANATOMY OF AUTHENTIC AUTOBIOGRAPHIC NARRATIVES." Limbaj si context / Speech and Context International Journal of Linguistics, Semiotics and Literary Science 1/2020, no. 12 (2022): 51–60. https://doi.org/10.5281/zenodo.7376703.

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<em>The diversity of form is what has characterized autobiographical discourse since the beginning of the Western literary narrative tradition. One of the consequences of this diversity is the complexity and ambiguity of the explanation of this term, the autobiography being historically classified as one of the oldest forms of narrative, its construction model being associated with the paradigm of the ancient novel. The value of the autobiography derives from the act of writing, but also from the authenticity of the testimony presented in accordance with other documents, which describe the sam

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11

Greene, Jody. "Francis Kirkman's Counterfeit Authority: Autobiography, Subjectivity, Print." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 17–32. http://dx.doi.org/10.1632/003081206x96096.

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This essay explores the relation between print culture and literary authority in seventeenth-century England, through the career of the rogue author, translator, and autobiographer Francis Kirkman. Barred from traditional forms of authority by his middle-class birth and rudimentary education, Kirkman claimed new forms of self-authorization promised by the press. In his autobiography, The Unlucky Citizen, as well as in his biography of the impersonator Mary Carleton, the self-styled “German Princess,” Kirkman developed strategies of counterfeiting authority to compensate for the traditional ent

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12

Alsaleh, Asaad. "Mourid Barghouti’s I Saw Ramallah: The Impossible Return of the Displaced Autobiographer." Humanities 8, no. 2 (2019): 69. http://dx.doi.org/10.3390/h8020069.

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This article examines and problematizes the idea of return in the autobiography of Mourid Barghouti’s Ra’aytu Ram Allah (I Saw Ramallah). After thirty years of living in Egypt and Budapest, Barghouti returned to his hometown Ramallah in 1996 for a short visit that composes the core of his text. I investigate how Barghouti’s text unveils the Palestinian exile as a permanent state, but also as a challenged, resisted, or accepted the process of shifting people and places over time. By re-examining this autobiography within the frame of reading it as a displaced text, (or “displaced autobiography”

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13

Menu, Jean-Christophe, and Fabrice Neaud. "Autobiography." European Comic Art 14, no. 1 (2021): 41–68. http://dx.doi.org/10.3167/eca.2020.140104.

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In this email exchange, Jean-Christophe Menu inveighs against the deterioration of comics autobiography into a formulaic ‘genre’. Fabrice Neaud maintains that the autobiographical enterprise is necessarily a dangerous undertaking in which a precarious subject comes into being, unlike the ‘proximate’ autobiography featuring a ready-made persona in search of peer approval. He employs a Darwinist evolutionary metaphor to demonstrate the colonisation of the ecological niche that houses comics autobiography by an ‘autobiography-lite’ better adapted to the market. He details the criticisms that have

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14

Кауфман, Александр. "Autobiography." Историко-экономические исследования 16, no. 1 (2015): 151–80. http://dx.doi.org/10.17150/2308-2588.2015.16(1).151-180.

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15

Zinov'ev, Aleksandr Aleksandrovich. "Autobiography." Russian Studies in Philosophy 46, no. 3 (2007): 3–13. http://dx.doi.org/10.2753/rsp1061-1967460300.

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16

Chesterton, G. K. "Autobiography." Chesterton Review 26, no. 1 (2000): 23–27. http://dx.doi.org/10.5840/chesterton2000261/27.

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17

Chesterton, G. K. "Autobiography." Chesterton Review 47, no. 1 (2021): 7–9. http://dx.doi.org/10.5840/chesterton2021471/22.

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18

Salikhov, Kev M. "Autobiography." Applied Magnetic Resonance 53, no. 3-5 (2022): 491–520. http://dx.doi.org/10.1007/s00723-022-01466-y.

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19

Menu, Jean-Christophe, and Fabrice Neaud. "Autobiography." European Comic Art 14, no. 1 (2021): 41–68. http://dx.doi.org/10.3167/eca.2021.140104.

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In this email exchange, Jean-Christophe Menu inveighs against the deterioration of comics autobiography into a formulaic ‘genre’. Fabrice Neaud maintains that the autobiographical enterprise is necessarily a dangerous undertaking in which a precarious subject comes into being, unlike the ‘proximate’ autobiography featuring a ready-made persona in search of peer approval. He employs a Darwinist evolutionary metaphor to demonstrate the colonisation of the ecological niche that houses comics autobiography by an ‘autobiography-lite’ better adapted to the market. He details the criticisms that have

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20

Unger, Douglas. "Autobiography." Iowa Review 32, no. 3 (2002): 82–93. http://dx.doi.org/10.17077/0021-065x.5603.

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21

Raheem, Amaara. "Autobiography." Performance Research 23, no. 2 (2018): 116–21. http://dx.doi.org/10.1080/13528165.2018.1464770.

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22

Corvaja, Carlo. "Autobiography." Applied Magnetic Resonance 55, no. 12 (2024): 1471–79. http://dx.doi.org/10.1007/s00723-024-01705-4.

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23

Greene, Jonathan. "Autobiography." Appalachian Heritage 16, no. 2-3 (1988): 36. http://dx.doi.org/10.1353/aph.1988.0079.

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24

Healy, Eileen. "Autobiography." Journal of Neuropathology & Experimental Neurology 73, no. 2 (2014): 175–87. http://dx.doi.org/10.1097/nen.0000000000000029.

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25

Edward Seidensticker. "Autobiography." Biography 22, no. 1 (1999): 46–56. http://dx.doi.org/10.1353/bio.2010.0159.

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26

Fristad, Mary A. "Autobiography." Journal of Clinical Psychology in Medical Settings 23, no. 4 (2016): 323–26. http://dx.doi.org/10.1007/s10880-016-9469-4.

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27

Weber, Michel. "Autobiography." Process Studies 37, no. 2 (2008): 211–13. http://dx.doi.org/10.5840/process200837235.

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28

James, D. "Autobiography." Postgraduate Medical Journal 71, no. 841 (1995): 703. http://dx.doi.org/10.1136/pgmj.71.841.703-c.

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29

Peterson, Durey H. "Autobiography." Steroids 45, no. 1 (1985): 1–17. http://dx.doi.org/10.1016/0039-128x(85)90061-3.

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30

Shields, David. "Autobiography as Criticism, Criticism as Autobiography." Iowa Review 39, no. 1 (2009): 150–52. http://dx.doi.org/10.17077/0021-065x.6676.

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31

Albarrak, Huda. "The Autobiography of Malcom X: A Modern Mythical Hero’s Journey from Self-destruction to Global Outreach." International Journal of Linguistics, Literature and Translation 8, no. 2 (2025): 30–41. https://doi.org/10.32996/ijllt.2025.8.2.4.

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The Autobiography of Malcolm X, with its influential rhetoric and powerful ideas, has continued to inspire generations since its publication. This research argues that part of the autobiography’s enduring appeal stems from its mythical structure and the portrayal of heroism throughout Malcolm X’s narrative and rhetoric. Specifically, this study explores how Malcolm’s autobiography aligns with Joseph Campbell’s monomyth, or "hero’s journey." Campbell’s model includes several stages that resonate with Malcolm’s life story. This research examines how racism drives Malcolm to leave Michigan, initi

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32

Horoupian, Dikran S. "Autobiography Series: Autobiography of a Peripatetic Neuropathologist." Journal of Neuropathology & Experimental Neurology 76, no. 6 (2017): 480–90. http://dx.doi.org/10.1093/jnen/nlx033.

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33

Thoms, Victoria. "Martha Graham's Haunting Body: Autobiography at the Intersection of Writing and Dancing." Dance Research Journal 40, no. 1 (2008): 3–16. http://dx.doi.org/10.1017/s0149767700001339.

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In this article I employ modern dance pioneer Martha Graham's memoirBlood Memory(1991) to complicate understandings of autobiography. Following a deconstructive perspective (Buse and Stott 1999; Derrida 1994) and taking up feminist critiques of both autobiography (Benstock 1988; Chanfrault-Duchet 2000) and the effects of embodiment (Phelan 1997; Albright 1997), I theorize autobiography as a haunting interstice between writing and the body. I suggest that while the written account is an important means to chart a life, there are forms of autobiography that remain unrepresentable in the frame of

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34

DR. REHMAN SARWAR BAJWA. "A Critical and Research Review of Written Thesis on Autobiography at PhD Level in Pakistani Universities." DARYAFT 16, no. 01 (2024): 85–103. http://dx.doi.org/10.52015/daryaft.v16i01.389.

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In universities, research on Autobiography has not only clarified the general requirements of this genre but also made it much easier to determine the boundaries and restrictions of this sort. Initial research in universities was limited to the intellectual and technical examination of Autobiographies. A reader takes interest in the genre of Autobiography not only because of his attachment to the personality of Autobiography, but also because of the political, social, cultural and cultural elements of the era of Autobiography. The Article examines the Thesis, written in Pakistani universities

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35

Olden-Jørgensen, Sebastian. "Kongedatteren og hendes ghost writer." Danske Studier, no. 2022 (October 9, 2023): 27–50. http://dx.doi.org/10.7146/danskestudier.vi2022.141206.

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On the first of May 1673 Leonora Christina (1621-98), daughter of King Christian IV and his morganatic second wife Kirsten Munk, finished her so called French autobiography (preserved in her own hand in The Royal Library in Copenhagen and issued in a new critical edition in 2021). The text is addressed to some »Monsieur« and gives a charming and rather smug account of her turbulent life as viewed from the prison cell in Copenhagen where she had been locked up since 1663. Traditionally the anonymous addressee has been identified as the scholar Otto Sperling the younger (1634-1715) who is suppos

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36

Bishara, Dr Hanan. "FRAGMENTATION OF REVELATION AND HIDING BEHIND THE WALLS OF THE DISTANT MARGIN IN THE SAUDI FEMINIST AUTOBIOGRAPHY: An Analytical Reading of the Novel Madi, Mufrad, Mudhakkar/ Past, Singular, Masculine1 by the Saudi Writer, Omaima al-Khamis2." International Journal of Language, Linguistics, Literature, and Culture 03, no. 02 (2024): 01–18. http://dx.doi.org/10.59009/ijlllc.2024.0060.

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If the biography is a narrative type with an unimaginable reference basis, the feminist autobiography is a narrative type with a reference basis, in which the author is a woman who admits and does not imagine, as if it were unnecessary to differentiate it from the masculine autobiography, or because the latter is the dominant and the more productive, or because the human being is a terrestrial being, that has no gender. The author can be a man or a woman. However, the work remains described as a non-specialized autobiography. It is not difficult to differentiate between a male autobiography an

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37

Cogeanu, Oana. "Autobiography Reloaded." International Journal of Foreign Studies 6, no. 2 (2013): 59. http://dx.doi.org/10.18327/ijfs.2013.12.6.59.

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38

Proudfit, W. L. "An autobiography." Cleveland Clinic Journal of Medicine 54, no. 1 (1987): 55–59. http://dx.doi.org/10.3949/ccjm.54.1.55.

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39

Okely, Judith. "Autobiography, Anthropology." Anthropological Journal of European Cultures 31, no. 1 (2022): 1–11. http://dx.doi.org/10.3167/ajec.2022.310102.

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In the 1980s, the theme for a future ASA conference had to be personally proposed by a potential organiser at the conference two years earlier. The proposer had to personally convince attending participants, who decided by a visible vote of hands. This recollection on the theme ’‘Anthropology and Autobiography’’ traces the successful 1987 vote for the 1989 conference proposed by myself with Helen Callaway. Before the vote, there were many negative comments claiming our proposal was mere ‘navel -gazing’ and a ‘feminist plot’. Inspired by the problematisation of the use of ‘I’ in Clifford and Ma

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40

De Medeiros, Paulo, and Sonja Herpoel. "Iberian Autobiography." Bulletin of Hispanic Studies 85, no. 2 (2008): 163–66. http://dx.doi.org/10.3828/bhs.85.2.1.

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41

Øyehaug, Gunnhild. "Dreamwriter (Autobiography)." World Literature Today 90, no. 6 (2016): 50–53. http://dx.doi.org/10.1353/wlt.2016.0124.

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42

Palmer, Michael. "Autobiography 13." Chicago Review 43, no. 2 (1997): 92. http://dx.doi.org/10.2307/25304171.

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43

Gunnhild Øyehaug and Translated by Kerri Pierce. "Dreamwriter (Autobiography)." World Literature Today 90, no. 6 (2016): 50. http://dx.doi.org/10.7588/worllitetoda.90.6.0050.

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44

R., R., and Philippe Lejeune. "On Autobiography." Poetics Today 11, no. 3 (1990): 719. http://dx.doi.org/10.2307/1772844.

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45

Palmer, Michael. "Autobiography 7." Iowa Review 26, no. 2 (1996): 154–55. http://dx.doi.org/10.17077/0021-065x.4639.

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46

Goldberg, Martin. "Holocaust Autobiography." Reference Librarian 29, no. 61-62 (1998): 157–63. http://dx.doi.org/10.1300/j120v29n61_16.

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47

Cowen, Emory L. "Beyond Autobiography." Contemporary Psychology: A Journal of Reviews 35, no. 5 (1990): 432–34. http://dx.doi.org/10.1037/028569.

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48

Booch, Grady. "My Autobiography." IEEE Software 32, no. 5 (2015): 13–15. http://dx.doi.org/10.1109/ms.2015.109.

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49

Wilson, Ruth A. "Ecological Autobiography." Environmental Education Research 1, no. 3 (1995): 305–14. http://dx.doi.org/10.1080/1350462950010305.

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50

Bliss, Carolyn, and Janet Frame. "An Autobiography." World Literature Today 66, no. 2 (1992): 408. http://dx.doi.org/10.2307/40148345.

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