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Artículos de revistas sobre el tema "Aztec Decoration and ornament"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenten

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2

Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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3

Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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4

Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd

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5

Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch

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6

Bzhahov, M., and A. Sultanova. "THE USE OF THE NATIONAL ORNAMENT OF THE KABARDINS AND BALKARS AS ARCHITECTURAL DECORATION OF FACADES OF BUILDINGS." Construction Materials and Products 2, no. 4 (2020): 79–83. http://dx.doi.org/10.34031/2618-7183-2019-2-4-79-83.

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the article presents the results of research on the use of the national ornament of the Kabardins and Balkars as an architectural decoration of facades of buildings, contributing to the increase of architectural and artistic expression of facades of buildings. Classification of the national ornament of the Kabardins and Balkars is given, stylized schemes of the national ornament are considered and variants of their placement on facades of buildings as an architectural decor are offered.

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7

Goodwin, Amy. "Signwriting: Ornament as visual language ‐ communicative decoration." Journal of Illustration 6, no. 1 (2019): 119–36. http://dx.doi.org/10.1386/jill_00007_1.

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This article argues for the use of decorative signwriting as both ornamental and communicative. This examination will be twofold: first, a series of images of twentieth century signwriting in the fairground industry will be offered to this argument: all signwriting is purposefully applied, as decoration, in order to communicate, but unpicking the visual styles will unveil the hidden meanings, expanding the communicative intentions. Secondly, works of signwriting produced and installed as an archive as illustrated space will be dissected to expand on the argument being made. The archive as illu

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8

Lee, Jae Sung, Mi Hyun Kim, Young Hwan Park, and Hyun Woo Kim. "Manufacturing Techniques of Gilt-copper Crown Ornament with a Bird Wing-shaped Decoration Excavated form Ancient Tomb in Imdang, Gyeongsan." Journal of Conservation Science 39, no. 3 (2023): 297–307. http://dx.doi.org/10.12654/jcs.2023.39.3.11.

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The ancient tombs in Imdang of Gyeongsan, a representative historic site of Silla culture, are a group of ancient tombs built by local powers of Silla during the Three Kingdoms Period which existed fragmentarily in written records as the tomb of the ruling class in Apdokguk(押督國). In the ancient tomb Imdang 1A, where the appearance at the time of the burial was confirmed, the gilt-copper crown ornament with a bird wing-shaped decoration was excavated showing the relationship between the central Silla and the ruling powers in the local provinces. This the gilt-copper crown ornament with a bird w

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9

Andriiovych, Martha. "A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery." VITA ANTIQUA 10 (December 20, 2018): 43–47. https://doi.org/10.37098/2519-4542-2018-1-10-43-47.

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From four types of the Neolithic ceramics that were determined for the Dnieper-Donetsk culture region, only the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel. The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big fla

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10

H, M. Hasrul, Hariani Hariani, and Yahya Yahya. "Rancang Bangun Sistem Pemasaran Produk Ornamen Bangunan Di Kabupaten Gowa Berbasis Android." Journal Software, Hardware and Information Technology 3, no. 1 (2023): 51–62. http://dx.doi.org/10.24252/shift.v3i1.81.

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The industrial era is forcing almost all sectors and business players to replace their service and product marketing systems with conventional to digital technology, likewise in building ornament artisans. An ornament is a decoration made to beautify a house or building both outside and inside the room; the function of the ornament is also to provide air circulation in the room to get fresh air. This research aims to make it easier for building ornament artisans to market their products more broadly. The approach used in developing this software is a prototype that allows interaction between s

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11

Cai, Rui. "A Preliminary Study on the Main Ridge Decoration of Buildings in Yuan, Ming, and Qing Dynasties in Guanzhong Area." Journal of Architectural Research and Development 6, no. 3 (2022): 1–8. http://dx.doi.org/10.26689/jard.v6i3.3815.

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The function of roof ridge ornament is irreplaceable in the facade modeling of traditional Chinese architecture. Taking the ornament in the Ming and Qing Dynasties in Guanzhong area as an example, this paper summarizes and analyzes the appearance characteristics, and internal cultural connotation of the ornament that is currently present in the Guanzhong area from the aspects of its decorative content, color, and grade indication. Further, make relevant discussions, hoping to supplement the research of ancient ornament.

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12

Kim, Hoon-Hui. "The transition and meaning of the ceremonial ornament with bird-shaped thorn(有刺괿器) from Marisan ancient tombs in Haman region". Yeongnam Archaeological Society, № 82 (30 вересня 2018): 33–57. http://dx.doi.org/10.47417/yar.2018.82.33.

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The Malisan ancient tombs in Haman region are the most important sites, as the center of Allakuk(安羅國), in the study of Gaya. In this study, the ceremonial ornament with bird-shaped thorn(有刺利器) excavated from the Malisan tombs were examined. In the analysis of the ceremonial ornament, It attracts attention to the most distinctive part of the bird-shaped decoration. It is largely classified into the old and the new style. It is set to five types of old style and three types of new style. The old and new style differ in appearance and disappearance. The set pattern is observed to change gradually

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13

Liu, Jun, and Yu Guo Zhuo. "Green Theory Research on Indoor Air Pollution by Overall Process Controlling." Advanced Materials Research 356-360 (October 2011): 1719–22. http://dx.doi.org/10.4028/www.scientific.net/amr.356-360.1719.

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New green theory is put forward that indoor air pollution is controlled by overall process based on the residential interior decoration and air pollution status in China, as indoor air quality becomes important more and more. According to the concept of healthy house to control indoor air pollution through four steps that are green interior design, selecting environmental materials, green decoration and green ornament safe, healthy and environmental green home could be realized.

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14

Horton, Sarah. "Serial killers? Investigating some modernist myths about decoration, pattern and ornament through workplace interventions." Journal of Illustration 6, no. 2 (2019): 305–25. http://dx.doi.org/10.1386/jill_00016_1.

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Abstract What is it about ornament that made it so contentious for influential modernist thinkers and practitioners such as Adolf Loos and le Corbusier? According to Loos it was a sign of degeneracy and for le Corbusier best suited to 'simple races, peasants and savages'. By championing the use of ornament as a vital tool for 'resistance' in the sense that Michel de Certeau used the word the practice-led research featured in this article seeks to interrogate some of these myths. Rather than being a passive adornment to an environment the visual artworks presented here tested the potential of d

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15

Nenasheva, Larisa V. "THE ARTISTIC DECORATION OF NORTHERN MANUSCRIPTS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 163–78. http://dx.doi.org/10.17223/22220836/41/13.

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For a long time Russian manuscript book has been famous for its rich artistic design. Miniatures containing parts of liturgical texts, sermons, saints’ lives, richly decorated miniatures, initials have changed over time, so they help to date a manuscript. The article studies the artistic design of northern manuscripts in order to figure out a more accurate date of the source. The subjects of the study are liturgical and theological books from the collection of the Arkhangelsk Museum Association “Russian North artistic culture”, created in the XV–XIX centuries. All researched manuscripts are wr

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16

Yusof, Abdullah, Aizan Hj Ali @. Mat Zin, and Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara." International Journal of Nusantara Islam 2, no. 1 (2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.

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The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, gravey

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17

Molchanova, Ludmila A. "“Wood” symbolism in the decoration of the Udmurt costume: origins, existence, meaning." Finno-Ugric World 14, no. 2 (2022): 207–22. http://dx.doi.org/10.15507/2076-2577.014.2022.02.207-222.

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Introduction. The article analyzes the semantics of the tree-like figures of the traditional female costume. The purpose of the work is to determine the origins of this image in the Udmurt ornamentation. Materials and Methods. The work uses the method of structural-semiotic analysis, allowing to consider costume ornament as a sign-symbolic system. Results and Discussion. The two prototypes that arose back in the period of the formation of human mentality: a woman and a totemic beast, formed the basis of the mythopoetic symbol of the world tree. Complex of Udmurt vorshud concentrated and preser

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18

Liu, Jun, Yu Guo Zhuo, and Jin Xiang Ma. "Research on Indoor Environment Pollutants and Controlling." Applied Mechanics and Materials 178-181 (May 2012): 251–53. http://dx.doi.org/10.4028/www.scientific.net/amm.178-181.251.

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The sources and harm of indoor environmental pollutants was described and a new green theory is put forward that indoor environment pollutants is controlled by overall process based on the residential interior decoration and air pollution status in China, as indoor environment quality becomes more and more important. According to the concept of healthy house to control indoor environment pollutants through five steps that are green interior design, selecting environmental materials, green decoration, green ornament and green fresh air, and healthy and environmental green home could be realized

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19

Whittaker, John C. "THE AZTEC ATLATL IN THE BRITISH MUSEUM." Ancient Mesoamerica 26, no. 1 (2015): 69–79. http://dx.doi.org/10.1017/s0956536115000036.

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AbstractThe British Museum's Aztec atlatl is one of their most famous Mesoamerican objects, yet it has not been studied as a weapon in light of current knowledge of spear-throwers, and the details necessary to do so have not been published. Close examination and experimental replication shows that although it is ornately decorated, it is a serviceable spear-thrower. While evidence of actual use of this specimen is ambiguous, we can at least accept the form as an example of working weapons of Contact period Mesoamerica. The actual effects and circumstances of atlatl use against the Spanish and

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20

Riisberg, Vibeke, and Anders Munch. "Decoration and Durability: Ornaments and their ‘appropriateness’ from fashion and design to architecture." Artifact 3, no. 3 (2015): 5. http://dx.doi.org/10.14434/artifact.v3i3.3918.

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<p>Throughout the scales of design there has been an exploding interest in the ornament that seems to be fuelled by different kinds of digital technology and media from CAD to digital printing in both 2D and 3D. In architecture and industrial design it is discussed as a Return of ornament, because the aesthetics of Modernism banned ornamentation as ‘inappropriate’ to materiality, construction and function. In this article we wish to renegotiate this highly normative notion of appropriateness with special regard to sustainable design, where the ‘right’ kind of ornaments can mediate attent

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21

Krylova, Victoria Igorevna, and Larisa Ivanovna Nekhviadovich. "The Altai ornament as an element of the image structure in the book graphics of V. A. Ramensky." Manuscript 17, no. 3 (2024): 381–89. http://dx.doi.org/10.30853/mns20240054.

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The article discusses the graphic heritage of the Altai book artist V. A. Ramensky in terms of the use of the traditional Altai ornament as an element of the image structure of works of fiction. The problematics of the article lie in the field of transformation of the traditional ornament in the space of the author’s artistic interpretation. The aim of the study is to identify the special features of the use of ornamental tradition by the artist V. A. Ramensky. The scientific novelty of the study consists in identifying and formulating the main principles of interpretation of the Altai ornamen

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22

Hedges, Susan. "Interior Decoration to Exterior Surface: The Beleaguered Relief." Interiority 2, no. 1 (2019): 79–93. http://dx.doi.org/10.7454/in.v2i1.45.

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Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge. This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's

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23

Rinaldi and Azmi Dwi Seffiani. "RAGAM HIAS NISAN KOMPLEKS PEMAKAMAN RAJA KOTALAMA, KABUPATEN INDRAGIRI HULU, PROVINSI RIAU." Berkala Arkeologi Sangkhakala 22, no. 1 (2020): 45. http://dx.doi.org/10.24832/bas.v22i1.397.

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The cemetery of the King Kotalama complex is the Indragiri royal burial complex of the islamic-style period of Narasinga II. This study focused on the type of ornament that developed in the burial complex of the king of Kotalama. Decoration can provide information about the development of art culture during the reign of Narasinga II. The method used to answer these problems is through morphological analysis and stylistic analysis, in order to find out the types of decorations. The developing decoration shows that the community acculturates the old culture and the new culture. The ornamental va

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24

Lebedeva, Yulia A. "The Ornament on Jewelry of the Siberian Tatars (on Materials of Archeology and Ethnography)." Herald of Omsk University. Series: Historical Studies 7, no. 4 (28) (2020): 140–50. http://dx.doi.org/10.24147/2312-1300.2020.7(4).140-150.

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The article describes the decoration and ornamentation of two groups of Siberian Tatars - Baraba and Tara Tatars. As sources are considered jewelry of the 17th - 20th centuries, received in the funds of museums as a result of ethnographic and archeological researches. Special attention is paid to technical methods of performance, motifs, compositional techniques and types of ornament.

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25

Унежева, З. С., та Ф. С. Бейтуганова. "Происхождение и символика адыгского орнамента". Bulletin of Science and Practice 557, № 5(6) (2016): 251–54. https://doi.org/10.5281/zenodo.54909.

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В статье рассматривается роль и происхождение орнамента адыгов, их смысловое значение. Рассматриваются материалы, техники изготовления и их орнаментальное декорирование. Приводится несколько культовых обрядов, связанных с происхождением знаковых элементов. The article discusses the role and origin of ornament Adygs, their meaning. The materials, manufacturing techniques and ornamental decoration. We present a few religious rites associated with the origins of the iconic elements.  

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26

Hoogslag, Nanette. "Decriminalising Ornament: The Pleasures of Pattern: The sympathy of illustration." Journal of Illustration 6, no. 1 (2019): 9–32. http://dx.doi.org/10.1386/jill_00002_1.

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This article reflects on the research exhibition Decriminalising Ornament: The Pleasures of Pattern held in the Ruskin Gallery in Cambridge in November 2018 in conjunction with the International Illustration Research Conference of the same name. It considers the role of ornament and decoration in the exhibited works and through this the essential presence of the decorative within illustration.Key is Lars Spuybroek's concept of sympathy, which he develops based on a premodern understanding of ornamentation. In response to Spuybroek's exploration of this concept, this article seeks to extend the

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27

Al'-Tamimi, Sakher Mukhammed, and Marina Vladimirovna Pankina. "Ornament in the architecture of mosques in Jordan: traditions and innovations." Культура и искусство, no. 4 (April 2024): 74–88. http://dx.doi.org/10.7256/2454-0625.2024.4.69044.

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The object of the study is ornaments in the architecture of ancient and modern mosques. Using the example of mosques in Amman (Jordan), traditional ornaments are considered from the point of view of their purpose, content and symbolism, location and plastic organization. The compositional techniques, stylization methods, images used in ornaments are analyzed. In the modern architecture of mosques, continuity in approaches to decoration is combined with the active use of modern technologies in the construction and interpretation of ornaments, their embodiment in the material. Since there are st

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KHAZBULATOV, A. R., and A. I. IBRAGIMOV. "ORNAMENT AS A LANGUAGE OF CULTURE: TRADITION AND MODERNITY." Pedagogy and Psychology 48, no. 3 (2021): 265–76. http://dx.doi.org/10.51889/2021-3.2077-6861.29.

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The Kazakh folk art clearly reflected the distinctive features of the applied national culture. Its origins go far back centuries, and it is nourished by the same inexhaustible source of folk art, which gives rise to any kind of art. This long-standing and eternally young art is brought to life by various kinds of people's desire to figuratively reflect their aesthetic perception of reality. From generation to generation, unnamed artists passed on their rich experience, contributing to the formation of a national style, national artistic traditions, which determines the unique originality of a

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29

Drozdowicz, Piotr. "The Return of Decorative Trends in Modern Architecture: The Example of Poznań, Poland." Arts 14, no. 2 (2025): 31. https://doi.org/10.3390/arts14020031.

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Aesthetic tendencies in architecture are disposed between two poles: rich ornamentation and formal restraint. The principle of an empty wall and the rejection of decoration are perceived as features of contemporary architecture. However, does the thesis attributed to Adolf Loos that ornament is a crime still apply? This study covered 50 buildings completed between 2000 and 2022 in Poznań (Poland) and 810 photographs were obtained. In order to analyze the research material from an aesthetic point of view, the author refers to the past concept of decorum, which distinguishes it from the concept

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30

Saragih, Dearma A., Yulianto Yulianto, and Raimundus Pakpahan. "KAJIAN ORNAMEN GORGA DI RUMAH ADAT BATAK TOBA (Studi Kasus : Di Kawasan Desa Wisata Tomok, Huta Siallagan dan Huta Bolon Di Kabupaten Samosir)." ALUR : Jurnal Arsitektur 2, no. 1 (2019): 1–14. http://dx.doi.org/10.54367/alur.v2i1.368.

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One of the interesting cultural potentials to be studied is traditional houses. This traditional house has its own uniqueness in every area. One of the uniqueness can be seen from the many ornaments in it. Diversity has its own meaning and function. Ornaments is one of the historical heritage of Indonesia where almost all the tribes in Indonesia can be found various kinds of ornaments that reflect the techniques of each region in Indonesia. Ornament Batak Toba is one of the many ornaments that exist in this country Indonesia. Toba Batak ornament can be found in North Sumatera Province precisel

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Maura Annisa, Zuindra Zuindra, and M.Kiki Wardana. "THE MEANING ON MAIMUN PALACE ORNAMENTS: SEMIOTIC STUDY." Jurnal Pendidikan dan Sastra Inggris 2, no. 1 (2022): 107–19. http://dx.doi.org/10.55606/jupensi.v2i1.587.

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The purpose of this study is how the writer found shape and meaning in the ornament in Maimun palace. The writer applied the theory of Semiotics proposed by Peirce (1978). The method is a qualitative research method, which is directly analyzes the facts found in the field. The writer obtained the data by conducting observations and interviews directly to the field, as well as getting information from several books and websites. The result showed that it was found some types of ornaments at the Maimun Palace. Then the writer compiled and described them based on the shape, namely ornament in the

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32

Zahra, Fatima, and Seyedeh Samaneh Fatemi. "Cultural Diversity: Aesthetic Analysis of Persian and Kashmiri Paisley Ornaments." PERENNIAL JOURNAL OF HISTORY 2, no. 2 (2021): 81–90. http://dx.doi.org/10.52700/pjh.v2i2.61.

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The article focuses on the origins and evolution of the Indo-Persian decoration "Paisley," as well as the use of this flowery linear pattern on textiles such as shawls, table wraps, and carpets. Paisley has gone through many stages in its evolution, including the Iranian art period and the Indo-Subcontinent phase (Mughal era). The intrinsic nature of the decoration is shown via a comparative research technique that defines Indo-Persian motif features. This article looked at the primary ornamental elements of the paisley pattern, which are floral and geometrical in nature, and how they are used

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33

Florea, Eleonora. "6. Design – Synthesis Phenomenon: Art, Science and Technology." Review of Artistic Education 1, no. 24 (2022): 215–21. http://dx.doi.org/10.2478/rae-2022-0026.

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Abstract In the nineteenth century, the century of electricity and railways, radio and cinema, in the process of vertiginous technical progress, within the industrial civilization, appears a new phenomenon of creative, artistic and scientific activity – design. It gave birth to a “way of industrial thinking”, oriented towards creating useful and functional objects, but at the same time able to delight the eye with their beauty without recurring to ornament and decoration effects.

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34

Ramdhan, Zaini. "Stylization of Batara Kala's Face as a Geometric Ornament Form." KnE Social Sciences 10, no. 1 (2025): 99–105. https://doi.org/10.18502/kss.v10i1.17857.

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The problem researchers to discuss in the object of this research is how the meaning and elements of visual form in the stylization of Batara Kala’s facial decoration objects in temple ornaments are viewed from the visual aesthetics. Findings assume that there are visual elements of personification of living creatures that are stylized into the form of facial objects. This research aims to determine the meaning of form in visual stylistic elements as the face of the Batara Kala figure on temple ornamental objects as of Buto Kala. The focus of the object material is using perspective analysis o

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35

Голофаст, Л. А., and А. Н. Свиридов. "THE GLASS BEAKER WITH APPLIQUE SNAKE-THREAD DECORATION FROM FRONTOVOYE 3." Краткие сообщения Института археологии (КСИА), no. 266 (October 4, 2022): 107–26. http://dx.doi.org/10.25681/iaras.0130-2620.266.107-126.

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При раскопках грунтового могильника Фронтовое 3 в пригороде Севастополя (Юго-Западный Крым) в захоронении конца II - середины III в. был обнаружен уникальный для Крыма импортный стеклянный кубок с растительным орнаментом, выполненным накладными «змеевидными» нитями. Такой орнамент, известный под названием «snake-thread decoration» или «Schlagenfaden Glas», характерен для продукции Восточного Средиземноморья, Кёльна (и, возможно, ряда других западноевропейских мастерских) и Паннонии. Посуда с такой орнаментацией относится к разряду предметов роскоши и была неотъемлемой частью сервировки стола с

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Wan, Jinbo. "The influence of Buddhism upon the Chinese traditional lotus pattern." Человек и культура, no. 5 (May 2021): 89–105. http://dx.doi.org/10.25136/2409-8744.2021.5.36541.

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Lotus pattern is one of the traditional Chinese ornaments that dates back to the ancient times. During the rule of Wei and Jin dynasties, as well as Northern and Southern dynasties (222 &ndash; 589 AD), Buddhism has largely prevailed across the territory of the Great Plain of China. The forms, methods of expression, and meanings of the Chinese traditional ornaments that used the lotus pattern have changed under the influence of Buddhism. This article analyzes the peculiarities of synthesis of the Buddhist lotus ornament with the Chinese traditional culture, as well as the degree of impact

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Lungu, Antonela, Mihai Ispas, Luminiţa-Maria Brenci, Sergiu Răcăşan, and Camelia Coşereanu. "Comparative Study on Wood CNC Routing Methods for Transposing a Traditional Motif from Romanian Textile Heritage into Furniture Decoration." Applied Sciences 11, no. 15 (2021): 6713. http://dx.doi.org/10.3390/app11156713.

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This paper presents experimental research on the Computer Numerical Control (CNC) routing of a traditional motif collected from Ţara Bârsei (Transylvania region) using two methods, namely, engraving (Engrave) and carving (V-Carve). The analysis of the CNC router processes includes the calculation of the path lengths, an assessment of the processing time and wood mass loss, and an evaluation of the tool wearing by investigating the tool cutting edge on a Stereo Microscope NIKON SMZ 18 before and after processing the ornament on wood. An aesthetic evaluation of the ornament routed on wood, using

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Bourke, Cormac, Thomas Fanning, and Niamh Whitfield. "An Insular Brooch-Fragment from Norway." Antiquaries Journal 68, no. 1 (1988): 90–98. http://dx.doi.org/10.1017/s0003581500022502.

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A silver-gilt ornament of Insular origin from a Viking age burial in Norway is here identified for the first time as the pin-head of a ring brooch of pseudo-penannular form. The decoration and typology of the pin-head are discussed in relation to Insular metalwork, and its iconography is considered in the context of Early Christian art. The pin-head and an associated ringed pin are dated to the eighth or ninth century.

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Lungu, Antonela, Antonius Androne, Lidia Gurău, and Camelia Coşereanu. "Simulating traditional textile heritage motifs by applying CAD-CAM-CAE tool for furniture decoration." MATEC Web of Conferences 343 (2021): 04012. http://dx.doi.org/10.1051/matecconf/202134304012.

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As an interaction of multiple domains including design, the furniture industry may valorise in furniture ornamentation the traditional motifs, and could encourage the creativity of designers to develop original products with a modern design, based on the digitalized technology. The article presents an example of applying CAD-CAM-CAE tools for analysing the possibility of transposing traditional motifs from the textile heritage to the furniture decoration, and to select the appropriate CNC routing method and tool in order to obtain an ornament as close as possible to the original one. Tradition

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Федотов, Дмитрий Александрович. "Особенности декоративного оформления списков гомилий Иакова Коккиновафского (Vat. gr. 1162, Paris gr. 1208) и рукописей коккиновафской группы". Theological Herald, № 4(55) (20 грудня 2024): 236–52. https://doi.org/10.31802/gb.2024.55.4.013.

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Статья посвящена особенностям декора ватиканского и парижского списков лицевых рукописей гомилий Иакова Коккиновафского. Рассматривается история изучения византийского орнамента, упоминаются наиболее значимые работы отечественных и зарубежных исследователей. Даются характеристики византийскому орнаменту, затрагиваются проблемы терминологии. В статье сравниваются заставки и инициалы ватиканского и парижского списков гомилий, выявляются их сходства и отличия. Затрагиваются вопросы иконографии инициалов. Проводятся аналогии с декором некоторых других рукописей коккиновафской группы. В заключении

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., Mirza Prastyo, Dr Drs I. Ketut Supir, M. Hum ., and I. Gusti Made Budiarta, S. Pd ,. M. Pd . "Omprok Gandrung Banyuwangi." Jurnal Pendidikan Seni Rupa Undiksha 7, no. 2 (2018): 27. http://dx.doi.org/10.23887/jjpsp.v7i1.13630.

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Penelitian ini bertujuan untuk mendeskripsikan: (1) Alat dan bahan dalam pembuatan Omprok Gandrung Banyuwangi (2) Proses pembuatan Omprok Gandrung Banyuwangi (3) Ornamen Omprok Gandrung Banyuwangi (4) Makna Ornamen Omprok Gandrung Banyuwangi. penelitian ini merupakan penelitian deskriptif kualitatif. Sasaran adalah Omprok (Mahkota) Penari Gandrung dengan memilih Sutrisno, Suwari, Eko Susanto dan Sayun Sisiyanto sebagai narasumbernya. Pengumpulan data dalam penelitian ini dilakukan dengan teknik (1) Observasi, (2) wawancara, (3) Dokumentasi, dan (4)Triangulasi, serta menggunakan Analisis Takson

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Rustanto. "HUBUNGAN HASIL BELAJAR DASAR DESAIN DAN KREATIVITAS TERHADAP HASIL BELAJAR PEMBUATAN HIASAN." Jurnal Pendidikan Teknik dan Vokasional 4, no. 1 (2021): 29–34. http://dx.doi.org/10.21009/jptv.4.1.29.

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This study aims to determine the relationship between basic lessons of fashion design and creativity to student learning outcomes in the subject of making decoration. The test site of this research is conducted at SMK Negeri in DKI Jakarta study program of expertise of fashion field of tourism expertise. This research is done by giving test in the form of theory test and practice on Making Ornament subject. The method used in this research is quantitative research method correlational relationship between variables by using questionnaire. Using a sample of 172 students. The data generated by e

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Pradana, Rizal Wahyu Bagas. "Bentuk dan Makna Simbolik Ragam Hias pada Masjid Sunan Giri." RUANG-SPACE, Jurnal Lingkungan Binaan (Space : Journal of the Built Environment) 7, no. 1 (2020): 71. http://dx.doi.org/10.24843/jrs.2020.v07.i01.p07.

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Sunan Giri Mosque is one of the ancient Javanese mosques which was built in the time of Walisongo. Sunan Giri Mosque building has its own uniqueness in its ornament. This uniqueness is rarely found in other mosques in general. This study aims to describe the various ornaments and symbolic meanings found in the Sunan Giri Mosque. This research uses descriptive qualitative research methods. Research data obtained through observation, interviews, documentation, and literature study. Data analysis with data reduction, data presentation, and concluding. Meanwhile, to obtain data validity, using dat

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Анна, Іваниш. "Іноетнічні запозичення та їх впливи на формування традиційного народного костюму Закарпаття 20-40-х рр. ХХ ст." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 309–20. https://doi.org/10.5281/zenodo.1313180.

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Artistic and stylistic influences on the formation of Transcarpathian costume during 20-40’s of the 20th century as well as the differences in ornaments and techniques in decoration are explored in the article. The role of inoethnic borrowings, namely the influence of the Hungarian and Romanian costumes on the formation of the Ukrainians’ traditional folk costume in Transcarpathia during the interwar period is highlighted. The phenomena of Hungarian and Romanian mutual influences on the formation of the folk costume in Transcarpathia particularly affected artistic peculiarities of

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Rahayu, Rina Sri. "ETNOMATEMATIKA PADA TUTUP ARI GEDUNG KANTOR BUPATI TAPANULI SELATAN." JURNAL MathEdu (Mathematic Education Journal) 7, no. 2 (2024): 107–16. https://doi.org/10.37081/mathedu.v7i2.6276.

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This research aims to determine the form or mathematical concept of the ornaments found on the Close Ari of the South Tapanuli Regent's Office Building. The decoration on the lid is one of the Mandailing cultural traditions that must be preserved because it contains its own meaning and significance in each form. We can find these ornaments in various areas in South Tapanuli, one of which is in South Tapanuli, specifically in the South Tapanuli Regent's Office Building. The decoration on the lid of the can is used as a medium for teaching mathematics in schools so that learning mathematics at s

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Michałowski, Andrzej, and Andrzej Sikorski. "Ornament sznurowy na ceramice ludności kultury amfor kulistych z Poznania-Nowego Miasta (stan. 314)." Folia Praehistorica Posnaniensia 13 (November 1, 2018): 175–85. http://dx.doi.org/10.14746/fpp.2005.13.13.

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The article discusses a corded decoration on pottery from the Amphorae Globular Culture seasonal camp. Analysis of impressions on the pot outer surfaces revealed that this characteristic motif was produced by a simple textile template. Fragments of a five-stranded cord (S/3S/2Z) - certainly not a two-stranded one - were sewn on a net 'band' (item of a sprang type). This technique guaranteed a precise layout and space between particular impressions (ca. 2 mm each) on a soft amphorae (?) surface irrespective of an angle of ornament placements and decorative element joints.

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Jewell, Richard. "An English Romanesque Mount and Three Ninth-Century Strap-Ends." Antiquaries Journal 83 (September 2003): 433–41. http://dx.doi.org/10.1017/s0003581500077751.

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This note discusses several recent English finds of early medieval ornamental metalwork shown at the Society of Antiquaries on 16 May 2002: most notably, a Romanesque mount with open-work foliate decoration having clear parallels with Norman and Anglo-Norman ornament of c 1100–25. Four ninth-century Anglo-Saxon strapends are also described and illustrated, two of which have decorative features with links to contemporary larger-scale works but rarer within the corpus of strap-ends; the other two being unusual examples of East Anglian niello and silver-wire inlay.

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Adams, S. "Ornament: a modern perspective * Rethinking decoration: pleasure and ideology in the visual arts." Journal of Design History 19, no. 1 (2006): 88–90. http://dx.doi.org/10.1093/jdh/epk008.

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Shyntyapina, Ye S. "FAIRY-TALE AND MYTHOLOGICAL MOTIFS IN THE DECORATION OF ARCHITECTURAL COMPLEXES BY N. P. KRASNOV IN YALTA DISTRICT." Arts education and science 1, no. 3 (2021): 101–9. http://dx.doi.org/10.36871/hon.202103013.

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The article deals with fairy-tale and mythological motifs in the work of the architect N. P. Krasnov, represented in the decoration of the palace and manor complexes of the Romanov family Dulber and Livadia, as well as the estates of the princes Yusupov in Koreiz and Kokkoz, erected on the territory of Yalta district in 1880–1913. The stylistic continuity of architectural complexes was expressed in the ornament and decorative plastics created by the architect under the influence of Italian Renaissance, Classicist canons and Neo-Moorish elegance. The paper analyzes characteristic features of st

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Sandu, Ioan Gabriel, Viorica Vasilache, Ion Sandu, Felix Adrian Tencariu, and Andrei Victor Sandu. "Study on the Middle Bronze Age Disc-Butted Axe Ornament from Archaeometallurgical Point of View." Applied Sciences 11, no. 21 (2021): 9814. http://dx.doi.org/10.3390/app11219814.

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Our research was conducted on a copper disc-butted axe, with a surface decoration made of a tin-based alloy, which was found east of the Carpathian Mountains in the Moldavian Plateau. This unique piece is thought to belong to the Middle Bronze Age in the Western Carpathians—Wietenberg, Suciu de Sus and Otomani–Füzesabony cultures. In order to evaluate the application process and the origin of the ores used, the surface and volume phase variation of the concentration of the metal components of the basic alloy (copper) and of the ornament was analysed using optical microscopy (OM), stereomicrosc

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