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Artículos de revistas sobre el tema "Beazley"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 26 de julio de 2024

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1

Whitley, James. "Beazley as theorist." Antiquity 71, no. 271 (March 1997): 40–47. http://dx.doi.org/10.1017/s0003598x00084520.

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Sir John Beazley (1885-1970), founder of the modern and archaeological study of Classical vases, was a master of method. Is the Beazley method just that, a well-judged method fitting to the material under study? Or does that considered method in truth amount to a considered theory, held and used by a consciously most untheoretical archaeologist?
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2

Lissarrague, François. "Métamorphoses d’une expertise : de Sir John Beazley au Beazley Archive d’Oxford." Perspective, no. 2 (June 30, 2007): 305–9. http://dx.doi.org/10.4000/perspective.3816.

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3

Oakley, John H. "Why study a Greek vase-painter?–a response to Whitley's ‘Beazley as theorist’." Antiquity 72, no. 275 (March 1998): 209–13. http://dx.doi.org/10.1017/s0003598x00086427.

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John Oakley defends the legacy of Beazley in response to James Whitley's recent analysis of Beazley and his followers (ANTIQUITY 72: 40–47). The debate demonstrates how influential some past figures of archaeological methodology still are, and how diverse are the approaches of modern scholars in interpreting and using their legacy.
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4

Huxley, George. "Beazley and MacNeice: A Note." Classics Ireland 8 (2001): 30. http://dx.doi.org/10.2307/25528375.

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5

Moignard, Elizabeth. "THE METHODS OF BEAZLEY AND POTTIER." Classical Review 53, no. 1 (April 2003): 226–27. http://dx.doi.org/10.1093/cr/53.1.226.

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6

Smith, Tyler Jo. "The Beazley Archive: Inside and Out." Art Documentation: Journal of the Art Libraries Society of North America 24, no. 1 (April 2005): 22–25. http://dx.doi.org/10.1086/adx.24.1.27949346.

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7

Steketee, Mike. "Kim Beazley in Politics: Being There." AQ: Australian Quarterly 78, no. 6 (2006): 11. http://dx.doi.org/10.2307/20638435.

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8

Beazley, Margaret. "The Governor, Margaret Beazley: Opening Address." Journal and proceedings of the Royal Society of New South Wales 155, no. 1 (June 2022): 72–73. http://dx.doi.org/10.5962/p.389581.

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9

Gilg, Andrew. "Book Review: The Earth Report: Monitoring the battle for our environment." Journal of Interdisciplinary Economics 3, no. 1 (January 1989): 74–75. http://dx.doi.org/10.1177/02601079x8900300111.

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10

Rodríguez Pérez, Diana. "De nuevo Beazley: una contribución a la historiografía de la cerámica ática." De Arte. Revista de Historia del Arte, no. 9 (August 18, 2014): 7. http://dx.doi.org/10.18002/da.v0i9.1364.

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Se presentan en estas líneas unos apuntes biográficos sobre John Davidson Beazley así como un acercamiento a su modo de trabajo, el llamado Método Beazley, que revolucionó para siempre el campo de la cerámica figurada griega antigua. Se discuten sus orígenes, desarrollo e implicaciones teóricas, señalando sus limitaciones y sus virtudes, siempre desde el mayor reconocimiento al hombre que ha hecho posible el estudio de la cerámica griega tal y como lo conocemos hoy en día. Gracias a su método, calificado –o descalificado por algunos- como pericial y extremadamente positivista, podemos hoy estu
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11

Archive, Beazley, and Alvaro Hashizume Allegrete. "The Beazley Archive - O banco de dados do Beazley Archive. Antike Kunst, Basiléia, 35 (1): 76, 1992." Classica - Revista Brasileira de Estudos Clássicos 4, no. 4 (January 29, 2018): 225. http://dx.doi.org/10.24277/classica.v4i4.589.

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12

Cheal, Catheryn, Beazley Addenda, and Thomas H. Carpenter. "Beazley Addenda: To ABV, ARV23, and Paralipomena." Classical World 84, no. 6 (1991): 495. http://dx.doi.org/10.2307/4350947.

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13

Harms, John. "An interview with labor leader Kim Beazley." Journal of Australian Studies 22, no. 57 (January 1998): 31–37. http://dx.doi.org/10.1080/14443059809387378.

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14

Dunlop, S. A., and L. D. Beazley. "Cell distributions in the retinal ganglion cell layer of adult Leptodactylid frogs after premetamorphic eye rotation." Development 89, no. 1 (October 1, 1985): 159–73. http://dx.doi.org/10.1242/dev.89.1.159.

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In adult Limnodynastes dorsalis and Heleioporus eyrei regions of high cell density in the retinal ganglion cell layer are normally found along the nasotemporal axis and become apparent only after metamorphosis (Dunlop & Beazley, 1981; Coleman, Dunlop & Beazley, 1984). Eye rotations were performed from embryonic to mid-larval life and cell topography mapped after metamorphosis using cresyl violet-stained wholemounts. Mature cell distributions indicated that from stages equivalent to 30/31 in Xenopus (Nieuwkoop & Faber, 1956) alignment of high cell density regions had already been de
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15

COOK, MALCOLM, and BRIAN DOLLERY. "THE ECONOMICS OF THE BEAZLEY TELECOMMUNICATIONS REFORM PROPOSAL." Economic Papers: A journal of applied economics and policy 9, no. 4 (December 1990): 61–70. http://dx.doi.org/10.1111/j.1759-3441.1990.tb00619.x.

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16

Sánchez, Carmen. "El Hilo de Ariadna. El método de atribución a pintores en la cerámica ática." Archivo Español de Arqueología 67, no. 169-170 (January 25, 2018): 31. http://dx.doi.org/10.3989/aespa.1994.v67.393.

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La forma de atribución a pintores anónimos de los vasos áticos fue inventada por Beazley transformando el método aplicado a la pintura italiana primero por Morelli y luego por Berenson. En este trabajo se intenta analizar cómo y cuándo ha surgido el método., en qué consiste, cómo se emplea, cuáles son sus perspectivas y dónde están sus limitaciones.
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17

Hanson, Fergus. "A conversation with the Hon Kim Beazley AC FAIIA." Australian Journal of International Affairs 70, no. 6 (August 18, 2016): 597–600. http://dx.doi.org/10.1080/10357718.2016.1220500.

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18

Lessa, Fábio De Souza. "Rompendo idealizações." Revista do Museu de Arqueologia e Etnologia, no. 29 (December 30, 2017): 36–46. http://dx.doi.org/10.11606/issn.2448-1750.revmae.2017.140749.

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Neste texto, pretendemos discutir modelos de representação dos corpos dos atletas gregos nas imagens áticas do período clássico. Defenderemos que o esquema iconográfico que privilegiava o modelo apolíneo do corpo dos atletas gregos, por mais que fosse hegemônico, não era único. Os corpos que se distanciam desse modelo e que foram agrupados por John D. Beazley no “Fat Boy Group” serão priorizados nesta análise.
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19

Burn, Lucilla. "(J. D.) Beazley Greek vases: lectures by J. D. Beazley. Ed. D. C. Kurtz. Oxford: Clarendon Press, 1989. Pp.xii + 128, 80 plates. £40.00." Journal of Hellenic Studies 111 (November 1991): 248–49. http://dx.doi.org/10.2307/631945.

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20

Joháczi, Szilvia, and Bence Párkányi. "Same but different." Dissertationes Archaeologicae 3, no. 11 (March 26, 2024): 203–13. http://dx.doi.org/10.17204/dissarch.2023.203.

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Attic black-figure vases from the Late Archaic and Early Classical periods are often neglected by scholars. Most of them are not included in the Beazley Archive Pottery Database, significantly hindering related research. This paper presents such a vase from the collection of the Museum of Fine Arts in Budapest. The authors propose that the scene on the lekythos, akin to others from the era, is a simplified version of a more elaborate one.
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21

Winters, William L. "Homer Liston Beazley, M.D. November 1, 1920 — August 8, 2004." Methodist DeBakey Cardiovascular Journal 9, no. 3 (July 1, 2013): 183. http://dx.doi.org/10.14797/mdcvj.439.

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22

Donohue, A. A., and Philippe Rouet. "Approaches to the Study of Attic Vases: Beazley and Pottier." Classical World 98, no. 2 (2005): 229. http://dx.doi.org/10.2307/4352944.

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23

Winters, William L. "Homer Liston Beazley, M.D. November 1, 1920 — August 8, 2004." Methodist DeBakey Cardiovascular Journal 9, no. 3 (July 2013): 183. http://dx.doi.org/10.14797/mdcj-9-3-183.

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24

Dias, Carolina Kesser Barcellos. "Reflections on the artistic relations among Attic vase painters (510 - 475 BC)." Revista do Museu de Arqueologia e Etnologia. Suplemento, supl.11 (September 10, 2011): 133. http://dx.doi.org/10.11606/issn.2594-5939.revmaesupl.2011.113547.

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Nesta comunicação, pretende-se discutir o uso da metodologia de atribuição desenvolvida por John D. Beazley em uma perspectiva mais ampla: além do reconhecimento de artistas, com o este método pode ser em pregado para a observação das conexões, associações e contribuições entre os indivíduos produtores de vasos áticos no período arcaico (510 a 475 a.C .)? Pretende-se abordar, sobretudo, duas linhas que têm sido pouco desenvolvidas nos estudos atuais sobre a cerâmica ática desse período: a análise das oficinas e as associações entre os artistas.
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25

Moffett, Jonathan. "The Beazley Archive: making a humanities database accessible to the world." Bulletin of the John Rylands Library 74, no. 3 (September 1992): 39–52. http://dx.doi.org/10.7227/bjrl.74.3.4.

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26

Oakley, John Howard. "Approaches to the Study of Attic Vases: Beazley and Pottier (review)." American Journal of Philology 124, no. 2 (2003): 306–9. http://dx.doi.org/10.1353/ajp.2003.0036.

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27

Jo Smith, Tyler. "Black-Figure vases in the collection of the British School at Athens." Annual of the British School at Athens 98 (November 2003): 347–68. http://dx.doi.org/10.1017/s0068245400016919.

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Although some of the black-figure vases presented here were studied by Beazley and others, many are published for the first time. This article provides a summary of the collection followed by a catalogue of the objects by fabric and shape, and an illustration of each piece. The fabrics include Athenian, Corinthian, Boeotian and Euboean. A wide range of shapes, styles and iconographic themes are represented. An appendix of largely unpublished Athenian black-figure from the site of Kynosarges, excavated by the BSA (1896–7), appears at the end.
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28

Whitley, James. "STYLE AND PERSONHOOD: THE CASE OF THE AMASIS PAINTER." Cambridge Classical Journal 64 (September 17, 2018): 178–203. http://dx.doi.org/10.1017/s1750270518000088.

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For archaeologists discussion of style is unavoidable. Within classical archaeology ‘style’ is closely associated with connoisseurship as practised by J. D. Beazley. Style identifies individuals, artistic personalities such as the Amasis Painter. This notion of style necessarily overlaps with another debate within both anthropology and prehistoric archaeology (personhood) which also touches on an older discussion within classical studies. These two debates have remained strangers to each other. The article explores these issues in relation to the iconography of hares and arming scenes. Notions
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29

Rouet, Philippe. "Aux origines de la céramologie grecque : l’étude des vases attiques avant Beazley." Histoire de l'art 29, no. 1 (1995): 3–12. http://dx.doi.org/10.3406/hista.1995.2651.

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30

COOK, MALCOLM, and BRIAN DOLLERY. "REJOINDER TO TISATO ON “THE ECONOMICS OF THE BEAZLEY TELECOMMUNICATIONS REFORM PROPOSAL”." Economic Papers: A journal of applied economics and policy 11, no. 1 (March 1992): 94–95. http://dx.doi.org/10.1111/j.1759-3441.1992.tb00035.x.

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31

Starasta, Leslie. "Beazley Archive2005264Beazley Archive. URL: www.beazley.ox.ac.uk/: Oxford University Gratis Last visited: November 2004." Reference Reviews 19, no. 5 (July 2005): 45–46. http://dx.doi.org/10.1108/09504120510604346.

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32

Stafford, Emma J. "A wedding scene? Notes on Akropolis 6471." Journal of Hellenic Studies 117 (November 1997): 200–202. http://dx.doi.org/10.2307/632560.

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The iconography of this well-preserved lekythos (PLATE III) has provoked little discussion. Beazley enters it as an ‘unexplained subject’ and declines to identify any of the figures; Brouskari and Delivorrias read it as a ‘wedding scene’, identifying the female standing at the far right as Aphrodite. Commenting on the Berlin amphoriskos by the Heimarmene Painter (Plate IV), Shapiro notes that Aison's lekythos offers a close parallel for the group of Helen and Aphrodite, but he takes the observation no further. Elements of the scene do indeed fit into the ‘adornment of the bride’ iconography, d
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33

Amandry, Pierre. "Beazley dans ses œuvres. (À propos de tessons attiques à l’Institut d’archéologie de Strasbourg)." Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 25, no. 1 (2000): 239–41. http://dx.doi.org/10.3406/ktema.2000.2264.

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34

Dias, Carolina Kesser Barcellos. "Apontamentos sobre a atribuição de vasos áticos: a produção do Pintor de Gela." Revista do Museu de Arqueologia e Etnologia, no. 19 (December 17, 2009): 235. http://dx.doi.org/10.11606/issn.2448-1750.revmae.2009.89887.

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No início do século XX, J. D. Beazley lançou as bases definitivas para a metodologia de atribuição de vasos áticos. Ao longo dos anos, os vasos cerâmicos foram ligados a mãos de artistas nomeados convencionalmente, como o Pintor de Gela, um artista ático que operou em Atenas entre fins do século VI e meados do V a.C., assim batizado porque a maior parte de seus vasos foi encontrada na Sicília, especialmente em Gela. A este Pintor foram ligados mais de 350 vasos, atribuídos de diversas maneiras à sua mão, à sua maneira ou à sua oficina. Porém, algumas dessas atribuições se apresentaram imprecis
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35

Seburn, Carolyn. "Politics of the Wild: Canada and Endangered Species, by Karen Beazley and Robert Boardman [Review]." Canadian field-naturalist 116, no. 4 (2002): 678. http://dx.doi.org/10.5962/p.363549.

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36

Reichör, S., G. Hueber, R. Hagelauer, and M. Lindorfer. "Testen komplexer digitaler Schaltungen mit Python." Advances in Radio Science 2 (May 27, 2005): 175–79. http://dx.doi.org/10.5194/ars-2-175-2004.

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Abstract. Die Verifikation von digitalen Schaltungen nimmt heutzutage einen bedeutenden Stellenwert ein. In diesem Paper wird ein Weg beschrieben, der die Erstellung und Wartung von funktionalen Testbenches für digitale Designs unterstützt. Für viele Projekte übersteigt der zeitliche Aufwand für das Testen den Aufwand für die Implementierung der Schaltung. In vielen Fällen beträgt der Aufwand für das Testen bereits 70% des Entwicklungsaufwands (Bergeron, 2000). Typischerweise wird die Testbench auch in der gewählten Hardwarebeschreibungssprache (VHDL oder Verilog) implementiert. Diese Sprachen
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37

Bentz, Martin. "Philippe Rouet: Approaches to the Study of Attic Vases. Beazley and Pottier. Translated by Liz Nash." Gnomon 76, no. 3 (2004): 252–54. http://dx.doi.org/10.17104/0017-1417_2004_3_252.

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38

Rajala, Ulla. "Postcards from Beazley and other electric dreams: notes from the 15th International Congress of Classical Archaeology." Antiquity 72, no. 278 (December 1998): 753–55. http://dx.doi.org/10.1017/s0003598x00087342.

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Classical archaeologists gathered in Amsterdam at their quinquennial congress this summer. Some of the key papers contributed to the on-going theoretical and methodological debate between traditionalists and relativists, while other speakers presented new computer techniques and interesting findings.
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39

Bolot, Sasha. "Appeasing Germany: Raymond Beazley and his Contribution to the Debate in Britain During the Interwar Years." Angermion 15, no. 1 (November 21, 2022): 241–60. http://dx.doi.org/10.1515/anger-2022-0008.

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40

Griffiths, Alan. "‘What leaf-fringed legend …?’ A cup by the Sotades painter in London." Journal of Hellenic Studies 106 (November 1986): 58–70. http://dx.doi.org/10.2307/629642.

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The British Museum possesses, and displays as a group, three elegant white-ground kylikes potted around the middle of the fifth century by Sotades, and painted by that skilled, inventive and intelligent miniaturist dubbed by Beazley ‘The Sotades Painter’. First impressions suggest, and further investigation confirms, that the three make up a coherent set, designed and executed according to a pre-conceived plan. This paper will have something to say about the nature of that plan, but most of it will necessarily be occupied with a prior, and fundamental, problem: for the dramatic and very indivi
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41

Harris, A. L. "Recent Acquisitions and Conservation of Antiquities at the Ure Museum, University of Reading 2004–2008." Archaeological Reports 54 (November 2008): 175–85. http://dx.doi.org/10.1017/s0570608400001009.

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The Ure Museum of Greek Archaeology, in the Department of Classics at the University of Reading, has experienced something of a renaissance in the 3rd millennium. It acquired status as a registered museum in 2001 and accreditation in 2008. It has boasted a bespoke web-accessible database since 2002 and a professionally designed website since 2004 (www.reading.ac.uk/ure). Finally, in 2005 its physical display was completely redesigned. While the existence of the Museum and some of its collections have long been well known to scholars of Gr vases – thanks to the tireless efforts of Percy and Ann
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42

TISATO, PETER. "REPLY TO ARTICLE BY M. COOK AND B. DOLLERY “THE ECONOMICS OF THE BEAZLEY TELECOMMUNICATIONS REFORM PROPOSAL”." Economic Papers: A journal of applied economics and policy 10, no. 1 (March 1991): 89–91. http://dx.doi.org/10.1111/j.1759-3441.1991.tb00850.x.

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43

Salcedo, Arnold Valencia, and Janet Rita B Lazatin. "Workplace Spirituality as a Mediator to Individual Spirituality and Organizational Performance in a Hospitality Business: An Evidence from Hotel X, Clarkfield, Angeles City, Pampanga, Philippines." International Journal of Creative Business and Management 1, no. 1 (February 27, 2021): 21. http://dx.doi.org/10.31098/ijcbm.v1i1.3881.

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Through this study, we want to determine whether workplace spirituality has mediating effects between individual's spirituality and organizational performance in a hospitality business in Hotel X, Clarkfield, Angeles City, Pampanga, Philippines. We used the Spirituality Assessment Scale developed by Hamilton Beazley, PhD targeting one hundred twenty-nine respondents. As far as we have known, our study may serve as one of the pioneering studies of spirituality in the hospitality industry. Overall, hotel employees (the management and rank-and-file) are relatively more spiritual as shown on the S
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44

Bennett. "Targeted Advertising for Women in Athenian Vase-Painting of the Fifth Century BCE." Arts 8, no. 2 (April 11, 2019): 52. http://dx.doi.org/10.3390/arts8020052.

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This paper analyzes the trends in depictions of women in Athenian vase-painting during the 5th century BCE through an examination of approximately 88,000 vases in the Beazley Archive Pottery Database. It found a 15% increase in depictions of women during the 5th century BCE and a diversification in subject matter in which women appear. By considering these trends within the historical context of the hegemonic position of Athens in the Delian League and its wars, this paper proposes that the changes in representations and subject matter denote an expanded marketability of vases to female viewer
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45

Schmidt, Brian K. "Brian Schmidt, introduced by Her Excellency, Margaret Beazley. Evidence and education in a post-truth and post-COVID world." Journal and proceedings of the Royal Society of New South Wales 153, no. 1 (June 2020): 4–13. http://dx.doi.org/10.5962/p.361892.

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46

Albornoz, Martín, and Diego Antonio Galeano. "EL MOMENTO BEASTLY: LA POLICÍA DE BUENOS AIRES Y LA EXPULSIÓN DE EXTRANJEROS (1896-1904)." Astrolabio, no. 17 (December 27, 2016): 6–41. http://dx.doi.org/10.55441/1668.7515.n17.15761.

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El artículo analiza el problema de la expulsión de extranjeros sospechosos de ser delincuentes o anarquistas, tomando como marco temporal la acción de la policía de Buenos Aires durante la jefatura de Francisco Beazley (1896-1904). A partir del cruce de dos tradiciones historiográficas diferentes —aquella que toma como objeto a la institución policial y el mundo del delito y la que se ha preocupado por el surgimiento del anarquismo—, busca reflexionar sobre los mecanismos de deportación de inmigrantes antes y después de la aprobación de la Ley de Residencia en 1902. Si bien el foco está puesto
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47

Steele, Colin. "Long live the book!: Porter, CatherineCollecting modern books.London: Miller’s, 2003. 160 pp. US$59.95 cloth ISBN 1840007230 Powers, AlanFront cover.London: Mitchell Beazley, 2003. 144 pp. US$59.95 cloth ISBN 1840004215 Powers, AlanChildren’s book covers.London: Mitchell Beazley, 2003. 144 pp. US$59.95 cloth ISBN 1840006935." Australian Library Journal 53, no. 4 (November 2004): 420–22. http://dx.doi.org/10.1080/00049670.2004.10721698.

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48

Shefton, B. B. "Lucilla Burn, Ruth Glynn: Beazley Addenda. Additional references to ABV, ARV2 & Paralipomena. Pp. xxvi + 241; frontispiece. Oxford University Press, 1982. £15." Classical Review 35, no. 2 (October 1985): 420–21. http://dx.doi.org/10.1017/s0009840x00109837.

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49

Lucci, Carlamaria. "Une peinture sur vase grec à l’Antikenmuseum de Bâle (BS 477) : une esquisse d’exploitation didactique." Babylonia Journal of Language Education 3 (September 9, 2023): 30–37. http://dx.doi.org/10.55393/babylonia.v3i.276.

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Les peintures sur vases représentent des ressources précieuses pour l’enseignement/apprentissage de la langue et de la culture grecques anciennes dans la mesure où elles offrent un aperçu de la vie quotidienne et/ou de l’imaginaire héroïque des Grecs. L’opportunité de familiariser des élèves avec ces ressources est aujourd’hui redoublée du fait qu’à l’option de visites réelles des musées qui les abritent s’ajoute l’option de contacts virtuels et ciblés par le recours au numérique. Dans ma contribution, je proposerai une esquisse de séquence didactique axée sur le contact réel et virtuel avec u
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Moignard, Elizabeth. "D. C. Kurtz (ed.): Greek Vases: Lectures by J. D. Beazley. Pp. xxi + 128; 80 monochrome plates + frontispiece. Oxford: Clarendon Press, 1989. £40." Classical Review 40, no. 2 (October 1990): 514. http://dx.doi.org/10.1017/s0009840x00255285.

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