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Tesis sobre el tema "Beckett"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Locke, Aiden. "Beckett's telling stills : Samuel Beckett and photography." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326628.

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2

Schubert, Gesa. "Die Kunst des Scheiterns : die Entwicklung der kunsttheoretischen Ideen Samuel Becketts." Berlin [u.a.] Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2976401&prov=M&dokv̲ar=1&doke̲xt=htm.

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3

Baker, Philip Paul. "Beckett and psychoanalysis." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334953.

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4

Melnyk, Davyd. "Beckett and interruption." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580321.

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5

Walker, Dominic. "Beckett & economics." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/78229/.

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6

Ferrini, Jean-Pierre. "Dante et Beckett." Paris 7, 2002. http://www.theses.fr/2002PA070074.

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Dante est un des écrivains que Samuel Beckett a le plus cité. De ses premières fictions ou poèmes de jeunesse, à la tonalité plutôt satirique, jusqu'aux textes de la maturité, comme "Comment c'est", "Le dépleupleur" ou "Compagnie", des mots, des personnages, des paysages de "La Divine Comédie" apparaissent avec une régularité exemplaire. À partir d'un relevé systématique de ces "relations textuelles", ce travail dégage la manière dont se sont sédimentés, dans les livres de Samuel Beckett, les emprunts de Beckett à Dante. L'oeuvre de Samuel Beckett, par rapport aux trois livres qui composent la

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7

Poiana, Peter. "Entre la voix et le texte : quelques modeles de rhetorique dans trois oeuvres de Samuel Beckett /." Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armp749.pdf.

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8

Campbell, Sam Nicole. "Blend it Like Beckett: Samuel Beckett and Experimental Contemporary Creative Writing." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3769.

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Samuel Beckett penned novels, short stories, poetry, stage plays, radio plays, and scripts—and he did each in a way that blended genre, challenged the norms of creative writing, and surprised audiences around the globe. His experimental approach to creative writing included the use of absurdism, genre-hybridization, and ergodicism, which led to Beckett fundamentally changing the approach to creative writing. His aesthetics have trickled down through the years and can be seen in contemporary works, including Aimee Bender’s short story collection The Girl in the Flammable Skirt and Mark Z. Danie

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9

Davies, William. "Samuel Beckett and the Second World War : historicising Beckett's post-humanism." Thesis, University of Reading, 2018. http://centaur.reading.ac.uk/80000/.

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This thesis examines the impacts and traces of the Second World War in the work of Samuel Beckett. The thesis uses a conceptual framework that identifies Beckett’s historical sensibilities within his literary and philosophical engagements with the traditions of humanism and shows how these manifests in the various responses to history that his work produces. Using archival and historical sources, the thesis shows how Beckett’s intellectual attitudes to history and its relationship with art and writing develop across the wartime and post-war period in conjunction with his work’s mounting engage

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10

Jones, Robert. "Beckett and the philosopher." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/684.

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11

Maier, Franz Michael. "Becketts Melodien die Musik und die Idee des Zusammenhangs bei Schopenhauer, Proust und Beckett." Würzburg Königshausen und Neumann, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2883802&prov=M&dok_var=1&dok_ext=htm.

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12

Milz, Manfred Beckett Samuel Giacometti Alberto. "Samuel Beckett und Alberto Giacometti : das Innere als Oberfläche ; ein ästhetischer Dialog im Zeichen schöpferischer Entzweiungsprozesse (1929 - 1936) /." Würzburg : Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872853&prov=M&dok_var=1&dok_ext=htm.

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13

Engelberts, Matthijs. "Théâtre, récit, Beckett récit scénique, genres et moi chez Beckett et Duras /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2000. http://dare.uva.nl/document/84328.

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14

Sarfert, Hans-Jürgen. "Beckett im Japanischen Palais." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2007. http://nbn-resolving.de/urn:nbn:de:swb:14-1176292155510-83886.

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Seine Biographie hielt der irische Dichter Samuel Beckett (1906 - 1989), Träger des Literatur-Nobelpreises 1969, zurückhaltend für wenig erwähnenswert. Deshalb konnten die Lücken nur mühsam geschlossen werden. ....

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15

Tan, Tijen. "Existentialism And Samuel Beckett." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608995/index.pdf.

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This thesis carries out an analysis of the plays by Samuel Beckett, Endgame and Happy Days. It achieves this by exploring how the playwright&rsquo<br>s characterization, setting and use of language in these plays display his tendency to employ some existentialist concepts such as despair, anxiety and thrownness on the way to authenticity. This study argues that there are some similarities between Beckett&rsquo<br>s two plays and Existentialism, and some characters in both plays display the existentialist man who is looking for becoming an authentic man. In other words, although there are some

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16

Clavier, Évelyne. "Danser avec Samuel Beckett." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30022.

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Ce travail de recherche se propose d’analyser le rapport de Samuel Beckett (1906-1989) à la danse ainsi que la relation de deux chorégraphes contemporains Dominique Dupuy (1930-) et Maguy Marin (1951-) à ses œuvres. La première partie démontre que Samuel Beckett a été influencé par la danse moderne qu’il a découverte dans l’entre-deux-guerres. Son écriture est devenue plus gestuelle et son propos plus politique. Ainsi, aux corps sains et glorieux promus par les arts nazis, oppose-t-il dans son premier théâtre les corps vulnérables travaillés par la vieillesse et les handicaps, ceux d’hommes qu

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17

McFrederick, Matt. "Staging Beckett : a production history of Samuel Beckett's drama in London (1955-2010)." Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/78067/.

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This study presents the first performance history of Samuel Beckett’s drama in London theatres. The study focuses on a selection of professional productions of Beckett’s dramatic canon and assesses the impact these performances had on London and British theatre cultures between 1955 and 2010. Since the British premiere of Waiting for Godot, Beckett’s oeuvre has been staged across a variety of London theatres and contexts, ranging from the Riverside Studios in Hammersmith to the Theatre Royal Stratford East. The performance histories of Beckett’s plays represent a neglected facet of Beckett stu

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18

Prince, Eric Samuel. "The stagecraft of Samuel Beckett." Thesis, University of Ulster, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260836.

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19

Nishimura, Izumi. "Samuel Beckett : un univers polyphonique." Paris 8, 2006. http://www.theses.fr/2006PA083616.

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Cette étude est une recherche herméneutique qui implique une critique génétique se propose d’éclaircir le déploiement de la conscience intérieure des sujets à travers la structure intrinsèque de l’œuvre de Samuel Beckett. Il est courant de mettre en valeur la perte a posteriori de l’identité d’un sujet dans l’univers beckettien avec des termes négatifs liés au désespoir. Cependant, d’après les réécritures entre version anglaise et française, entre manuscrit et texte publié, nous pouvons affirmer que l’important réside dans l’interchangeabilité ou le décalage de nombreux sujets à l’intérieur de

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20

Wimbush, Andrew Darrell. "Still : Samuel Beckett and quietism." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709050.

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21

Rose, Arthur James. "Cynical cosmopolitans? : Borges, Beckett, Coetzee." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7705/.

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The thesis argues for a form of kynical cosmopolitanism in the late work of Jorge Luis Borges, Samuel Beckett and J.M. Coetzee. Broadly sympathetic responses to these three writers conflate their writing style and their personal habits, and identify them as stoics. Broadly unsympathetic responses conflate their choice of theme and their apparent political quietude, and identify them as cynics. Instead of finding them aligned with stoicism or contemporary cynicism, the thesis draws on work by Peter Sloterdijk and Michel Foucault to recuperate kynicism (ancient cynicism) as a heuristic to explai

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22

Chakraborty, Thirthankar. "Samuel Beckett and Indian literature." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/59865/.

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Godot ke Intezar Mein (Hindi), Godor Pratikshay (Bengali), Eppo Varuvaru (Tamil), Kalpo Ke Kalpana Mari Parvari Chhe (Gujarati), Edin Ahibo Teu (Assamese), Su Yee (Kashmiri): these are just some of the translations and adaptations of Samuel Beckett's Waiting for Godot into Indian languages. They reveal how Beckett's chef d'oeuvre has reached every corner of the country, from Tamil Nadu in the South, to Kashmir in the North, Assam in the East, and Gujarat in the West. Just as Honoré de Balzac's fictitious Godeau returns prosperously from 'Les Indes' in Le Faiseur (1848), Beckett's Godot gains f

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23

Weiss, Katherine. "The Plays of Samuel Beckett." Digital Commons @ East Tennessee State University, 2013. http://amzn.com/140814557X.

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Beckett remains one of the most important writers of the twentieth century whose radical experimentations in form and content won him the Nobel Prize for Literature in 1969. This Critical Companion encompasses his plays for the stage, radio and television, and will be indispensable to students of his work. Challenging and at times perplexing, Beckett's work is represented on almost every literature, theatre and Irish studies curriculum in universities in North America, Europe and Australia. Katherine Weiss' admirably clear study of his work provides the perfect companion, illuminating each pla

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24

Weiss, Katherine. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etsu-works/2281.

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25

Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual a

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26

Kennedy, Seán, and Katherine Weiss. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2010. https://www.amzn.com/0230619444.

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This volume comprises ten essays challenging the dominant account of Samuel Beckett’s engagement with history. As the first full-length volume to address the historical debate in Beckett studies, Samuel Beckett: History, Memory, Archive provides both ground-breaking analysis of the major works as well as a sustained interrogation of the critical assumptions that underpin Beckett studies more generally. Drawing on a range of archival materials, and situating Beckett in historical context, these essays pose a strong challenge to the prevailing critical consensus that he was a deracinated moderni

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27

Weiss, Katherine. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5597.

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28

Gonçalves, Lívia Bueloni. "Em busca de Companhia: o universo da prosa final de Samuel Beckett." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08052015-102539/.

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O presente trabalho realiza uma leitura da chamada segunda trilogia em prosa de Samuel Beckett composta pelos textos Company (1980), Ill Seen Ill Said (1981) e Worstward Ho (1983), com especial atenção para a obra Company. Tais textos fazem parte da prosa final do autor, marcada pelo hibridismo de gêneros e por um intenso questionamento da linguagem e da representação literária. Destacando as características desta fase procuramos argumentar que, em meio a todos os experimentos do narrador beckettiano, há um mecanismo de busca de companhia na própria narrativa, tema que atravessa diversos traba

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29

Beach, Clare. "Beckett and the institution of literature." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:32edaae3-704b-4dd6-8230-31c225fe134e.

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Beckett and the Institution of Literature investigates the evolution of Samuel Beckett's reputation over the latter half of the twentieth century, focussing on two questions: what are the institutional frameworks and operations that have effected Beckett's work, and what effect has the work had on the institution of literature? The first half of the thesis explores Beckett's relationships with his French publisher, Editions de Minuit, in the 1950s, and his English publisher, John Calder, in the 1960s. By situating Beckett in institutional and historical contexts, the thesis seeks to avoid the

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30

Tajiri, Yoshiki. "Samuel Beckett and the prosthetic body." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407120.

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31

Caselli, Daniela. "Dante and Beckett : authority constructing authority." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287638.

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32

FERREIRA, FÁBIO ALVES. "SAMUEL BECKETT: ECHOES AND RESONANCES CONTEMPORARY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25563@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Esta pesquisa investiga a contemporaneidade da obra do escritor irlandês Samuel Beckett. A investigação privilegia três eixos, em três ensaios que articulam aspectos historiográficos, filosóficos e cênicos. O primeiro ensaio pensa de que forma a poética do tempo em Beckett participa do debate atual sobre o contemporâneo. O segundo ensaio, voltado para a produção televisiva de Beckett e atentando em especial às leituras que dela fez Gilles Deleuze, reflete sobre a produção de um pensamento entre, sobre ecos e ressonâncias geradas por este en

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33

Merçon, Francisco Elias Simão. "Samuel Beckett: do figurativo ao figural." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-09112012-115933/.

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Companhia, publicada originalmente em inglês no ano de 1980, é uma narrativa construída na fronteira entre imaginação e enunciação por um sujeito solitário que, deitado de costas no escuro, fabula continuadamente em busca de companhia. Ela se inclui entre as narrativas de Samuel Beckett cuja trama se passa no espaço mental de seus protagonistas, na região comumente chamada de manicômio do crânio. Conhecida por características que a mantêm distante dos esquemas teóricos universais, apresenta uma abundância de programas narrativos que se anulam uns aos outros, resultando num forte clima de incer

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34

Terlemez, Serpil Ekin. "Le Théâtre innommable de Samuel Beckett." Paris 8, 2009. http://www.theses.fr/2009PA083134.

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Ce travail inclut une étude approfondie des pièces de théâtre, ainsi que des autres ouvrages et de l'auto-traduction de Samuel Barclay Beckett qui veut rompre avec le théâtre qui "plaît". C’est une analyse de l'œuvre d'un poète épris de ses langues, aimant jouer avec les mots sur la route de la recherche de sa singularité. Beckett cherche à trouver une nouvelle musique dans l'autre langue. Son auto-traduction surgit comme une flèche qui va droit au but. Les mots qu'il prend pour des notes de musique, sont manipulés par lui comme s'ils étaient des marionnettes. L'auto-traduction de Beckett se d

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35

Clément, Sarah. "Ecritures avides : Beckett, Des Forêts, Bernhard." Paris 7, 2013. http://www.theses.fr/2013PA070078.

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À travers une lecture transversale de trois soliloques, Molloy, Le Bavard et Béton, cette thèse analyse la notion d'avidité, intrinsèquement liée à celles de copia rhétorique, d'abondance et de prolixité, comme un principe essentiel du travail de l'écriture de Beckett, des Forêts et Bernhard. Que l'avidité se manifeste sous la forme d'une compulsion de répétition ou d'un bavardage comme excès du dire, elle révèle la vacuité du sujet impuissant, incarne la trace de son sentiment de médiocrité, mais le pousse aussi en avant de lui-même. Pris dans une tension entre le délitement du personnage et

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36

Drew, Anne Marie. "Tragicomic Fools in Shakespeare and Beckett." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1389182005.

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37

Yang, Gi Chan. "Etude littéraire de Beckett et d'O'Neill." Paris 3, 1999. http://www.theses.fr/1999PA030086.

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Cette etude est basee sur l'esthetique moderne, dont la decontextualisation et la recontextualisation d'une oeuvre a travers la reception d'une oeuvre par le spectateur/lecteur. En posant la question de l'objectivite dans l'oeuvre, elle permet de definir les diverses tendances litteraires d'aujourd'hui et specifiquement dans le domaine du theatre contemporain. Cette etude concerne aussi la question sur la litterarite d'une oeuvre dans le vingtieme siecle, pour arriver au jugement clair sur categorisation d'une oeuvre comme litteraire et non-litteraire. Elle met en question le theatre moderne q

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38

Hepburn, Kingsley. "Samuel Beckett : the aesthetics of shortness." Thesis, Ulster University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692823.

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'Samuel Beckett: The Aesthetics of Shortness' sets out to answer the question: What does Beckett's prose achieve through its convention defying approach to expression? The project explores this phenomenon through an examination of a range of Beckett's prose, which includes a selection of less well-known texts by the author. Seemingly, the further from 'convention' a text is the less likely it is to attract the attention of critics. By prioritising these texts the project contributes to knowledge by inviting discussion of those that have generated less critical debate, whilst also framing the m

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39

Bailey, Iain Andrew Aitchison. "Samuel Beckett, intertextuality, and the Bible." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520492.

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This thesis takes up the question of intertextuality between the Bible and Samuel Beckett’s oeuvre. It starts with the contention that this relationship has acquired something of the status of a commonplace within Beckett studies; not that substantial scholarly works have not widened out considerably the way that this is understood, but in Ruby Cohn’s words: ‘today every Beckett student knows his literary allegiances—the Bible and Dante, above all’. The Bible’s status for Beckett comes to be treated as a matter of common sense. In response to this critical situation, one aspect of the thesis i

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Hennessy, Susan. "Beckett and being : a phenomenological ontology." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/19561.

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This thesis seeks to re-examine the philosophies of some key French thinkers, as it places these alongside both historical and contemporary theory and criticism, in order to launch a new phenomenological investigation of the theatrical and literary works of Samuel Beckett. The writings of Jean-Paul Sartre and his contemporaries were once applied to the Beckett canon in order that this might be placed firmly in its historical, post-war context, and the so-called French existentialists contributed greatly, though unwittingly, to the birth of that now rather dated conceptual framework which we ha

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41

Fries-Dieckmann, Marion. "Samuel Beckett und die deutsche Sprache : eine Untersuchung der deutschen Übersetzungen des dramatischen Werks /." Trier : WVT Wiss. Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2914466&prov=M&dokv̲ar=1&doke̲xt=htm.

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42

Vasconcellos, Cláudia Maria de. "Figuras infernais no teatro de Samuel Beckett." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-19112009-154034/.

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A tese analisa as cinco primeiras peças teatrais de Beckett - Esperando Godot, Fim de Partida, A Última Fita de Krapp, Dias Felizes e Peça e procura identificar seus procedimentos formais básicos, chamados de figuras infernais. Na esteira de Adorno, o estudo da forma aqui realizado encontra na obra de Beckett uma reflexão das configurações sociais e do estado paradoxal da arte dentro deste quadro. As figuras infernais circularidade, confinamento, paradoxo, inconcludência, intermitência, dissimulação e coatividade erigemse também como instrumental crítico para a compreensão do teatro subsecu

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43

Weiss, Katherine. "“Samuel Beckett and History,” “Samuel Beckett and the Art of Failure,” and “Modern American Drama and the Greeks”." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5596.

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44

Auad, Pedro Henrique Trindade Kalil. "Para além do movimento: Samuel Beckett, Chris Marker e Marcelo Mirisola: Samuel Beckett; Chris Marker e Marcelo Mirisola." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-829FGH.

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Nesta dissertação estuda-se a aproximação do cinema e da literatura através do estudo de suas construções temporais, tendo como conceito operacional a imagem-tempo, conceito criado a partir de estudos sobre o cinema realizados por Gilles Deleuze. Através da análise das obras A Última Gravação de Samuel Beckett, La Jetée de Chris Marker, e Joana a Contragosto de Marcelo Mirisola, busca-se estabelecer relações entre diferentes sistemas semióticos. A pesquisa abrange uma delimitação do conceito imagem-tempo estabelecendo suas características. A partir da análise das obras estabelecidas para este

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45

Sturm, Oliver. "Der letzte Satz der letzten Seite ein letztes Mal : der alte Beckett /." Hamburg : Europ. Verl.-Anst, 1994. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=006429746&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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46

Smith, Russell. "What matter who's speaking : Samuel Beckett and the author-function /." Title page, contents and abstract only, 2000. http://web4.library.adelaide.edu.au/theses/09PH/09phs658.pdf.

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Hartel, Gabriele. "" ... the eyes take over ..." - Samuel Becketts Weg zum "gesagten Bild" : eine Untersuchung von "The lost ones", "Ill Seen Ill Said" und "Stirrings Still" im Kontext der visuellen Kunst /." Berlin : Wissenschaftlicher Verlag Trier, 2004. http://catalogue.bnf.fr/ark:/12148/cb40207842n.

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Kizilcik, Hale Hatice. "Jungian Archetypes In Samuel Beckett&#039." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606397/index.pdf.

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This thesis analyses the Jungian archetypes employed in Beckett&#039<br>s trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett&#039<br>s work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero&#039<br>s quest, return to paradise and rebirth. This dissertation is therefore primarily organised around these archetypes, and Beckett&

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Kaya, Hilal. "Postmodernist And Poststructuralist Elements In Samuel Beckett." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610556/index.pdf.

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The aim of this thesis is to analyse the postmodernist and poststructuralist elements in Samuel Beckett&rsquo<br>s The Trilogy: Molloy, Malone Dies, The Unnamable and Oguz Atay&rsquo<br>s Tehlikeli Oyunlar. One text from English literature and one from Turkish literature will be compared. In Beckett&rsquo<br>s and Atay&rsquo<br>s novels the main issues of postmodernism and poststructuralism such as subject-object dialectic, the metaphysics of presence, the correspondence theory of truth, origin, self, language, intertextuality and metafiction will be analysed. Both Beckett and Atay problematiz

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Paproth, Matthew Walker. "Modernist authors, postmodernist writers : Joyce, Beckett, Rushdie /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1147179731&sid=16&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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