Literatura académica sobre el tema "Belarusian Love poetry"

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Artículos de revistas sobre el tema "Belarusian Love poetry"

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Zinchuk, N., and O. Pogrebnyak. "THE OEUVRE OF ANDREI HADANOVICH IN THE CONTEXT OF MODERN BELARUSIAN-UKRAINIAN LITERARY INTERACTION." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 230–38. http://dx.doi.org/10.17721/2075-437x.2019.35.22.

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The article covers the main features of Andrei Hadanovich’s works as s a representative of the modern literary process in Belarus and his liaison with Ukrainian writers and translators. Considerable attention is paid to the first literary attempts of the Belarusian writer, the process of professional development and the features of postmodernism in his writings. In this context the poetry of Andrei Khadanovich combines the achievements of Eastern European «book» poetry with elements of modern culture (pop, rock, rap, urban slang). Using his poetry-song «Hotel Belarus» as example, the research
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VASILYEVA, S. "THE PHILOSOPHY OF LOVE IN THE LYRICS OF M. BOGDANOVICH AND V. BRYUSOV." Herald of Polotsk State University. Series A. Humanity sciences, no. 3 (August 17, 2023): 13–16. http://dx.doi.org/10.52928/2070-1608-2023-68-3-13-16.

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The article is devoted to a comparative analysis of the intimate lyrics of M. Bogdanovich and V. Bryusov with an emphasis on the peculiarities of the philosophy of love feeling in the selected works of these poets. The material for the analysis was the love poetry of M. Bogdanovich and V. Bryusov. The main research methods were comparative-historical and narrative and compositional analysis.
 As a result of comparative literary analysis of the selected works, it is possible to come to the conclusion about the specifics of the author's vision of the love theme by M. Bogdanovich and V. Bryu
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Bradich, Bradich. "STRUCTURING THE SENSIBLE IN THE LYRICS OF ITHACA BY MILOS CRNJANSKI." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 198–216. http://dx.doi.org/10.17721/2075-437x.2019.35.20.

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In this essay I analyze the structuring the sensible in the canonical book of poetry Lyric of Ithaca by Milos Crnjanski. The approach is interdisciplinary and based upon the conceptions developed by the sensory history, psychoanalytical theory of Jacques Lacan, and philosophy of Jacques Rancière. The essay focuses on the staged split with the dominant regime of the sensible, in the experiences of love and sexuality, urban spaces, and war, in whose place Crnjanski’s poetry attempts to establish alternative modes of interaction with the world, which can be recognized as the “Sumatraist” regime o
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Sheiback, N. "“Hospital Memory. 1945”: a soldier’s songbook by Dmitry Makaruk." Belarusian folklore: data and research 12 (2025). https://doi.org/10.29235/2411-2763-2025-12-11-37.

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The article deals with the handwritten songbook of 1945 of the Soviet army soldier Dzmitry Makaruk, found by Belarusian folklorists in 1948 during an expedition to the Brest region. The article provides a textual profile of the document and analyzes it in the framework of the written folklore tradition of the Great Patriotic War. Created in the hospital, Makaruk’s songbook offers some insight into a distinctive genre-thematic group of songs common in the hospital subculture of Soviet soldiers.It is noted that one of the aesthetic dominants of the songbook under consideration is album poetry. S
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Libros sobre el tema "Belarusian Love poetry"

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Bradzikhina, A. V. Suchasnai͡a belaruskai͡a intymnai͡a liryka: Tėndėntsyi i perspektyvy razvitstsi͡a : manahrafii͡a. HDU imi͡a F. Skaryny, 2009.

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Intymny dzennik: Vybranyia tvory. Radyiola-plius, 2006.

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Capítulos de libros sobre el tema "Belarusian Love poetry"

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Espinosa Ruiz, Angela. "New York and Homesickness in Ryhor Krušyna’s Poetry." In Migrations in the Slavic Cultural Space. From the Middle Ages to the Present Day. Wydawnictwo Uniwersytetu Łódzkiego, 2022. https://doi.org/10.18778/8331-033-6.23.

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New York has been a meeting point for different cultures, languages and literary traditions for over a century, and poetry, as shown by examples as illustrious as Federico García Lorca’s A Poet in New York, is not an exception to this rule. Not only has New York served as a source of inspiration for local and foreign poets, but also as a physical hub for different, highly productive literary movements to develop, including two generations of the New York School, the Nuyorican Poets Café, the flourishing of the US slam poetry movement and, of course, a considerable part of the Belarusian Americ
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