Bibliografías temáticas / Benedictsson, Victoria

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Literatura académica sobre el tema "Benedictsson, Victoria"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 4 de febrero de 2022

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Artículos de revistas sobre el tema "Benedictsson, Victoria"

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Adelgren, Astrid y Marina Darmaros. "Dinheiro, de Victoria Benedictsson: Uma tradução a quatro mãos e quatro línguas". Cadernos de Literatura em Tradução, n.º 22 (21 de diciembre de 2020): 226–40. http://dx.doi.org/10.11606/issn.2359-5388.i22p226-240.

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Victoria Benedictsson foi uma das figuras-chaves do “Grande Avanço Moderno” sueco, que precedeu mudanças essenciais para que a sociedade escandinava se tornasse mais igualitária – e uma das mais igualitárias do mundo – em termos de gênero. O trecho do romance Pengar (“Dinheiro”) vertido aqui pela primeira vez ao português brasileiro é fundamental para se compreender também o pensamento da autora e seu suicídio, que destituiu a cena literária e feminista prematuramente de um de seus ícones.
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Szymoniak, Katarzyna. "Den nya Kvinnan Behöver den nye Mannen." Folia Scandinavica Posnaniensia 14, n.º 1 (1 de diciembre de 2012): 122–35. http://dx.doi.org/10.2478/v10252-012-0011-5.

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ABSTRACT The purpose of this paper is to problematize and compare the construction of masculine identity in two Swedish novels, FruMarianne (1887) by Victoria Benedictsson and Dotter till en dotter (1977) by Inger Alfvén. The analysis is focused on how the male characters in these novels are constructed in the light of masculinity studies. In order to do that two types of masculine identity are considered: the New Man and hegemonic man. In both novels a change of the masculine identity pattern from the hegemonic masculinity towards the identity of the New Man can be observed, even though this process is performed differently. In the construction of male protagonists both authors refer to the same materialistic and symbolic attributes, however, these attributes are valued differently and play a different role in construction of masculine identity. In construction of the masculine identity Benedictsson combines the attributes of the New Man with the positive features of the hegemonic man, whereas Alfvén rejects the hegemonic masculinity as oppressive and constructs the male protagonist as the New Man.
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Carlander, Cecilia. "Deux figures féminines hors normes de la fin du XIXe siècle – Raoule de Rachilde et Selma de Benedictson". Nordlit 15, n.º 2 (26 de marzo de 2012): 13. http://dx.doi.org/10.7557/13.2042.

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A year after the French success scandal that Rachilde had with her decadent novel Monsieur Vénus, a novel by the Swedish writer Victoria Benedictsson, Money [Pengar], is published in Sweden in 1885. The two novels focus on young women having to find their identities within society's new possibilities, as well as the new gender roles; developed by the new society. In their relations with both conventional and non-conventional male characters, the two female characters transgress society's former established and given norms. In this article, the aim is to present how two female protagonists, the French Raoule and the Swedish Selma, are given different background conditions and qualities that finally can contribute to picture and explain their outstanding independence. Moreover, the new gender roles and their impact on the two female characters are discussed within themes and terms such as the "new woman", androgynity, sexuality and other explicite ingredients and symbols often discussed in a decadent context. Through the comparisons, this article shows how the two female portraits express the decadent transgressivity, in several aspects similarly, with individual voices, despite their two separate literary milieux.
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Risberg, Leif. "Om att spegla tidsandan i skönlitteratur – exemplet Sven Delblanc". Venue 3, n.º 1 (11 de abril de 2014): 1–4. http://dx.doi.org/10.3384/venue.2001-788x.1434.

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Erik Johan Stagnelius dikter ser vi som typiska för romantiken och dess tidsanda. Victoria Benedictssons roman Pengar om kvinnoemancipationen uttrycker 1880-talets radikala tidsanda. Jag vill här lyfta fram två verk från vår egen tid – dramerna Morgonstjärnan och Damiens av Sven Delblanc – och se dem i ljuset av begreppet tidsanda samt något diskutera detta begrepp. Dramerna är väl lämpade för klassrumsdiskussioner om bland annat de skiftande idéklimaten i vår närhistoria.
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von Schnurbein, Stefanie. "Körperwissen, Ökonomie und Geschlecht. Ernst Ahlgrens/Victoria Benedictssons Roman "Geld" (1885)". Zeitschrift für Germanistik 18, n.º 2 (1 de marzo de 2008): 298–330. http://dx.doi.org/10.3726/92121_298.

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Bohlin, Anna. "Birgitta Johansson Lindh: Som en vildfågel i en bur. Identitet, kärlek, frihet och melodramatiska inslag i Alfhild Agrells, Victoria Benedictssons och Anne Charlotte Lefflers 1880-talsdramatik". Edda 107, n.º 02 (13 de mayo de 2020): 130–34. http://dx.doi.org/10.18261/issn.1500-1989-2020-02-06.

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Tesis sobre el tema "Benedictsson, Victoria"

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Hammar, Inger. "Med dunkla brev på djupa vatten. Victoria Benedictsson och offerrollen". Uppsala : Svenska Litteratursällskapet, 1998. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200881.

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Pipping, Git Claesson. "Könet som läsanvisning : George Eliot och Viktoria Benedictsson i det svenska 1880-talet - en receptionstudie /". Stockholm ; Stehag : Symposion graduate, 1993. http://catalogue.bnf.fr/ark:/12148/cb37153985z.

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Junell, Elin. "Victoria Benedictsson och två sidor av sedlighetsdebatten i romanen Pengar och pjäsen Teorier". Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29476.

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The aim for this study is to compare Victoria Benedictsson’s position and views in the morality debate during the modern breakthough in the nordics. The works that I have choosen for this study is firstly Benedictsson’s book Money, published in 1885 and secondly the play Theories, written in 1887 and published in 1994. I will research whether or not Benedictsson’s position in the debate will change since there are only two years in between them. Money is published in the beginning of the morality debate and Theories at the end, wich will make the essence of the discussion.
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Löfling, Anna. ""Det måtte vara paradiset" : Pastorala ideal i Victoria Benedictssons Fru Marianne". Thesis, Linköpings universitet, Avdelningen för svenska och litteratur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-125658.

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Victoria Benedictsson (1850-1888) skrev romanen Fru Marianne i en tid präglad av den industriella revolutionen och en framväxande modernitet. En analys av romanens pastorala ideal – i vilken mån romanen formulerar villkoren för ett gott liv som ett liv närmare naturen – gör det möjligt att placera henne bland de författare från samma tid, däribland August Strindberg och Verner von Heidenstam, som reagerade på det nya samhälle som växte fram under slutet av 1800-talet och skrev en litteratur som visade på ett alternativ. Analysen genomförs med hjälp av ett ekokritiskt perspektiv vilket medför att synen på pastoral går från att uppfatta den lantliga miljön enbart som en kuliss för mänsklig aktivitet till att uppfatta den som medaktör och med ett inneboende värde i likhet med människan. Det ekokritiska perspektivet belyser romanens hållbara förhållningssätt till naturen; genom att låta kvinnans emancipation i ett agrart samhälle öppna upp för en uppvärderande vision av naturen och en jämlik relation mellan natur och människa skapar romanen en framtidsorienterad berättelse med stor aktualitet.
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Järpedal, Ebba. "Död som en oktoberfluga : En analys av dekadent tematik i Victoria Benedictssons Pengar". Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339316.

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This paper aims to analyze the 19th century novel Money (Original title: ”Pengar”, 1885) by Victoria Benedictsson (1850–1888) and its possible correlation to the contemporary decadence movement. The decadence movement was most prominent at the end of the 19th century, and can be understood as a reactionary movement to modernity in which growing secularization, industrialization, and urbanization create feelings of displacement, moral decay, and anxiety, all of which shows in the literature belonging to this genre. The method used for this paper is a comparative analysis of decadent themes and motifs used in the novel. As a reference point I use a number of literature scientific and idea-historical works made on decadence, as well as on the authorship of Benedictsson. The analysis is divided into seven sections. The first section discusses one of the novel’s more prominent themes: the will and ability to act. The second part deals with themes of illness and flower metaphors. The third section looks at signs of secularization and religious themes. The fourth discusses disillusionment of previously romanticized ideas and the upheaval of values. The fifth examines feelings of anxiety and pessimism. The sixth section focuses on gender roles and fear of the sexual. The seventh section examines how the view on money changes throughout the novel. The paper ends in a summarized discussion of the analysis. The results I have gathered in this paper show that the novel contains a number of common themes of decadence, but also that these almost always are paired with a moral argument that advocates for societal change. The main source for the decadence experienced in the novel is the marriage and its inequality. Because of the marriage, the protagonist sees herself having turned into a ”fallen” woman and experiences strong feelings of anxiety and pessimism. Due to this, the novel can be seen to contain a characteristic decadent fall in which the main character is experiencing their own and their surrounding society’s decline. The novel portrays two different views on decadence, one argued by the main character and one by the surrounding society. By having the protagonist experiencing and arguing for another decadence than her surrounding environment, Benedictsson is able to criticize her contemporary society for their hypocrisy and faults concerning traditional marriage and gender roles. The novel also criticizes the expanding capitalism, which is seen to objectify the female body into a commodity that is sold through the guise of traditional marriage. The novel is also seen to be influenced by the increasing secularization and criticizes christianity for defending said marriage.
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Rydberg, Anette. ""... som om varje tonfall bävade av dold rörelse..." : Om debutsamlingen Från Skåne av Victoria Benedictsson ur ett maskulinitetsperspektiv". Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5664.

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The aim of this essay is to examine how men is portrayed in three short stories, ”En omvändelsehistoria”, ”Far och son” and ”Jeppa”, from the debut Från Skåne by Victoria Benedictsson. I also investigate the ideas of masculinity during the 1880s. Unmanliness, paternity and manly tears are other concepts that I have been examining with close–reading as the method. The essay begins with a short recap of the earlier research about Benedictsson. Her debut as well as the perspective of masculinity on the work of female authors has been almost ignored by the academic sphere and my aim was to do something about it. Firstly, I discuss unmanliness in the peasant culture, secondly, paternity and absence and thirdly, unmanliness and manly tears. My result shows that the different ideas of masculinity affect the characters in many ways. For example, the elderly in the stories mostly falls down in unmanliness. I have come to the conclusion that the fear of being unmanly urge the men, or the boys, to act manly and follow the ideals.
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Hög, Sofia y Nina Sundberg. "Den paradoxala kvinnan. En studie av Victoria Benedictssons och Mathilda Mallings kvinnoporträtt under 1880-talets sedlighetsdebatt". Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19118.

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The aim of this master thesis is to examine how female identity is formed in two novels and two short stories from the 1880’s. As a framework we rely on the method outlined by Pierre Bourdieu when he approaches the cultural and social worlds through the concept of fields. To understand the female position during that time we use Michel Foucault’s work about the history of sex, Thomas Laqueur’s theories about the rise of sexes and Karin Johannisson’s study about the exploration of the dark continent (i.e. women) during the 19th century. The concept of gender and identity is based on theories by Judith Butler and Ervin Goffman who describes them as processes rather than entities “doings” rather than “beings”. Our main question is to find out how female identities are formed in four literary works from the 1880’s. To approach our material we use ideal analysis and ideal types developed on the basis of Efrat Tseëlon’s studies about five paradoxes that circumscribe the concept “woman” through history. The objects of investigation are the novels Fru Marianne and Berta Funcke and the short stories Ur mörkret and Pyrrhussegrar written by Victoria Benedictsson and Mathilda Malling. Our conclusions reveals that the female identities in the works observed by us is formed under strong impact of several paradoxes that surrounds the conception of “woman” and we can see the protagonists struggle against those conceptions trying to find a possible way of existence.
Uppsatsnivå: D
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Ottesen, Tuva. "Victoria Benedictssons Pengar på ny". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for nordistikk og litteraturvitenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-16489.

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Denne studien er en lesning av Victoria Benedictssons roman Pengar fra 1885. Jeg tar for meg tidligere lesninger av romanen og jobber dels i forlengelse av dem, dels utover dem. Felles for de tidligere lesningene som blir gjennomgått er at de har vanskelig for å skille mellom fiksjon og virkelighet, og de leser Pengar som beretningen om Benedictssons liv. I denne studien har jeg forsøkt å frigjøre meg fra forfatteren, og leser romanen som autonomt verk. Lesningen viser hva tidligere lesninger har gått glipp av ved å lese romanen som beretningen om Benedictssons liv. Avhandlingen er todelt, hvor første del består av kapittel 1, 2 og 3. I kapittel 1 presenterer jeg Pengar og Victoria Benedictsson, og gjør rede for utgangspunktet for avhandlingen. I kapittel 2 og 3 tar jeg for meg tidligere lesninger, med utgangspunkt i Birgitta Holms bok Victoria Benedictsson (2007) og Dobbeltblikket (1980) av Jette Lundbo Levy. Begge verkene står sentrale i forskningen rundt Benedictsson og hennes forfatterskap, og de viser hvordan tidligere lesninger har vært svært preget av å lese Pengar som en del av Benedictssons liv. Det jeg mener er problematiske lesninger av romanen, motiverer meg til å lese Pengar ut fra egne perspektiver og innfallsvinkler. Det er dette som er utgangspunktet for analysedelen, som utgjør andre del av oppgaven. Her gir jeg en inngående analyse av hovedpersonen i romanen, samt de mannlige karakterene. Jeg fokuserer på relasjonene mellom karakterene, og hvordan de utvikler seg gjennom romanen. I kapittel 5 om de mannlige karakterene er Pål Bjørbys avhandling The study of a vision in the authorship of Victoria Benedictsson (1983) en viktig sekundærkilde. I kapittel 6 beveger jeg meg inn på en del av romanen som har fått overraskende lite fokus tidligere, nemlig kunst. Det er drømmen om kunsten som driver hovedpersonen gjennom romanen, og det er også kunsten som for alvor setter i gang hennes frigjøring. Gjennom å lese romanen med fokus på kunstens funksjon viser jeg hvordan romanen kommenterer sin samtid. Jeg viser hvordan Pengar gjennom å vise til Julius Kronbergs maleri”Jaktnymfen” fra 1876, tar del i sedelighetsdebatten. Romanen kommenterer også litteratur og penger, noe som blir belyst mot slutten av oppgaven.
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Jonasson, Frida y Caroline Bylund. "Är Strindberg ett geni? Om kön och genus i läromedel : En komparativ analys av fem läromedel i svenska 2". Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-42413.

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Syftet med den här uppsatsen är att utföra en komparativ analys av fem läromedel i svenska 2 i gymnasieskolan. Vi besvarar en frågeställning som rör hur fördelningen mellan kvinnliga och manliga författare ser ut i läromedlen. Vi besvarar även en fråga gällande hur kvinnliga och manliga författare framställs i läromedlen med avseende på allmänna beskrivningar av författarnas lynne, karaktär samt litterära produktion. För att besvara dessa frågeställningar använder vi oss av två teoretiska utgångspunkter, Yvonne Hirdmans genussystem samt Gisela Håkansson och Catrin Norrbys samtalsstilar. I den här uppsatsen kommer vi fram till att de läromedel vi har analyserat visar en klar majoritet av manliga författare sett till hur ofta de nämns och hur mycket utrymme de får i respektive läromedel.
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Segervald, Ebba. "””Fri kärlek” har förgiftat mitt lif — kärlek? — hvilket namn för en sådan sak!” : Victoria Benedictssons romaner och 1880-talets sedlighetsdebatt". Thesis, Mittuniversitetet, Institutionen för humaniora och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-38118.

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Libros sobre el tema "Benedictsson, Victoria"

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Victoria Benedictsson. Stockholm: Natur & Kultur, 2007.

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Jørgensen, Charlotte. Ernst og Victoria: Et dobbelportræt af Victoria Benedictsson. København: Munksgaard Rosinante, 1995.

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Pipping, Git Claesson. Könet som läsanvisning: George Eliot och Victoria Benedictsson i det svenska 1880-talet : en receptionsstudie. Stockholm: Symposion Graduale, 1993.

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Primander, Ingrid. Den auktoritiva texten: Studier i Victoria Benedictssons författerskap. Stockholm: Almqvist & Wiksell, 1994.

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Das Weiss öffnen, um das Schwarz hervorkommen zu lassen: Zur Schrift in der Dramatik Victoria Benedictssons und Cecilie Løveids. Frankfurt am Main: P. Lang, 1996.

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Capítulos de libros sobre el tema "Benedictsson, Victoria"

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Pecher, Robert. "Victoria Benedictsson". En Kindler Kompakt Skandinavische Literatur 19. Jahrhundert, 155–56. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05535-4_38.

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Hoff, Karin. "Benedictsson, Victoria". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10320-1.

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Pecher, Robert. "Benedictsson, Victoria: Pengar". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10322-1.

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Hoff, Karin. "Benedictsson, Victoria: Fru Marianne". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10323-1.

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Hoff, Karin. "Benedictsson, Victoria: Das erzählerische Werk". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10321-1.

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Heitmann, Annegret. "Benedictsson, Victoria (geb. Bruzelius, Ps. Ernst Ahlgren)". En Metzler Autorinnen Lexikon, 50–51. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_35.

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