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Artículos de revistas sobre el tema "Bloom, leopold (fictional character)"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based

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2

O’Brien, Dan. "‘Why will you Jews not accept our culture, our religion and our language?’: James Joyce’s Jew through the Eyes of Jewish America." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2014 (January 1, 2014): 119–22. http://dx.doi.org/10.33178/boolean.2014.23.

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Just as James Joyce is the most important writer since Shakespeare, his Jewish-Irish character, Ulysses’ Leopold Bloom, is the most fascinating fictional Jew since Shylock. All authors must struggle with Joyce’s overwhelming legacy, but what of writers who are themselves Jewish? How do they envisage Bloom and relate to his complex sense of identity—as a Jew, as an Irishman, but most fundamentally as a human being? The three greatest Jewish American writers of the twentieth century, Philip Roth, Bernard Malamud, and Saul Bellow, were all deeply influenced by Joyce. Each of them responded to Joy

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Argyrides, Patty. "‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun." Modernist Cultures 17, no. 1 (2022): 27–53. http://dx.doi.org/10.3366/mod.2022.0358.

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One striking commonality between Vaslav Nijinsky's The Afternoon of a Faun (1912) and the ‘Nausicaa’ chapter in James Joyce's Ulysses (1922) is that both culminate with masturbation scenes and were met with similar reactions – outrage and censorship. Upon closer consideration, the similarities between Faun and Ulysses reach far beyond the climactic solos of Leopold Bloom and Nijinsky as the Faun. In Ulysses, Joyce choreographs the words on the page, the fictional bodies of his characters’ movements through Dublin, and elicits embodied responses from his readers. Using ‘Nausicaa’ and Faun as my

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4

McCalman, Iain. "Making Culture Bloom." Cultural Studies Review 11, no. 1 (2013): 175–82. http://dx.doi.org/10.5130/csr.v11i1.3458.

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On 16 June 1904, exactly one hundred years before the establishment of CHASS, an Irish Jew of Hungarian extraction called Leopold Bloom set off on a twenty-four hour perambulation around the streets and bars of Dublin. This fictional incident is the basis of James Joyce’s Ulysses, the greatest novel of modern times. It has also given rise to Bloomsday, a kind of Irish literary holy day celebrated in cities all around the world. It was a specially appropriate moment for us to celebrate the birth of our new peak body, because Bloomsday provides a perfect parable for why the Australian public and

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ჯალიაშვილი, მაია. "ცხოვრების გზაჯვარედინები (თემურ ბაბლუანის რომანი „მზე, მთვარე და პურის ყანა (მანუშაკა მელოდება)“". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 676–82. https://doi.org/10.62119/cils.17.2024.8858.

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One of world literature's key themes is the journey, evolving from the biblical prodigal son and Homer’s Odysseus to Cervantes’ Don Quixote and Joyce’s Leopold Bloom. Temur Babluani's novel features adventurous twists and picaresque tales, exploring human psychology and the depths of the soul. As readers accompany the novel’s characters through bright ideals and dark instincts, they are prompted to reflect on existential questions. The story traverses life’s labyrinths, showcasing the strength of human will and the power of love. Despite life's trials and societal insults, the main character f

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6

Sekh, Md Sujan. "Evaluate that Consciousness is the Controller of the Lives of the Characters in James Joyce’s Novels." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 15. http://dx.doi.org/10.24113/ijellh.v7i11.10095.

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Consciousness refers to the continuous flow of thoughts, memories and awareness in the human mind. It covers a larger area of unrestricted mental activities. There are layers within layers in the human consciousness. This paper tends to show that there is no other controller of an individual but his or her own consciousness. The paper has been undertaken in hopes that the study would lead to a new knowledge and provide foundations or approaches to James Joyce, which would make his novels more understandable. It also examines how consciousness affects the characters’ participation in various ac

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7

Kolasińska-Pasterczyk, Iwona. "Interwencja bogini/Szatana? "Wenus w futrze" (2013) – lektura palimpsestowa filmu Romana Polańskiego." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 281–314. http://dx.doi.org/10.21697/zk.2023.10.14.

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Goddess’s or Satan’s Intervention? A Palimpsest Reading of Roman Polanski’s Venus in Fur (2013) The text concerns Roman Polanski’s film Venus in Fur (2013), a multi-layer psychodrama written for two characters, taking place on several levels of human relations: actress vs. director, literary character vs. performing artist, man vs. woman. Venus in Fur has been defined as a kind of palimpsest, i.e. a film story based on the fictional skeleton of other works. Referring to the concept developed by Gérard Genette, who categorized the ways in which different texts interact with each other, the arti

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8

Barbara, Lara Rebeca da Mata Santa, and Noélia Borges de Araújo. "Who’s Afraid of Reading Joyce’s Ulysses: Unravelling the Joycean Labyrinth in “Eumaeus”." ABEI Journal 25, no. 1 (2023): 57–67. http://dx.doi.org/10.11606/issn.2595-8127.v25i1p57-67.

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Reading Ulysses, James Joyce’s novel which was first published in 1922, may not be an easy task. In the text, Joyce does not apply his narrative to traditional, chronological, structures. Instead, the reader is challenged to dive into the stream of consciousness of its main character, Leopold Bloom. This means reading through disconnections, fragmented thoughts, Bloom’s distractions, the synesthetic elements within the narrative, and encountering a language that is full of neologisms, allusions, agglutinations, polyphonies, among other characteristics. However, such a challenge often represent

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9

Dr., V. Vasantha Kumar, and Muthmainnah Dr. "A Psychological Analysis of Exploring Stream of Consciousness and Identity Formation in James Joyce's "Ulysses"." Literary Druid 5, no. 3 (2023): 19–24. https://doi.org/10.5281/zenodo.8243126.

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<em>This research paper employs a psychological approach to analyze James Joyce's groundbreaking novel, "Ulysses." By focusing on the concepts of stream of consciousness and identity formation, this paper aims to explore the intricate psychological landscapes and character development depicted in the novel. Drawing on relevant theories and concepts from psychology, including Freudian psychoanalysis and Erikson's psychosocial theory, this analysis delves into the complex inner workings of the characters' minds, their struggles with identity, and the psychological motifs pr

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10

Anisimova, E. E. "“Tolstoys are Totally Different Matter...” A. K. Tolstoy in Bunin’s Experience of Historical Reflection: B. Genre Aspect of the Theme of Memory." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 371–84. http://dx.doi.org/10.25205/2410-7883-2020-2-371-384.

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The article deals with I. A. Bunin’s perception of the personality and works by A. K. Tolstoy. The key components of this reception are the system of philosophy of history views formulated by A. K. Tolstoy and his concept of historical memory. The belonging of the 19 th century poet to the large Tolstoy family was mythologized by Bunin and became a reason for understanding and determining the young writer’s own position in relation to each of the three writers: L. N. Tolstoy, A. K. Tolstoy and Bunin’s contemporary A. N. Tolstoy. The paper draws upon fictional and nonfictional documents by I. A

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11

Emerick-Brown, Dylan. "Love as Nepenthe: Displacing Homer with Shelley in Joyce's Ulysses." Language, Literature, and Interdisciplinary Studies 3, no. 2 (2020). https://doi.org/10.71106/goeo4914.

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One of the least explored muses for James Joyce’s Ulysses was Percy Bysshe Shelley’s Prometheus Unbound which left its mark on Joyce’s protagonists, Leopold and Molly Bloom. Joyce quoted Aristotle in his notes in the spring of 1903, “It is harder to endure pain than to abstain from pleasure” and it is this exact sentiment that brings together the similarities between Shelley and Joyce, highlighting the Blooms’ yearning to banish grief from their minds regarding their deceased son, Rudy, and avoid the pain of loss, plaguing their marriage. One subtle Homeric seed from Prometheus Unbound—the wor

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12

Tabashree, Haobam, and Bidyarani Mayengbam. "Psychoanalysis Of James Joyce Through The Study Of Characters In His Novels." International Journal For Multidisciplinary Research 7, no. 3 (2025). https://doi.org/10.36948/ijfmr.2025.v07i03.47053.

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Modern period in English literature experimented a profound transformation in narrative style, themes and character development. Characters in modern literature engaged with alienation, existential dilemmas, and the search for identity amidst rapidly changing social, economic and cultural landscapes. The modern period witnessed a shift towards unreliable narrators and experimental forms encouraging readers to engage actively with the text which allow for a higher understanding of character motivations and the thematic undercurrents that define their journeys. Joyce’s characters embody the comp

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13

Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u

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14

Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best

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15

Bender, Stuart Marshall. "You Are Not Expected to Survive: Affective Friction in the Combat Shooter Game Battlefield 1." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1207.

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IntroductionI stumble to my feet breathing heavily and, over the roar of a tank, a nearby soldier yells right into my face: “We’re surrounded! We have to hold this line!” I follow him, moving past burning debris and wounded men being helped walk back in the opposite direction. Shells explode around me, a whistle sounds, and then the Hun attack; shadowy figures that I fire upon as they approach through the battlefield fog and smoke. I shoot some. I take cover behind walls as others fire back. I reload the weapon. I am hit by incoming fire, and a red damage indicator appears onscreen, so I move

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16

Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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17

Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d

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18

Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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19

Phillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.606.

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IntroductionClowns can be seen as enacting catastrophe with a small “c.” They are experts in “failing better” who perhaps live on the cusp of turning catastrophe into a metaphorical whirlwind while ameliorating the devastation that lies therein. They also have the propensity to succumb to the devastation, masking their own sense of the void with the gestures of play. In this paper, knowledge about clowns emerges from my experience, working with circus clowns in Circus Knie (Switzerland) and Circo Tihany (South America), observing performances and films about clowns, and reading, primarily in E

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