Bibliografías temáticas / Bloom, molly (fictional character) – fiction

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Literatura académica sobre el tema "Bloom, molly (fictional character) – fiction"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Bloom, molly (fictional character) – fiction"

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Gast, Volker, Christian Wehmeier, and Dirk Vanderbeke. "A Register-Based Study of Interior Monologue in James Joyce’s Ulysses." Literature 3, no. 1 (2023): 42–65. http://dx.doi.org/10.3390/literature3010004.

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While fictional orality (spoken language in fictional texts) has received some attention in the context of quantitative register studies at the interface of linguistics and literature, only a few attempts have been made so far to apply the quantitative methods of register studies to interior monologues (and other forms of inner speech or thought representation). This article presents a case study of the three main characters of James Joyce’s Ulysses whose thoughts are presented extensively in the novel, i.e., Leopold and Molly Bloom and Stephen Dedalus. Making use of quantitative, corpus-based
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Patron, Sylvie. "Narratives of excision: master- and counter-narrative in Ahmadou Kourouma’s The Suns of Independence." Frontiers of Narrative Studies 11, no. 1 (2025): 122–42. https://doi.org/10.1515/fns-2025-2015.

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Abstract This article examines the forms taken by master- and counter-narratives in fiction through a case study of Ahmadou Kourouma’s first novel, Les soleils des indépendances (1968), published in English as The Suns of Independence in 1981. It focuses specifically on the third chapter, which contains the narrative of the genital excision and rape of Salimata, the main protagonist’s wife and second protagonist of the novel. As Michael Bamberg and Molly Andrews remind us, “[c]ounter-narratives only make sense in relation to something else, that which they are countering” (2004: x). First, I s
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Stevens, Cristina. "Aracnologias - As tecituras de Penélope." Aletria: Revista de Estudos de Literatura, December 31, 2009, 97–108. http://dx.doi.org/10.17851/2317-2096...97-108.

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Resumo: Análise da personagem Penélope, de Homero, e a transformação ousada de Joyce dessa representação clássica da fidelidade feminina em Molly Bloom, a esposa infiel, sexualizada, trivial, lírica. Essas duas personagens são comparadas com sua mais recente recriação em The Penelopiad (2005), da escritora canadense Margaret Atwood. Uma importante categoria analítica dos estudos feministas e de gênero, a questão da voz é enfatizada na presente análise; essa personagem feminina é objeto da narrativa masculina (A Odisseia e Ulisses), mas no romance de Atwood essa personagem é sujeito de sua narr
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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Phillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.606.

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IntroductionClowns can be seen as enacting catastrophe with a small “c.” They are experts in “failing better” who perhaps live on the cusp of turning catastrophe into a metaphorical whirlwind while ameliorating the devastation that lies therein. They also have the propensity to succumb to the devastation, masking their own sense of the void with the gestures of play. In this paper, knowledge about clowns emerges from my experience, working with circus clowns in Circus Knie (Switzerland) and Circo Tihany (South America), observing performances and films about clowns, and reading, primarily in E
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Libros sobre el tema "Bloom, molly (fictional character) – fiction"

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Ángeles, Conde Parrilla Ma. Los pasajes obscenos de Molly Bloom en español: De Ulysses, de James Joyce. Ediciones de la Diputación de Albacete, 1994.

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Sherry, Vincent B. James Joyce's Ulysses. 2nd ed. Cambridge University Press, 2004.

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James, Joyce. Ulysses. Secker & Warburg, 1994.

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James, Joyce. Ulysses. Modern Library, 1992.

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James, Joyce. Ulises. 3rd ed. Lumen, 1991.

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James, Joyce. Ulysses. Penguin, 2000.

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James, Joyce. Ulysses. Music Ireland Publications, c2012., 2012.

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8

James, Joyce. Uiliséas. Foillseacháin Inis Gleoire, 1991.

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9

James, Joyce. Ulysses. Random House Publishing Group, 2000.

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James, Joyce. Ulysses. Garland Pub., 1986.

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Capítulos de libros sobre el tema "Bloom, molly (fictional character) – fiction"

1

Kitcher, Philip. "Introduction." In Joyce's Ulysses. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190842260.003.0001.

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The Introduction explores the philosophical significance of Ulysses. Despite the relative neglect of the novel by Anglophone philosophers who have discussed literary modernism, it argues that Joyce’s fiction takes up the oldest questions of philosophy, those revolving around the qualities of the good life. In particular, Ulysses focuses on the middle years, when the “straight way” has been lost. Through its explorations of the thoughts and feelings of the central characters – Bloom, Stephen, and Molly – Joyce brings about a revaluation of everyday values, and an elevation of the commonplace. H
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