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Libros sobre el tema "Caper films"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Gobry, Ivan. Robert II, fils d'Hugues Capet. Pygmalion, 2005.

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2

Camper, Petrus. La correspondance, 1785-1787, de Petrus Camper, 1722-1789 et son fils, Adriaan-Gilles Camper, 1759-1820. APA-Holland University Press, 2002.

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3

Josias, Anthea. Mayibuye Centre film and video collection. University of the Western Cape, 1994.

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4

B, Rogachevskiĭ A., ed. Filming the Unfilmable: Casper Wrede's "One day in the life of Ivan Denisovich". Ibidem-Verlag, 2010.

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5

Ritter, Daniel Patrick. Über Männer und Schatten: Doppelgänger im Film. Edition Sonnberg, 2009.

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6

Heist Film Stealing With Style. Columbia University Press, 2014.

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7

Quigley's Village - The Wonder Kids' Colossal Cash Caper. Zondervan Publishing Company, 1992.

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8

The Best Laid Plans: Interrogating the Heist Film. Wayne State University Press, 2017.

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9

Best Laid Plans: Interrogating the Heist Film. Wayne State University Press, 2017.

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10

Inc, Classic Media. Casper the friendly ghost: Best of Casper, Volume 1. 2018.

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11

Weldon, Glen. Caped Crusade. Plexus Publishing, Limited, 1992.

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12

Capitalist Superheroes: Caped Crusaders in the Neoliberal Age. Hunt Publishing Limited, John, 2012.

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13

Superheroes!: Capes and Crusaders in Comics and Films. I. B. Tauris & Company, Limited, 2007.

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14

Superheroes!: Capes and crusaders in comics and films. I. B. Tauris, 2008.

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15

Happy Camper! The Susie K Files 4. Allen & Unwin Children's Books, 2019.

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16

The Hardy Boys: Secret Files #9: The Great Coaster Caper. Paw Prints, 2012.

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17

The Great Coaster Caper: The Hardy Boys: Secret Files #9. Aladdin Paperbacks, 2012.

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18

Castellaneta, Dan. The spooktacular new adventures of Casper. 2015.

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19

Daniel, Rob. Cape Fear. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800857018.001.0001.

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Can a film made in one genre be better understood by viewing it as another? This book investigates this question in relation to Martin Scorsese’s 1991 remake of Cape Fear. Scorsese approached the film as a thriller, but Cape Fear is thematically and formally more coherent when viewed as a horror film. Across an introduction and five chapters, this book explores why this is the case. How Scorsese’s Catholicism and passion for horror has informed artistic decisions throughout his career, and the ways in which it reached an apex when he directed Cape Fear. The ways in which conventions of Gothic
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20

Cartoon Capers: The History of Canadian Animators. McArthur & Co., 1999.

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21

Osteen, Mark. A Little Larceny. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038594.003.0010.

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This chapter looks at the '50s heist picture—a subgenre of '50s gangster noir—examining John Huston's Asphalt Jungle (1950). In Huston's film, the criminal gang resembles nothing so much as a corporation that mimics the increasing organization and alienation of the “age of anxiety.” Subsequent noir heist films elaborate on this topic, dramatizing the conflict between the individual and the crime syndicate. In these “capers,” the “foot soldier” frequently finds himself caught between the police and the boss—the Law and “Murder, Inc.”—a dire predicament where, as always seems to be the case in t
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22

Davis, William Tyler, and Christine Zane Thomas. Coffee House Capers: Comics and Coffee Case Files Books 1-4. Independently Published, 2020.

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23

Weldon, Glen. Caped Crusade: Batman and the Rise of Nerd Culture. Simon & Schuster, 2016.

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24

Swordsmen of the Screen: From Douglas Fairbanks to Michael York. Routledge, 2013.

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25

Smith, Jeff. The Sound of Intensified Continuity. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.035.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter examines the role of the soundtrack in the “intensified continuity” style of contemporary Hollywood cinema. Drawing on David Bordwell’s work, it argues that contemporary sound design contributes much to the style’s “impact aesthetic.” Since 1970 soundtracks have increasingly foregrounded six dimensions that function as an aural counterpart to the cinematographic and editing strategies highlighted by Bordwell. The chapter concludes with a comparat
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26

Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. Simon & Schuster, 2016.

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27

Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. Simon & Schuster, 2017.

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28

Pulliam, June Michele, and Anthony J. Fonseca, eds. Ghosts in Popular Culture and Legend. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798400657023.

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With entries that range from specific works to authors, folklore, and popular culture (including music, film, television, urban legend, and gaming), this book provides a single-volume resource on all things ghostly in the United States and in other countries. The concept of ghosts has been an ongoing and universal element in human culture as far back as recorded history can document. In more modern popular culture and entertainment, ghosts are a popular mainstay—from A Christmas Carol and Casper the Friendly Ghost to The Amityville Horror, Ghostbusters, Poltergeist, The Sixth Sense, and Ghost
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29

Chatterjee, Chirantan, and Shreekanth Mahendiran. From ‘Pharmacy’ to ‘Laboratory’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199476084.003.0005.

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This chapter explores how the Indian pharmaceutical industry, will respond to this shift in market opportunity and technological paradigm in the global biopharmaceutical industry. It examines whether firms in the industry will be able to cater to the global demand for biologics-based drugs and/or its generic version, biosimilars. It uses quantitative analyses of scientific and innovation capabilities of domestic firms from India and also conducts an econometric analysis of India’s market-based demand for biological products, arguing that these would provide early markers for the industry’s fut
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30

Stevenson, Jane. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0001.

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This introduction makes the case for ‘modern baroque’, arguing that ‘modernism’ is, in effect, a modern version of classicism, analytic and theory-led. It argues that despite the modernists’ attempts to control and define ‘culture’, the overall context of the interwar period is one in which black, female, working-class and/or homosexual people acquired the ability to generate their own strands within the culture, due to the proliferation of media able to cater for plural audiences (books, but also film, radio, and live performance). Modernism thus existed in dialectic with a modern baroque, bu
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31

Living Where Land Meets Sea: The Houses of Polhemus Savery DaSilva. Images Publishing Dist Ac, 2016.

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32

Global Academy for Paediatric Surgery: Appendicitis & Appendectomy. UCT Libraries, 2022. http://dx.doi.org/10.15641/0-7992-2556-3.

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Division of Paediatric Surgery, at the University of Cape Town and Red Cross War Memorial Children’s Hospital has been in the forefront of modern surgical training by introduction of online training and surgical skills training. The dramatised teaching on surgical conditions is a novel way of teaching rich surgical knowledge through the journey of a patient with a surgical condition from admission to discharge. This will be beneficial to both undergraduate and postgraduate students and will allow them to experience real life like interactions between patients and trainees as well as trainees a
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33

Harris, Ron. Going the Distance. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691150772.001.0001.

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Before the seventeenth century, trade across Eurasia was mostly conducted in short segments along the Silk Route and Indian Ocean. Business was organized in family firms, merchant networks, and state-owned enterprises, and dominated by Chinese, Indian, and Arabic traders. However, around 1600 the first two joint-stock corporations, the English and Dutch East India Companies, were established. This book tells the story of overland and maritime trade without Europeans, of European Cape Route trade without corporations, and of how new, large-scale, and impersonal organizations arose in Europe to
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