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Artículos de revistas sobre el tema "Capitolium"

Autor: Grafiati

Publicado: 11 de marzo de 2023

Última modificación: 25 de julio de 2025

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1

Marchionni, Luca. "Ancora su umbro grabouio- e latino Capitolium/Capitolinus." Aristonothos. Rivista di Studi sul Mediterraneo Antico, no. 18 (July 18, 2022): 167–89. http://dx.doi.org/10.54103/2037-4488/18103.

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Si riconsidera, in questa sede, la questione dell’etimologia dell’epiteto iguvino grabouio-, oggetto negli ultimi due secoli di svariate proposte etimologiche: in particolare, si mette in luce l’opportunità di riprendere in considerazione una proposta di Ugo Bianchi, il quale sospettò che l’epiteto umbro fosse da interpretare alla luce del confronto con il latino Capitolinus. La validità della tesi dello Studioso è qui sostenuta dall’accordo fra i dati linguistici e quelli antiquari e storico-religiosi, inquadrando la spiegazione di grabouioall’interno di un più ampio contesto di condivisione

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2

Hamza, Gábor. "A kálvinizmus hatása az európai jogi gondolkodásra és jogtudományra." Polgári szemle 20, no. 1-3 (2024): 106–11. http://dx.doi.org/10.24307/psz.2024.0809.

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Theodor Heuss szerint Európa szellemi, kulturális egysége három dombra, az Akropoliszal, a Capitoliumra és a Golgothára épül. A Capitolium az európai kultúra, Európa entitásának egyik, a jogot reprezentáló alapja, pillére. A Capitolium, Theodor Heuss értelmezésében a római jog. A jog fogalma évszázadokon keresztül a római jogot értették, amelyet az Kr. u. VI. században a jusztiniánuszi Corpus Iurisban kodifikáltak, kompiláltak. A római jog alapvető tételei az európai civilizációtól elválaszthatatlanok. A lutheranizmushoz szervesen kapcsolódik a kálvini reformáció. Kálvin János művével kapcsola

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3

Palombi, Domenico. "L. Calpurnius L.F. Capitolinus = costruttore del Capitolium di Puteoli?" Mélanges de l’École française de Rome. Antiquité 114, no. 2 (2002): 921–36. http://dx.doi.org/10.3406/mefr.2002.9738.

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4

Quinn, Josephine Crawley, and Andrew Wilson. "Capitolia." Journal of Roman Studies 103 (July 29, 2013): 117–73. http://dx.doi.org/10.1017/s0075435813000105.

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AbstractCapitolia, temples to the triad of divinities Iuppiter Optimus Maximus, Iuno Regina and Minerva Augusta, are often considered part of the standard urban ‘kit’ of Roman colonies. Their placement at one end of the forum is sometimes seen as schematizing and replicating in miniature the relationship between the Capitolium at Rome and the Forum Romanum below it. Reliably attested Capitolia are, however, rarer in the provinces than this widespread view assumes and there seems to be no relationship between civic status and the erection of a Capitolium. Indeed, outside Italy there are very fe

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5

Walbank, Mary E. Hoskins. "Pausanias, Octavia and Temple E at Corinth." Annual of the British School at Athens 84 (November 1989): 361–94. http://dx.doi.org/10.1017/s0068245400021055.

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This article considers the identification and attribution of the Temple E, one of the most important monuments of Roman Corinth. It argues against the present general identification of it as the temple of Octavia (referred to by Pausanias) and iherefore a building dedicated to the Imperial cult. The evidence for the form, date and identity is reassessed. It involves a reexamination of the significance and relevance of the numismatic evidence cited in connection with it: a discussion of Octavia as a major recipient of cult and the worship of Jupiter Capitolinus at Corinth. It is argued, as a hy

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6

Gruchalski, Jakub. "Capitolium Vetus: A New Street in Rome?" Classical Philology 116, no. 4 (2021): 599–603. http://dx.doi.org/10.1086/715520.

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7

Strömholm, Stig. "Från Parnassen till Capitolium - en översättningshistorisk studie." Moderna Språk 90, no. 1 (1996): 97–98. http://dx.doi.org/10.58221/mosp.v90i1.10018.

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8

Hamza, Gábor. "The Influence of Calvinism on European Legal Thought and Jurisprudence." Polgári szemle 20, no. 1-3 (2024): 112–17. http://dx.doi.org/10.24307/psz.2024.0810.

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According to Theodor Heuss, the spiritual and cultural unity of Europe is built on three hills, the Acropolis, the Capitol and Golgotha. The Capitolium is one of the foundations of European culture, and one of the pillars of Europe's entity that represents law. The Capitolium, as interpreted by Theodor Heuss, is Roman law. For centuries, the concept of law was understood to mean Roman law, codified and compiled in the Justinian Corpus Iuris in the 6th century AD. The fundamental tenets of Roman law are inseparable from European civilisation. The Calvinist Reformation is inextricably linked to

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9

Bettegazzi, Nicolò, Han Lamers, and Bettina Reitz-Joosse. "Viewing Rome in the Latin Literature of the Ventennio Fascista: Francesco Giammaria’s Capitolium Novum." Fascism 8, no. 2 (2019): 153–78. http://dx.doi.org/10.1163/22116257-00802002.

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Abstract This article analyses Francesco Giammaria’s Capitolium Novum, a Latin poem describing a tour of the historic center of Rome in 1933, in its historical, architectural, and intellectual contexts. It offers a detailed analysis of three key sections of the poem, which deal with the Colosseum, the Arch of Constantine, and the Ara dei caduti fascisti respectively. The authors show how Giammaria’s poem responds to urbanistic interventions in the city center during the ventennio, and specifically to the Fascist ‘recoding’ of the city as the ‘Third Rome’, with a narrative emphasizing the histo

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10

Fortes, José Beltrán, and María Luisa Loza Azuaga. "The Capitolium at Baelo Claudia (Bolonia): new data from the sculptures." Journal of Roman Archaeology 33 (2020): 383–400. http://dx.doi.org/10.1017/s1047759420001075.

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The excavations carried out between 1917 and 1921 at Baelo Claudia (Bolonia, Tarifa, province of Cádiz)1 were led by P. Paris and his team2 working with the Anglo-French archaeologist G. Bonsor3 and with A. Laumonier and R. Ricard, as well as with Cayetano de Mergelina4 in 1918-19. Work focused on the N part of the forum where three temples were exposed.5 A minor intervention was carried out in the theatre together with more extensive excavations in the area of the fish-salting factory that included two domus, and in the E necropolis. The outcome was two publications, one on the city,6 the oth

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11

Albo, Carlo. "Il Capitolium di Ostia. Alcune considerazioni sulla tecnica edilizia ed ipotesi ricostruttiva." Mélanges de l’École française de Rome. Antiquité 114, no. 1 (2002): 363–90. http://dx.doi.org/10.3406/mefr.2002.10702.

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12

Kreuz, Patric-Alexander. "Giuliana Cavalieri Manasse (Ed.): L’area del Capitolium di Verona. Ricerche storiche e archeologiche." Gnomon 85, no. 5 (2013): 457–61. http://dx.doi.org/10.17104/0017-1417_2013_5_457.

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13

Riesco Álvarez, Hipólito Benjamín. "El Capitolio y el templo de Júpiter Capitolino: un posible centro del mundo en Roma." Estudios Humanísticos. Filología, no. 13 (December 1, 1991): 11. http://dx.doi.org/10.18002/ehf.v0i13.4307.

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<p>A raíz de la construcción del templo de Júpiter Capitolino, algunos augurios y sucesos extraños mostraron a los ojos de los romanos que el Capitolio iba a ser el centro de un gran imperio. Visto, por ello, probablemente, como 'Centro del Mundo', en la bóveda del templo se dejó un agujero, tal como ocurría -según M. ELIADE- con numerosas construcciones sagradas antiguas identificadas con el centro cósmico.</p><p>As a result of the building process of the temple of Jupiter Capitoline some auguries and extraordinary events made evident in the eyes of the Roman people that the

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14

Arramond, Jean-Charles, Jean-luc Boudartchouk, L. Grimbert, L. Llech, H. Molet, and Isabelle Rodet-Belarbi. "Le Capitolium de Tolosa ? Les fouilles du parking Esquirol. Premiers résultats et essai d'interprétation." Gallia 54, no. 1 (1997): 203–38. http://dx.doi.org/10.3406/galia.1997.2997.

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15

Escámez de Vera, Diego M. "Festividad y legitimación política: Domiciano y el Agón Capitolino." ARYS: Antigüedad, Religiones y Sociedades, no. 13 (October 5, 2017): 127. http://dx.doi.org/10.20318/arys.2017.2747.

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Resumen: A la hora de analizar la justificación religiosa de Domiciano debemos tener en cuenta la gran importancia otorgada al agón Capitolino por parte de su creador. La legitimación de la dinastía Flavia se basó, principalmente, en la elección del emperador por parte de Júpiter ÓptimoMáximo, principal deidad del panteón romano, ya desde época de Vespasiano, que se halló sin ningún tipo de vinculación dinástica con los Julio-Claudios tras su victoria sobre Vitelio en el ano 69. A través de la creación del agón Capitolino, Domiciano muestra la especial vinculaciónentre Júpiter y el emperador,

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16

Kopek, Wojciech. "„...dum Capitolium scandet cum tacita virgine pontifex”. Funkcja figury pochodu w pieśni III, 30 Exegi monumentum Horacego." Roczniki Humanistyczne 69, no. 3 (2021): 63–93. http://dx.doi.org/10.18290/rh21693-4.

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Celem artykułu jest semiotyczna analiza motywu „pochodu tanecznego” w Carm. III, 30 Exegi monumentum (w. 7-14) w perspektywie toposu spotkania z bóstwem w liryce Horacjańskiej, rozumianego jako forma rytuału przejścia. Autor poszukuje również odpowiedzi na pytanie, jaką funkcję pełni przywołany motyw w kompozycji tekstu oraz w ukształtowaniu figury podmiotu odautorskiego, ukazanego w roli „poety” (vates). Postawiona problematyka wymagała odniesienia się do semiotycznej definicji tekstu oraz ujęcia toposu spotkania z bóstwem jako tekstu kultury. To z kolei wpłynęło na odniesienie się do badań a

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17

Boudartchouk, Jean-Luc, and Jean-Charles Arramond. "Le souvenir du Capitolium de Toulouse à travers les sources de l'Antiquité tardive et du Moyen Age." Archéologie du Midi médiéval 11, no. 1 (1993): 3–39. http://dx.doi.org/10.3406/amime.1993.1240.

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18

Marks, Raymond. "Getting Ahead: Decapitation as Political Metaphor in Silius Italicus' Punica." Mnemosyne 61, no. 1 (2008): 66–88. http://dx.doi.org/10.1163/156852507x195394.

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AbstractIn Silius Italicus' Punica the Second Punic War is cast as a conflict fought over and between heads, and the decapitations in the epic thereby become ways of measuring the different trajectories and ultimate outcomes for each side in the war: the symbolic decapitation of Rome on the occasion of Paulus' death at Cannae in book 10 marks the low-ebb in the city's fortunes while the many decapitations perpetrated by Romans after Cannae reflect Carthage's own slide toward final defeat, an event that entails her symbolic decapitation too. Read in relation to this epic-wide program, Hannibal'

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19

Gavrilovic-Vitas, Nadezda, and Igor Bjelic. "“Antinous the good” in Municipium DD in Moesia superior: Architectural analysis of presumed Antinoeion and cult practice." Starinar, no. 74 (2024): 211–42. https://doi.org/10.2298/sta2474211g.

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In one of the most important mining centres of the ancient Central Balkans, known as Municipium DD (contemporary small town of Socanica), the remains of a temple dedicated to Emperor Hadrian?s companion, Antinous were discovered along with different epigraphic monuments and archaeological objects. In this paper, through architectural and archaeological analysis, a proposed interpretation of the temple?s appearance and archaeological objects dated to the same period as the temple and discovered in the sacral place or its vicinity, is presented. The interpretation of all finds shows that the 2nd

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20

Fuchs, Wladek. "Confronting Vitruvius: a geometric framework and design methodology for Roman rectangular temples." Journal of Roman Archaeology 33 (2020): 93–112. http://dx.doi.org/10.1017/s1047759420000938.

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Studies of design principles of Roman temples typically have been based on Vitruvius, which inspired a belief that the colonnade was at the core of the geometric framework of every temple and that the lower column diameter (D) was used as a module to plan all other aspects, both horizontally and vertically. Archaeological evidence, however, shows that most extant temples do not match the Vitruvian model.1 Scholars have tried to explain the discrepancies in different ways: for example, by claiming that Vitruvius did not describe the actual state of Roman architecture but “what it should be”,2 t

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21

Turfa, Jean MacIntosh, and Alwin G. Steinmayer. "The comparative structure of Greek and Etruscan monumental buildings." Papers of the British School at Rome 64 (November 1996): 1–39. http://dx.doi.org/10.1017/s0068246200010333.

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LA STRUTTURA COMPARATIVA DEGLI EDIFICI MONUMENTALI GRECI ED ETRUSCHISe esaminati da un punto di vista ingegneristico, gli edifici monumentali greci presentano sostanziali differenze con quelli di origini etrusco/italica. La tecnica greca comprendeva l'uso di imponend architravi in pietra atti a resistere al carico imposto lateralmente dai pesand tetti in tegole di terracotta. Gli Etruschi risolsero lo stesso problema grazie all'uso di travi su cui veniva scaricata la tensione. L'uso di travi di tensione in Italia rese possible la copertura a tetto di strutture con campate molto ampie (senza co

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22

Christie, Neil. "G. Cavalieri Manasse (Ed.), L'Area del Capitolium di Verona. Ricerche Storiche e Archeologiche. Verona: Soprintendenza per i Beni Archeologici del Veneto, 2008. Pp. 728, 167 colour pls, illus, CD-Rom. No ISBN." Journal of Roman Studies 99 (November 2009): 285–86. http://dx.doi.org/10.3815/007543509789744701.

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23

Maia Neto, José Raimundo. "O delito capitolino." Aletria: Revista de Estudos de Literatura 23, no. 1 (2013): 58–71. http://dx.doi.org/10.17851/2317-2096.23.1.58-71.

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Tito Lívio relata em detalhes a ascensão e queda de Marco Mânlio Capitolino nos tempos heroicos da república romana. O caso capitolino era bem conhecido entre os antigos, tendo sido citado por Cícero em discursos políticos e retomado e examinado por Plutarco na Vida de Camilo. Séculos depois, no Renascimento, para ilustrar filosofias políticas contrárias, o delito capitolino é destacado por Maquiavel em seu comentário de Tito Lívio e citado por Montaigne nos Ensaios. Enfim, pouco mais de um século depois, o caso ainda inspira uma tragédia de Antoine de Lafosse d’Aubigny, frequentemente encenad

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24

Gleba, Margarita. "The Capitoline Wolf." Archaeological Reports 55 (November 2009): 120–21. http://dx.doi.org/10.1017/s0570608400001411.

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25

Tucci, Pier Luigi. "The Capitoline theatre." Mélanges de l'École française de Rome. Antiquité, no. 134-2 (January 1, 2022): 387–414. http://dx.doi.org/10.4000/mefra.13777.

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26

Tucci, Pier Luigi. "A funerary monument on the Capitoline: architecture and painting in mid-Republican Rome, between Etruria and Greece." Journal of Roman Archaeology 31 (2018): 30–52. http://dx.doi.org/10.1017/s104775941800123x.

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The debate on the relationships between Rome, Italy, and the Mediterranean world in the Archaic and mid-Republican periods remains very lively. Complementing the most recent discoveries and interpretations, I present two unknown mid-Republican documents from the Arx, the N summit of the Capitoline hill (fig. 1). Excavations for the Monument to Victor Emmanuel II brought to light after 1887 many walls and artifacts, which have been studied almost exclusively to produce archaeological maps or catalogues of objects, but the structures sealed beneath the basilica of Santa Maria in Aracoeli toward

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27

Martini, Marco, and Anna Galli. "Thermoluminescence Analysis of the Clay Core of Bronze Statues: A Re-Appraisal of the Case Studies of Lupa Capitolina and Other Masterpieces in Rome." Applied Sciences 11, no. 17 (2021): 7820. http://dx.doi.org/10.3390/app11177820.

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In this work, we present some new results in applying thermoluminescence (TL) dating to the clay core of bronze statues. This is very important, due to the impossibility of directly dating a metal. Very few cases of indirect dating of clay cores by TL are reported in the literature. We re-considered three cases of dating of clay core from important bronzes in Rome. The parameters to be considered were not easy to calculate in the case of the Lupa Capitolina. However, its traditionally reported Etruscan origin is definitely ruled out, even if the accuracy in the dating is too low to precisely p

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28

Młynarczyk, Jolanta. "Roman-period pottery from a trench by the northern city wall in Beit Ras/Capitolias." Polish Archaeology in the Mediterranean, no. 29/2 (December 31, 2020): 577–602. http://dx.doi.org/10.31338/uw.2083-537x.pam29.2.25.

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One of the trenches opened by the team of the PCMA during 2015–2016 at the site of Beit Ras (ancient Capitolias) in the governorate of Irbid, northern Jordan, revealed remains of the defensive city wall. Neither the foundation nor the earliest walking level connected with the wall could have been reached; however, the archaeological exploration allowed to identify three upper floors, all posterior to the construction of the city wall. The analysis of the ceramics from under the floors permitted to establish the repertory of the local, regional and some imported wares in the Roman-period Capito

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29

Жукова, Нина Васильевна. "Капитолия (Capitolias) – город античного Декаполиса". Via in tempore. История. Политология 52, № 1 (2025): 33–39. https://doi.org/10.52575/2687-0967-2025-52-1-33-39.

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В работе предпринята попытка освещения истории и исторической топографии города Капитолия в Заиорданье (Декаполис) в контексте региональной истории Восточного Средиземноморья. Следов города в доримский период почти не обнаруживается, хотя есть древневосточная основа, как и у большинства иных городов региона. Вызывает вопросы место основания, что связано с причинами основания города – он расположен слишком близко к другим центрам, возникшим ранее. Но конкретная причина этого нам не известна. В результате деятельности путешественников XIX в. стало возможным приступить к археологическим раскопкам

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30

GIUSTI, ENRICO. "ELEMENTS FOR THE RELATIVE CHRONOLOGY OF GALILEI'S DE MOTU ANTIQUIORA." Nuncius 13, no. 2 (1998): 427–60. http://dx.doi.org/10.1163/182539198x00491.

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Abstracttitle RIASSUNTO /title L'ordine di composizione dei quattro testi raccolti sotto il nome collettivo di DE MOTU ANTIQUIORA stato oggetto di discussione tra gli studiosi galileiani, che hanno proposto differenti soluzioni. Sulla base di un confronto dettagliato dei passi comuni a due o pi degli scritti in questione, si portano dei nuovi argomenti a sostegno della successione Dialogo, Trattato in 23 capitoli, Trattato in 2 capitoli, Trattato in 10 capitoli.

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31

Alwys, Reza, Putri Khairina Masta, and Haslinda Mora. "ANALISIS FOTO CHRISTOPHER ANDERSON "CAPITOLIO" DALAM SEMIOTIKA ROLAND BARTHES." Matalensa: Journal of Photography and Media 5, no. 1 (2025): 55. https://doi.org/10.26887/matalensa.v5i1.5153.

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Fokus dalam penelitian ini adalah bagaimana semiotika Roland Barthes digunakan untuk mengungkap makna dibalik tanda dalam foto “Capitolio”. Buku fotografi “Capitolio” ini merupakan karya dari Christopher Anderseon yang dibuat pada tahun 2004-2007 yang dirilis resmi oleh RM tahun 2010. Penelitian ini juga bertujuan untuk menganalisis dan mendeskripsikan denotasi, konotasi, dan mitos dalam foto “Capitolio”. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif yaitu menjabarkan dan membahas suatu fenomena yang terjadi. Teknik pengumpulan data dalam penelitian adalah melalui stu

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32

LiCalsi, Lynn. "Provincia Iudaea: Eliana, Masada, Aelia Capitolina." Journal of Classics Teaching 22, no. 43 (2021): 68–70. http://dx.doi.org/10.1017/s2058631021000118.

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Provincia Iudaea is a supplementary reader for beginning and intermediate Latin students. It includes three stories set in first-century Judaea. The stories explain the confrontation between Romans and Jews at this time. The first story unfolds through the eyes of the main character, a young Jewish girl named Eliana. After the destruction of the Second Temple in 70 CE, Eliana and her mother escape to Masada. Many years later, 132 CE, another character, Naomi, completes the narrative about the final struggle between Romans and Jews during the Bar Kochba Revolt. The book concludes with Hadrian's

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33

Silajdžić, Tarik, and Salmedin Mesihović. "Votive ara of the Iupiter Capitolian." Godišnjak Centra za balkanološka ispitivanja 43 (2014): 121–26. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-43.40.

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34

Peleg, Orit. "Roman Intaglio Gemstones from Aelia Capitolina." Palestine Exploration Quarterly 135, no. 1 (2003): 54–69. http://dx.doi.org/10.1179/peq.2003.135.1.54.

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35

Arata, Francesco Paolo. "Osservazioni sulla topografia sacra dell’Arx capitolina." Mélanges de l'École française de Rome. Antiquité, no. 122-1 (September 15, 2010): 117–46. http://dx.doi.org/10.4000/mefra.338.

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36

Márton, András. "A lupa Capitolina újabb ábrázolása Aquincumból." Archaeologiai Értesitö 127, no. 1 (2003): 135–47. http://dx.doi.org/10.1556/archert.127.2002.1-2.4.

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37

Patapan, Haig. "I CAPITOLI: Machiavelli's New Theogony." Review of Politics 65, no. 2 (2003): 185–207. http://dx.doi.org/10.1017/s0034670500049937.

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The article considers Machiavelli's terza rima poems on Ingratitude, Ambition, Fortune and Occasion, generally called I Capitoli, in the context of Renaissance hermeticism, cabbala, erotic magic, and astrology. It argues that these poems, taken together and read as a whole, reveal Machiavelli's playful yet subversive cosmology that ousts the old gods by instituting a new theogony. At the same time, I Capitoli, addressed and dedicated to his friends, discloses Machiavelli's own ambitions and desires, delineating the subtle link between Niccolò the poet and Niccolò the prophet and benefactor.

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38

Ratigan, Angela Marie. "3D Applications in Conservation and Connoisseurship: Investigating and Supplementing the Scholarly Catalogues of the Red Faun." Studies in Digital Heritage 1, no. 2 (2017): 123–64. http://dx.doi.org/10.14434/sdh.v1i2.23579.

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Focusing on the Capitoline Red Faun, this paper concerns the 3-dimensional digital model (3DDM) and its potential utility in creating accurate conservation condition reports. Tradition condition reports verbally express information about the state of a work of art, such as its preservation or past restorations, and are often supplemented with photographs or drawings. The various historical catalogues that have appraised the condition of the Capitoline Red Faun, more aptly referred to as “scholarly catalogues” demonstrate the potential for ambiguity within this practice; of the five accounts ap

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Patrich, Joseph. "On the Lost Circus of Aelia Capitolina." Scripta Classica Israelica 21 (May 16, 2020): 173–88. https://doi.org/10.71043/sci.v21i.3827.

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Gelir Çelebi, Azize, and Nuran Kara Pilehvarian. "Bir Roma Kenti Olarak Aelia Capitolina/Kudüs." Art-Sanat, no. 20 (August 1, 2023): 121–52. http://dx.doi.org/10.26650/artsanat.2023.20.1279854.

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Roth, Ulrike. "The Gallic Ransom and the Sack of Rome." Mnemosyne 71, no. 3 (2018): 460–84. http://dx.doi.org/10.1163/1568525x-12342339.

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AbstractThe article challenges the widespread view that the Gallic ransom mentioned in a number of sources for the events traditionally known as the Sack of Rome in 390BCshould be understood as evidence that the Gauls did not take Rome in its entirety. The article shows in contrast that, whatever happened in the night when the geese suffered from insomnia on the Capitoline Hill, a ransom is a perfectly suitable element in a story of a Gallic take-over of Rome—hill and all; and that it cannot be taken as evidence that an alternative narrative to the successful defence of the Capitoline Hill nev

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Stewart, Andrew. "A Tale of Seven Nudes: The Capitoline and Medici Aphrodites, Four Nymphs at Elean Herakleia, and an Aphrodite at Megalopolis." Antichthon 44 (November 2010): 12–32. http://dx.doi.org/10.1017/s0066477400002057.

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The Capitoline Aphrodite (fig. 1) counts among the most copied statues of antiquity. In 1951, Bianca Felletti Maj collected 101 replicas of the type compared with 33 for the Medici Aphrodite (fig. 2) and a mere five for the so-called Aphrodite of the Troad; and many more examples have surfaced since.’ Yet despite the Capitoline type's popularity, the date, location and authorship of its original remain clouded, as does its relation to these other ‘pudica’-type Aphrodites, especially the Medici. Leaving aside the Aphrodite of the Troad, this article presents new evidence that may resolve one of

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Targetti Lenti, Renata. "L’UNIONE EUROPEA A UN BIVIO: RIUSCIRÀ A DIVENTARE UN’UNIONE SOVRANAZIONALE? UNA NOTA A PROPOSITO DI UN RECENTE VOLUME." Il Politico 258, no. 1 (2023): 165–79. http://dx.doi.org/10.4081/ilpolitico.2023.819.

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Il volume Società europea analizza i diversi fattori storici, politici, economici e sociali che, nel lungo periodo, hanno caratterizzato la nascita dell'Unione europea, nonché le condizioni che favoriranno la sua futura integrazione. Il volume è ben strutturato, composto da un'Introduzione e da 14 capitoli. Nei primi otto capitoli, di carattere storico-istituzionale, vengono analizzati i temi demografici, la formazione delle città e il suo ruolo storico, il pluralismo religioso, le lingue, le università. I capitoli dal nono al quattordicesimo sono prevalentemente politici e si concentrano su t

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Millozzi, Sara. "MORALEE, JASON (2018). Rome’s Holy Mountain. The Capitoline Hill in Late Antiquity. Oxford: Oxford University Press." ARYS. Antigüedad: Religiones y Sociedades, no. 18 (December 14, 2020): 435. http://dx.doi.org/10.20318/arys.2020.5694.

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Mancini (book author), Albert N., and Paul Colilli (review author). "I "Capitoli" letterari de Francesco Bolognetti." Renaissance and Reformation 26, no. 3 (2009): 258–59. http://dx.doi.org/10.33137/rr.v26i3.11849.

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Quintana Guerrero, Ingrid, and María Cecilia O'Byrne Orozco. "The void in Chandigarh’s Capitol Complex: a legacy at an eastern scale." LC. Revue de recherches sur Le Corbusier, no. 3 (March 25, 2021): 27. http://dx.doi.org/10.4995/lc.2020.14233.

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<div data-canvas-width="293.4990666666667">La inclusión de 17 obras arquitectónicas realizadas por Le Corbusier en la lista patrimonial de la UNESCO, en Julio de 2016, levantó controversias que hacen eco de las críticas lanzadas por el historiador de la arquitectura Manfredo Tafuri (Roma, 1935 - Venecia, 1984) acerca del conjunto del Capitolio en Chandigarh (India) - único proyecto urbano incluido en el dosier de la UNESCO. La crítica se enfocó en la vastedad de la escala abordada, en la primacía visual del proyecto y en la supuesta ausencia en este de un concepto unitario. Este artículo

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Renga, Dana. "È stata Roma: La criminalità capitolina dal ‘poliziottesco’ a Suburra, Matteo Santandrea (2019)." Journal of Italian Cinema & Media Studies 8, no. 3 (2020): 472–74. http://dx.doi.org/10.1386/jicms_00046_5.

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Mestre Martí, M., P. M. Jiménez Vicario, and M. A. Ródenas-López. "La construcción del Capitolio de La Habana." Informes de la Construcción 71, no. 556 (2019): 319. http://dx.doi.org/10.3989/ic.66826.

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Este año (2019), la Oficina del Historiador de la Ciudad de La Habana ha finalizado la restauración del Capitolio Nacional de Cuba. Este artículo describe los métodos constructivos utilizados en su ejecución, entre 1926 y 1929, poniendo énfasis en las proezas que lograron finalizar la obra en un plazo de ejecución brevísimo para las condiciones y técnicas del momento: tan solo tres años. Ello ha sido posible gracias a un proyecto de cooperación internacional subvencionado por la Universidad de Alicante, que permitió varias estancias de investigación allí. Se consultaron las pocas publicaciones

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Bader, Nabil, and Jean-Baptiste Yon. "Une inscription du théâtre de Bayt Ras / Capitolias." Syria, no. 95 (December 31, 2018): 155–68. http://dx.doi.org/10.4000/syria.6489.

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Šmerda, Martin. "Quirinus and his Role in Original Capitoline Triad." Sapiens ubique civis 1, no. 1 (2020): 57–64. http://dx.doi.org/10.14232/suc.2020.1.57-64.

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This article is focused mainly on ancient Roman god Quirinus and his origin, character and role in the First Capitoline Triad of ancient roman religion. This article enumerates theories and views of Roman authors on the origin and character of Quirinus as one of the oldest members of ancient Roman pantheon. The available evidence from literary sources pertaining to Quirinus, his priests and festivals is also considered. Author of this article evaluates the similarities between Mars and Quirinus and their priests (Salii and flamines) and possible warlike competences of Quirinus – his connection

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