Bibliografías temáticas / Capitu (Motion picture)

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Literatura académica sobre el tema "Capitu (Motion picture)"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Tesis sobre el tema "Capitu (Motion picture)"

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Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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Jacoby, Alexander. "The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/55848/.

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de, Feo-Giet Danielle Karanjeet J. "Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0.

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My thesis is dedicated to the study of popular, commercial cinema as a force within the discourse of national and personal identity in the rapidly changing mega-economies of India and China, and their diasporas, since the watershed year of 1990. Its purpose is to reveal the unique pattern of like and unlike that exists between the "Social Representations" (Serge Moscovici 2000) of contemporary India and China on screen through a juxtapositional comparative approach, close visual analysis, and the development of original theoretical tools. Tense networks of fantasy and anxiety emerge as popular
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Brown, James, and katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asia’s Most Recent Commercial Entertainment Cinema." Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.

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This thesis investigates the historically composed political and economic contexts that contributed to the late 1990s commercial renaissance of Korean national cinema and that have sustained the popularity of Korean films among local and regional audiences ever since. Unlike existing approaches to the topic, which emphasise the textual characteristics of national film production, this thesis considers relations between film production, distribution, exhibition, and ancillary markets, as well as Korean cinema’s engagement with international cinemas such as Hollywood, Hong Kong, China and Japan.
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"Localization of the foreign media capital in the Chinese film industry: a case study of Crazy Stone." 2007. http://library.cuhk.edu.hk/record=b5893448.

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He, Mali.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2007.<br>Includes bibliographical references (leaves 104-112).<br>Abstracts in English and Chinese.<br>Abstract (English version) --- p.i<br>Abstract (Chinese version) --- p.iii<br>Acknowledgement --- p.v<br>Table of Contents --- p.vii<br>List of Tables --- p.ix<br>List of Figures --- p.x<br>Chapter Chapter 1. --- Local Media Industry in the Global Context --- p.1<br>Chapter 1.1 --- Introduction --- p.1<br>Chapter 1.2 --- The Issues of Globalization --- p.5<br>Chapter 1.3 --- Cultural Industries: Political Economy in Prac
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Lasaygues, Victor José. "A comparative investment analysis: Is it better to invest in venture capital or in the motion picture industry?" Master's thesis, 2016. http://hdl.handle.net/10071/13449.

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JEL Classification: G110 Portfolio Choice: Investment Decision<br>This paper analyses and compares the profitability and risks of the movie industry against venture capital investment. For the movie industry, by studying the data of 524 movies made by 13 studios from 2011 to 2014. For venture capital investments by collecting insight on the profitability of venture capital investment from seven academicals articles. The study suggests that both industry exhibit similar pattern in term of dispersion, but that movie industry is more profitable than venture capital investment. At the same time th
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Avery, Lisa Katherine 1968. "Vulnerable London: narratives of space and affect in a twentieth-century imperial capital." Thesis, 2007. http://hdl.handle.net/2152/3232.

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This dissertation examines sensation in twentieth-century narratives of London and argues that vulnerability is a constitutive experience of the post-imperial city. Sensations of vulnerability in London arise because of the built environment of the city: its status as an imperial center and a global capital create important intersections of local, national, and global concerns which render the city itself vulnerable. I chart the trajectory of vulnerability as an affective history of London that is documented in cultural texts ranging from fiction and film to political debates and legal materi
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"Image capital: a case study of the spatialization and semioticization processes at Hengdian World Studios." 2012. http://library.cuhk.edu.hk/record=b5549512.

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本文提出「影像/形象資本」作為考察影像/形象、資本及權間關係的工具。「影像/形象資本」發展至自布爾迪卮的文化資本，但「影像/形象」資本把焦點放在視覺或形象資源如何在文化/經濟、生產/消費以及上層建築/下層建構界線越趨模糊的符號空間經濟主導代，成為文化場域中新的權資源。<br>透過考察橫店影視城一個結合影視生產及遊的中國影城生產地域化及經濟符號化的過程，本文嘗試對「影像/形象資本」的概作深入的分析。沿著布爾迪卮的框架，影視城被視為一個由擁有同影像/形象資本的能動者構成的場域，而這些能動者自在地及跨境的生產及消費網絡。在橫店影視城生產、積與轉換的過程的探中，本文嘗試回答：一)影像/形象在文化場域中的功能及其轉換為經濟或其他資本的條件；二) 影像/形象資本在國際文化分工成員中的分佈以及其結構對影像資本的價值及轉換的影響。第一條問題旨在闡釋經濟符號化的過程，第二條問題則希望剖析影像/形象與資本主義結下的地域分工以及動政治。作為一個可以同時探究影像帶的可能性及限制的概，影像/形象資本把媒介影像的研究，從批判學派對影像呈現的控制及霸權形成，展至影像對同能動者、以至在符號經濟時代中冒升的社會機構所產生的建設性及壓迫性的權的多重探索。<br>This thesis develops the concept of image capital to investigate the relationsh
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Libros sobre el tema "Capitu (Motion picture)"

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Berti, F., and Silvia Fornari. Socio-movies: Capire la società con il cinema. Pacini editore, 2013.

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Zhou, Zijun. Zhongguo dian ying chan ye zi ben hua jin cheng yan jiu: The research on the capitalization course of Chinese film industry. Zhongguo jing ji chu ban she, 2019.

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Simmons, Rudd, Tim Robbins, and Jon Kilik. Dead man walking. MGM Home Entertainment, 1995.

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Neubert, Ingo. The Chair (1962): Eine Analyse. Wissenschaftlicher Verlag Trier, 1996.

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Murray, Lisa. The Capitol Theatre restoration. Council of the City of Sydney, 2003.

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Kai, Kyōto Ninjin no. Ginmaku no naka no shikei. Inpakuto Shuppankai, 2013.

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Morris, Sarah. Sarah Morris: Modern worlds. Museum of Modern Art, 1999.

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Morris, Sarah. Sarah Morris: Lesser panda. White Cube, 2008.

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Morris, Sarah. Sarah Morris: 7/6-13/8/2000, Kunsthalle Zürich. Edited by Bürgi Bernhard and Kunsthalle Zürich. Die Kunsthalle, 2000.

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Morris, Sarah. Sarah Morris: Bar nothing. Jay Jopling/White Cube, 2004.

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Capítulos de libros sobre el tema "Capitu (Motion picture)"

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Lupack, Barbara Tepa. "Heading West." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0016.

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This chapter describes how the once close relationship between the Wharton brothers irreparably broke. In late spring of 1919, after he and Ted parted ways, Leo Wharton left New York and headed west—not to Los Angeles but to Texas, which he hoped would become part of a film community that might rival Hollywood. At San Antonio Motion Pictures, he believed that he would have the opportunity to produce the kinds of feature films that he had long wanted to make. The demise of San Antonio Motion Pictures, however, effectively marked the end of Leo's film career. Ted Wharton, who left Ithaca less th
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Gleeson-White, Sarah. "Starring the Author: Literary Celebrity and Popular Authorship." In Silent Film and the Formations of U.S. Literary Culture. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0002.

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Abstract Chapter 1 considers the role of authors in silent-era motion-picture production. It traces the transformations in authorship effected by such encounters and as it shifted out of the study, into the studio, and onto the screen. It argues that it was less the author’s craft that came so to appeal to the studios than their reputation and the cultural capital that accrued to literary authorship, something the studios sought to exploit. To that end, they began to market authors in the same way they came to market their stars. This chapter traces these transformations via a consideration of
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Regev, Ronny. "Writing." In Working in Hollywood. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469636504.003.0003.

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Wordsmiths were torn between their desire for the creative control traditionally enjoyed by authors and the available economic security offered by working for the movies and writing scripts. Their story is a story of assimilation. When Hollywood entered the sound era a flock of writers, including Charles Brackett and Samson Raphaelson, emigrated to the city and to the world of motion pictures from other fields of writing such as theater and magazines. They oscillated between creative worlds, between East Coast and West Coast, and their previous experience shaped their response and interaction
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Actas de conferencias sobre el tema "Capitu (Motion picture)"

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Neilan, James H., Charles D. Cross, Henry Fan, et al. "Using Multimodal Input for Autonomous Decision Making for Unmanned Systems - “What it needs in order to evolve, is a human quality. Our capacity to leap beyond logic.” - Capt. Kirk, Star Trek: The Motion Picture." In 15th AIAA Aviation Technology, Integration, and Operations Conference. American Institute of Aeronautics and Astronautics, 2015. http://dx.doi.org/10.2514/6.2015-3032.

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