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Artículos de revistas sobre el tema "Career changes – Fiction"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Pandit, Dr Kamble Sanjay. "Chetanbhagat's One Indian Girl: A Depiction of Careerist Woman." Journal of Women Empowerment and Studies, no. 11 (September 25, 2021): 27–31. http://dx.doi.org/10.55529/jwes.11.27.31.

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Chetan Bhagat a very popular name among the modern age and new generation because of different style and subjects. Being well qualified man from IIT and IIM he could get the best job in corporate sector specially known as IT industry. In spite of his good educational background he chooses creative writing as his career and passion. He gave new dimension to Indian Writing in English because of his innovative themes and subjects handled in his creative fiction. His fictions have been transformed into movies. He explores cross cultural issues of marriage and career. He earned name and fame in ver
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2

Pandit, Dr Kamble Sanjay. "Chetan Bhagat's One Indian Girl: A Depiction Of Careerist Woman." Journal of Language and Linguistics in Society, no. 12 (November 19, 2021): 12–16. http://dx.doi.org/10.55529/jlls.12.12.16.

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Chetan Bhagat a very popular name among the modern age and new generation because of different style and subjects. Being well qualified man from IIT and IIM he could get the best job in corporate sector specially known as IT industry. In spite of his good educational background he chooses creative writing as his career and passion. He gave new dimension to Indian Writing in English because of his innovative themes and subjects handled in his creative fiction. His fictions have been transformed into movies. He explores cross cultural issues of marriage and career. He earned name and fame in ver
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3

Lee, Hyuk. "The Boundary between Fiction and Non-fiction: Focusing on the Yan Lianke’s Novel Blind Date, Clear Night." Asia Cultural Creativity Institute 2, no. 2 (2022): 43–55. http://dx.doi.org/10.54385/cbt.2022.2.2.43.

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Yan Lianke’s Blind Date, Clear Night is a novel with a strong transformation into a kind of curtain call that conveys a different direction of raising questions compared to the previously published work. What method was more important to him than what he wrote. If the article is intended to restore humanity by exposing its wounds as a huge media outlet, such as criticism of revolutionary ideology that overwhelms mankind, false consciousness of intellectuals, and suffering and anger of the Chinese people, it is a confession and reflection. In this “Quick Seeking Co-sleeping”, he once again impl
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4

Kyan, Winston. "The queer art of Yan Xing: Towards a global visual language of sex, desire and diaspora." Journal of Contemporary Chinese Art 9, no. 1 (2022): 157–75. http://dx.doi.org/10.1386/jcca_00060_1.

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This article discusses the work of Yan Xing, who has established an international career as a Chinese diaspora artist. This transnational identity, however, raises certain questions, including how Yan Xing’s work changed from when he lived in China to when he became a US resident in 2015, and how these changes differ from the globalized art of earlier diasporic Chinese artists. Accordingly, this article first argues that overt references in Yan Xing’s earlier work to sex and sexuality shift to an exploration of desire, truth and fiction in his later work that aligns with discourses on queer di
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5

Francis, Samuel. "‘A Marriage of Freud and Euclid’: Psychotic Epistemology in The Atrocity Exhibition and Crash." Humanities 8, no. 2 (2019): 93. http://dx.doi.org/10.3390/h8020093.

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The writings of J.G. Ballard respond to the sciences in multiple ways; as such his (early) writing may productively be discussed as science fiction. However, the theoretical discipline to which he publicly signalled most allegiance, psychoanalysis, is one whose status in relation to science is highly contested and complex. In the 1960s Ballard signalled publicly in his non-fiction writing a belief in psychoanalysis as a science, a position in keeping with psychoanalysis’ contemporary status as the predominant psychological paradigm. Various early Ballard stories enact psychoanalytic theories,
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6

Vitackova, Martina. "Representation of racial and sexual 'others' in Afrikaans popular romantic fiction by Sophia Kapp." Tydskrif vir Letterkunde 55, no. 1 (2018): 122–33. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.3480.

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This article provides a feminist critique of representation, analysing the way sexual and racial others are represented in the work of the Afrikaans popular romantic fiction writer Sophia Kapp. Comparing her first three novels to the latest one, the article points to a development in her writing and tracks the changes it has undergone over the course of the almost ten years of Kapp's writing career. Starting off with exclusively white and heterosexual characters in her first novels, her latest novel includes a number of black and homosexual secondary characters. However, while these characters
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7

Dhanapale, Pooja V. "A Study of the Evolution of Female Roles in Science Fiction Films and Modifying Society’s Stereotypical Thinking." Shodh Sari-An International Multidisciplinary Journal 02, no. 03 (2023): 345–49. http://dx.doi.org/10.59231/sari7610.

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We have hitherto only considered the viewpoint of men, but now it’s time to give women a fair shot as well. Every human being has the potential to learn about and advance science and technology, thus it is not only a field that is exclusively open to one gender. In movies, women play a supporting role for the men. An examination of the ways in which culture affects the evolving discussion of gender portrayals in cinema. Science fiction films are the ideal medium for discussing human habitation in the future because their content is an imaginative representation of civilization. Under the premi
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8

Hall, Leo, and Simon Grennan. "Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women’s Professional Lives." Journal of Victorian Culture 24, no. 3 (2019): 380–97. http://dx.doi.org/10.1093/jvcult/vcy070.

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Abstract Discussions of the conception of that exemplar of late-nineteenth-century and early-twentieth century urban modernity, the flâneur, have focused on both critique of the figure’s masculinity and more radical and nuanced conceptions of women’s flânerie. This article considers both the re-gendering and ungendering of flânerie in the character of three flâneuses in fiction published in the 1870s, 1880s and 1910s: Madame Sidonie, Henrietta Stackpole, and Elsie Bengough, and related dissonances and synergies in the career and work of London actress and cartoonist Marie Duval, active 1869–18
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9

Baldissera, Lisa. "Weepers I, II, III." Public 31, no. 61 (2020): 286–301. http://dx.doi.org/10.1386/public_00034_7.

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Weepers I, II, III is a ficto-critical approach to the topic of hospitality, arising from the xacerbating conditions of academic, curatorial and institutional care. Ficto-criticism sidesteps the constraints of non-disclosure agreements and the strictures of the reputational economy, to instead posit a dreaming vision of colliding worlds and meanings.Weepers I, II, III, considers hospitality in three related short fiction works which address the figure of the academic curator: one is an exposition of the linked codes/spheres of migration/contemporary art as it relates to asylum, emancipation an
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10

Tangedal, Ross K. "My Own Personal Public: Fitzgerald's Table of Contents in Tales of the Jazz Age." F. Scott Fitzgerald Review 13, no. 1 (2015): 130–45. http://dx.doi.org/10.5325/fscotfitzrevi.13.1.130.

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Abstract Scholars have questioned the veracity of F. Scott Fitzgerald's table of contents in Tales of the Jazz Age, especially with respect to his writing habits and creative process. Many contemporary critics thought his assertions were true, only weakening his authority; yet recent critical approaches recognize the pose Fitzgerald assumed. I argue that the table of contents falls within a line of authorial self-fashioning exercised by several past writers, and whether frivolous or satirical, lazy or self-critical, it places Fitzgerald within a significant authorial continuum, allowing his au
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11

Bee, Shaista, and Kavita Agnihotri. "Cultural Crossroads: Indian and Global Perspectives in Jhumpa Lahiri’s Novels." REVIEW JOURNAL PHILOSOPHY & SOCIAL SCIENCE L, no. 1 (2025): 154–62. https://doi.org/10.31995/rjpss.2025.v50i01.021.

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The writer Jhumpa Lahiri from an Indian background has used her powerful storytelling to create substantial changes in present-day literature because she examines immigrant life along with cultural differences. Interpreter of Maladies (1999) established Lahiri’s career as a writer because she won the Pulitzer Prize for Fiction in 2000 for this short story collection which gained worldwide recognition. The Namesake added to her literary body of work by presenting the themes of cultural assimilation alongside dual heritage alongside personal identity struggles. Through her writings Lahiri focuse
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12

SCIPANOV, Lucian Valeriu, and Valentin TOTIR. "WARGAMING THEORY." INTERNATIONAL SCIENTIFIC CONFERINCE "STRATEGIESXXI" 18, no. 1 (2022): 337–44. http://dx.doi.org/10.53477/2971-8813-22-40.

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In this article, we want to make an overview of a distinct stage in the process of planning military operations, namely wargaming. From our point of view, as specialists in the field of military art, wargaming is a particular aspect of the decision-making process, offering the possibility to identify optimal response solutions, depending on certain variables of the operational environment. Thus, in this approach, we will start from the main historical landmarks regarding the appearance and development of the domain, so that later we can present certain particularities of wargaming, on which oc
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13

Ładuniuk, Magdalena. "“Autobiographical in Feeling But Not in Fact”: the Finale of Alice Munro’s Dear Life." Studia Anglica Posnaniensia 50, no. 2-3 (2015): 141–53. http://dx.doi.org/10.1515/stap-2015-0029.

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Abstract Alice Munro has always been known for reworking personal material in her stories. On numerous occasions she openly admitted to adopting some of her real experiences into her fiction, yet at the same time she declared that her writing remains fictional, not autobiographical. However, the writer’s attitude seems to have changed with the publication of Dear Life (2012), supposedly the last book in her career. In the note preceding the last four stories in the collection, she suggests that they might constitute her autobiography. This article discusses “The Eye,” “Night,” “Voices” and “De
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14

Clarke, Patricia. "The Queensland Shearers' Strikes in Rosa Praed's Fiction." Queensland Review 9, no. 1 (2002): 67–87. http://dx.doi.org/10.1017/s1321816600002750.

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Novelist Rosa Praed's portrayal of colonial Queensland in her fiction was influenced by her social position as the daughter of a squatter and conservative Cabinet Minister, Thomas Lodge Murray-Prior, and limited by the fact that she lived in Australia for much less than one-third of her life. After she left Australia in 1876, she recharged her imagination, during her long novel-writing career in England, by seeking specific information through family letters and reminiscences, copies of Hansard and newspapers. As the decades went by and she remained in England, the social and political dynamic
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15

Araújo, Naiara, and Lívia Fernanda Diniz Gomes. "FICÇÃO ESPECULATIVA: O processo de hibridização na Ficção Científica e na Fantasia." Jangada: crítica | literatura | artes 2, no. 18 (2021): 25–41. http://dx.doi.org/10.35921/jangada.v1i18.405.

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ABSTRACT: This study aims at promoting a debate about speculative narratives, particularly those commonly classified as Science Fiction or Fantasy, assuming that the first works of speculative literature were not intended to encompass a single generic category given their dialogue with epistemological changes and their close connection with religious and mythological discourses. By close readings and bibliographic analyses, we build on the literary scholarship of Gunn (2005), Alkon (1994), Araújo (2020), and Manlove (1975), among others. The results suggest that there is no stylistic uniformit
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16

Riddella, J. Barry. "Let There Be Light: the Voices of West African Novels." Journal of Modern African Studies 28, no. 3 (1990): 473–86. http://dx.doi.org/10.1017/s0022278x00054653.

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The novels of an area tell a tale: Obi Okonkwo's career as a civil servant in Lagos, Kamara's political life in Sierra Leone, and Baako's return to a changed Ghana. But they also say more in that they depict much of the reality of the countries and their peoples, their ideas and goals, and the historical and contemporary forces which influence them. In this way, therefore, the literature contains both fictive and factual essences.
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17

Wang, Haoyi. "Western Characters in Eileen Chang's 1940s Novels." Communications in Humanities Research 18, no. 1 (2023): 233–38. http://dx.doi.org/10.54254/2753-7064/18/20231181.

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The 1940s was the early stage of Eileen Changs creative career. During this period, she created many Western characters in her novels, especially seven works, namely Shame, Amah!, Cycle of Traps, When I was Young, Aloeswood Incense: The First Brazier, Aloeswood Incense: The Second Brazier,, Red Rose, White Rose, and The Creation of a Century. Adopting the theory of comparative literary figurativism and post-colonialism, this paper is based on these seven fictional texts involving Western characters and analyses them in terms of writing tendency, generative mechanism and double entailment. The
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18

Holliday, Shawn. "The Torrents of Spring and the Beginning of the Hemingway Myth." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 2 (2024): 35–56. http://dx.doi.org/10.1353/arq.2024.a932220.

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Abstract: Although most scholars consider Ernest Hemingway's 1926 novella The Torrents of Spring as an aberration in the Hemingway canon, contemporary readers should rethink its marginalized standing as it is the first work in which the author intentionally broke with his literary influences that changed critical conversations about his future output. While Hemingway claimed to have written the book in order to cancel his contract with Boni & Liveright, he also used it to criticize such writers as Henry James, Sherwood Anderson, Sinclair Lewis, Gertrude Stein, and Willa Cather, demystifyin
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19

Davies, Benjamin R. "Growing Up Against Allegory: The Late Works of J. M. Coetzee." Novel 53, no. 3 (2020): 419–35. http://dx.doi.org/10.1215/00295132-8624606.

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Abstract The first two books of J. M. Coetzee's recent trilogy, The Childhood of Jesus (2013) and The Schooldays of Jesus (2016), are extremely strange. Just when “the Australian fiction,” following the works set in South Africa and various international locations, was thought to be the last phase of Coetzee's career, the Nobel laureate changed tack. The Jesus books challenge readers and critics with their sparse tone, lengthy philosophical dialogues, and allegorical obscurity. Their difficulty seems to shed little light on some of the most intriguing questions about Coetzee's writing: namely,
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20

Ngu, Toh Soon. "Analysis of Fang e-zhen’s Creative Process and Works (1977-2007)." ERUDITE: Journal Of Chinese Studies And Education 5, no. 1 (2024): 1–27. http://dx.doi.org/10.37134/erudite.vol5.1.1.2024.

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Fang e-zhen has an abundant creative output. So far, she has two collections of poems, eight collections of prose and eight fictions, totaling eighteen collections. Her literature creation career can be divided into two stages. The first was the publication of her literature creations in Taiwan, Malaysia and other places before 1980, which were later collected and published in a book. The second stage was after September 1980. Fang e-zhen, Wen rui-an and others were deported by the Kuomintang government of Taiwan for some reasons and lived in Hong Kong. Thereafter, she re-created and published
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21

Kozlov, Alexey E. "“Between romanticism and realism”: Vasily Avenarius in search of self-identity." Vestnik Tomskogo gosudarstvennogo universiteta, no. 501 (2024): 14–21. https://doi.org/10.17223/15617793/501/2.

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The article analyzes the literary reputation and career of Vasily Avenarius. Coming from a family of Russian Germans and having received a good education at home, Avenarius graduated from the Faculty of Physics and Mathematics of St. Petersburg University with a Candidate of Sciences degree, after which he completed an internship in Germany. The article examines Avenarius’ dilogy Wandering Forces (1865–1867): its style and form in the aspect of secondaryness and alternativeness, as well as its plot considered from a typological perspective. Having first appeared on the literary stage as a poet
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22

Mami, Fouad. "De-Stereotyping African Realities through Social Media in Chimananda Adichie's Americanah and Belkacem Mghzouchene's Sophia in the White City." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies (ISSN 2455 6564) Vol. II, Issue 2 (June 30, 2017): 161–97. https://doi.org/10.5281/zenodo.1407439.

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This study discusses the correlation between social media and the possibilities of positive social change in Africa in the works of Chimamnda Ngozi Adichie and Belkacem Meghzouchene. Both Chimamanda Ngozi Adichie’s Americanah (2013) and Belkacem Meghzouchene’s Sophia in the White City (2010) deploy social media like Facebook, blogs and Skype to cast an alternative narrative of their respective locales: Nigeria and Algeria. Both of these fiction authors seem aware of what social media offers in terms of powerfully subversive mechanisms to orientalist and reductive portrayals of Afri
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23

Serenkov, Yuriy S. "Parody in Literature: A Culture-Determined View." SibScript 25, no. 4 (2023): 577–86. http://dx.doi.org/10.21603/sibscript-2023-25-4-577-586.

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The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication. The article features the congeniality of two chronologically distant works of science fiction against their contemporary context, namely Edgar Allan Poe’s Ligeia and Loss of Breath vs. Ray Bradbury’s Emissary and There Was an Old Woman. This pioneering research is an attempt to trace how the genre of science-fiction short story changed from the age of European Gothic to the era of mass literature, as well as to defi
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24

Maciel, Susanne Taina Ramalho, Caroline Siqueira Gomide, Thatianny Alves de Lima Silva, et al. "Forum theatre as a tool for unveiling gender issues in science, technology, engineering and mathematics (STEM) working environments." Geoscience Communication 4, no. 1 (2021): 83–93. http://dx.doi.org/10.5194/gc-4-83-2021.

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Abstract. Gender affects all aspects of life, and the working and learning environments of science, technology, engineering and geosciences present no exception. Gender issues concerning the access, permanence and ascension of women in exact sciences and Earth sciences careers in general are related to a variety of causes. The underrepresentation of women in science communications, sexual or moral harassment caused by professors and colleagues during undergraduate and graduate ages or the overloading of girls, when compared to boys, with housework during early school ages are some examples men
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25

Ponti, Martín. "Los Roldán and the Inclusion of Travesti Narratives." Screen Bodies 5, no. 1 (2020): 89–110. http://dx.doi.org/10.3167/screen.2020.050107.

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In Argentina, trans people have experienced extreme marginalization exacerbated by authoritarian dictatorships. Despite this history, since the return of democracy in the 1980s Argentina has witnessed legislative changes as an outcome of extensive trans activism. Travestis became more visible as they protested police brutality. Travesti mobilization brought more visibility, specifically within the media industries. To elucidate their participation in media, this article focuses on travesti celebrity Florencia de la V in Los Roldán (2004–, Telefe). I examine the representation of travestis on t
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Dr., Nidhi Mishra. "Growth of Feminism in Indian English Fiction: Major Nuances." 'Journal of Research & Development' 15, no. 11 (2023): 74–75. https://doi.org/10.5281/zenodo.8046125.

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Men in India always had a privileged position in Indian society.  They are the torch bearers of the patriarchal system existing in Indian society. They have been in an advantageous position in gaining upper hand over women in almost all matters. Broadly speaking there are three phases in the growth of feminism in India, British Period, Freedom Movement and Post Independence. “Real talk “ about Feminism in India can be attributed to the decades of the 1970s. Feminism, female power, women rights and such terms started to have gravity and seriousness of its own. Men started to he
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27

Smith, Keverne. "“Almost the Copy of My Child That'S Dead”: Shakespeare and the Loss of Hamnet." OMEGA - Journal of Death and Dying 64, no. 1 (2012): 29–40. http://dx.doi.org/10.2190/om.64.1.c.

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This article emphasizes the importance of studies which look at changes and similarities in mourning over time. It argues that relevant evidence can come from creative fiction as well as from other sources, provided that this is analyzed rigorously in terms of structures and patterns. As an illustration of this approach, it examines the evidence in recurring features of Shakespeare's plays that his writing was deeply and lastingly affected by the death of his only son Hamnet, a twin, at the age of 11, and identifies five motifs which support this interpretation: the resurrected child or siblin
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28

Bar-Yitzchak, Rachel. "Stillbirth Integration: Dramatherapy Applied to Unresolved Grief." Dramatherapy 24, no. 1 (2002): 8–15. http://dx.doi.org/10.1080/02630672.2002.9689601.

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This research is a case study of the effect of Dramatherapy with a client who was suffering from prolonged grief following stillbirth. The assumption was that an analysis of the Dramatherapy sessions could shed light on processes that may assist the client in relief of her unresolved grief and integration of her stillbirth, which were necessary in order to get on with her life. The Dramatherapy was based on Jennings’ (1992, 1993, 1998) EPR model. The analysis focused on the dramatherapeutic processes, specifically, dramatic reworking, retelling and projection, that accompanied the client's exp
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Moï, Anna. "Meurtres sans préméditation." PORTAL Journal of Multidisciplinary International Studies 15, no. 1-2 (2018): 72–76. http://dx.doi.org/10.5130/portal.v15i1-2.5760.

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This essay expresses my work as a translingual novelist – immigrating from Vietnamese to French. It deals with the impossibility, as a fiction writer reborn in a new language, to recount reality, as the real world is reflected in at least two cultural zones. The use of a pseudonym is the first step to this split reality. A decision that entitles me to a new identity and one that also led to confusion when I encountered a visitor from my past mono-ethnic persona: Marcelino Truong, a French-Vietnamese painter and author of graphic novels. We had first met at the Institute of Political Sciences i
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Banjaransari, Tunggul. "Ketahanan Diri Pencipta Film Goyang Kubur di antara Film yang Lengah terhadap Goyangan Modal." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 8, no. 3 (2023): 368–84. http://dx.doi.org/10.33633/andharupa.v8i3.5705.

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AbstrakGoyang kubur merupakan penggalan dari judul film pendek Goyang Kubur Mandi Darah yang disutradarai oleh Azzam Fi Rullah (2018). Film ini muncul diantara pemandangan umum film-film di Indonesia yang makin mendekati kesempurnaan dalam aspek nilai produksinya. Sebuah anomali, Azam menggunakan pendekatan B-rated, diantara film-film yang mengejar kualitas tertentu. Pada kasus perjalanan karir Edwin, ia berbelok pada arena film komersial, optimalisasi produk telah mengabaikan gagasan pada karya-karya berikutnya. Padahal beberapa film pendek-nya, memiliki gagasan yang mampu menghasilkan diskur
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31

Hwang, Jae-moon. "“Hongjungnae-jeon” as a 19th Century History Imagined by the First Generation Korean American." Society Of Korean Literature 50 (November 30, 2024): 115–44. https://doi.org/10.52723/jkl.50.115.

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“Hongjungnae-jeon” is a full-length classical novel written in the 1920s by Nakchung Thun, a first-generation Korean American writer. This novel depicts Korean history from the end of Hong Gyeongnae’s rebellion to right after the Gapsin Coup, but this history is quite different from the actual history. Because it is an imagined history based on the assumptions that “if Hong Gyeongnae had not died” and “if an organization was created to succeed Hong Gyeongnae’s will,” it does not have the same characteristics as the history depicted in the same period. The way in which 19th century history is r
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32

Dr., Gaurav Gaud. "The Role of English Language and Literature in Cultivating Students' Language Skills." Educational Resurgence Journal 8, no. 1 (2025): 42–50. https://doi.org/10.5281/zenodo.14723177.

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Abstract Many non-native and native speakers all around the world have proven that English is an international language. It is sometimes referred to as the global language since it is the primary means of communication across countries. In our nation, the usage of English as a common language play an essential role in education. English learners must place strong emphasis on the use of communication. The ultimate goal of language instruction is to improve communication skills. Pragmatics is the method in which meaning is transferred through communicating, and linguistic skill is regarded as an
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33

Akça Ataç, C., and Nur Köprülü. "“Don’t Give Up! Don’t Give in!” Gender in International Relations and “Curious” Feminist Questions." Kadın/Woman 2000, Journal for Womens Studies 20, no. 2 (2019): i—xii. http://dx.doi.org/10.33831/jws.v20i2.92.

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In her recent book published after the election of Donald Trump as the US President in 2016, Cynthia Enloe argues that the patriarchy, similar to our smart phones, has updated itself as a reaction against the achievements of the second and third wave feminisms. The updated patriarchy has this time renewed itself through the beliefs and values about the ways the world works (2017). The competing foreign policies representing the hypermasculine hegemonic masculinity of the current world politics and its authoritarian leaders are the outputs of this new updated version of patriarchy. Enloe doubts
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34

Ghins, Arthur. "“Popular Sovereignty that I Deny”: Benjamin Constant on Public Opinion, Political Legitimacy and Constitution Making." Modern Intellectual History, September 4, 2020, 1–31. http://dx.doi.org/10.1017/s1479244320000311.

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According to a dominant narrative, the concept of popular sovereignty was joined to the notion of public opinion during the French Revolution to form the blueprint of a liberal constitutional state. This article shows how, after the Revolution, Benjamin Constant, who is now recognized as a founding figure of “liberalism,” used public opinion as a substitute for popular sovereignty to theorize political legitimacy and constitution making. I show why and when Constant discussed popular sovereignty, namely to dismiss it as an unhelpful and dangerous fiction in answer to factions invoking the conc
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Feng, Xige, and Bing Liu. "A historical study of the British and American definitions of science fiction and related controversies1." Cultures of Science, November 26, 2023. http://dx.doi.org/10.1177/20966083231216125.

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The various definitions of science fiction reflect different understandings of science and fantasy and their relationship. Through a review of the development history of the British and American definitions of science fiction and related controversies, we find that changes in science fiction's definition are often accompanied by the reorientation and reimagination of its position in society and culture. As people's perceptions deepen, the shifting boundary between science and fantasy has important implications for a better understanding of science fiction.
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36

Phillips, Jennifer Anne. "Closure through Mock-Disclosure in Bret Easton Ellis’s Lunar Park." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.190.

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In a 1999 interview with the online magazine The AV Club, a subsidiary of satirical news website, The Onion, Bret Easton Ellis claimed: “I’ve never written a single scene that I can say took place, I’ve never written a line of dialogue that I’ve heard someone say or that I have said” (qtd. in Klein). Ten years later, in the same magazine, Ellis was reminded of this quote and asked why most of his novels have been perceived as veiled autobiographies. Ellis responded:Well, they are autobiographical in the sense that they reflect who I was at a particular moment in my life. There was talk of a me
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37

Marshall, P. David. "The Fiction of Public Life." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1738.

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One of Woody Allen's first jobs was as a gag/joke writer indirectly for New York gossip columnists. To coordinate with the appearance of famous people at grand openings, Allen would write appropriately witty lines that a star's press agent would work hard to get placed in a newspaper column like Walter Winchell's. The lines would be treated as authentic quotes as the star entered the premiere, club or ceremony (Lax 71). His reputation grew from this ability to see what would be humorous to say in a very public setting, or just generally what would make a particular star look more engaged, more
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38

Gelashvili, Tamar. "Political Discourse in Modernist and Meta-Postmodernist Irish Drama." Text and Interpretation, 2023. http://dx.doi.org/10.55804/jtsu-2960-9461-2023-6.

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The role and place of political discourse in fiction is a complex and intricate problem. The attitude of scholars and the authors towards the extent to which political discourse is permissible in the literature is heterogeneous. Various writers, like the famous Irish modernist writer James Joyce, believe that literature should be distant from politics, or as Gabriel Conroy, one of the characters in his short stories (The Dead) puts it, "Literature is above politics". However, Joyce contradicts this statement within the story by showing how literature is the medium of politics, for it has the p
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39

de Gay, Jane. "The Past, the Present and the Lessons of History: Virginia Woolf’s Feminist Historiographical Method in Three Guineas." Études britanniques contemporaines 68 (2025). https://doi.org/10.4000/141gm.

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In Three Guineas, Virginia Woolf draws on her extensive knowledge of history and the literary past in order to interrogate pressing contemporary concerns about war, the rise of fascism, and the marginalisation of women. In building her case, Woolf demonstrates relationships between examples taken from such disparate sources as Western classics like the Antigone and the Bible, a lifetime’s reading in literature, history and biography, and recent political propaganda and newspaper reports, which she describes as ‘history in the raw’. This chapter will demonstrate how Woolf makes connections betw
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40

Rosa Souza Luz, Aruana, Michele Kremer Sott, and Kadígia Faccin. "What to expect from such changes? The business model reconfiguration and the dilemma for business evolution." Administração: Ensino e Pesquisa 24, no. 3 (2023). http://dx.doi.org/10.13058/raep.2023.v24n3.2348.

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This case is a fictional narrative based on a real case experienced by the authors throughout their professional career. The Alpha Company (fictitious business name) has been operating in the furniture sector since 2006. In 2015, Alpha's managers faced a great dilemma regarding technology adoption and the transformation of the organization's business model to meet the demands of its customers and increase the company's profitability. The case describes the organizational trajectory of the company, showing the reconfiguration of its business model over the years and the dilemma experienced by m
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41

Soovik, Ene-Reet. "Rebenenud linn. II maailmasõja linnamaastikud Bernard Kangro Tartu-tsükli kolmes viimases romaanis / A Ruptured City: Cityscapes of World War II in the Second Trilogy of Bernard Kangro’s Tartu Cycle." Methis. Studia humaniora Estonica 19, no. 24 (2019). http://dx.doi.org/10.7592/methis.v19i24.16198.

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Artiklis käsitletakse linnaruumi kujutamist Bernard Kangro romaanides „Kivisild“ (1963), „Must raamat“ (1965) ja „Keeristuli“ (1969), lähtudes kultuurigeograafia valdkonnast pärinevast rebenenud maastiku mõistest. Vaadeldakse, kuidas Kangro kirjeldab muutusi Tartu linnapildis II maailmasõja ajal, keskendudes nii tehislikule kui ka looduskeskkonnale. Kirjaniku poolt paguluses loodud Tartu-kujutustes esile tõusvaid maastiku- ja miljööelemente kõrvutatakse uurimustega, mida pärast 1941. aasta sõjapurustusi viis läbi Tartu Linnauurimise Toimkond geograaf Edgar Kandi juhtimisel, ning leitakse paral
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42

Jones, Kip, and Patricia Leavy. "A Conversation Between Kip Jones and Patricia Leavy: Arts-Based Research, Performative Social Science and Working on the Margins." Qualitative Report, December 3, 2014. http://dx.doi.org/10.46743/2160-3715/2014.1232.

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This paper reports a conversation between international pioneers in ArtsBased Research and Performative Social Science, Patricia Leavy and Kip Jones. They begin by delineating the differences between research and/or dissemination that use tools from the Arts in their production. Leavy turns to her fiction writing as an example, while Jones discusses the making of his research-based short film, Rufus Stone. The conversation then turns to how these novel approaches have changed the way in which they work and these efforts in relation to the academy. The concept of “audience” is raised. Both then
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43

Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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44

Shiloh, Ilana. "A Vision of Complex Symmetry." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2674.

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 The labyrinth is probably the most universal trope of complexity. Deriving from pre-Greek labyrinthos, a word denoting “maze, large building with intricate underground passages”, and possibly related to Lydian labrys, which signifies “double-edged axe,” symbol of royal power, the notion of the labyrinth primarily evokes the Minoan Palace in Crete and the myth of the Minotaur. According to this myth, the Minotaur, a monster with the body of a man and the head of a bull, was born to Pesiphae, king Minos’s wife, who mated with a bull when the king of Crete was besieging Athen
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45

Mastianica-Stankevič, Olga. "The Problem of the “Lost Intelligentsia” and Its Solutions in the Lithuanian Press of the Late Nineteenth–Early Twentieth Century." Lituanistica 67, no. 1 (2021). http://dx.doi.org/10.6001/lituanistica.v67i1.4393.

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Due to the social and national policy of the government in the late nineteenth and early twentieth century, the majority of the Lithuanian intelligentsia was forced to seek civil service not in ethnic Lithuania but rather in other governorates of the Russian Empire. Rimantas Vėbra, who studied the social structure of the Lithuanian intelligentsia of the nineteenth century, concluded that almost 60 per cent of people from Lithuania who had completed higher education worked outside the boundaries of the North-western Region. This article discusses the problem of the shortage of the intelligentsi
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46

Huang, Mingfen. "The development of Chinese science-fiction films from the perspective of industrialization." Cultures of Science, March 15, 2024. http://dx.doi.org/10.1177/20966083241237592.

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The film industry includes a chain composed of the machinery industry, the production industry and the derivative industry. Its evolution reflects the development of Chinese science fiction (sci-fi) films in the past century. Since the information revolution, marked by computer use, the film industry has undergone changes in digitalization, networking and intelligentization, and Chinese sci-fi films have taken on a new look. Sci-fi films have the duality of being industrial products and spiritual products. Therefore, Chinese sci-fi films have not only evolved with the evolution of the film ind
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47

Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo
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48

Michael, Rose. "Out of Time: Time-Travel Tropes Write (through) Climate Change." M/C Journal 22, no. 6 (2019). http://dx.doi.org/10.5204/mcj.1603.

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“What is the point of stories in such a moment”, asks author and critic James Bradley, writing about climate extinction: Bradley emphasises that “climatologist James Hansen once said being a climate scientist was like screaming at people from behind a soundproof glass wall; being a writer concerned with these questions often feels frighteningly similar” (“Writing”). If the impact of climate change asks humans to think differently, to imagine differently, then surely writing—and reading—must change too? According to writer and geographer Samuel Miller-McDonald, “if you’re a writer, then you hav
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49

Fernández, Sergio M. "M. Mujica Lainez: de la nación prócer-familiar a la recreación de la "sociedad porteña" decadente (1949-1957)." Recial 1, no. 1 (2010). https://doi.org/10.53971/2718.658x.v1.n1.17793.

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In the narrative stage on " national subject matter " (1949-1957), M. Mujica Lainez recreated, first, constituent events on the history of the Nation: The respective foundations of the city of Buenos Aires, its Reconquest and Defense during both English invasions, the cultural dawns in its new halls and bookshops, etc. With regard to his creators, the writer reveals important roles of his ancestor characters. This is shown, in his first two books of shorts stories: Aquí vivieron…(1949) and Misteriosa Buenos Aires (1951).Secondly, from 1953 until 1957, we realized that the author decided to mov
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50

"The American Sentence." Literature of the Americas, no. 14 (2023): 51–74. http://dx.doi.org/10.22455/2541-7894-2023-14-51-74.

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The nature, history and transformation of the American sentence in XX century American fiction is the focus of the current essay which examines the shift from the oracular to ordinary style. This is the contrast between Henry James and Ernest Hemingway, or Thomas Wolfe and Cormac McCarthy. It is a shift in tone and syntax from an elaborate rhetoric and rhythm to a pointed, direct style that wastes no words. It suggests an impatient style reflecting an age of intensity, speed, and thrust. The leisurely and intricate style of late XIX and early XX century American writers loses its energy, altho
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