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1

D'Arpa, Daniel Sebastian. "Dominican Spanish in contact with St. Thomas English Creole| A sociolinguistic study of speech variation on St. Thomas, U.S. Virgin Islands". Thesis, Temple University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=3745845.

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This dissertation will demonstrate that a variety of Dominican Spanish in contact with St. Thomas English Creole (STTEC) revealed many features which are consistent with Dominican Spanish in other contact environments and some new features which are emerging as the result of uniquely STTEC influences. The most notable feature is the appearance of the vowel [ϵ] in Dominican Spanish, which in STTEC is highly indexical to St. Thomian identity. In the present sociolinguistic analysis, it was found that the variability of [ϵ] was significantly influenced by the following phonological segment, syllable stress, the language of the token, and the speaker's’ social network ties and self-ascribed identity. This dissertation also includes a socio-historical background of St Thomas, U.S. Virgin Islands, a description of St Thomas English Creole, and a history of immigration patterns of people from the Dominican Republic to St Thomas, U.S.V.I.

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2

Salamanca-Heyman, Maria Fernanda. "The urban archaeology of early Spanish Caribbean ports of call: The unfortunate story of Nombre de Dios". W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539623547.

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The sixteenth-century port of Nombre de Dios in Panama played a crucial role in the colonization of America. From 1519 to 1597, Nombre de Dios was the Atlantic port connecting Spain with the southern Pacific colonies in America. Even though its importance to Spain's New World colonial settlement has been widely recognized, there has never been systematic historical or archaeological research undertaken to document this colonial town and describe its establishment and subsequent development and abandonment.;This study employs a comparative approach to early Spanish urban settlement in Latin America, and combines archaeological and archival data to explain the unique history of Nombre de Dios. Archaeological examination and documentary analysis has revealed the town's physical layout, its location and geographical features, and the settlement's place within the region's trade network. Findings relating to Nombre de Dios are compared to evidence from Cartagena and Veracruz, two of Spain's other sixteenth-century ports-of-call, providing important information regarding the factors responsible for the slow development of Nombre de Dios, and its abandonment before the end of the century.
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3

Ponton-Nigaglioni, Nydia Ivelisse. "THE MATERIAL CULTURE OF SLAVERY: CONSUMER IDENTITY AND SOCIAL STRATIFICATION IN HACIENDA LA ESPERANZA, MANATÍ, PUERTO RICO". Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/594505.

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Anthropology
Ph.D.
This dissertation focuses on the human experience during enslavement in nineteenth-century Puerto Rico, one of the last three localities to outlaw the institution of slavery in the Americas. It reviews the history of slavery and the plantation economy in the Caribbean and how the different European regimes regulated slavery in the region. It also provides a literature review on archaeological research carried out in plantation contexts throughout the Caribbean and their findings. The case study for this investigation was Hacienda La Esperanza, a nineteenth-century sugar plantation in the municipality of Manatí, on the north coast of the island. The history of the Manatí Region is also presented. La Esperanza housed one of the largest enslaved populations in Puerto Rico as documented by the slave census of 1870 which registered 152 slaves. The examination of the plantation was accomplished through the implementation of an interdisciplinary approach that combined archival research, field archaeology, anthropological interpretations of ‘material culture’, and geochemical analyses (phosphates, magnetic susceptibility, and organic matter content as determined by loss on ignition). Historical documents were referenced to obtain information on the inhabitants of the site as well as to learn how they handled the path to abolition. Archaeological fieldwork focused on controlled excavations on four different loci on the site. The assemblages recovered during three field seasons of archaeological excavations served to examine the material culture of the enslaved and to document some of their unwritten experiences. The study of the material culture of Hacienda La Esperanza was conducted through the application of John C. Barrett’s understanding of Anthony Giddens’ theory of structuration, Douglas Armstrong’s cultural transformation model, and Paul R. Mullins’ notions of consumerism and identity. Research results showed that the enslaved individuals of Hacienda La Esperanza were active yet highly restricted participants and consumers of the local market economy. Their limited market participation is evidence of their successful efforts to exert their agency and bypass the administration’s control. As such, this dissertation demonstrates that material life, even under enslavement, provides a record of agency and resistance. The discussion also addressed the topics of social stratification and identity.
Temple University--Theses
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4

Pinto-Tomás, Maricelle. "El caribe en voz menor". Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/4722.

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My dissertation is about the feminine Caribbean perspective in three novels: Calypso (1996) by Tatiana Lobo; L'exil selon Julia (1996) by Gisèle Pineau; and Breath, Eyes, Memory (1994) by Edwidge Danticat. The values and traditions involved in the patriarchal system are reevaluated to allow the Caribbean female voice to express itself. The novels are analyzed through the historical and linguistic specificities of the regions studied: the modernization of a small town on the Atlantic Coast of Costa Rica, exile from the Caribbean to France, and the Haitian Diaspora in the United States. The Caribbean is seen as a heterogeneous area sharing particular and general historical facts. Female figures express themselves in English, French and Spanish concerning the domestic sphere and how it is affected by ethnic, migratory, and cultural traditions. Female bonds and religion work together, giving agency to the female characters and allowing them to reconcile their unique experiences. The novels are understood together from a pan-Caribbean feminist perspective informed by the works of Édouard Glissant and Chandra Talpade Mohanty.
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5

Marquis, Rebecca. "Daughters of Saint Teresa authority and rhetoric in the confessional narratives of three twentieth-century Spanish and Latin American women writers /". [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3240037.

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Thesis (Ph.D.)--Indiana University, Dept. of Spanish and Portuguese, 2006.
"Title from dissertation home page (viewed July 16, 2007)." Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3815. Adviser: Kathleen A. Myers.
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6

D'Arpa, Daniel Sebastian. "DOMINICAN SPANISH IN CONTACT WITH ST. THOMAS ENGLISH CREOLE: A SOCIOLINGUISTIC STUDY OF SPEECH VARIATION ON ST. THOMAS, U.S. VIRGIN ISLANDS". Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/352711.

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Spanish
Ph.D.
This dissertation will demonstrate that a variety of Dominican Spanish in contact with St. Thomas English Creole (STTEC) revealed many features which are consistent with Dominican Spanish in other contact environments and some new features which are emerging as the result of uniquely STTEC influences. The most notable feature is the appearance of the vowel [ɛ] in Dominican Spanish, which in STTEC is highly indexical to St. Thomian identity. In the present sociolinguistic analysis, it was found that the variability of [ɛ] was significantly influenced by the following phonological segment, syllable stress, the language of the token, and the speakers’ social network ties and self-ascribed identity. This dissertation also includes a socio-historical background of St Thomas, U.S. Virgin Islands, a description of St Thomas English Creole, and a history of immigration patterns of people from the Dominican Republic to St Thomas, U.S.V.I.
Temple University--Theses
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7

Rivera, Chicas Iler Leticia. "Dancing with Culture| A Grounded Theory Study on Latin American and Spanish Speaking Caribbean Women Living in the United States Process for Dealing with Internal Conflicts". Thesis, Nova Southeastern University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10830583.

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This grounded theory study explored the competing cultural expectations and cultural approaches by women from Latin American and Spanish-speaking Caribbean countries living in the United States. The study explored the following questions: In what ways do women from Latin America living in the United States establish priorities among potentially conflicting cultural expectations or roles? What internal conflicts result out of living between two cultures? What does the process for making sense of cultural expectations look like? How do Latin American women living in the United States make sense of this process? Using a constructivist grounded methodology, the research reflects the insights of 20 female participants from various Latin American and Spanish-speaking Caribbean countries. The data analysis resulted in five major findings, illuminating a framework for understanding the process for making sense of conflicting cultural norms, expectations, and cultural approaches. This is presented in four stages, (1) confronting the new norm/expectation, (2) recognition/acknowledgment of the conflicting cultural value/norm/expectation, (3) adapting to the new context/situation and (4) managing from a cultural standpoint. The main decision-making process related to cultural expectations was tied to: (a) what it meant to be a woman from their native country in the United States and (b) what this means when they return to their country of origin. Concluding with “creating a new norm/dynamic,” this becomes the “balancing act” or “the dance between cultures.”

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8

Marken, Mitchell W. "Ceramics carried by Spanish ships from the 16th to the 18th centuries, with specific reference to collections recovered from shipwrecks in the Caribbean basin, Britain and Bermuda". Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/15107.

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This paper records and analyses the common ware pottery finds from Spanish shipwrecks dated from the 16th to the 18th centuries. A chronological presentation of olive jar-type botijas (olive jars), Columbia Plain, and other coarse earthenware types from accurately dated shipwreck assemblages has provided the basis for reliable typologies, and helped to refine previous studies. The shipwreck collections utilised consist of 17 accurately dated wrecks. First hand recording of pottery is included for 13 of the assemblages. The collections of the ceramics are housed in locations in Britain, the Caribbean, Florida, Texas, and the state of Louisiana. The collections are all from ships which were engaged in Spain's New World colonisation and trade, either en route to the Indies or returning. The exception is the material from the Spanish Armada which is included because of its official nature and the fact that outfitting occurred at Seville, the primary port for the Indies trade. In addition to the primary material, reference is made to pottery finds from contemporaneous shipwrecks which have previously been recorded, in addition to inclusions of historical research. Availability of the collections for further study is also discussed. Ceramics have a tendency to change over relatively short periods of time and using pottery finds as primary dating evidence has proved effective. Some of the most common Spanish ceramic traditions found on New World colonial terrestrial sites, however, have proved difficult to analyse because they are usually undecorated and exhibit relatively little development over the period in question. The finds from shipwrecks include several intact vessels spanning the period and recording of the finds has proved to reveal several distinguishing characteristics which have formed the basis for constructing new typologies of the most common wares encountered.
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9

Rueda-Roa, Digna Tibisay. "On the spatial and temporal variability of upwelling in the southern Caribbean Sea and its influence on the ecology of phytoplankton and of the Spanish sardine (Sardinella aurita)". Scholar Commons, 2012. https://scholarcommons.usf.edu/etd/4217.

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The Southern Caribbean Sea experiences a strong upwelling process along the coast from about 61°W to 75.5°W and 10-13°N. In this dissertation three aspects of this upwelling system are examined: (A) A mid-year secondary upwelling that was previously observed in the southeastern Caribbean Sea between June-July, when land based stations show a decrease in wind speed. The presence and effects of this upwelling along the whole southern Caribbean upwelling system were evaluated, as well as the relative forcing contribution of alongshore winds (Ekman Transport, ET) and wind-curl (Ekman Pumping, EP). (B) Stronger upwelling occurs in two particular regions, namely the eastern (63-65°W) and western (70-73°W) upwelling areas. However, the eastern area has higher fish biomass than the western area (78% and 18%, respectively, of the total small pelagic biomass of the southern Caribbean upwelling system). The upwelling dynamics along the southern Caribbean margin was studied to understand those regional variations on fish biomass. (C) The most important fishery in the eastern upwelling area off Venezuela is the Spanish sardine (Sardinella aurita). The sardine artisanal fishery is protected and only takes place up to ~10 km offshore. The effects of the upwelling cycle on the spatial distribution of S. aurita were studied. The main sources of data were satellite observations of sea surface temperature (SST), chlorophyll-a (Chl) and wind (ET and EP), in situ observations from the CARIACO Ocean Time-Series program, sardine biomass from 8 hydroacoustics surveys (1995-1998), and temperature profiles from the World Ocean Atlas 2005 used to calculate the depth of the Subtropical Underwater core (traced by the 22°C isotherm). The most important results of the study were as follows: (A) The entire upwelling system has a mid-year upwelling event between June-August, besides the primary upwelling process of December-April. This secondary event is short-lived (~5 weeks) and ~1.5°C warmer than the primary upwelling. Together, both upwelling events lead to about 8 months of cooler waters (-3, averaged from the coast to 100 km offshore) in the region. Satellite nearshore wind (~25 km offshore) remained high in the eastern upwelling area (> 6 m s-1) and had a maximum in the western area (~10 m s-1) producing high offshore ET during the mid-year upwelling (vertical transport of 2.4 - 3.8 m3 s-1 per meter of coastline, for the eastern and western areas, respectively). Total coastal upwelling transport was mainly caused by ET (~90%). However, at a regional scale, there was intensification of the wind curl during June as well; as a result open-sea upwelling due to EP causes isopycnal shoaling of deeper waters enhancing the coastal upwelling. (B) The eastern and western upwelling areas had upwelling favorable winds all year round. Minimum / maximum offshore ET (from weekly climatologies) were 1.52 / 4.36 m3 s-1 per meter, for the western upwelling area; and 1.23 / 2.63 m3 s-1 per meter, for the eastern area. The eastern and western upwelling areas showed important variations in their upwelling dynamics. Annual averages in the eastern area showed moderate wind speeds (6.12 m s-1), shallow 22°C isotherm (85 m), cool SSTs (25.24°C), and phytoplankton biomass of 1.65 mg m-3. The western area has on average stronger wind speeds (8.23 m s-1) but a deeper 22°C isotherm (115 m), leading to slightly warmer SSTs (25.53°C) and slightly lower phytoplankton biomass (1.15 mg m-3). We hypothesize that the factors that most inhibits fish production in the western upwelling area are the high level of wind-induced turbulence and the strong offshore ET. (C) Hydroacoustics values of Sardinella aurita biomass (sAsardine) and the number of small pelagics schools collected in the eastern upwelling region off northeast Venezuela were compared with environmental variables (satellite products of SST, SST gradients, and Chl -for the last two cruises-) and spatial variables (distance to upwelling foci and longitude-latitude). These data were examined using Generalized Additive Models. During the strongest upwelling season (February-March) sAsardine was widely distributed in the cooler, Chl rich upwelling plumes over the wide (~70km) continental shelf. During the weakest upwelling season (September-October) sAsardine was collocated with the higher Chl (1-3 mg m-3) found within the first 10 km from the upwelling foci; this increases Spanish sardine availability (and possibly the catchability) for the artisanal fishery. These results imply that during prolonged periods of weak upwelling the environmentally stressed (due to food scarceness) Spanish sardine population would be closer to the coast and more available to the fishery, which could easily turn into overfishing. After two consecutive years of weak upwelling (2004-2005) Spanish sardine fishery crashed and as of 2011 has not recovered to previous yield; however during 2004 a historical capture peak occurred. We hypothesize that this Spanish sardine collapse was caused by a combination of sustained stressful environmental conditions and of overfishing, due to the increased catchability of the stock caused by aggregation of the fish in the cooler coastal upwelling cells during the anomalous warm upwelling season.
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10

Carrasquillo, Tania. "Reina la zafra: [Re]presentación de la sociedad azucarera en la narrativa Puertorriqueña, siglos XIX y XX". Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2453.

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This dissertation analyzes the representation of sugar plantation societies in nineteenth and twentieth century Puerto Rican literature. Using an interdisciplinary approach, I study the socio-historical, political, and economic development of the sugarcane industry in Puerto Rico as represented in the literary works of Manuel Zeno Gandía, Enrique A. Laguerre, René Marqués, and Rosario Ferré. Scholars have tended to examine their works separately; however, I study how these writers from different literary generations develop a cohesive literary project, reshuffling the periodization of Puerto Rican literature by their focus on the sugar industry. Consequently, the literary works intersect with each other to provide a complete picture of the evolution and decline of the sugar plantation and its effects on the social imaginary of Puerto Rico. I use this term to mean both social practices of Puerto Rican society as well as its class stratification and political struggles. My theoretical approach is based on Antonio Benítez Rojo, "The Repeating Island: The Caribbean and the Postmodern Perspective" (1992), where the sugar plantation is defined as the principal unifying entity across the Caribbean, repeated continuously through time and space. I also rely on socio-historiographical approaches developed by Ramiro Guerra, Francisco Scarano, and Ángel Quintero Rivera, whose analyses of the sugar cane industry in the Caribbean shed light on class conflicts, primarily between the sugar oligarchy and factory workers. This dissertation suggests a homology between the socioeconomic structure of the sugar plantation and the Puerto Rican literary canon. I conclude that Puerto Rican writers have recoded the imaginary of the plantation in response to political events and economic shifts within the sugar industry. While Manuel Zeno Gandía and René Marqués promote and redefine its value system, other writers, such as Enrique A. Laguerre and Rosario Ferré, have transgressed the hacienda system to articulate the voice of those communities marginalized by the sugar plantation.
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11

Mitchell, Kierra. "Camino a la Interseccionalidad: Una Aproximación al Desarrollo de Ideas Feministas en la España Contemporánea". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1385.

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Esta tesis utiliza la interseccionalidad como lente para hacer un análisis de los textos culturales y activistas para explicar cómo se manifiestan las ideas feministas en estos dos períodos cruciales de avance del feminismo en España: el primer cuarto del siglo veinte y las primeras décadas del siglo veintiuno. La interseccionalidad sirve como una prisma de análisis que permite entender los sistemas hegemónicos de poder. Esta tesis analiza ejemplos de textos y demandas que ilustran las preocupaciones y aparatos ideológicos que sustentan diferentes aproximaciones al feminismo en estas dos épocas. Un interés específico, en especial en la segunda parte, es el diálogo teórico y político del feminismo interseccional con el feminismo blanco y hegemónico en términos de exclusión de las comunidades marginadas. El objetivo al hacerlo es elevar las voces de las identidades marginadas que de otro modo se silencian por el discurso contemporáneo que no contempla sus experiencias.
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12

Hordinski, Madeleine Z. "Politics, Art and Dissent in Post-Fidel Cuba". Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1588354318293387.

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13

Gómez, Luis Marcelino. "La mujer en defensa de la mujer: voces femeninas del romanticismo cubano (Poesía y cuento)". FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/55.

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Throughout history, women have played an important role in literature. Nevertheless, since Sappho's poetry until now, feminine voices have had to struggle for recognition of their works. Before the nineteenth century, women were almost ignored in Spanish literature. Society kept them as "ángeles de la familia," taking care of their homes, husbands, and children. Some of them, such as María de Zayas y Sotomayor in Spain and Sor Juana Inés de la Cruz in Mexico, complained about their situation in their writings. However, they expressed their fight not as a generation but as individuals. In the nineteenth century, the ideas and ideals of Romanticism, were brought to Latin America from Europe. Cuba was among those countries where the new movement took roots. Initiated by Gertrudis Gómez de Avellaneda, a group of women began to participate in literary reunions, and to found newspapers and magazines where works authored by women, dedicated to feminist ideas, were published. They indeed through literature started to live out womanhood in order to intellectually leave the ideological prisons where society had been keeping them. This study scans the literary works of all Romantic women writers in Cuba. It specifically analyzes poetry and short stories, and investigates how these authors expressed themselves in their works against the patriarchal society, where they lived and wrote their books. An eclectic critical method has been used. Findings were very revealing. Only three of the fourteen writers studied in my dissertation had been previously mentioned by major critics. Most of them had been ignored. However, the greatest discovery was that they prompted something new: For the first time they projected themselves as a group, as a collective consciousness, and this fact established a difference with former women writers in Cuban literature before Romanticism. In other words, they produced a "Renaissance" in Cuba's literature. In spite of how they lived between 1820 and 1900, their struggles for women's rights have linked them to our current times.
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14

Geary, James P. "Social Realism in Central America: the Modern Short Story Translated". Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1215444512.

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15

Montás, Lucía M. "LA CIUDAD DE LAS LETRADAS: REESCRIBIENDO SANTO DOMINGO EN LA NARRATIVA FEMENINA URBANA DOMINICANA DEL NUEVO MILENIO". UKnowledge, 2018. https://uknowledge.uky.edu/hisp_etds/36.

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In the last few decades, Dominican female writers have contributed significantly to the literary representation of the city of Santo Domingo and urban life. This dissertation studies how these female writers produce a cultural paradigm for criticizing the urban crisis in the Dominican Republic that at times is at odds with much narrative written by men and with key concepts in Urban Theory that are taken for granted. The authors I study, Ángela Hernández, Emilia Pereyra, Emelda Ramos, Aurora Arias and Rita Indiana Hernández, understand the city and redefine the urban model by expressing their dissatisfaction in the civilizing and modernizing potential of urban space in their texts. I specifically analyze novels and short stories through a reinterpretation of Henri Lefebvre’s concept of “the Right to the City” that considers issues such as gender, race and identity by using an interdisciplinary theoretical framework that includes Geography, Urban Studies, Feminism, Queer Studies and Sociology.
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16

Elazar-Demota, Yehonatan. "An Ethnography: Discovering the Hidden Identity of the Banilejos". FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2441.

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During June of 2015, an anthropological and sociological study was conducted in the Dominican city of Bani. On the surface, the banilejo people appear to be devout Catholics. However, having had access to their personal lives, it was evident that their peculiar family traditions and folklore hinted at their liminal identities. This study involved interviewing 23 female subjects with questions found in the Spanish and Portuguese inquisitorial manuals. In addition, their mitochondrial DNA sequences were analyzed and demonstrated a high percentage of consanguinity and inbreeding within Bani's population. The genetic analysis of their mitochondrial DNA yielded genetic links with Jewish women from worldwide Jewish communities. Victor Turner's communitas theory and Geertz's thick description were used as the methodology. Ultimately, the sociological and anthropological analysis of their way of life evidenced how their ancestors preserved Jewish identity covertly throughout the inquisition time period (1481-1834) and how they continue to perpetuate it in contemporary times through consanguinity, and the power of superstition and taboo.
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17

Soric, Kristina Maria. "Empires of Fiction: Coloniality in the Literatures of the Nineteenth-Century Iberian Empires after the Age of Atlantic Revolutions". The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1502913220147523.

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Labourey, Marion. "Les écritures de l’histoire dans le récit magico-réaliste des Amériques". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL138.

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Le récit magico-réaliste entretient avec l’écriture de l’histoire un rapport très étroit. Entre les années 1940 et les années 1980, dans toute l’aire géographique américaine, s’est développé et a évolué une fiction magico-réaliste qui se donne comme objectif la transcription de données anthropologiques, concernant les populations dominées américaines, qu’elles soient composées d’autochtones, d’esclaves ou de descendants d’esclaves, dans un univers romanesque où réalisme et magie se côtoient sans tensions. Ainsi, en abordant les périodes passées du continent américain, les auteurs de récits magico-réalistes ont construit un type de fiction qu’ils ont façonné dans le but de permettre une expression littéraire de l’opération historiographique, qui ne peut pas se substituer à la science historique, mais qui peut donner, d’une façon qui tire parti des potentialités de la fiction, une voix à ceux qu’un discours dominant et des structures de pouvoir ont longtemps laissés dans l’ombre. Nous étudierons donc comment les récits magico-réalistes écrivent l’histoire, et notamment restituent des visions du monde longtemps ignorées, dans une perspective proche de l’histoire des représentations. Une telle entreprise littéraire et historique constitue par-là même un phénomène structurant pour le champ littéraire américain, mais aussi caribéen. Notre corpus d’étude trilingue réunit des auteurs de tout le continent américain : Miguel Ángel Asturias, Alejo Carpentier, Juan Rulfo, Toni Morrison, Wilson Harris, Toni Cade Bambara, Jean-Louis Baghio’o, Jacques Stephen Alexis et Maryse Condé
The magical realistic narrative is deeply linked with the writing of history. Between the 1940’s and the 1980’s, throughout the entire America, has been developed and has evolved the magic realism which let the authors of such narratives to transcribe anthropological datas, coming from dominated populations of America (Natives, slaves or former slaves) in novels in which realism and magic can mix without tension. Then, by describing the past periods of the American continent, the authors of magic realism narratives have built a kind of fiction able to imitate, but not replace, the historical investigation : they can, with the help of the specific resources of fiction, give a voice to those who where kept in the dark for so long. We will study how the authors of magic realism narratives write history, et transcribe the representations of people who were not considered before. Such a literary phenomenon is fundamental in the building of an American literary filed. Our trilingual corpus gathers these nine authors : Miguel Ángel Asturias, Alejo Carpentier, Juan Rulfo, Toni Morrison, Wilson Harris, Toni Cade Bambara, Jean-Louis Baghio’o, Jacques Stephen Alexis et Maryse Condé
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19

"The representation of Paris in Spanish-American fiction". Tulane University, 1989.

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This dissertation involves an examination of the image of Paris as it is developed in Spanish American fiction, beginning at the turn of the century with the modernistas and extending through highly complex contemporary treatments. No attempt is made to provide an exhaustive catalogue of Spanish American novels that take place in Paris, instead, there is brief reference to a number of works with discussion in detail reserved for the novels and short stories found particularly interesting or representative. These are Diaz Rodriguez's Idolos rotos (1901), Blest Gana's Los trasplantados (1904), Edwards Bello's Criollos en Paris (1933), Salazar Bondy's Pobre gente de Paris (1958), Elena Garro's Reencuentro de personajes (written in 1962; published in 1982), Julio Cortazar's Rayuela (1963), Julio Ramon Ribeyro's La juventud en la otra ribera and Alejo Carpentier's El recurso del metodo (1974) Over a period of nearly a century, Spanish American writers have treated Paris as a problem. Earlier writers play on the complex of pastoral associations through which Paris is regarded not as a city, but as the city (center of corruption, center of enlightenment) and Latin America, even its metropoli, as the countryside (a rural retreat that brings to mind ideas of spiritual regeneration and the values of childhood, or a sinkhole of numbing ignorance and ennui) Later novelists are keenly aware of the literary tradition that lies behind them and of the difficulty involved in representing Paris, a place that has become a commonplace. Both Cortazar and Carpentier tend to view the city as a text. Yet, although their vision is radically different from their predecessors, they, too, are trying to come to terms with the Other, and with the frightening intuition, glimpsed in almost all of these novels, that the real Paris--whether it is viewed as social body, a core of hidden knowledge or a foreign text--will always lie beyond the Latin American's ken. This manuscript is devoted to a discussion of the ways in which Spanish American writers have responded to the problems created by Paris, both as cultural and literary phenomenon, and of the strategies they have developed in fiction to communicate those responses
acase@tulane.edu
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20

Smith, Philip Matthew. "Persistent borderland: freedom and citizenship in territorial Florida". Thesis, 2007. http://hdl.handle.net/1969.1/ETD-TAMU-1532.

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Florida’s Spanish borderland was the result of over two hundred and fifty years of cooperation and contention among Indians, Spain, Britain, the United States and Africans who lived with them all. The borderland was shaped by the differing cultural definitions of color and how color affected laws about manumission, miscegenation, legitimacy, citizenship or degrees of rights for free people of color and to some extent for slaves themselves. The borderland did not vanish after the United States acquired Florida. It persisted in three ways. First, in advocacy for the former Spanish system by some white patriarchs who fathered mixed race families. Free blacks and people of color also had an interest in maintaining their property and liberties. Second, Indians in Florida and escaped slaves who allied with them well knew how whites treated non-whites, and they fiercely resisted white authority. Third, the United States reacted to both of these in the context of fear that further slave revolutions in the Caribbean, colluding with the Indian-African alliance in Florida, might destabilize slavery in the United States. In the new Florida Territory, Spanish era practices based on a less severe construction of race were soon quashed, but not without the articulate objections of a cadre of whites. Led by Zephaniah Kingsley, their arguments challenged the strict biracial system of the United States. This was a component of the persistent borderland, but their arguments were, in the end, also in the service of slavery and white patriarchy. The persistent border included this ongoing resistance to strict biracialism, but it was even more distinct because of the Indian-African resistance to the United States that was not in the service of slavery. To defend slavery and whiteness, the United States sent thousands of its military, millions of its treasure, and spent years to subdue the Indian-African alliance and to make Florida and its long shorelines a barrier to protect whiteness and patriarchy in the Deep South.
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21

"Modernismo y estetica de lo cercano en los articulos periodisticos de Nemesio R. Canales. (Spanish text)". Tulane University, 1989.

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This dissertation studies the newspaper articles written by Nemesio R. Canales (1878-1923), who published his work between 1908 and 1923. His literary oeuvre comprises different genres: novels, essays and poetry. Although Puerto Rican literary history establishes Canales within the Modernist movement, this study intends to demonstrate that even though his work shows ideological aspects which relate him to the Modernist's world-view and, moreover, to those that configured the Puerto Rican Modernist period, his discourse anticipates the avant-garde movement The first chapter focuses on the Puerto Rican Modernist movement which ran parallel to the most important event in Puerto Rican reality: the U.S. invasion of 1898. The Puerto Rican writers of the turn of the century brought to literature their preoccupation with the historical and political development of Puerto Rico. The 1898 invasion meant the loss of political hegemony and the imposition of a foreign language: English. Furthermore, it made this generation realize the necessity of configuring a national identity which gave the movement its nationalistic tinge. As a result, the movement was removed from the preciosity and escapism which characterized the Modernist movements of Spanish America The second chapter summarizes the most relevant criticism on Canales' work. We also analyze more carefully and/or reject some of these critics' opinions The last three chapters study in detail the characteristics of Canales' Modernist ideology as well as the options that Modernism itself offered. But these traits show an avant-garde sensibility. We study the discursive strategies that transform the popular and the daily into literary phenomena by the use of such techniques as simile, metaphor and anecdotes of popular tradition, as well as colloquial lexicon. These strategies reflect a profound questioning of the traditional social interpretations that are particular to certain social classes Through his articles, Canales projects himself as a writer that transformed the popular to the realm of literary ideas. Moreover, Canales is the forerunner of the Puerto Rican contemporary writers who have given literary status to the street talk, the language of the folk
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22

Celis, Nadia. "La rebelión de las niñas cuerpos, poder y subjetividad en la representación de niñas y adolescentes por escritoras del Caribe hispano". 2007. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17046.

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23

Swanson, Rosario Montelongo de. "Beyond the Caribbean, the Afro Hispanic difference in continental Spanish American literature: Memory, transatlantic journey, slavery, and rebellion in three contemporary Afro Hispanic novels". 2008. https://scholarworks.umass.edu/dissertations/AAI3315488.

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The main purpose of this dissertation is to understand the emergence of Afro Hispanic American Literature and the causes that delayed its emergence at the end of the twentieth century. I study this process through three novels written in the last decades of the twentieth century as works representative of three national literatures that develop concurrently. These novels are Changó, el gran putas (1983) by Afro-Colombian writer Manuel Zapata Olivella, Jonatás y Manuela (1994) by Afro-Ecuadorian writer Luz Argentina Chiriboga and Malambo (2001) by Afro Peruvian writer Lucía Charún Illescas. The study of these three novels from within their own literary contexts allows for the tracing of national and international developments that made possible the emergence of these minority voices. On the other hand, by placing these texts in a broader historical context allows us to chart a cartography of African roots that although begins in the Caribbean; its horizon expands beyond the Caribbean proper and into the continent. Thus, each novel represents a moment in the African saga in the Americas, a new vision of its history and complex social landscape; and finally a new proposal for the future. Zapata Olivella proposes mestizaje as the ontological base in which Latin American reality was founded and points towards the existence of an African consciousness that is transcontinental. Luz Argentina Chiriboga presents us with the intimate side of history through the tale of two women: Manuela Sáenz and Jonatás, her slave, that represent two sides of the story. Lucía Charún Illescas reconstructs life in Malambo an old slave barracks in colonial Lima and through it unveils hidden worlds in our history. Each novel reconstucts hidden recesses of our history and thus force us to engage in a meaningful dialogue with it and with ourselves.
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24

Lain, Stephanie. "Acoustic correlates of [voice] in two dialects of Venezuelan Spanish". 2009. http://hdl.handle.net/2152/6684.

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The present study is an investigation of acoustic correlates corresponding to the category [voice] in two dialects of Venezuelan Spanish. The Andean mountain dialect Mérida (MER) and Caribbean coastal dialect Margarita (MAR) are thought to differ systematically in the phonetic implementation of the Spanish phonological stop series along the lines of lowland and highland divides commonly reported for Latin American Spanish. Specifically, MER has been characterized by a greater percentage of occlusive pronunciations, MAR by more fricative and/or approximant realizations of phonological stops. To test what repercussions these differences in consonant articulation have on the acoustic correlates that encode [voice], a production experiment was run. Informants were 25 adult monolingual speakers of Venezuelan Spanish from the areas of El Tirano (Margarita Island) and San Rafael de Mucuchíes (Mérida state). The materials were 44 CV syllable prompts. Target syllables were analyzed with respect to the following: consonant closure duration, VOT, %VF, RMS, preceding vowel duration, CV ratio, F1 onset frequency, F0 contour, and burst. Statistical analysis using a linear mixed model ANOVA tested for fixed effects of voicing category, dialect and condition (speeded/unspeeded) and interactions of voicing category * dialect and dialect * condition. Results showed that the dialects MER and MAR vary significantly in RMS. In addition, the following correlates were significant for the interaction of voicing category * dialect: consonant duration, VOT, %VF, RMS, CV ratio and burst. Generally, the nature of the differences indicates a greater separation between [± voice] values in MER than in MAR (notably divergent are VOT and RMS). These results imply that while the same acoustic correlates of [voice] are operative in both fortis and lenis dialects of Spanish, [± voice] categories relate differently. Furthermore, with regard to prosody and rate of speech, most significant differences in condition occurred in initial position while most significant differences in the interaction of voicing category * dialect were linked to medial position. The results of this study are relevant to current research on the specifics of dialectal variation in consonant systems. They also have wider implications for the general mapping of phonetics to phonology in speech.
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25

Harrington, Matthew Craig Childs Matt D. ""The work wee may doe in the world" the Western design and the Anglo-Spanish struggle for the Caribbean, 1654-1655 /". 2004. http://etd.lib.fsu.edu/theses/available/etd-07122004-123424.

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Thesis (M.A.)--Florida State University, 2004.
Advisor: Dr. Matt D. Childs, Florida State University, College of Arts and Sciences, Dept. of History. Title and description from dissertation home page (viewed Sept. 24, 2004). Includes bibliographical references.
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26

Vellón-Benítez, Susan Fernández Roberto G. "Palabras de mujer convergencias en el discurso femenino en la narrativa caribeña de origen hispano escrita en los Estados Unidos /". 2003. http://etd.lib.fsu.edu/theses/available/etd-11062003-230931/.

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Thesis (Ph. D.)--Florida State University, 2003.
Advisor: Dr. Roberto Fernández, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed Feb. 25, 2004). Includes bibliographical references.
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27

Oleen, Garrett Alan. "19th century plantation counter-discourses in Juan Francisco Manzano, Gabriel de la Concepción Valdés (Plácido), and Eleuterio Derkes". Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-12-2429.

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My purpose in writing this dissertation is to re-evaluate the works of three influential Spanish-Caribbean authors who seem to be remembered more as exceptional historical characters rather than for their literature itself. Although often considered to be important contributors to the Spanish-Caribbean literary canon, these writers have also suffered a measure of marginalization as scholars have relegated them to the status of discursive subjects rather than evaluate them as authorial agents. As a consequence, the majority of their works have not been fully recognized as important factors in nineteenth, twentieth, and twenty first century literary production. I show how in their writings – many of which have been misunderstood, under-evaluated, and/or forgotten altogether – these writers narrated their own precarious situations and lifted their voice in protest against slavery, racism and economic oppression at a time when the dominant discourses and heavy-handed controls of the Spanish colonial government strictly forbid them to do so. These authors are Juan Francisco Manzano, Gabriel de la Concepción Valdés (Plácido) and Eleuterio Derkes. Because these authors lived in Cuba (Manzano and Plácido) and Puerto Rico (Derkes) as colonial subjects underneath the oppressive structures of their respective plantation and hacienda economies based on sugar production and slave labor, they experienced difficult colonial conditions and as such are able to narrate this life through a unique perspective that other writers associated with the dominant discourses of the time could not. While these brands of hegemony were indeed forced upon them as writers and artists, it did not stop them from narrating and communicating their unique Spanish Caribbean perspective. I show how these authors, as marginalized figures of nineteenth century plantation society, engineered their own discourses around these hegemonic institutions – writing between the lines of hegemony and concurrent with it at the same time – in order to create an alternative image of nineteenth century Spanish Caribbean society that requires further critical consideration and perspective.
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28

Lorenzo, Feliciano Violeta. "El bildungsroman en el Caribe hispano". Thesis, 2011. http://hdl.handle.net/1807/29796.

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This dissertation examines the bildungsroman genre in Cuba, Puerto Rico, and the Dominican Republic. A close examination of the development of this genre demonstrates that it has ideological implications that link the young protagonists’ development with that of the nation. The authors on whom I focus—Ángela Hernández, Rita Indiana Hernández, René Marqués, Pedro Juan Soto, Magali García Ramis, Severo Sarduy, and Jesús Díaz—do not merely imitate the European model but revise, adapt, and often subvert it thematically and, in some cases, aesthetically. I argue that these bildungsromane differ, for the most part, from the European prototype due to their openly political themes, such as the establishment of the Estado Libre Asociado in Puerto Rico, the 1959 Revolution in Cuba, and, in the case of the Dominican Republic, Trujillo’s dictatorship. I claim that Dominican bildungsromane do not propose national projects or models but rather question the purported homogeneity of identity of the country as a normalized political body. On the other hand, in Cuba and Puerto Rico the genre has been used to promote absolute discourses of nationality as well as political projects that must be questioned due to their discriminatory and sometimes racist and violent nature.
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