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Bibliografías temáticas / Central Asian Motion pictures / Tesis

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Tesis sobre el tema "Central Asian Motion pictures"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Tateishi, Ramie. "Film genre and the Asian subject /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992385.

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2

Liu, Zhan. "Communicating race and culture in media appropriating the Asian in American martial arts films /." Pullman, Wash. : Washington State University, 2008. http://www.dissertations.wsu.edu/Thesis/Fall2008/l_zhan_091108.pdf.

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Thesis (M.A. in communication)--Washington State University, December 2008.<br>Title from PDF title page (viewed on Dec. 31, 2008). "Edward R. Murrow College of Communication." Includes bibliographical references (p. 72-85).

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3

Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.

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This thesis elucidates current industrial and representational tendencies in South Korean films that depict Asian others. Asian others such as migrant workers, marriage migrants, overseas ethnic Koreans and North Korean defectors have become increasingly important in South Korean filmic discourse and practice since 2003. This thesis examines how contemporary Korean cinema has responded to the multicultural society and how it seeks to articulate Korean nationalism in the globalised era through the appropriation of Asian others. Such films are intertwined with governmental policies of multicultu

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4

Khor, Denise. "Asian Americans at the movies race, labor, and migration in the Transpacific West, 1900-1945 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291752.

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Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed March 17, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 297-213).

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5

Huang, Tsung-yi Michelle. "Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.

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6

Willmets, Simon. "Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47074/.

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This thesis examines the representation of the Central Intelligence Agency and its predecessor the Office of Strategic Services in Hollywood cinema from 1945-1975. It argues that the development of these cinematic representations over time has articulated a growing scepticism towards "official" narratives of the past that regard the state as the arbiter of historical authenticity. This scepticism towards state-sourced history is a consequence of increasing US government secrecy. In other words, secrecy fundamentally problematizes state-sourced approaches to historical representation, which rel

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7

Kumar, Priya Haryant. "Ruptured nations, collective memory & religious violence : mapping a secularist ethics in post-partition South Asian literature and film." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37904.

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This dissertation maps the emergence of a 'secularist ethics' in post-independence South Asian literature and film, an ethics which is a deeply felt poetic response to particular historical conjunctures marked by religio-nationalist conflict in the Indian subcontinent. It is my argument that literary and cultural productions, in striving to dream and envision a world free of violence, terror and religious intolerance, have some central contributions to make to contemporary intellectual and political debates on secularism. Through close readings of fictions by Salman Rushdie, Amitav Ghosh, Muku

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8

Cork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.

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9

Hurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.

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This thesis examines the representation of the lives and performances of tawa'if and rudali in South Asian cinema to understand their marginalization as performers, and their significance in the collective consciousness of the producers and consumers of Indian cultural artifacts. The critical textual analysis of six South Asian films reveals these women as caste-amorphous within the system of social stratification in India, and therefore captivating in the potential they present to achieve a complex and multi-faceted definition of culture. Qualitative interviews with 4 Indian classical dance i

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10

Martins, de Souza Luiz Carlos 1968. "Cartas para quem? = o funcionamento discursivo da "falta" no filme Central do Brasil." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268941.

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Orientador: Suzy Maria Lagazzi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-20T05:11:48Z (GMT). No. of bitstreams: 1 MartinsdeSouza_LuizCarlos_D.pdf: 3983729 bytes, checksum: 646abf82afc9908b41ae8e482668e965 (MD5) Previous issue date: 2012<br>Resumo: Prezado viajante, Este bilhete lhe dá direito a uma viagem pela estrada metodológica da Análise de Discurso Materialista para que você contemple o filme em DVD ?Central do Brasil?, de Walter Salles Jr. Você passará por três estações a partir da ausência do pai c

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11

Arora, Kulvinder. "Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).

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12

Bao, Ying. "In Search Of Laughter In Maoist China: Chinese Comedy Film 1949-1966." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218342529.

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13

Terry, Patrick Alan 1984. "Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.

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viii, 111 p. : ill. (some col.)<br>During the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Dai

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14

Aponte, Elena M. "Either 'Shining White or Blackest Black': Grey Morality of the Colonized Subject in Postwar Japanese Cinema and Contemporary Manga." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491495352122861.

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15

Chang, Ellen Y. "Cinematic Remapping of the Taiwanese Sense of Self: On the Transitions in Treatments of History and Memory from "The Taiwanese Experience" to "The Taipei Experience"." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1345130562.

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16

Lim, Kevin. "Asian North American film : images, reactions and criticisms /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801.

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Thesis (M.A.)--York University, 2008. Graduate Programme in Film.<br>Typescript. Includes bibliographical references (leaves 86-91). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR38801

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17

Park, Chi Hyun Watkins S. Craig Downing John. "Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix." 2004. http://repositories.lib.utexas.edu/bitstream/handle/2152/2159/parkch042.pdf.

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18

Dong, Lan. "Cross -cultural palimpsest of Mulan: Iconography of the woman warrior from premodern China to Asian America." 2006. https://scholarworks.umass.edu/dissertations/AAI3242314.

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This dissertation centers on the theme of "the woman warrior," historically grounded in premodern Chinese culture and represented in contemporary Asian American literature as well as in visual art forms. I apply a historical perspective to this interdisciplinary project in order to examine the global evolvement of one particular woman warrior, Mulan's legend, starting from the Northern Dynasties (386-581 A.D.) until the beginning of the twentieth-first century. This work conceptualizes the transmission and transformation of Mulan's story as a palimpsest, thereby highlighting the enduring inter

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19

Park, Chi Hyun. "Orientalism in U.S. cyberpunk cinema from Blade runner to the Matrix." Thesis, 2004. http://hdl.handle.net/2152/2159.

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20

Koh, Alvin Kok-yong. "Asian scopic modernities: alternative visibilities of transnational Chinese masculinity in global cinema." 2006. http://repository.unimelb.edu.au/10187/2360.

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This thesis examines transnational Chinese masculinity as the articulation of Asian scopic modernities in contemporary Hong Kong, Hollywood and mainland Chinese films. Transnational Chinese masculinity is a transborder formation of Chinese male representations that occurs across national boundaries via dispersed networks of production, distribution, and consumption. These representations constitute the modernity of transnational Chinese masculinity. This thesis investigates significant cinematic events that contribute to these new conditions of visibility: the popularity of Hong Kong actors Le

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21

Westfall, Mandy R. K. "An elegy to Charlie Chan : Chang Apana, Earl Derr Biggers and Asian America." Thesis, 2007. http://hdl.handle.net/10125/20390.

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22

Bojadzija, Amira. "Nostalgic (re)construction of the Central European cultural space." 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94968&T=F.

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23

Hua, Anh. "Memory and cultural trauma : women of color in literature and film /." 2005. http://wwwlib.umi.com/cr/yorku/fullcit?pNR11579.

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Thesis (Ph.D.)--York University, 2005. Graduate Programme in Women's Studies.<br>Typescript. Includes bibliographical references (leaves 192-201). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNR11579

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