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Artículos de revistas sobre el tema "Child soldiers – fiction"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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1

Rosen, Sarah Maya, and David M. Rosen. "Representing Child Soldiers in Fiction and Film." Peace Review 24, no. 3 (2012): 305–12. http://dx.doi.org/10.1080/10402659.2012.704260.

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2

Brownlee, Shannon. "Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers." Animation 18, no. 3 (2023): 227–39. http://dx.doi.org/10.1177/17468477231206670.

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This case study investigates the overlapping categories of animated documentary, useful animation, and fiction inspired by real events. It analyzes a training video for adults who work with child soldiers that was created by IoM Media and the Dallaire Institute for Children, Peace, and Security. This video incorporates elements of animated narrative fiction, children’s television animation, reenactment, and photographic and auditory indexicality. Ultimately, no one form has a greater claim to the truth than the others; rather, truth is constructed through the interrelation of disparate element
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3

Rodi-Risberg, Marinella, and Helen Mäntymäki. "Perpetrator Trauma in Television Crime Series We Hunt Together." Crime Fiction Studies 3, no. 2 (2022): 175–93. http://dx.doi.org/10.3366/cfs.2022.0073.

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Crime fiction scholarship increasingly focuses on trauma in contemporary crime narratives but has largely neglected to investigate perpetrator trauma. This article contributes to filling this gap by exploring perpetrator trauma in We Hunt Together (2020), a British television crime series written by Gaby Hull, that portrays the consequences of perpetrator trauma on a former child soldier from the Democratic Republic of the Congo (DRC), Babeni (Baba) Lenga, waiting for permanent residency in the UK. Viewers learn about his violent past through flashbacks and his involvement with Frederica ‘Fred
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4

Sanders, Mark. "Culpability and Guilt: Child Soldiers in Fiction and Memoir." Law and Literature 23, no. 2 (2011): 195–223. http://dx.doi.org/10.1525/lal.2011.23.2.195.

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5

Kearney, J. A. "The Representation of Child Soldiers in Contemporary African Fiction." Journal of Literary Studies 26, no. 1 (2010): 67–94. http://dx.doi.org/10.1080/02564710903495511.

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6

Kotowska-Miziniak, Joanna. "Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works." Literatūra 65, no. 4 (2023): 8–19. https://doi.org/10.15388/litera.2023.65.4.1.

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The paper proposes to address, from a comparative perspective, the question of orality in two war novels: Henri Barbusse's autobiographical Le Feu (1916) and Ahmadou Kourouma’s fiction Allah n’est pas obligé (2000). In spite of a temporal distance, a generic framework and a narrative structure that separates the two novels, they both present one major common feature which is the concern to describe the martial experiences – real or imagined – in a direct and personal way, which finds its expression at the lexical level. Although Barbusse’s First World War soldiers do not use the same vocabular
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7

Martins, Catarina. "The dangers of the single story: Child-soldiers in literary fiction and film." Childhood 18, no. 4 (2011): 434–46. http://dx.doi.org/10.1177/0907568211400102.

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Focusing on the paradox between innocence and responsibility generated by the term child-soldiers, which is treated differently in literary and cinematographic works from the North and the South, this article uses postcolonial theory in order to deconstruct ‘the single story’ that may be erasing these children’s many stories. Accordingly, the analysis brings to the fore both the supposed universality of a hegemonic notion of childhood, revealing it as a regulatory discourse which produces diverse subalternities, and the articulation of this notion within an Africanist discourse that legitimize
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8

Vambe, Maurice Taonezvi. "WITNESS AND ARCHIVE: TRAUMATIC EXPERIENCES OF A CHILD SOLDIER IN WARCHILD: A CHILD SOLDIER’S STORY." Commonwealth Youth and Development 12, no. 1 (2016): 101–21. http://dx.doi.org/10.25159/1727-7140/1611.

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The memoir, WARCHILD: A child soldier’s story (Jal 2009), though written several years after the author-narrator’s experience, claims its authority from the child soldier’s forced participation in a war of persecution that is narratively reworked in the child’s imagination as a war of the liberation of South Sudan. This article aims to explore what happens to historical fact when the narrative shifts from the testimony of a child witness to the narrative archived in the form of memoir. Agamben (1999) seeks to explain this lacuna and his idea of the aporia at the core of narrative of te
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9

Leggo, C. "Who speaks for extinct nations? The Beothuk and narrative voice." Literator 16, no. 1 (1995): 31–50. http://dx.doi.org/10.4102/lit.v16i1.582.

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The Beothuk of Newfoundland were among the first inhabitants of North America to encounter European explorers and settlers. By the first part of the nineteenth century the Beothuk were extinct, exterminated by the fishers and soldiers and settlers of western Europe. The last Beothuk was a woman named Shanadithit. She was captured and lived with white settlers for a few years before she died in 1829. Today all that remains of the Beothuk nation, which once numbered seven hundred to one thousand people, are some bones, arrowheads, tools, written records of explorers and settlers, and copies of d
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10

Mastey, David. "Child Soldier Stories and their Fictions." Interventions 18, no. 1 (2015): 143–58. http://dx.doi.org/10.1080/1369801x.2015.1042397.

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11

Moynagh, Maureen. "The War Machine as Chronotope: Temporality in Child-Soldier Fiction." Comparative Literature 69, no. 3 (2017): 315–37. http://dx.doi.org/10.1215/00104124-4164436.

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12

Joseph, Philip. "Literary Lawlessness: Sozaboy and the Case of the Child Soldier in Fiction." English Language Notes 49, no. 2 (2011): 89–100. http://dx.doi.org/10.1215/00138282-49.2.89.

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13

Dusaillant-Fernandes, Valérie. "Le récit de survivance de Serge Amisi : modalités d’adaptation textuelle et stratégies d’ajustement." Dialogues francophones 21, no. 1 (2015): 107–20. http://dx.doi.org/10.1515/difra-2015-0006.

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Abstract In the narrative of survival, Souvenez-vous de moi, l’enfant de demain (2011), Serge Amisi, former child soldier in the Democratic Republic of Congo from 1997 to 2011, recounts his story of forced recruitment in Kabila’s rebel troops. A hybrid text that pushes the boundaries between fiction as well as historical and personal truth, this testimony turns out to be a privileged writing space where the social and psychic reconstruction of the narrator can be achieved. In the first part, the article explores Amisi’s singular and powerful writing which blurs the lines between reality and fi
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14

Rahmi, Elfi, and Tomi Arianto. "SCHIZOPHRENIA SYMPTOMS ACUTE IN TEDDY ALIAS ANDREW IN THE “SHUTTER ISLAND” NOVEL BY DENNIS LEHANE." JURNAL BASIS 6, no. 2 (2019): 225. http://dx.doi.org/10.33884/basisupb.v6i2.1422.

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This research discussed about schizophrenia symptoms in Teddy alias Andrew Laedis that was acute and dangerous and also discussed the psychodrama treatment for Andrew. The main character is described to have a dangerous illness which is schizophrenia due to get from his traumatic events in world of war. Some of traumatic event that Andrew is experienced actually like when Andrew killed hundred soldier during the war in Dachau, his guilt because he did not bring his wife, Dolores to psychiatrists then unpredictable his wife killed her three children and drowning her child in a pond and regret f
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15

Beal, Sophia. "A Conversation with Ungulani Ba Ka Khosa." Journal of Lusophone Studies 9 (October 3, 2011). http://dx.doi.org/10.21471/jls.v9i0.246.

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The author of six books, Khosa’s career took off with the 1987 publication of Ualalapi. The text won the Grand Prize of Mozambican Fiction in 1990, and in 2002, a panel of judges in Accra, Ghana ranked Ualalapi one of the 100 best works of African fiction of the 20th century. Next, Khosa published two collections of short stories, Orgia dos Loucos (1990) and Histórias de Amor e Espanto (1993), followed by the novel No Reino dos Abutres (2002). His novel Os Sobreviventes da Noite (2005), a portrayal of the use of child soldiers and child concubines in the Mozambican war of destabilization, won
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16

Tikhonov, Vladimir. "Militarism and Anti-militarism in South Korea: “Militarized Masculinity” and the Conscientious Objector Movement." Asia-Pacific Journal 7, no. 12 (2009). https://doi.org/10.1017/s1557466009023614.

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It is a well-known fact that warfare and obligatory military service system long played decisive role in the formation of modern nation-states, first in Europe and later elsewhere in the world. While externally the military prowess of a given state was (and still is) decisive for defining its place in a competitive international system explicitly based upon an equilibrium of military force and hegemonic interstate relations,1 internally conscription-based national armies formerly served as main pillars of the state, linking conscript-age able-bodied males with the nationalist ethos1 and accult
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17

Alberto, Maria. "The Prosthetic Impulse Revisited in A.I. Artificial Intelligence." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1591.

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As a genre, science fiction deals with possible futures, imagining places and technologies that typically do not exist in audiences’ own lives. Science fiction film takes this directive a step further by creating visual representations of these futures and possibilities, presenting audiences with imagined ideas of what new technologies or unfamiliar places might look like. Thus, although any science fiction text can describe sociocultural and technological futures, science fiction film goes a step further by providing images that viewers do not have to envision for themselves. This difference
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18

Brandt, Marisa Renee. "Cyborg Agency and Individual Trauma: What Ender's Game Teaches Us about Killing in the Age of Drone Warfare." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.718.

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During the War on Terror, the United States military has been conducting an increasing number of foreign campaigns by remote control using drones—also called unmanned aerial vehicles (UAVs) or remotely piloted vehicles (RPVs)—to extend the reach of military power and augment the technical precision of targeted strikes while minimizing bodily risk to American combatants. Stationed on bases throughout the southwest, operators fly weaponized drones over the Middle East. Viewing the battle zone through a computer screen that presents them with imagery captured from a drone-mounted camera, these co
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19

Franks, Rachel. "A True Crime Tale: Re-imagining Governor Arthur’s Proclamation to the Aborigines." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1036.

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Special Care Notice This paper discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the process of colonisation. Content within this paper may be distressing to some readers. Introduction The decimation of the First Peoples of Van Diemen’s Land (now Tasmania) was systematic and swift. First Contact was an emotionally, intellectually, physically, and spiritually confronting series of encounters for the Indigenous inhabitants. There were, according to some early records, a few examples of peaceful interactions (Morris 84). Yet, the inevitable competition over r
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20

Strungaru, Simona. "The Blue Beret." M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2969.

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When we think of United Nations (UN) peacekeepers, the first image that is conjured in our mind is of an individual sporting a blue helmet or a blue beret (fig. 1). While simple and uncomplicated, these blue accessories represent an expression and an embodiment resembling that of a warrior, sent to bring peace to conflict-torn communities. UN peacekeeping first conceptually emerged in 1948 in the wake of the Arab-Israeli war that ensued following the United Kingdom’s relinquishing of its mandate over Palestine, and the proclamation of the State of Israel. “Forged in the crucible of practical d
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21

Burns, Belinda. "Untold Tales of the Intra-Suburban Female." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.398.

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Australian suburbia, historically and culturally, has been viewed as a feminised domain, associated with the domestic and family, routine and order. Where “the city is coded as a masculine and disorderly space… suburbia, as a realm of domesticity and the family, is coded as a feminine and disciplinary space” (Wilson 46). This article argues how the treatment of suburbia in fiction as “feminine” has impacted not only on the representation and development of the character of the “suburban female”, but also on the shape and form of her narrative journeys. Suburbia’s subordination as domestic and
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22

Karlin, Beth, and John Johnson. "Measuring Impact: The Importance of Evaluation for Documentary Film Campaigns." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.444.

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Introduction Documentary film has grown significantly in the past decade, with high profile films such as Fahrenheit 9/11, Supersize Me, and An Inconvenient Truth garnering increased attention both at the box office and in the news media. In addition, the rising prominence of web-based media has provided new opportunities for documentary to create social impact. Films are now typically released with websites, Facebook pages, twitter feeds, and web videos to increase both reach and impact. This combination of technology and broader audience appeal has given rise to a current landscape in which
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23

Currie, Susan, and Donna Lee Brien. "Mythbusting Publishing: Questioning the ‘Runaway Popularity’ of Published Biography and Other Life Writing." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.43.

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Introduction: Our current obsession with the lives of others “Biography—that is to say, our creative and non-fictional output devoted to recording and interpreting real lives—has enjoyed an extraordinary renaissance in recent years,” writes Nigel Hamilton in Biography: A Brief History (1). Ian Donaldson agrees that biography is back in fashion: “Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure” (23). For
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24

Bonner, Frances. "The Hard Question of Squishy Machines." M/C Journal 2, no. 6 (1999). http://dx.doi.org/10.5204/mcj.1785.

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Among the sub-genres of science fiction, one of the most traditional and most machine-laden is space opera. The name is dismissive and was coined in parallel with the now little recognised 'horse opera' (for westerns) in the wake of the success of the term 'soap opera' (for romantic serials). Space operas were adventure sagas across the galaxies with space ships carrying intrepid crews on voyages of discovery, into glorious battles and terrifying encounters with aliens. The 'opera' part presumably refers to their seriality and overstated melodrama. At various times during the last fifty years
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25

Brien, Donna Lee, and Adele Wessell. "Pig: A Scholarly View." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.317.

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In George Orwell’s Animal Farm, the pigs infamously changed the law to read: “some animals are more equal than others” (108). From Charlotte’s Web to Babe, there are a plethora of contemporary cultural references, as well as expressions of their intelligence and worth, which would seem to support the pigs’ cause. However, simultaneously, the term “pig” is also synonymous with negative attributes—greed, dirtiness, disarray, brutality and chauvinism. Pigs are also used to name those out of favour, including police officers, the obese, capitalists and male chauvinists. Yet, the animal’s name is a
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26

Miletic, Sasa. "‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of Snowden and The Fifth Estate." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1668.

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In one of the earliest films about a whistleblower, On the Waterfront (1954), the dock worker Terry Malloy (Marlon Brando), who also works for the union boss and mobster Johnny Friendly (Lee J. Cobb), decides to testify in court against him and uncover corruption and murder. By doing so he will not only suffer retribution from Friendly but also be seen as a “stool pigeon” by his co-workers, friends, and neighbours who will shun him, and he will be “marked” forever by his deed. Nonetheless, he decides to do the right thing. Already it is clear that in most cases the whistleblowers are not simpl
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27

Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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