Tesis: "Church architecture Sacred space"

1

Williams, Malachy Marie. "Sacred space God's architectural design for God-centered worship /". Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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2

Hassett, Valerie Jane. "Creating sacred space: a Spiritualist church". Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53375.

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When contemplating the history of religious architecture several typologies become apparent. There is the refinement of Gothic cathedrals where the volume and use of material not only reinforced the liturgy but gave breath to a tempo of chant. There also is the small New England chapel steeple and modest gable which provide such a compelling image that it has become an icon in American culture. This thesis explores the design of a sacred space independent of traditional symbolism. Rather than attempting to refine an existing typology this design explored what is fundamental in creating a sacred space. A church for a congregation of Spiritualists, who currently are renovating a Methodist church in Georgetown. [2] This design is centered on a few elements. In response to Spiritualist liturgy which is devoid of an altar there is an exploration of defining void thus creating a focal point by the enclosure of space. The importance of views is emphasized, expressly views to sacred areas that are not actually touched. Layering of transparency is explored which provides a vehicle for information between discrete areas.
Master of Architecture

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3

LITTLE, DAVID BRUCE. "VALUES IN CHURCH ARCHITECTURE". University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053547720.

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4

Valencia, Javier. "Redesigning the megachurch: reintroduction of sacred space into a highly functional building". Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/4973.

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"Megachurches offer a unique way of being religious in modern society; one that fits the social and religious context of many people says Scott Tumma “Beyond Megachurch myths”. These Massive congregations of two to fifteen thousand participants occupy an undeniable space in the religious and social landscape. It is not only their massive buildings, locations, activities or television broadcasts that make these churches important. It is the role that they play in changing society (Hartford, 2006)” Architecturally the Megachurch has failed today, it has become a “big box”, a well developed building which houses thousands of members and provides them with all the necessary entertainment and functions that are needed; but, has lost its essence. The Megachurch today has lost its focus; it is focused on the function that the building has to offer and has failed to recognize the purpose of the space. By achieving a highly functional space the sacredness of this space has disappeared. This thesis presents an investigation into how to deal with the notion of sacred space in today’s Megachurch; it will introduce the sacred biblical pattern of coming into the presence of God trough architecture, it will deal with how to make an extremely massive space into a personal and spiritual. The goal of this thesis is to redesign the Megachurch as a highly efficient building that provides the user with the sense of awe, majesty and reverence that is lost in today’s Megachurches. The sacred aspect of this thesis project will be emphasized in the architectural poetics thru the use of symbolism represented in the right use of spatial organization and embedded religious cues; also will be focused on the materiality and the archetypes used to express a sacred feeling; Furthermore the study of natural light and structural systems for vast large spaces in a sacred manner will be investigated. The outcome of this project intends to change the negative connotation of the Megachurch today; it intends to teach society that this institution can be a sacred place to worship God and not just a place to be entertained.

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5

Connelly, Angela. "Methodist Central Halls as public sacred space". Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/methodist-central-halls-as-public-sacred-space(c9dea4ca-53f1-48a3-8da2-1054ba8f7f9a).html.

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Few people know that the first sessions of the General Assembly of the UN in 1946 were held in a place of worship - Westminster Central Hall. It was part of an ambitious construction programme, initiated by the Wesleyan Methodists, which resulted in Central Halls in most British cities. They were, and in some cases still are, flexible, multi-functional spaces used on a daily basis for a wide range of purposes. They are widely perceived as public space but they are also sacred - camouflaged churches, created as sites for missionary activity and social outreach by a faith which from its origins has challenged the dichotomy between sacred and secular space. They have never been systematically studied – even their number and locations were unknown. This thesis tells their story by presenting them as an undocumented building type of social and cultural significance. It explores the concept of building type and the dimensions of social and cultural analysis that may be explored with the method. The typological approach is then demonstrated with a specific monographic focus on Methodist Central Halls from the 1880s to the present. Using a combination of visual methods, archival research and personal testimony, the analysis offers insights into the many aspects of Methodism through the long twentieth century – the church’s spatial distribution, its modes of mission and worship, its cultural identity and its business model. These centrally located assembly halls with their landmark architecture are for many towns still the top venues for meeting and entertainment. The typology of such public sacred spaces is not only a chapter in the history of British cities but provides findings of wide interest for religion and society.

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6

Beesley, Mark B. "At the boundary of place : rethinking the provenance of early Christian architecture". Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1165.

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Archaeologists and historians have sought to understand the architecture of the early church using methods common to their respective fields of inquiry. This has included an approach to architecture which classifies buildings according to type and style. Limitations of both method and evidence has led some scholars to conclude that there was no Christian architecture before A.D. 200. This present study intends to broaden the understanding of architecture beyond mere tectonics and realise its significance as a boundary of place with a view toward examining the foundations of early Christian architecture. Boundary and place are primary components of the cosmos within Judaism. The Hebrews came to understand the world according to a concept of holiness manifested as a scheme of circular boundaries ascending into the presence of God, located within the Temple. As an outgrowth of Judaism, the early Church held similar views of place and boundary which gave them an affinity for the Temple. By understanding architecture as a boundary of place we can connect the sacred places and boundaries of the Jews from Creation to the Land and Temple. The Church proclaimed Jesus as God incarnate and Himself the Temple transformed. The traditional view has been that the synagogue was the connecting link between the Church and the Temple, but the origins and role of the synagogue are now doubted. The predominance of the house in the life and ministry of Jesus combined with its prevalence in the NT and the early Christian writers indicates that the Christians understood sacred place in terms of their domestic reality. The house provided not only a strong ligature connecting Church and Temple, it was also an archetype for the Church’s sacred place and developing architectural boundaries.

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7

LEIVADIOTI, STYLIANI. "SACRED ILLUMINATION: The connection between the built form and the history of the modern Swedish Church". Thesis, KTH, Ljusdesign, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280037.

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The use of light has always been a vehicle of symbolic meaning and spiritual experience in religious spaces. Depending on culture and religion this use differs, but in any case, the connection between the built form, the architecture and the history makes the relationship with light a compelling issue that is worth exploring. This thesis aims to study the role that light played in the designing of St: Eskilskyrkan church in Sweden, and the way it affected the perception of the architecture and its materials. In order to answer this question, a methodology based on both qualitative and quantitative methods, was generated. Evaluation and discussion of literature review, interviews, survey on perception of light, a comparison between two similar buildings, daylight analysis using lighting software and testing lighting design tools are the key elements to create the guidelines for the lighting design proposal that will be generated in the last part of the thesis. This proposal aims to redevelop the existing illumination of the interior of the church, emphasizing on functionality, on the built form and the enhancement of spiritual experience.

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8

Kareš, Martin. "Proměny světla a skla v sakrálním prostoru". Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-233218.

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Diversity of today´s castles and its lucid establishment in tradition or on the other hand the unique of its forms calls up questions, the need to look back and the need of reflection. This contribution is focused on phenomenon of sacral space from the point of view of certain type - opened and closed - especially on co-influencing of light and glass as one of themost important attributes of these archepypes influencing the creation of liturgics area composition.

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9

Martone, Dragani Concetta. "Between Heaven and Earth: Negotiating Sacred Space at the Church of the Certosa di San Martino in Early-Seventeenth-Century Naples". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/200336.

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Art History
Ph.D.
At the beginning of the viceregal era, the Certosa di San Martino, a Carthusian monastery of medieval foundation, experienced a resurgence that culminated in the rebuilding of its church starting in the late 1580s. The new church of the Neapolitan Certosa featured an innovative design and an extensive and complex decorative program that distinguished it from all other churches of the order. This dissertation examines the rebuilding of the church of the Certosa di San Martino as a process deeply rooted in the changing religious culture of the time and one that also reveals the tensions inherent to the redefinition of monastic identity in Post-Tridentine Spanish Naples. The development of the Carthusian project paralleled the institutional re-organization of the order, but it also assumed a unique trajectory aimed at highlighting the role of the white monks and contemplative spirituality in the production of sanctity in Naples. By tracing the evolution of the rebuilding initiative within its proper cultural, religious and social context, I clarify the goals of the patrons and the expectations placed on the artists, and I define the scope of the project according to new parameters of spiritual authority. The reconstruction of the rebuilding process relies on primary sources from the Neapolitan State Archives and on recent historical and archaeological research, in addition to comparative studies. This dissertation challenges the view of Post-Tridentine monastic architecture as a mere response to the new liturgical requirements and sides with more recent interpretations by seeing monastic sacred spaces as dynamic places of exchange, and their designs and decorations as expressions of the spiritual authority of the monastic body they house. The rebuilding of the church of the Certosa di San Martino stands as an important example of the process by which spiritual authority was produced and redirected in Spanish Naples. Since 1973, when the first and only monograph on the art of the Certosa di San Martino was published, studies have been sporadic and limited to the analysis of particular works contained in the church. I analyze the new architectural plan and decoration of the church as fundamentally bound to the transformation of Spanish Naples into a holy city.
Temple University--Theses

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10

MEASEL, GEOFFREY EDWARD. "DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773.

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11

Kennedy, Jean Marie. "Architecture and the sacred way". Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21695.

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12

McGahan, Michelle L. "Architecture as transition creating sacred space /". Cincinnati, Ohio : University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1082677289.

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13

MCGAHAN, MICHELLE LEE. "ARCHITECTURE AS TRANSITION: CREATING SACRED SPACE". University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1082677289.

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14

Mléčka, Jan. "Proměny sakrálního prostoru". Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-233259.

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The Christian church has been an inherent part of human continuity for more than thousand years. The external appearance of the Christian church has always reflected societal transformations as well as turning points in history. Moreover, it has become an integral part of our existence both in space and time. Nowadays, we frequently hear that the crisis of European society is in effect an identity crisis, an inability to ask about where we are heading and what the meaning of life is. The reduction of time givenness to the already limited scope of our own physical existence destroys the ability in a man to ask questions and find answers to them, or even enquire about the meaning and essence of things. The carefree, dispersed husk blown by the wind may seem to be free and independent; however, it has also stopped trying to actively find paths for future generations. One of the fundamental attributes of an architect should be a strong aptitude for synthetic thinking, which includes multiple knowledge of social cognition, i.e. in the currentness of present experience as well as in time. This knowledge should ideally help to identify the core of problem, and to define the general rules applicable, regardless of changes in social demand, trends or taste. This dissertation, concerned with the “change” of the Christian church, ought to provide a compact, effective platform based on a synthesis of all analytical findings in the areas of architecture, liturgy, history, and theology. This platform can be applied in architectural practice, education (both architectural and theological), pastorage, and other wide, well-researched social discourses on the current form of the Christian sacred space, its basis and likely future development. The emphasis should be put on individual interpretation of a target group rather than dogmatic interpretation of dramatic revelations. Therefore, the first half of the dissertation will analyse the theological and symbolic basis, and historic transformations. Whilst, the second half will depict the current approach to the creation of sacred space in both newly built churches and the ongoing conversions of existing spaces. In conclusion, the dissertation will debate the future direction of sacred space in post-Christian Europe.

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15

Moattar, Kayrokh. "Våler Church : A Contemporary Experience of Sacred Architecture". Thesis, KTH, Arkitektur, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100149.

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The History of Architecture has been all about religious buildings. With distribution of sources of power and wealth, new paradigms have emerged. Architecture today is about villas, skyscrapers, stadiums, etc. as well as churches. The financial support of the church is not in the same way as in middle ages; neither the way in which they are used. The question of this thesis project is this transformation of an architectural tradition and how it should be adjusted to our time’s conditions.

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16

To, Tai-fai Peter. "An urban "Catholic" space". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956401.

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17

Dorman, Richard Kirk. "Processional and Threshold; A Sacred Space for Downtown Blacksburg". Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32816.

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This thesis is an investigation of architectural elements and lighting conditions that reinforce a journey. From the initial encounter to the presence of the sanctuary, a Presbyterian church has been constructed in downtown Blacksburg to instrumentally govern an interaction between congregation and form.
Master of Architecture

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18

Caraher, William R. "Church, society, and the sacred in early christian Greece". The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1057071172.

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19

Teng, Emily. "Contemplative Craftsmanship: In Dialogue with Sacred Architecture". University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367934922.

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20

Gipas, Mantas. "Desanctified Umeå : The Role of Sacred Space in Contemporary Society". Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133150.

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21

Gittos, Helen. "Sacred space in Anglo-Saxon England : liturgy, architecture and place". Thesis, University of Oxford, 2002. http://kar.kent.ac.uk/10432/.

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22

Headden, Andrew F. "Creating sacred space, vision, leadership and change in a time of transition". Chicago, Ill. : McCormick Theological Seminary, 2002. http://www.tren.com.

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23

Kaha, Myra. "The vessel and the sacred". Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.

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Thesis (M.F.A.)--West Virginia University, 2006.
Title from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).

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24

Chogle, Shafeea. "The sacred and the everyday: exploring the relationship between religious space and public". Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28077.

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This dissertation began with an interest in the relationship between religious space and the public realm, and a curiosity into the capacity of religious spaces to participate in and construct public. This interest, while conscious of global ideas surrounding the role of religion in the global south, is strongly rooted in the emerging urban conditions of the Delft settlement in Cape Town. Where historically the secular and the sacred have been separated along the same lines as the physical and spiritual, rational and irrational, modern and traditional, public and private (Gravelling, 2010: 198); this dissertation maintains to move beyond these separations and instead explore the overlaps, connections, and mediations, in a context where religious entities are actively taking hold of the spaces the secular has failed to fill. In this context, characterised by poor quality environments, high densities, and weak institutional presence, religious space has emerged into the public realm, thus becoming the intersection of public and private, of visible and invisible worlds. The project therefore departs from the position that religious space is a material asset capable of advancing social capital, facilitating networks, offering refuge, and providing a platform for the social and public life of a community.

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25

Foster, Michael Smith. "The sacred in relation to a church building a canonical evaluation /". Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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26

McAlpine, William R. "The role of the built environment in fulfilling the mission of the church : towards a missional theology of sacred space". Thesis, University of Aberdeen, 2006. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=158849.

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This project, investigating the relation between sacred places and the mission of the Church, explores the issue through the lens of historical and theological frameworks, as well as pursing a dialectic path with representatives from religious studies and the social sciences. Much of the research has spanned textual resources across a spectrum of eras and traditions, but a substantial portion of the project was qualitative case study research, involving two churches representing two disparate traditions within Christianity. The two congregations were chosen based on their well-articulated mission statements and their involvement in major relocation and building projects, providing excellent contexts to examine how their missions were embodied in and informed the design of their new physical facilities. The reflective transformative methodology was employed in this investigation, largely informed by the critical correlational practical theology approach developed by two key scholars, David Tracy and Don S. Browning. The link between mission and sacred place can facilitate either one-way or two-way movement. The dictum that form must follow function is a one-way street demanding challenge. A synergistic dynamic needs to exist between mission and sacred places and unless intentionally attended to, the dynamic can easily devolve into an adversarial, counter-productive reality, only avoided if sacred places are considered an enabling aspect of the Church’s mission, rather than merely the context in which it is acted out.

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27

Cagle, Amanda. "Sacred sites and the modern national identity of Ireland /". Read thesis online, 2007. http://library.uco.edu/UCOthesis/CagleA2007.pdf.

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28

Barras, Abigail. "LIGHT IN COMMUNITY: a study in the adaptive reuse of sacred space". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5858.

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ABSTRACT MOTIVATION American life is increasingly fragmented, leading to a sense of restlessness and disconnection. Much of that fragmentation can be traced to our pattern of architectural and sociological development, namely, the rise of the automobile suburbs in the 1950s and 60s and the abandonment of densely populated, human- scaled environments like that of the small town or city center (Oldenberg, 1999). PROBLEM Large numbers of architecturally significant buildings have fallen into disrepair over the years following the “white flight” of the 1960s and 70s, during which significant segments of investment dollars left city centers and followed to the suburbs (Kunstler, 1994). Specifically, older church buildings have fallen victim to a dilemma of sociological change. Many of the congregations that inhabit historic church buildings do not have the vitality, vision, and sometimes funds to maintain their buildings. While there are many newer congregations that do have the vision and vitality to maintain an older building, they often do not have the funds to do so. As a result, an increasing number of community treasures, buildings built at a dense urban and human scale, are being lost to neglect and misuse. METHODS In order to gain a clearer and more specific understanding of the issues involved in revitalizing and maintaining historic sacred spaces for the benefit of their communities, a course of study was undertaken which included readings of books and articles on urban revitalization such as “The Past and Future City” by Stephanie Meeks, those on third place like Ray Oldenberg’s classic, “The Great Good Place”, and some on the integration of the arts in community centers and shared space. Case studies of successful adaptive reuse projects of church and synagogue buildings, such as Maison de la Littérature in Quebec City and those undertaken by Partners for Sacred Places in Philadelphia, were investigated. Interviews were conducted with leaders from both older and newer urban congregations, and with directors of local community centers and for-profit businesses. RESULTS According to studies completed by The National Trust, historic buildings help a city to maintain its urban vitality, and maintaining stock of old buildings must be an important component of any serious conversation about sustainability in the built environment (Meeks, 2016). At the same time, many historic and architecturally significant buildings which were constructed at a time when church attendance was a larger part of the American cultural experience are falling into disrepair because the congregations that inhabit them are often unable to generate the energy, vitality, and funding that is necessary to maintain them. REFLECTIONS/CONCLUSIONS This project will explore the development of a community center for education and the performing arts in an historic church building. The program will include a small cafe, rentable studio space, a library/ reading room, a performance venue, and event space. Research will support development of a third place model, successful adaptive reuse of sacred space, and will explore options for cost-effective renovation of an historic space.

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Neiswander, Michael John. "The urban cemetery : the paradigm of sacred space, an analysis and design". Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22381.

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Krūgelis, Linas. "Relation between novation and tradition in contemporary Lithuanian sacred architecture". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143156-00377.

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The research involves two problems of Lithuanian sacred architecture – tradition and innovation. Tradition has been preconditioned by history, habits and customs formed within centuries. Such important factors as wars, occupations and foreign ideologies have also made a great influence. Any spread of religious thought and practice was forbidden and restricted quite for a long time in Lithuania. Under such circumstances the tradition of sacred architecture could not stay vital and develop in full-rate. Deeper and more precise analysis of the aforementioned architecture could contribute to identifying the traditions in designing Roman Catholic buildings and what has remained old in this sacred architecture. While analyzing church architecture, innovations and the problem of their expression are faced alongside the historic factors. During soviet times, architects were deprived of getting any training in design of sacred buildings, and churches were not built due to atheistic policy of authorities of the time. Believers were even persecuted and priests underwent various repressions. By the order of occupational authorities, churches were purposely destroyed – turned into storehouses or factories, or simply desolated and condemned to destruction. As soon as Lithuania regained its independence, attempts were made to improve the situation. It was started to design and build churches hastily. Soon it was noticed that lack of experience and knowledge has opened the way to mistakes... [to full text]
Darbe keliamos ir tiriamos dvi Lietuvos sakralinės architektūros problemos – tradicija ir novacija, jų tarpusavio santykis šiuolaikinėje sakralinėje architektūroje. Tradiciją lemia istorija, per šimtmečius susiformavę įpročiai ir papročiai. Taip pat nemenką įtaką daro tokie svarbūs veiksniai kaip karai, okupacijos ir svetima ideologija. Lietuvoje ilgą laiką buvo draudžiama ir varžoma religinės minties ir praktikos sklaida. Tokiomis sąlygomis sakralinės architektūros tradicija neišliko gyvastinga, buvo trukdoma visavertiškai jos raidai. Platesnė ir išsamesnė šios architektūros analizė padėtų nustatyti, kokios tradicijos ryškėja projektuojant katalikų kulto pastatus, kas išliko sena sakralinėje architektūroje. Nagrinėjant bažnyčių architektūrą, be istorinių veiksnių, susiduriama su novacijomis, jų raiškos problema. Sovietmečiu Lietuvoje architektai nebuvo rengiami projektuoti sakralinius statinius, o ir pačių bažnyčių nebuvo statoma dėl valdžios vykdomos ateistinės politikos: tikintieji buvo persekiojami, kunigams taikomos įvairios represijos. Bažnyčios okupacinės valdžios nurodymu buvo sąmoningai niokojamos – verčiamos sandėliais ar gamyklomis arba paliekamos griūti be priežiūros. Atgavus nepriklausomybę, pradėta padėtį taisyti – imta paskubomis projektuoti ir statyti bažnyčias. Netrukus pastebėta, kad patirties ir išmanymo stoka atvėrė kelią klaidoms ir nepamatuotiems sprendimams. Bažnyčios tuo metu dažnai buvo projektuojamos neprofesionaliai, neatsižvelgiama į subtilius... [toliau žr. visą tekstą]

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Joyner, John Edward III. "The impact architectural on acoustical settings for sacred music in the Episcopal Parish Churches of Georgia". Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/21662.

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32

Spencer, Edward G. S. "The sacred way". Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53387.

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The real task of architecture begins once functional and behavioral needs have been satisfied. Its essence is to give poetic form to the pragmatic. My work is only interested in the discovery, not the recovery of ideas; the invention, not classification. In working this way the search is for the essential and lasting principles in architecture, the origins of which must lie in the psychological experience of a building which is physically realized in the mind through one's senses. Thus architecture's manifestation begins as a set of intended experiences which begin to write a narrative or fable for a building. In writing a fable rather than a theoretical essay something basic has been found; fables remain immutable long after theories have disappeared. The invention of these writings is central to the work and not merely literary accessory, for it is this narrative that gives a building its ritual of experience, and it is to the support of these rituals that most of my work addresses itself. Thus the poetic form begins in the composition of experiences; the narrative.
Master of Architecture

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33

Douglas, Courtney. "United in diversity an exploration of spiritual space /". This title; PDF viewer required. Home page for entire collection, 2005. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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34

To, Tai-fai Peter y 杜泰輝. "An urban "Catholic" space". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31984162.

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35

Gonzaga, Paul Vincent. "Sacred Threshold: An Examination of the Threshold in a Catholic Church for Hispanic Immigrants". Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/29181.

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The Book of Exodus in the Old Testament recounts the liberation and salvation of an oppressed people and their subsequent journey to and arrival at the Promised Land. In the Christian Church, this journey continues in the lives of believers. The spiritual journey begins with salvation, continues with a repeated process of suffering and redemption, and terminates with an awakening to a better understanding of God.

The spiritual journey made concrete is the concern of this project. The Christian life, grossly simplified, is a passage from one place to another. The believer is constantly passing through the threshold from this life to the next, from an old, limited understanding of the divine to a new understanding.

In the Catholic Church, this process of passage is ritualized in the journey of the believer to the church each Sunday. Upon entering the church building, the believer passes from the secular and mundane to the sacred and holy.

Where does the secular end and the sacred begin? How does one delimit a boundary between the two? How does one cross the threshold from the profane to the sacred? That is the focus of this project.
Master of Architecture

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36

Lara, James R. "Bipolar liturgical space in medieval Spain the c̲o̲r̲o̲ b̲a̲j̲o̲ and v̲i̲a̲ s̲a̲c̲r̲a̲ /". Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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37

Malečková, Kateřina. "Architektonická studie sakrálního objektu Brno - Líšeň". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414268.

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The topic of this diploma thesis is design processing of a new sacral building in Brno-Líšeň district. It is a plot in the middle of a panel building between the health centre building and the building of the Salesian Youth Center, so-called Salesko. The Salesian community, which will use the building the most, has been waiting for the realization of this building for many years. The key theme is the creation of spaces enabling people to meet for worship, celebrations and social events. The design is processed by two interconnected operations - the building of the Church of the Descent of the Holy Spirit and the building of clergy house. The basic composition consists of three cubic masses - the entrance, the main liturgical space and the clergy house. The bell tower is the height dominant feature which indicates the sacral function of the building. The project consists a set of buildings with two above-ground floors and a basement in the entrance part of the church. This project also mentions the solution of open spaces around the plot and their conversion into quality public areas, marginally. The sacral space is to become a place that welcomes and takes in its visitors and gives them the feeling of safety. Inside this building, people will find peace, support and undestarstanding, so they may leave with the feeling of being a better person.

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38

Vance, Emily. "Restoration of Hope: How the Preservation of Sacred Space in Areas of Conflict Protects Human Rights". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18402.

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Exploring human rights violations in areas of conflict is a very challenging endeavor as the consequences of conflict wreak havoc on communities and the built environment. When sacred space, specifically, has been intentionally and maliciously damaged, a group's right to cultural heritage has been potentially violated. As laid out by numerous international covenants, this is a denial of basic human rights. Therefore, using international human rights laws to set precedents, definitions and guidelines, the preservation of a sacred space after intentional damage can help protect those rights and rectify a wrong committed against a group. Studying the racially motivated bombing of 16th Street Baptist Church in Birmingham, Alabama as a case study and using human rights legislation to frame preservation work in general, the inherent yet complicated connection between historic preservation and human rights can be explored and understood.

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39

Gilheney, Daniel James. "The Relationship of Structure and Material Through the Lens of Three Catholic Chapels". Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73793.

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The architectural practice has long held several ideas about how a building should present itself relative to its structure. With modern building technologies and building codes, the structure of a building and the facade can often be very different. Modernist architects theoretically felt very strongly about the importance of material honesty in a buildings, as the 20th Century moved on, many architects moved towards buildings that used materials to create forms and atmospheres that were less dependent on the structural materials and forms of these buildings. The following thesis explores these ideas about material and structure through three separate examples of buildings with a similar size, site, and program. The project is a theme and variation, with the theme being the building type, and the variation being the philosophy of the relation between structure and material. Researching drawings in Edward R. Ford's book The Details of Modern Architecture, along with specific details of Peter Zumthor's Therme Vals help to inform my personal thought process when it comes to detailing the buildings I have designed. The designs propose three small chapels on a Catholic college campus in Northeast Washington, DC.
Master of Architecture

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40

Chau, Katie. "Architecture + hypermedia, a didactic approach to exploring architecture as both content and method in a hypermedia environment; prototype project, an interactive multimedia CD-ROM on exploring sacred Tibetan architecture". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0021/MQ54234.pdf.

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41

Taranto, Michael Edmund. "A wall between the sacred and the profane". Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/53189.

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The city of Blacksburg, Virginia, has moved its boundaries farther and farther west of U.S.460. Though a large amount of commercial and residential architecture has accompanied this growth, there has been no sacred architecture to complement any of this secular construction. With this in mind, a rolling pasture along Price's Fork Road west of U.S.46O was chosen as the site for a new religious/community center for the residents of Blacksburg's expanding boundaries. The design scheme, for a Roman Catholic church, consists of a K fellowship hall, meditation garden, and sanctuary surrounded by a protective wall. This scheme responds to the traditions of the Church as well as the spiritual needs of the surrounding community.
Master of Architecture

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42

Göransson, Per. "Non-Religious Young Individuals’ Place Attachment to Religious Space : A Case Study of Maria Magdalena Church". Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-156889.

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Sweden has a long history of Lutheran Christian influences, manifested spatially by the presence of churches in the build environment. In contrast, Sweden is also described as one of the world’s most secular countries. These secular individual’s experience of these churches is not well explored in geography of religion. Therefore, this study’s aim is to investigate what shapes non-religious individuals’ place attachment to religious spaces. To reveal this, the study is based on transcriptions from a Transect Walk with 12 non-religious individuals at Maria Magdalena church in Södermalm, Stockholm. These narratives are viewed through a place attachment framework together with theories of religion, sacred space and secularization, to answer the research question: What affects non-religious young individuals’ place attachment towards a sacred place? The attachment was formed by the subjective mosaic of combinations, which revealed that churches in general are instrumental venues to obtain the goal of participating in temporary ceremonies. In turn, it was affected by the subjects’ memories, connection to cultural Christianity, lack of religious attachment and the church as a unique place. This contributes to the field by revealing what affects place attachment of non-religious individuals to sacred spaces in a Swedish context.

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43

MITCHELL, JOHN ADAMS. "REPRESENTING THE TENSION BETWEEN NONDENOMINATIONAL CHRISTIAN AND SECULAR ENVIRONMENTS IN DESIGN". University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083024252.

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44

Estima, Alberto Jorge dos Santos Nogueira. "Premissas arquitectónicas para o templo católico do terceiro milénio". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1999. http://dited.bn.pt:80/29141.

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45

Křenková, Anna. "Architektonická studie sakrálního objektu Brno - Líšeň". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-414265.

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The assignment of this diploma thesis is design proposal of a new roman catholic church and parsonage with parish centre inside stabilised existing development of slab block housing estate in Nová Líšeň, Brno. The need for church has emerged shortly after completion of the housing development and intensified alongside the growth of believer community created around Salesian centre that has been active in the area since 90’s and focuses on upbringing of youngsters through Don Bosco’s educating methods. Masses have been held so far in the gym of the Salesian centre with about 250 Sunday visitors. The church ought to be designed near the centre and dedicated to Holy spirit so that it serves both community and wider range of believers at the housing estate. The thesis deals with church, parsonage with parish centre and housing development relationship. It’s attempting to answer the question how the church connects to the housing estate and communicates its mission to its surroundings. The design proposal is based on urban context analysis, analysis of Salesian congregation and conditions of the building plot. The composition consists of two functional parts that are connected. First part consists of the church building design with 300 seated and 100 standing visitors capacity per mass and technical support areas. Second functional part is made of the parish centre with community hall for 100 people, educational room, parish offices and accommodation for members of congregation. The design content is supplemented with design of semi-public space, solution to traffic service and parking and design of parish orchard.

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46

Brasaemle, Karla Anne. "For glory and for beauty implications of the theology of beauty for creating worship space /". Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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47

Varnam, Laura. "The howse of God on Erthe : constructions of sacred space in late Middle English religious literature". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670140.

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48

Campos, João Carlos Baptista 1958. "O espaço sagrado : linguagem, simbolização e construção de uma categoria". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285267.

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Orientador: Ernesto Giovanni Boccara
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-25T21:33:56Z (GMT). No. of bitstreams: 1 Campos_JoaoCarlosBaptista_D.pdf: 6534803 bytes, checksum: f05c1c400fe0140740838fa58979d3ca (MD5) Previous issue date: 2014
Resumo: Através da análise do sagrado como linguagem e sua especificidade no contexto da Arte e da Arquitetura, como simbolização e construção espaço-temporal, a tese procura elaborar uma matriz conceitual e formal para a articulação de linguagens de uma nova sacralidade para a Arte e a Arquitetura. O caráter sensível e intuitivo próprio da criação em Artes e Arquitetura exige uma compreensão metafísica da natureza do real, uma dimensão ao mesmo tempo visual, mas também um olhar para além das formas, no âmbito da reflexão existencial. Classificam-se esses elementos pela análise intelectual daquilo que essa obra manifesta em sua dimensão simbólica, do significado dos elementos sígnicos que maneja, daquilo que exprime. Distinguem-se a partir do que mais as aproximam: uma análise metafísica sobre a forma na Arte e Arquitetura sagradas, que tem seus fundamentos no eterno, no transcendente, pois o sagrado não é senão a manifestação do eterno no temporal, do espiritual no tangível. Importante a análise da consciência existencial na Antiguidade, com sua característica de exatidão de simbolização, como forma de compreensão para muitos dos fenômenos contemporâneos na Arte e Arquitetura sagradas. Sempre coexistiu uma forma de arte sagrada que encarna uma autenticidade primordial quanto às verdades espirituais do cristianismo, com uma forma de arte religiosa. O conceito adjacente à Espaço que nos interessa é o do Espaço do Sagrado. Contudo o homem contemporâneo diante de mecanismos cada vez mais autônomos perde contato com as realidades do espírito. O empenho reconstrutivo que liga o arquiteto e o artista às suas raízes de expressão de ordem e harmonia com o cosmos e em especial na expressão artística do sagrado nas artes e arquitetura poderá renascer com vitalidade desde que suas fundações situem-se naquilo que as caracterizou ao longo da história da civilização: a importância transcendental do espírito
Abstract: Through the analysis of the sacred as language and its specificity in the context of Art and Architecture, as spatio-temporal symbolism and construction, the thesis tries to develop a conceptual and formal matrix for the articulation of language and a new sacredness for Art and Architecture. The sensitive and intuitive character of creation itself in Arts and Architecture requires a metaphysical understanding of the nature of reality, a dimension visual at the same time, but also look beyond the forms within the existential reflection. Classified these elements by intellectual analysis of what this work manifested in its symbolic dimension, the meaning of the sign elements that handles, what is expressed. They are distinguished from the more than approximate: a metaphysical analysis of the way in sacred art and architecture, which has its foundations in the eternal, the transcendent, since the sacred is nothing but the manifestation of the eternal in the temporal, the spiritual in the tangible. Important analysis of existential awareness in antiquity, with its characteristic accuracy of symbolization as a means for understanding many phenomena in contemporary art and sacred architecture. Always coexisted a form of sacred art that embodies a primordial authenticity as the spiritual truths of Christianity with a form of religious art. The concept space adjacent to what interests us is the Sacred Space. However, contemporary man facing increasingly autonomous mechanisms lose touch with the realities of the spirit. The reconstructive efforts linking the architect and the artist to his roots expression of order and harmony to the cosmos and especially in the artistic expression of the sacred in art and architecture can be reborn with vitality since its foundations situated in what is characterized by the throughout the history of civilization: the transcendental importance of the spirit
Doutorado
Artes Visuais
Doutor em Artes Visuais

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49

Guney, Ahmet Oncu. "Investigating The House-church In Dura-europos: Production Of Social Space". Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614291/index.pdf.

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This thesis investigates space through its relationship with society based on the idea of the social production of space. By employing the social concepts of community and institution, and the spatial concepts of shelter space and marker space, it provides a theoretical perspective for the evaluation of space in architectural history. This theoretical frame is supplied with a case study on the evolution of Early Christian community and their meeting place. The historical course of the Early Christianity in the Roman Empire from community formation to become an institution &ndash
Christendom - constitutes the paradigm for the social premise of the thesis. On the other hand, the proposed outline for the spatial evolution is demonstrated on the house-church at Dura-Europos.

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50

DiCecco, Elizabeth. "Evoking the emotions through the experience of space : integration of an outreach community center and the First United Methodist Church of Hightstown /". Online version, 2007. http://digitalcommons.rwu.edu/archthese/2/.

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Tesis sobre el tema "Church architecture Sacred space"

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