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Artículos de revistas sobre el tema "Cinema organ"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Porter, Laraine. "Women Musicians in British Silent Cinema Prior to 1930." Journal of British Cinema and Television 10, no. 3 (2013): 563–83. http://dx.doi.org/10.3366/jbctv.2013.0158.

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Referencing a range of sources from personal testimonies, diaries, trade union reports and local cinema studies, this chapter unearths the history of women musicians who played to silent film. It traces the pre-history of their entry into the cinema business through the cultures of Edwardian female musicianship that had created a sizeable number of women piano and violin teachers who were able to fill the rapid demand created by newly built cinemas around 1910. This demand was further increased during the First World War as male musicians were called to the Front and the chapter documents the

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2

Bigosiński, Adam Konrad. "Muzyczne tajemnice Poznania – kino Słońce i jego wyjątkowe organy." Przegląd Archiwalno-Historyczny 7 (2020): 27–44. http://dx.doi.org/10.4467/2391-890xpah.20.002.14636.

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Niniejszy artykuł jest kolejnym przyczynkiem do dziejów muzycznych Poznania, a skupia się na opisie i charakterystyce najbardziej wyjątkowych w skali Polski organów „Muza”, które od 1927 r. znajdowały się w kinie Słońce. Najnowocześniejsze kino w Poznaniu mogło poszczycić się pierwszymi organami typu kinowego na terenie Polski, które w dodatku zostały zbudowane na wzór instrumentów amerykańskich przez polską firmę Dominika Biernackiego (braci Biernackich). Posiadały one szereg urządzeń imitujących odgłosy przyrody czy życia codziennego, m.in. burzę, syrenę czy kukułkę. Niestety, powojenny los

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3

Zwart, Hub. "Transplantation medicine, organ-theft cinema and bodily integrity." Subjectivity 9, no. 2 (2016): 151–80. http://dx.doi.org/10.1057/sub.2016.1.

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4

Presseisen, Filip. "Organ accompaniment in silent films, part 1 – the process of cinematic art creation." Notes Muzyczny 2, no. 14 (2020): 59–72. http://dx.doi.org/10.5604/01.3001.0014.5748.

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The idea to write music for silent films, both in a form of written-down scores and composed live has experienced its renaissance for more than ten years. Thanks to a quite decent number of preserved theatre instruments and also due to the globalisation and wide data flow options connected with it, the knowledge and interest in Anglo-Saxon tradition of organ accompaniment in cinema were able to spread away from its place of origin. The article is the first part of four attempts to present the phenomenon of combination of the art of organ improvisation with cinematography and it was based on th

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5

Presseisen, Filip. "Organ accompaniment to silent films, part 3 – the activity of Robert Hope-Jones and its importance." Notes Muzyczny 2, no. 16 (2021): 87–100. http://dx.doi.org/10.5604/01.3001.0015.5491.

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The idea to write music for silent films, both in a form of written-down scores and composed live has experienced its renaissance for more than ten years. Thanks to a quite decent number of preserved theatre instruments and also due to the globalisation and wide data flow options connected with it, the knowledge and interest in Anglo-Saxon tradition of organ accompaniment in cinema were able to spread away from its place of origin. The article is the third part of four attempts to present the phenomenon of combination of the art of organ improvisation with cinematography and it was based on th

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6

KIM, Hong Jung. "Schizoanalysis of the Catastrophe and Hope without Organ: On the Cinema of Kelly Reichardt." In/Outside: English Studies in Korea 55 (November 15, 2023): 154–82. http://dx.doi.org/10.46645/inoutsesk.55.5.

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7

Kolmogorova, A. V., A. V. Migal, and M. O. Sergeeva. "QUANTITATIVE ANALYSIS OF GESTURES IN SOVIET CINEMA PRESENTED IN THE RUSSIAN MULTINEDIA SPEECH CORPUS." Culture and Text, no. 57 (2024): 181–91. http://dx.doi.org/10.37386/2305-4077-2024-2-181-191.

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This article is dedicated to exploring the correlation between the emotional tone of gestures and their localizati on through the conduct of content analysis of gestures presented in the multimedia subcorpus of spoken Russian language, annotated by E. A. Grishina and including video fragments of Soviet and late Soviet cinema. The paper aims at determining the prevailing tonality of a gesture depending on its localization. Corpus linguistic analysis, multimodal sentiment analysis and correlational analysis are presented in the paper to state the possible connection between the active organ of g

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8

Presseisen, Filip. "Organ accompaniment to silent films, part 2." Notes Muzyczny 1, no. 15 (2021): 57–66. http://dx.doi.org/10.5604/01.3001.0014.9690.

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The idea to write music for silent films, both in a form of written-down scores and composed live has experienced its renaissance for more than ten years. Thanks to a quite decent number of preserved theatre instruments and also due to the globalisation and wide data flow options connected with it, the knowledge and interest in Anglo-Saxon tradition of organ accompaniment in cinema were able to spread away from its place of origin. The article is the second part of four attempts to present the phenomenon of combination of the art of organ improvisation with cinematography and it was based on t

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9

Coëgnarts, Maarten, and Peter Kravanja. "A study in cinematic subjectivity." Metaphor and the Social World 4, no. 2 (2014): 149–73. http://dx.doi.org/10.1075/msw.4.2.01coe.

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This article offers a metaphorical and embodied examination of the representation of perception in narrative cinema. Using insights from Conceptual Metaphor Theory we argue that the perceptual states of characters can be represented cinematically via audio-visual expressions of metaphors related to the physical functioning of human bodies. More specifically, we show how a predominant pair of conceptual mappings, namely the metonymy perceptual organ stands for perception and the metaphor perception is contact between perceiver and perceived, plays a crucial role in the non-verbal representation

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10

Trifan, Aurelia. "Integrative reflections in the contemporary approach of the architecture of buildings for shows." Arta 30, no. 1 (2021): 118–23. http://dx.doi.org/10.52603/arta.2021.30-1.17.

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The current approaches, materialized in studies and research programs, further explain and complete the general picture regarding the identity of buildings for shows in the Republic of Moldova. The need to update existing information and correct errors and unconfirmed assumptions arises as a result of identifying new data. The research carried out in the field of buildings for shows focuses both on the detailing of its constitution and on the revelation of the architectural-artistic value – starting with the 19th century. The first buildings for shows (the Nobles’ Meeting Club and the „Pushkin

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11

Adeṣọkan, Akin. "Sembene, Vieyra, and the Making of Xala." Film Quarterly 78, no. 1 (2024): 24–31. http://dx.doi.org/10.1525/fq.2024.78.1.24.

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The production of Xala (1974) provided an opportunity for Senegalese filmmaker Ousmane Sembene and Paulin Vieyra, his reliable collaborator and long-term producer, to confront a challenge in African cinema—the hardscrabble conditions of making films in the face of limited resources and official indifference. Famously tagged “mégotage” (literally, “gathering cigarette butts”) by Sembene, this problem formed part of the contingencies of production and circulation that have shaped the careers of many African filmmakers. Preparatory work on Xala in particular coincided with the establishment of th

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12

Deng, Jiawen, Myron Moskalyk, Wenteng Hou, Qi Kang Zuo, and Jinyu Luo. "Pharmacological prevention of bone loss and fractures following solid organ transplantations: Protocol for a systematic review and network meta-analysis." PLOS ONE 19, no. 4 (2024): e0302566. http://dx.doi.org/10.1371/journal.pone.0302566.

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Introduction Solid organ transplant (SOT) recipients can experience bone loss caused by underlying conditions and the use of immunosuppressants. As a result, SOT recipients are at risk for decreased bone mineral density (BMD) and increased fracture incidences. We propose a network meta-analysis (NMA) that incorporates all available randomized control trial (RCT) data to provide the most comprehensive ranking of anti-osteoporotic interventions according to their ability to decrease fracture incidences and increase BMD in SOT recipients. Methods We will search MEDLINE, EMBASE, Web of Science, CI

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13

Darwish, Ibrahim, and Noora Abu Ain. "Foul Language on Arabic Television: A Case Study of the First Jordanian Arabic Netflix Series." Academic Journal of Interdisciplinary Studies 9, no. 1 (2020): 83. http://dx.doi.org/10.36941/ajis-2020-0007.

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This study explores the controversial use of taboo language in Jinn, the first original Jordanian Arabic supernatural Netflix series. Taboo words uttered in each episode of Season 1 of the series (length=159 minutes) were compiled, quantified and categorised according to Ljung’s (2011) thematic categorisation. The results show that 75% of the taboo words fall under ‘major themes’ (scatological (31%), religious/supernatural (20%), sexual activity (12%), sex organ (9%) and mother (3%)) and 25% fall under ‘minor themes’ (prostitution (16%) and animals (9%)) in Ljung’s (2011) thematic divisions. F

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14

Bîlbîie, Răduţ. "The Professionalization of Public Relations in the Romanian Army." International conference KNOWLEDGE-BASED ORGANIZATION 22, no. 2 (2016): 401–6. http://dx.doi.org/10.1515/kbo-2016-0069.

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Abstract The communication structures of the Ministry of National Defense have a considerable seniority and have played an important role both in different historical, critical periods for the country (wars, political crises) or institutional building (the forming of the Romanian army, of the modern command structures, etc.) as well as during the transition period after 1989. The first military publication, Observatorul Militar, (Military Observer), was released in 1859, being followed by a few thousands of magazines, newsletters, specialized directories, or during the war years of information

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15

Симян, Тигран Сержикович. "THE PARADIGM OF MUSICAL INSTRUMENTS AND VISUALIZATION OF MUSIC PERFORMANCES IN OLD TIFLIS: PAINTING, CINEMA, LITERATURE." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 4(38) (November 24, 2023): 143–66. http://dx.doi.org/10.23951/2312-7899-2023-4-143-166.

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Представлена парадигма музыкальных инструментов Старого Тифлиса XVIII века и ее эволюция до советизации Грузии. Рассматриваются визуальные тексты Нико Пиросмани, Вагаршака Элибекяна, Джованни Вепхвадзе, а также видеотексты фильмов «Саят-Нова» и «Цвет граната». Объект исследования – парадигма музыкальных текстов Старого Тифлиса как кросскультурного пространства. Акцентируются семантика и функциональные особенности музыкальных инструментов в поэтических и в визуальных текстах. Особое место уделяется визуализации музыкальных «перформансов». В статье аргументирован следующий тезис: описание паради

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16

Buchanan, Ian. "Is a Schizoanalysis of Cinema Possible?" Cinémas 16, no. 2-3 (2007): 116–45. http://dx.doi.org/10.7202/014618ar.

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Abstract Is a schizoanalysis of cinema possible? This question arises from the observation that there is no apparent continuity between Deleuze’s two-volume collaboration with Guattari, Anti-Oedipus and A Thousand Plateaus, and the books he wrote afterwards, Cinema 1 and Cinema 2. It is also prompted by the observation that Anti-Oedipus and A Thousand Plateaus seem to rely a great deal on cinema in order to develop and exemplify the many new concepts these books introduce. This paper highlights three such instances in their work. The fact is, Deleuze and Guattari claim that the core schizoanal

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17

Steila, Daniela. "Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought." Cultural Science Journal 13, no. 1 (2021): 211–22. http://dx.doi.org/10.2478/csj-2021-0017.

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Abstract While Lenin considered human knowledge to be similar to a mirror-like reflection of the object, Aleksandr Bogdanov emphasized the creative role of the subject in organizing the world. On the basis of some textual evidence, it is possible to describe the epistemologies of the two most influential Russian Marxists at the beginning of the twentieth century using the two metaphors of photography, on the one hand, and cinema, on the other. In particular, while discussing Einstein’s relativity, Bogdanov considers sense organs, memory, and all the apparatus of human knowledge ‘as a certain k

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18

Garden, Rebecca, and Hyon Joo Yoo Murphree. "Class and Ethnicity in the Global Market for Organs: The Case of Korean Cinema." Journal of Medical Humanities 28, no. 4 (2007): 213–29. http://dx.doi.org/10.1007/s10912-007-9041-1.

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19

Klimašauskas, Andrius, Ieva Sereikė, Aušra Klimašauskienė, Gintautas Kėkštas, and Juozas Ivaškevičius. "The Impact of Medical Conditions on the Quality of Life of Survivors at Discharge From Intensive Care Unit." Medicina 47, no. 5 (2011): 38. http://dx.doi.org/10.3390/medicina47050038.

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Background and Objective. Impaired health-related quality of life (HRQOL) is one of the possible outcomes after discharge from an intensive care unit (ICU). Evaluation of patient health status on discharge from the ICU would help identify factors influencing changes in HRQOL after ICU discharge. The objective of the study was to identify whether health state on discharge from prolonged stay in the ICU has any influence on survivors’ HRQOL 6 months after intensive care. Material and Methods. A prospective study of patients with the prolonged length of stay (exceeding 7 days) in the ICU was cond

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20

Adéyolé, TIMOTOU, Hyacinthe OUATTARA Logopho, Albert KAMBIRE Didjour, et al. "Phytochemical screening and evaluation of the antioxidant activity of the leaves and root barks of Dichrostachys cinerea L. Wight and Arn. (Fabaceae): A plant traditionally used for the treatment of asthma in Korhogo." World Journal of Advanced Research and Reviews 20, no. 1 (2024): 127–34. https://doi.org/10.5281/zenodo.12168852.

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<em>Dichrostachys cinerea</em> is a plant species with multiple therapeutic uses. The present work focuses on the pharmacological and chemical valorization of the leaves and root barks of this species, harvested in Korhogo (Côte d'Ivoire), for the treatment of asthma. Plant antioxidants could alleviate the symptoms of this pathology. A hydro-ethanol extraction of these organs was carried out by maceration. From the extracts obtained, a phytochemical study in tubes and by TLC revealed the presence of flavonoids, tannins, phenolic acids, saponins, sterols and terpenes in these organs. In a

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21

Lestari, Sri, Dian Palupi, and Riska Desi Aryani. "Karakter Morfologi Dan Anatomi Sawilangit (Vernonia Cinera L.) Pada Ketinggian Yang Berbeda." BERITA BIOLOGI 20, no. 2 (2021): 147–57. http://dx.doi.org/10.14203/beritabiologi.v20i2.4015.

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Vernonia cinerea L. (sawilangit) is a wild plant that has potential as a medicinal plant because of the secondary metabolites in each organ. This research aimed to explore the morphological and anatomical characters of the sawilangit that grow at different altitudes in Banyumas, Cilacap, and Purbalingga. Plant samples were taken using the purposive random sampling method at an altitude of <350 masl, 350–700 masl, and >700 masl. Sawilangit growing at <350 masl has superior morphological and anatomical characters than sawilangit growing at the other two altitudes, which have the charact

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Varga, Valéria. "Clara Orban. Slow Places in Béla Tarr’s Films: The Intersection of Geography, Ecology, and Slow Cinema." Hungarian Studies Review 49, no. 2 (2022): 288–91. http://dx.doi.org/10.5325/hungarianstud.49.2.0288.

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Lehnert, Sigrun. "Filmgeräusch im Fokus." Kieler Beiträge zur Filmmusikforschung 18 (November 1, 2024): 35–63. http://dx.doi.org/10.59056/kbzf.2024.18.p35-63.

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Die Geschichte der Einbindung von Geräuscheffekten in Filme reicht bis in die frühen 1910er Jahre zurück, als Kinoorgeln stumme Filme mit Klängen und Pfeifen begleiteten. Mit der Weiterentwicklung des Kinos wurde der Filmsound auch dazu eingesetzt, um das Publikumsengagement zu intensivieren. Dieser Beitrag präsentiert ein didaktisches Konzept für Masterstudierende der Medienwissenschaft, das darauf abzielt, die Ursprünge und Produktionshintergründe von Filmtongestaltungen zu erkunden. Blended Learning, eine Kombination aus synchronen und asynchronen Elementen, wird als Modell für den umgedreh

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Silva Oyaneder, Vladimir. "Trascender la superficie: El cuerpo como enunciante retórico e ideológico en el documental Noticias." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 67–83. http://dx.doi.org/10.5195/ct/2017.272.

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The text raises a critical interpretation about the representation of the body in the documentary Noticias (2009) of the Chilean directors Bettina Perut and Ivan Ossnovikof. To this end, it is emphasize on the capacity of the concept of a body without organs to destroy the intellectual reflection that has been universally hegemonic when it comes to appreciating a work of art. In this way, it is argued that the body in the analyzed film, aims to the de-hierarchization of the gaze in the intellectual act of appreciating cinematographic work. The body understood,then, as a sensitive organicity th

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25

Fried, Daniel. "Riding Off into the Sunrise: Genre Contingency and the Origin of the Chinese Western." PMLA/Publications of the Modern Language Association of America 122, no. 5 (2007): 1482–98. http://dx.doi.org/10.1632/pmla.2007.122.5.1482.

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The paradoxical dependence of genre histories on historically accidental acts of naming and on transcendental critical imagination is demonstrated by the Chinese western, a little-understood genre that has become a major part of Chineselanguage cinema over the past two decades. After the genre was proposed in 1984 by the Chinese film theorist Zhong Dianfei, as a realist reaction against the ideological excesses of the Cultural Revolution, its ambiguous status as a Hollywood import quickly became a proxy for larger cultural battles over China's place in an American-dominated international cultu

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González Salvador, Ana. "Les mots échappent, le sexe aussi (Paul Nougé et l’érotisme)." Figures de l'Art. Revue d'études esthétiques 4, no. 1 (1999): 271–88. http://dx.doi.org/10.3406/fdart.1999.1202.

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Théoricien du surréalisme belge, Nougé consacre une bonne partie de ses écrits - essais et fictions - à la question de l’érotisme. Il y soulève une interrogation majeure : les difficultés du langage devant une notion qui échappe, le sexe. Comment nommer ? L’observation presque scientifique est à la base de ses écrits sur la sexualité. La supériorité de l’image visuelle sur le mot exige du narrateur, devenu voyeur, une maîtrise qui opère sur le stéréotype commercial comme elle opère sur l’objet vu, de préférence la femme. Nougé conçoit l’oeil comme «principal organe érogène ». Dans ses descript

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27

MORTIMER, KATE, SUSANNA CASSÀ, DANIEL MARTIN, and JOÃO GIL. "New records and new species of Magelonidae (Polychaeta) from the Arabian Peninsula, with a re–description of Magelona pacifica and a discussion on the magelonid buccal region." Zootaxa 3331, no. 1 (2012): 1. http://dx.doi.org/10.11646/zootaxa.3331.1.1.

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Five Magelona species, M. cornuta, M. crenulifrons, M. obockensis, M. pulchella, and an undescribed species (identifiedby Louis Amoureux as M. cornuta in 1983 and described herein as M. montera sp. nov.) have been previously reportedfrom the seas surrounding the Arabian Peninsula. The present study details a further six Magelona species off the coastsof Iran and Qatar, collected between 1998 and 2007. Five species are newly recorded for the region: Magelona cf. agoen-sis, Magelona cf. cincta, M. conversa, Magelona cf. falcifera and M. symmetrica, and one species (M. sinbadi sp. nov.)is deemed

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Bulgakova, O., and E. S. Maksimova. "“CRAZY ZOOM MAKES EVERYONE TO FIND HIMSELF IN A DOUBLE ROLE OF A SPECTATOR AND AN ACTOR”." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 6, no. 3 (2021): 7–21. http://dx.doi.org/10.18522/2415-8852-2021-3-7-21.

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Oksana Bulgakowa is a researcher of visual culture, a film critic, a screenwriter, a director, and a professor at the Johannes Gutenberg University Mainz. She has taught at the Humboldt University of Berlin, the Leipzig Graduate School of Music and Theater, the Free University of Berlin, Stanford University and the University of California Berkeley. Author of the books “FEKS: Die Fabrik des exzentrischen Schauspielers” (1996), “Sergei Eisenstein – drei Utopien. Architekturentwürfe zur Filmtheorie” (1996), “Sergej Eisenstein. Eine Biographie” (1998), “The Gesture Factory” (2005, a renewed editi

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Kim, Bogyeong. "Duchamp’s Metacriticism: Restoring the Post-Perspective Vision through Anti-Retinalism and Optical Experiments I." Criticism and Theory Society of Korea 30, no. 1 (2025): 5–28. https://doi.org/10.19116/theory.2025.30.1.5.

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This paper attempts to approach Duchamp’s practice, which can be evaluated as the most radical and subversive attempt even within the modernist tradition, from the perspective of his metacriticism of modern perspective. Duchamp, who had an interest in movement that began with chess and a anti-retinal attitude, attempted to practice the imagination of actions by the brain, and had an attitude of metacriticizing modern perspective with an interest in anamorphic perspective of the Renaissance and Baroque and multidimensional mathematics. With an artistic methodology influenced by Raymond Roussel,

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Kouadio, Bene, Cynthia Viviane Yapo Yomeh, and Kanga Yao. "Dichrostachys cinerea (L.) Wight and Arn. (Fabaceae), a plant used in the traditional treatment of lymphatic filariasis in Côte d'Ivoire: Ethnopharmacological characteristics." GSC Biological and Pharmaceutical Sciences 23, no. 2 (2023): 061–68. https://doi.org/10.5281/zenodo.8041327.

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<em>Dichrostachys cinerea</em> (L.) Wight & Arn. (Fabaceae) is a plant used in the traditional treatment of lymphatic filariasis. It was revealed following a recent ethnomedicinal survey. The present study aims to highlight the distinctive ethnopharmacological characteristics of <em>Dichrostachys cinerea</em>. The aim was to identify some groups of chemical compounds by thin layer chromatography, to assay some minerals and finally to characterise the specific anatomical and micrographic features of the plant. Terpenes and sterols, saponosides, flavonoids and tannins are the main

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Pavlyuk, K., M. Leonov, A. Akobyan, et al. "STAGES OF CYTOLOGICAL EXAMINATION (USING IMMUNOCYTOCHEMICAL EXAMINATION) OF EFFUSION FLUIDS." Oncologia i radiologia Kazakhstana 66, no. 4 (2022): 33–37. http://dx.doi.org/10.52532/2521-6414-2022-4-66-33-37.

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Relevance: Cytological criteria of tumors in exudate fluids are associated with certain subjective difficulties, one of which is the differential diagnosis of proliferating mesothelial and adenocarci-noma cells. The study aimed to increase the informational value of cytological diagnostics in a multidisciplinary hospital. Methods: From 2018 to 2021, 10,082 serous cavity effusions (pleural – 8,166 (81%), abdominal cavity – 1,512 (15%), pericardial – 404 (4%)) were included in the cytological examination. Micro-scopic examination of traditional preparations was carried ou

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Seleznev, Evgenii Kirillovich. "The nomadic subject as a cinematographic hero by Alain Resnais." Философия и культура, no. 5 (May 2023): 146–57. http://dx.doi.org/10.7256/2454-0757.2023.5.40667.

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The author of the work raises the issue of the phenomenon of nomadism in the context of the work of the French director Alain Resnais. The object of the research is the early works of the director, such films as "Last year in Marienbad", "Hiroshima, my love", "I love you, I love". The purpose of the work is to answer the question of how nomadic strategies allow the author to create non-linear narrative structures, oscillating characters and flickering characters in his films, and how understanding these strategies can help viewers and researchers in the act of deciphering works. The author als

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Яковлева, Т. О. "Pierre Jodlowsky: "The Archive of the Piece is More Important for me than the Piece Itself"." Музыкальная академия, no. 2(782) (June 26, 2023): 44–51. http://dx.doi.org/10.34690/307.

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Французский композитор Пьер Жодловски (1971) — один из самых заметных современных авторов мультимедийной музыки. В интервью композитор рассказывает о впитанных им творческих влияниях, о своих общественно-политических взглядах, об увлеченности кинематографом, а также о своеобразном личном манифесте, называемом «active music». Наиболее подробно Жодловски раскрывает специфику своих методов работы через сопоставление с техникой монтажа кинорежиссера Сергея Эйзенштейна и концепцией театрального режиссера Антонена Арто. Используя понятие «тело без органов», композитор описывает способ взаимодействия

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Hasani, Lavdi. "The spread of Parlatoria cinerea Hadden 1909, and the plants which it parazitises in the south of Albania." EUREKA: Life Sciences, no. 6 (November 28, 2022): 3–12. https://doi.org/10.21303/2504-5695.2022.002700.

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In the following material, the role of one of the parasites of citrus fruits and ornamental plants is treated, that of Parlatoria cinerea Hadden 1909. Among the representatives of the U/Order Coccinea, Order Hemiptera, Class Insecta, P. cinerea Hadd. 1909; is presented as one of the most widespread pests among all representatives of the Parlatoria genus analyzed in our study. To determine this species, it is necessary to familiarize ourselves with many of its determining characteristics. It should be emphasized that, in this material, the distribution of this species in the entire territory ke

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Mykhailova, O. V. "Woman in art: a breath of beauty in the men’s world." Aspects of Historical Musicology 17, no. 17 (2019): 163–80. http://dx.doi.org/10.34064/khnum2-17.11.

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Background. А history of the development of the human community is at the same time a history of the relationship between men and women, their role in society, in formation of mindset, development of science, technology and art. A woman’s path to the recognition of her merits is a struggle for equality and inclusion in all sectors of public life. Originated with particular urgency in the twentieth century, this set of problems gave impetus to the study of the female phenomenon in the sociocultural space. In this context, the disclosure of the direct contribution of talented women to art and th

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M.Y., Temirbekova, Myrzakhmetova A.Zh., and Vasiliev D.V. "The phenomenon of visuality in the modern British-American scientific space." Bulletin of the Karaganda university History.Philosophy series 111, no. 3 (2023): 121–28. http://dx.doi.org/10.31489/2023hph3/121-128.

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In this article the phenomenon of visuality in modern Anglo-American academic space is studied. Special attention is paid to highlighting the phenomenon of visual turn in research, namely, why visual culture attracted the attention of scientists of the twentieth century and how visuality conquered various socio-cultural spaces. Visual rotation and the privilege of vision over other sense organs (oculocentrism) and the emergence of new technologies are analyzed. The penetration of the visual into cultural theory and the spread of images in culture itself are called the “visual turn” (sometimes

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Літінська, Н. В. "Television as an instrument of consciousness transformation of modern man." Grani 22, no. 6 (2019): 31–41. http://dx.doi.org/10.15421/171961.

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This article is dedicated to the transforming influence of television on consciousness of modern man. Forall this we paid a particular attention to those aspects of its moderative effect which had not been enough studiedand reflected in a wide spectrum of materials.First of all, the reasons of TV popularity as the most perfect and reflective means to date of socio-cultural lifeof the society such as an inclusion of all the sections of the population, address to the emotional human sphereand use of universal cinema language have been considered.The telemoderation of human consciousness in the s

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38

Tannberg, Tõnu. "“Tsensuuri töö on väga vastutusrikas.” Dokumentaalne pilguheit Eesti NSV Glavliti tegevusele aastatel 1941–1948 [Abstract: “The work of censorship carries a great deal of responsibility”. A documentary glimpse of the activity of the Estonian SSR Glavlit]." Ajalooline Ajakiri. The Estonian Historical Journal, no. 4 (September 10, 2019): 337–53. http://dx.doi.org/10.12697/aa.2018.4.04.

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Abstract: “The work of censorship carries a great deal of responsibility”. A documentary glimpse of the activity of them Estonian SSR Glavlit in 1941–1948" Censorship was one of the important social control mechanisms of the Communist Party of the Soviet Union. The Main Administration for Literary and Publishing Affairs, or Glavlit (in Russian Glavnoe upravlenie po delam literaturȳ i izdatel’stv), was established under the jurisdiction of the People’s Commissariat for Education on 6 June 1922 by decree of the Russian SFSR Council of People’s Commissars. Its task was to combat the ideolog

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Cámara Carrillo, Mónica Verenice, Santa Ramírez Godinez, and Juan Carlos Barrera de León. "Prevalencia de rechazo de injerto mediado por anticuerpos en pacientes pediátricos con trasplante renal." Revista de la Sociedad Ecuatoriana de Nefrología, Diálisis y Trasplante 10, no. 2 (2022): 108–14. http://dx.doi.org/10.56867/33.

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Introducción: El objetivo principal en el manejo de los pacientes receptores de trasplante renal, es mantener el estado de inmunosupresión adecuado para evitar la presentación de un rechazo inmunológico del injerto. El rechazo activo mediado por anticuerpos es una de las causas más frecuentes de disfunción del injerto en el periodo postrasplante temprano, además de representar una causa importante de disminución en su sobrevida, sin embargo, en México son escasos los reportes de la prevalencia de este evento, sobre todo en lo referente a la población pediátrica. Métodos: Estudio retrospectivo,

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Ladd, Marco. "‘Monster’ Street Organs and Audiovisual Culture in Pre-Cinematic Italy." Nineteenth-Century Music Review, January 10, 2025, 1–25. https://doi.org/10.1017/s1479409824000351.

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Studies of cinema's emergence from nineteenth-century cultural forms have historically privileged its visual attributes over its sonic ones. This article redresses the balance by examining a musical device commonly associated with early film exhibition across Europe: the fairground organ, whose spectacular audiovisual appeal was exploited in public squares and fairgrounds long before the invention of cinema. Drawing on insights from the field of media archaeology, I ask whether we can locate an archaeological layer of cinematic prehistory in the fairground organ itself. In so doing, what emerg

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Gómez García, Claudia. "La pelota vasca y el NO-DO : un símbolo vasquista a través del noticiario cinematográfico franquista // Basque Pelota in NO-DO. A Basque symbol through the Francoist newsreel." Sancho el Sabio : revista de cultura e investigación vasca, no. 38 (January 13, 2016). http://dx.doi.org/10.55698/ss.v0i38.33.

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La pelota es un símbolo de identidad vasca. El objeto de este artículo es analizar lavisión de este deporte a través del principal órgano de información y propagandavisual del franquismo: el noticiario cinematográfico NO-DO. Se trata de un noticiariosemanal que, según su propia cabecera, pretendía poner “el mundo enteroal alcance de todos los españoles” y cuya proyección fue obligatoria en todos loscines desde 1943 hasta 1975. Aquí tratamos de descubrir si, al hablar de la pelotavasca, el fuerte nacionalismo español del NO-DO es compatible con un ciertoregionalismo.Pilota euskal nortasunaren i

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Gómez López, Jesús Isaías. "Werner Nekes’ Uliisses: Literary Citations Between Eye and Brain in the Cinema of “Light-erature." ODISEA. Revista de estudios ingleses, no. 1 (February 16, 2017). http://dx.doi.org/10.25115/odisea.v0i1.62.

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The metaphoric use of light, traditionally a domain reserved to painting andarchitecture, has always, by its very nature, played a major role in film, because photography and cinema are simply specific ways of dealing with light. In Uliisses (1982) German film director Werner Nekes makes use of the fact that the processing centers of the cerebrum work much faster than, for example, the organ of perception, the eye. Indeed it is just this sluggishness of the eye, creating the impression of actual movement out of a specific rapid sucession of individual images in sequence, which is fundamental f

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Coco, Attilio. "Cinema, Letteratura, Memoria: Orhan Pamuk e Il Museo dell’innocenza." Novecento, no. 21 (2024). http://dx.doi.org/10.52056/9791254696965/08.

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Cruchinho, Fausto. "Fora de campo e Campo sonoro em Cinema." AVANCA | CINEMA, May 10, 2020. http://dx.doi.org/10.37390/ac.v0i0.35.

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Usually associated with the practice of cinema, offscreen is understood as everything and what is not contained in the field of cinema, in the plane of image and sound. This conference addresses the issue, placing the field and the field out of the image creation and its relation to what the plan entails and obliterates, in the same way as theatre space, the existence of another space that is filmic. In the same way, the sound field installs itself as the offscreen, to where it is sent what is not in the field. The sound construction, far from replicating the field of the image, establishes th

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Fonseca, Vitor Droppa Wadowski. "Música visual: sintaxe de um movimento abstrato." Revista Concinnitas 22, no. 42 (2021). http://dx.doi.org/10.12957/concinnitas.2021.53625.

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O artigo busca compreender o surgimento do conceito de Música Visual fundado na pintura abstrata, desenvolvido nos concertos de color organs e consolidado no cinema de vanguarda. Partindo de uma abordagem historiográfica, escritos de artistas pioneiros do conceito e análises de teóricos que os pesquisaram são articulados para investigar o movimento e a abstração enquanto fundamentos da sintaxe originária da Música Visual.

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46

Grabarchuk, Alexandra. "‘People Sing When They're Happy’: Popular Music in 1970s Soviet Comedic Cinema." Popular Music, February 24, 2025, 1–18. https://doi.org/10.1017/s026114302400045x.

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Abstract Like any form of artistic production in the Soviet 1970s (Brezhnev's ‘Stagnation’ era), films had to tread a fine line between being acceptable to official organs, yet managing to appeal to the average citizen. Music – and specifically popular music or estrada – was an important factor contributing to how filmmakers could express themselves and connect with audiences despite official restraint. This article will explore the soundscapes of two iconic movies embodying that tension: The Twelve Chairs (Двеннадцать стульев, 1971, dir. Leonid Gaidai) and The Irony of Fate, or Enjoy Your Bat

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Dr.M.G.RAMPRASATH. "Sociological and Psychological Issues of Women in Tamil Cinemas." June 7, 2025. https://doi.org/10.5281/zenodo.14651991.

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Literature was popular in the 18th and 19th centuries. Since the 20th century, cinema has occupied its place. Though both these arts have certain connections and differences, both have a similarity of taking their readers/audience to a different world. The way both media expresses their meaning is where the similarity and the difference lie. The only difference between the movie and the literature is the advantage of visually showing the whole picture on the screen which helps the audience connect with the moment exactly to the sense of organs, which is absent in the literature. To put it, in

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Büyücek, Seçkin. "Representation of masculinities in the Arabesk films of Orhan Gencebay within the context of 1970s Turkish popular cinema (Yeşilçam)." Turkish Studies, April 3, 2024, 1–21. http://dx.doi.org/10.1080/14683849.2024.2336697.

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Sharma, Shweta. "The Killer Father and the Final Mother: Womb-Envy in The Cell." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 1, no. 2 (2007). http://dx.doi.org/10.31165/nk.2007.12.28.

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This paper introduces and examines the ‘Killer’ Father and the ‘Final’ Mother in Tarsem Singh’s The Cell (2001). They are descendants of Carol J. Clover’s ‘Killer’ and ‘Final Girl’ respectively. The Killer Father is a bad father figure who tortures or even kills his family. The Final Mother is a ‘muscle mother’, who kills the Killer Father in order to save her child from his fringes. This study uses the psychoanalytical concept of ‘womb-envy’ as a critical tool to illustrate the unconscious motives of the Killer Father. The employment of womb-envy shows that the Killer Father’s behaviour displ

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DİKEN YÜCEL, Dilar, and Nida Sümeyya ÇETİN. "In Search of Nomadic Thought: Rethinking The Festival of Troubadours." SineFilozofi, December 27, 2022. http://dx.doi.org/10.31122/sinefilozofi.1201215.

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Gilles Deleuze and Félix Guattari are among the names who contributed to the development of film philosophy with nomadic thought. In this process, thinkers who explain nomadic thought through concepts have benefited from various concepts such as rhizome, deterritorialization, becoming, movement image, time image, and the body without organs. Within the scope of the study, the aforementioned concepts were discussed in the context of Özcan Alper's film The Festival of Troubadours (Âşıklar Bayramı, 2022). This discussion, which was built on the concepts borrowed from philosophy, was carried out w

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