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Artículos de revistas sobre el tema "Comerç al detall"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de febrero de 2022

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1

Fotheringham, Richard. "May Holt’s Waiting Consent." Nineteenth Century Theatre and Film 47, no. 2 (2020): 132–55. http://dx.doi.org/10.1177/1748372720925771.

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In 1880 the English actor and manager May Holt, following her real-life marriage to a ‘gentleman’ and temporary withdrawal from London and provincial stages, wrote six plays which were staged many times by several managements. The introduction gives some details of her career and examines in detail her most successful work, a short ‘curtain raiser’ comedy, Waiting Consent, which starred several major actors over the next decade, including Violet and Irene Vanbrugh. An unusual early ‘bedroom farce’, it challenged assumptions about women and marriage in the same decade that saw the passing of th

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2

Wu, Qian, Ma Lin Liu, and Tong Wang Zhang. "Research on Mass Transfer Coefficient Measurement Model of External-Loop Airlift Reactor." Advanced Materials Research 512-515 (May 2012): 2405–11. http://dx.doi.org/10.4028/www.scientific.net/amr.512-515.2405.

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A mathematical model considering the inter-phase mass transfer both in the down-comer and the riser of an external-loop airlift reactor was established in this paper. The calculated global volumetric mass transfer coefficient based on the assumption of continuous stirred tank reactor (CSTR) was different from the local volumetric mass transfer coefficients by the newly proposed mathematical model and the difference was discussed. The effects of mass transfer in the down-comer, the hydrodynamic pressure and the experimental time on the mass transfer coefficient measurement model have been studi

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3

Lowe, N. J. "III New Comedy and Menander." New Surveys in the Classics 37 (2007): 63–80. http://dx.doi.org/10.1017/s0017383508000454.

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After Aristophanes' Wealth (388), our next complete surviving comedy is Menander's Dyskolos from 316: a gap longer than the period spanned by our entire corpus of surviving tragedy. The lost lifetime of ‘Middle Comedy’ is far from a desert; though papyrus texts are scarce, quotations in later Greek texts are very numerous, with Athenaeus' ten-book dialogue Deipnosophistae or ‘Dinner-Party Scholars’ (c. 200 AD) a particularly rich source of snippets concerned with all aspects of food, drink, and the symposium – themes which, even allowing for Athenaeus' specialized interests, seem to have been

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4

Maconie, Robin. "DIVINE COMEDY: STOCKHAUSEN'S ‘MITTWOCH’ IN BIRMINGHAM." Tempo 67, no. 263 (2013): 2–18. http://dx.doi.org/10.1017/s0040298212001027.

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AbstractChildhood play, leadership, suspense, thoughts of mediation and conciliation, Hamlet-like reflections on being and not-being, facing and conquering fears, and a hunger for stability and security in personal relationships, together with a full panoply of riffs on the colour yellow in European popular culture – many of them frankly unpleasant – are among the challenging ingredients of Stockhausen's Mittwoch aus LICHT, the last segment of the seven-opera LICHT jigsaw to be put in place. Stockhausen's operas are intricate literary puzzles or charades, every detail of which can be assigned

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5

Venkat, Vishaka, та Vinod Balakrishnan. "Bharatamuni’s hāsya in Nāṭya Śāstra and Bergson’s Laughter: A comparative study of the aesthetics of the comic". HUMOR 33, № 3 (2020): 439–66. http://dx.doi.org/10.1515/humor-2018-0148.

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AbstractThe paper elucidates the “paradox of comedy”—a perpetual philosophical concern regarding the nature of theatrical/stage comedy—through a cross-cultural comparison between Bharatamuni’s (circa 500 A.D.) and Henri Bergson’s (1859–1941) theorization of the comic and thereupon, fathoms the Indian comic tradition in the canon of comedy studies. Bharata’s hāsya in Nāṭya Śāstra and Bergson’s Laughter become tenable for a comparative aesthetic study as they approach the stagecraft of the comic socio-aesthetically. The comic paradox implies the tension in the nature of comedy, which on one hand

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6

Briam, Carol. "Outsourced: Using a Comedy Film to Teach Intercultural Communication." Business Communication Quarterly 73, no. 4 (2010): 383–98. http://dx.doi.org/10.1177/1080569910385567.

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Given that feature films can enhance the teaching of intercultural communication, this article describes in detail how the 2006 comedy film, Outsourced , can be integrated into a course. The article relates the film to four different functions of film and shows how Outsourced can help create an intercultural experience for students, serve as the basis for a case analysis of cross-cultural adjustment, give meaning to cultural concepts, and create powerful metaphorical images to expand classroom discussions to broader issues. Also explored are ways the film can be used in teaching advanced inter

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7

Shapaya, Beneah. "Kenyan Television Stand-up Comedy as a Reflection of Societal Mentality." Journal of African Theatre, Film and Media Discourse 1, no. 1 (2020): 120–28. http://dx.doi.org/10.33886/kujat.v1i1.130.

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The held mantra for comedy is laughing at ourselves, meaning that the jokes and situations highlighted by a stand-up comedian are a reflection of societal values and norms that may in turn be idiotic in nature but still held dear by the society. The norms maybe like a ritual that though at times ineffectual and at times detrimental is still held as a part of the societal code and cannot be discarded easily. Indeed the traditional venue of a typical stand-up comedian has been the pub, performing to an audience that is inebriated, but with the increased popularity of stand-up comedy in Kenyan te

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8

Lloyd, Mike. "Nerds in the City: Flight of the Conchords Makes Good Television Humour." Media International Australia 131, no. 1 (2009): 57–67. http://dx.doi.org/10.1177/1329878x0913100107.

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First screened in 2007 on HBO television, Flight of the Conchords has received the best international reception of any New Zealand-based television comedy. The series shows the two Kiwis, Bret and Jemaine — a musical duo — bumbling their way through trying to make it in New York. The failure scenario could have led to the typical sitcom fare of conflicting personalities with specific character types as the butt of humour; however, Flight of the Conchords avoids this standard route, and this may partly explain its popularity. Details are provided of exactly how the series makes ‘good’ humour, w

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9

SHAW, TONY, and TRICIA JENKINS. "An Act of War? The Interview Affair, the Sony Hack, and the Hollywood–Washington Power Nexus Today." Journal of American Studies 53, no. 1 (2017): 1–27. http://dx.doi.org/10.1017/s0021875817000512.

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Film has been an integral part of the propaganda war fought between the United States and North Korea over the past decade. The international controversy surrounding the Hollywood comedy The Interview in 2014 vividly demonstrated this and, in the process, drew attention to hidden dimensions of the US state security–entertainment complex in the early twenty-first century. Using the emails leaked courtesy of the Sony hack of late 2014, this article explores the Interview affair in detail, on the one hand revealing the close links between Sony executives and US foreign-policy advisers and on the

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10

Noman, Muhammad Tayyab, Nesrine Amor, Michal Petru, Aamir Mahmood, and Pavel Kejzlar. "Photocatalytic Behaviour of Zinc Oxide Nanostructures on Surface Activation of Polymeric Fibres." Polymers 13, no. 8 (2021): 1227. http://dx.doi.org/10.3390/polym13081227.

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Zinc oxide (ZnO) in various nano forms (nanoparticles, nanorods, nanosheets, nanowires and nanoflowers) has received remarkable attention worldwide for its functional diversity in different fields i.e., paints, cosmetics, coatings, rubber and composites. The purpose of this article is to investigate the role of photocatalytic activity (role of photogenerated radical scavengers) of nano ZnO (nZnO) for the surface activation of polymeric natural fibres especially cotton and their combined effect in photocatalytic applications. Photocatalytic behaviour is a crucial property that enables nZnO as a

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11

Томачинский, Симеон. "Gogol’s «Dead Souls» and Dante's «Divine Comedy»: Connections." Theological Herald, no. 4(39) (December 15, 2020): 252–62. http://dx.doi.org/10.31802/gb.2020.39.4.014.

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Гоголь создавал центральное произведение своего творчества главным образом в Риме. К Италии писатель испытывал особенную любовь. Гоголь прекрасно владел итальянским языком, писал на нём письма, переводил с него и на него. При создании «Мёртвых душ», которые он назвал поэмой, Гоголь ориентировался, в том числе, на «Божественную комедию» Данте. Это проявилось в разных аспектах: в композиции произведения, в сюжете, в идейном содержании и мелких деталях. Гоголевская поэма по замыслу должна была состоять из трёх частей, условно соотносящихся с Адом, Чистилищем и Раем. В итоге завершённой оказалась

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12

Chapman, David. "Not the Same Old Story: Dante’s Re-Telling of The Odyssey." Religions 10, no. 3 (2019): 171. http://dx.doi.org/10.3390/rel10030171.

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Dante’s Divine Comedy is frequently taught in core curriculum programs, but the mixture of classical and Christian symbols can be confusing to contemporary students. In teaching Dante, it is helpful for students to understand the concept of noumenal truth that underlies the symbol. In re-telling the Ulysses’ myth in Canto XXVI of The Inferno, Dante reveals that the details of the narrative are secondary to the spiritual truth he wishes to convey. Dante changes Ulysses’ quest for home and reunification with family in the Homeric account to a failed quest for knowledge without divine guidance th

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13

Bohdanets, Svitlana. "Gastronomic Humor in Medieval European Literature: Topoi and Historiography." Text and Image: Essential Problems in Art History, no. 2 (2019): 34–43. http://dx.doi.org/10.17721/2519-4801.2019.2.02.

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The article looks at topoi in gastronomic images of European medieval humoristic texts and seeks to examine the connection between food and comic discourses. The author shall also highlight how these images were evaluated and interpreted by scholars of a different methodological background. The attention is paid to motives in gastronomic humour and comic plots related to food, which were widely spread in Western culture. Gastronomic humour is displayed through examples that are to be found in such medieval literary genres as farce, fabliau, Schwank etc. The study aims to propose a common food

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14

Acham, Christine. "Black-ish: Kenya Barris on Representing Blackness in the Age of Black Lives Matter." Film Quarterly 71, no. 3 (2018): 48–57. http://dx.doi.org/10.1525/fq.2018.71.3.48.

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African American studies and television scholar Christine Acham interviews Kenya Barris the creator of the top-rated primetime network show Black-ish (ABC, 2014—). Acham tuned in during the 2014 political climate of #BlackLivesMatter to find a show that veered so far from television's traditionally monolithic or culturally void versions of blackness. Her conversation with Kenya Barris took place on June 23, 2017, in Burbank, California. They discussed Black-ish in detail, and also engaged questions of politics, the specificity of black storytelling, the contemporary “Black Television Renaissan

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15

Toruń, Włodzimierz. "Alpy w twórczości Zygmunta Krasińskiego." Góry, Literatura, Kultura 12 (August 1, 2019): 177–90. http://dx.doi.org/10.19195/2084-4107.12.11.

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The Alps in the oeuvre of Zygmunt KrasińskiWhen it comes to the scope of its topics and level of detail, the sketch “The Alps in the oeuvre of Zygmunt Krasiński” is a preliminary reconnaissance. Krasiński’s image of the Alps was influenced by his “educational” trip to Switzerland on which he went with his guardians in the autumn of 1829. The primeval and monumental nature of the Alpine landscape left an indelible mark on the psyche of the young Romantic poet. This can be seen in Krasiński’s letters to his father as well as discursive writings of the future author of Non-Divine Comedy. Of cruci

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16

Figueroa Dorrego, Jorge. "“Dwindling Down to Farce”?: Aphra Behn’s Approach to Farce in the late 1670s and 80s." Journal of English Studies 17 (December 18, 2019): 127. http://dx.doi.org/10.18172/jes.3565.

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In spite of her criticism against farce in the paratexts of The Emperor of the Moon (1687), Aphra Behn makes an extensive use of farcical elements not only in that play and The False Count (1681), which are actually described as farces in their title pages, but also in Sir Patient Fancy (1678), The Feign’d Curtizans (1679), and The Second Part of The Rover (1681). This article contends that Behn adapts French farce and Italian commedia dell’arte to the English Restoration stage mostly resorting to deception farce in order to trick old husbands or fathers, or else foolish, hypocritical coxcombs

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17

Vinogradov, Igor. "The Mayor’s career in “The Government Inspector”. On Nikolai Gogol’s political views." Literary Fact, no. 15 (2020): 237–82. http://dx.doi.org/10.22455/2541-8297-2020-15-237-282.

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The paper is devoted to the study of Nikolai Gogol’s idea of the social and official status of the Mayor, the character of a “head official” in the satirical comedy The Government Inspector. So far Gogol’s view of his character as a raznochinets, a “mean plebeian”, who blemished his rank and position, hasn’t been considered by the scholars. In Gogol’s opinion, Skvoznik-Dmukhanovsky, who started his career from the lowest position and acquired his rank and title of nobility with “hard service”, nevertheless hasn’t become a true nobleman because of his bribery and corruption. From this perspecti

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18

Rauseo, Chris. "Kleists Revisor. „Der zerbrochne Krug” zwischen Friedrich II. und Adolph Menzel." Germanica Wratislaviensia 142 (January 11, 2018): 11–24. http://dx.doi.org/10.19195/0435-5865.142.1.

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Als Adolph Menzel 1876–1877 Kleists Zerbrochnen Krug illustrierte, beschwor er die niederländische Genre-Malerei des 17. Jahrhunderts bis ins Detail und auch voller Pracht. Dies spezifisch Holländische erfährt aber wider Erwarten eine spezifisch preußische Färbung dadurch, dass der nachschaffende Künstler den Geist Friedrichs des Großen zu einem kurzen aber dramatischen Auftritt hervorruft, um die preußische Herkunft und auch Beschaffenheit des Kleistschen Lustspiels nicht aus dem Blick zu verlieren.Kleist’s Revisor. The Zerbrochner Krug between Frederick the Great and Adolph MenzelFrederick

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19

Gates, Racquel. "SUBVERTING HOLLYWOOD FROM THE INSIDE OUT." Film Quarterly 68, no. 1 (2014): 9–21. http://dx.doi.org/10.1525/fq.2014.68.1.9.

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This article examines the production of Watermelon Man (1970), director Melvin Van Peebles’s only Hollywood film. While the film is often overlooked in scholarly circles in favor of Van Peebles’s more famous Sweet Sweetback’s Baadasssss Song (1971), Watermelon Man demonstrates that degree to which Van Peebles was able to produce a film that was aesthetically and narratively subversive in spite of the studio’s attempts to turn the film into a standard, mainstream comedy. Further, combining historical and theoretical approaches, including details about the film’s production from Van Peebles hims

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20

Gangui, Alejandro. "The Barolo Palace: Medieval Astronomy in the Streets of Buenos Aires." Culture and Cosmos 15, no. 01 (2011): 28–56. http://dx.doi.org/10.46472/cc.0115.0207.

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Cultural heritage relating to the sky in the form of sundials, old observatories and the like, are commonly found in many cities in the Old World, but rarely in the New. This paper examines astronomical heritage embodied in the Barolo Palace in Buenos Aires. While references to Dante Alighieri and his poetry are scattered in streets, buildings and monuments around the Western world, in the city of Buenos Aires, the only street carrying Dante’s name is less than three blocks long and, appropriately, is a continuation of Virgilio street. A couple of Italian immigrants—a wealthy businessman, Luis

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HARRILL, J. ALBERT. "The Dramatic Function of the Running Slave Rhoda (Acts 12.13–16): A Piece of Greco-Roman Comedy." New Testament Studies 46, no. 1 (2000): 150–57. http://dx.doi.org/10.1017/s0028688500000096.

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Rhoda, the slave maid (παιδισκη) in Acts 12.13–16, has been seen as a classic example of a touch of realism that lends authenticity to Luke's narrative: the vivid and precise detail of her flighty joy presents such a candid snapshot of her individuality and eccentric Christian faith that it could only come from a historical source, perhaps the eyewitness reminiscence of Rhoda herself. While less willing than earlier commentators to accept the description in its final form as factual, more recent scholars still perpetuate the goal of discerning the historical core behind the account and continu

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22

Brown, Peter. "WERE THERE SLAVES IN THE AUDIENCE OF PLAUTUS’ COMEDIES?" Classical Quarterly 69, no. 2 (2019): 654–71. http://dx.doi.org/10.1017/s0009838820000099.

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The purpose of this paper is to examine the evidence commonly claimed to show the presence of slaves in the audience of Plautus’ comedies (above all the evidence of his prologue to Poenulus) and to argue that it more probably shows the opposite, that slaves were not present, or at least were expected not to be. The question is given some urgency by the appearance of Amy Richlin's new book, which takes the presence of slaves in the audience for granted and builds on it to develop a view of Plautine comedy as addressing the experiences, hopes and fears of those slaves. Richlin cites the Poenulus

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23

Harper, Margaret Mills. "‘as though nothing were happening—or rather, not happening’: Excess and Vacuity in The Little Girls." Irish University Review 51, no. 1 (2021): 100–113. http://dx.doi.org/10.3366/iur.2021.0498.

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There's a hole in the middle of Bowen's late novel The Little Girls, literally as well as figuratively: a cavity in the ground dug by three childhood friends for the purpose of burying a secret box. Indeed, the novel is full of holes, from caves and missing treasures to absences, losses, and griefs. At the same time, the book displays a fullness or even extravagant overstuffed quality. Its style, pace, plot, and themes are supersatured, with breathless dialogue, restless activity, and suggestive detail. The Little Girls is very funny even as it never wanders far from catastrophe. The novelisti

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24

Ma, Lei, Cen Qian, Zheng Liu, and Yue Zhu. "Exploring the Innovation System of the Animation Industry: Case Study of a Chinese Company." Sustainability 10, no. 9 (2018): 3213. http://dx.doi.org/10.3390/su10093213.

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In the past 10 years, the animation industry has developed rapidly due to new technology and market expansion. Leading firms such as Disney are continuously seeking strategies to expand business towards products and service innovation, whereas Pixar and DreamWorks focus mainly on technology management. Driven by market and government policy, there is a blooming of the animation industry in China. However, most Chinese companies, in shortage of knowledge and experience, are unclear about innovation strategies. Thus, this paper aims to investigate the innovation system of China’s animation indus

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25

Cueva, Edmund P. "The Idea of the Theater in Latin Christian Thought: Augustine to the Fourteenth Century." Theatre Survey 47, no. 1 (2006): 127–29. http://dx.doi.org/10.1017/s0040557406290094.

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This is an unusual but good and sensible book. I write that it is unusual because The Idea of the Theater in Latin Christian Thought does not follow the predictable pattern of looking at the “materiality of medieval theater practices and historiography” (2). It instead looks at theatre as it appears in medieval thought and as “moments in European intellectual history” (4). Dox leads the reader through a thorough and erudite survey of the writings of some of the Latin Christian authors. She begins with Saint Augustine of Hippo and ends with Bartholomew of Bruges. The text has three major goals.

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Nielsen, Rosemary M., and Robert H. Solomon. "Rescuing Horace, Pyrrha and Aphra Behn: A Directive." Ramus 22, no. 1 (1993): 60–77. http://dx.doi.org/10.1017/s0048671x0000254x.

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The question before us at the turn of both century and millennium is how one determines whether Horace is a dangerous love-poet (unrecognised because we read badly). Or a panderer, playing to our delight in the comedy of manners. Or a serious analyst of communication between the sexes—even a prophet for our time. The choice varies from villain to vates, the extremes reminding us how certainly the past exists, as Robert Frost laments in ‘Directive’: ‘Back in a time made simple by the loss/Of detail, burned, dissolved, and broken off,/Like a graveyard marble sculpture in the weather.’Recently, a

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Gambetta, Diego. "Godfather's gossip." European Journal of Sociology 35, no. 2 (1994): 199–223. http://dx.doi.org/10.1017/s0003975600006846.

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My attention to gossip as a notion worthy of reflection was attracted by a trivial detail: the English etymology of gossip is god-sib, godfather, or, generally, god parent, ‘denoting—says the English Oxford Dictionary—the spiritual affinity of the baptized and their sponsor’. This intriguing origin alludes to gossip as the performing of an initiation ritual, the creation of an exclusive bond; above all, it bears an uncanny association with the mafia which happens to have been the topic of my research for sometime. I suppose I could have interpreted god-sib through the obvious gender bias as de

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Wong, Laurence. "Musicality and Intrafamily Translation: With Reference to European Languages and Chinese." Meta 51, no. 1 (2006): 89–97. http://dx.doi.org/10.7202/012995ar.

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Abstract Most practitioners of translation agree that translation is at best an ersatz, able to get across only part of the source text’s meaning, which is meaning on two levels: the semantic and the phonological. Even in translating an apparently simple lexical item, to say nothing of long stretches of discourse, they are keenly aware of what is being left out. On the semantic level, for example, the denotation of a lexical item may sometimes be preserved almost intact. However, its connotations, associations, or nuances, which can elicit subtle responses from readers of the original, often d

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Biles, Zachary. "Celebrating poetic victory: representations of epinikia in Classical Athens." Journal of Hellenic Studies 127 (November 2007): 19–37. http://dx.doi.org/10.1017/s0075426900001592.

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Abstract:Although we are fairly well informed about the general organization and important events of the dramatic competitions in Athens, there remain significant gaps in our knowledge on many points of detail. In no place is this more true than with regard to the epinikian celebration honouring members of the victorious performance, about which scarcely any unambiguous testimony has come down to us. This study aims to provide new insights into the problem by demonstrating a connection between the iconography preserved in several sculpted reliefs of the Roman period commonly referred to as Dio

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RICHARDSON-HAY, CHRISTINE. "Dinner at Seneca's Table: The Philosophy of Food." Greece and Rome 56, no. 1 (2009): 71–96. http://dx.doi.org/10.1017/s0017383508000703.

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There is an abundance ‘to eat’ in the pages of Roman literature, where lavish and exotic dishes crowd the tables at banquets that flatter and fortify indulgent and insatiable appetites in unrestrained festivals of eating and drinking. As Emily Gowers explains, ‘Imperium had turned Rome into the world's emporium: its alimentary choices are presented as almost infinite, from the turnips of Romulus to the larks' tongues of Elagabalus’. Nevertheless, in Roman society, where the food a person ate (its quality, quantity, and presentation) reflected their station in life and where large numbers of th

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Taylor, Bryce A. "Holden Caulfield: Sort of a Christian." Religion and the Arts 18, no. 5 (2014): 653–71. http://dx.doi.org/10.1163/15685292-01805003.

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Many critics have remarked on the deeply religious character of J. D. Salinger’s The Catcher in the Rye; the novel has been discussed, for example, in terms of Zen Buddhism and Gnosticism. Catcher’s treatment of Christianity, however, has received little attention. This omission is regrettable given the characteristic acuity with which its narrator, Holden Caulfield, addresses Christian sources and themes. The aim of this article, therefore, is to consider in detail Holden’s conflicted attitude toward Christianity. It contends that despite Holden’s biting complaints against Christians (e.g., t

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Vysokovich, Ksenia. "«SOCIAL» COMEDIES IN THE WORKS OF N. I. KHMELNITSKY." Ivanovo state university bulletin. Series «The Humanities», no. 3 (October 1, 2020): 12–19. http://dx.doi.org/10.46726/h.2020.3.2.

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The article deals with the «social» comedies of one of the most famous playwrights at the turn of the 1810s—1820s N. I. Khmelnitsky. The main attention is paid to the analysis of the plot features, as well as the main characteristics of the character. The comedies are considered in a chronological order: «The Talker» (1817), «Сastles in the Air » (1818), «Indecisive, or Seven Fridays in the week» (1820), «A social occasion» (1826), «Mutual trials» (1826—1829). Mostly Khmelnitsky borrowed the plots of his comedies from French authors, breathing new life into their texts. Khmelnitsky made the ch

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Megget, Leslie M. "The seismic behaviour of small reinforced concrete beam-column knee joints." Bulletin of the New Zealand Society for Earthquake Engineering 31, no. 4 (1998): 215–45. http://dx.doi.org/10.5459/bnzsee.31.4.215-245.

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The majority of research into beam-column knee joints has been conducted with monotonic loading. Many of these joints failed to reach their member moment capacity, especially under opening moments, while a few cyclic knee joint tests have been completed in the United States this decade. This paper describes the cyclic testing of 8 small knee joints designed to the 1995 New Zealand Concrete Standard. In addition two joints designed and detailed to the 1965 N.Z. Concrete Code were also tested. Joints with U-bar anchorages performed better than joints with standard 90 degree hook details on beam

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Tkachenko, Tetyana. "THE PROSE GENRE PALETTE OF IVAN NECHUJ-LEVYCZKYJ." Literary Studies, no. 57 (2019): 173–86. http://dx.doi.org/10.17721/2520-6346.3(57).173-186.

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The article studies the specifics of the small prose of Ivan Nechuj-Levyczkyj (1838–1918). The focus is on the study of the genealogy of writing, including the variety of small epic forms presented by the writer’s legacy. The paper analyses the author’s reception, interpretation and reinterpretation of genres and genre varieties are covered, genre diffusion (travel essay, notes, sketching, anecdote, prose fable, satire, story, humorous, legend, fairy tale, phantasmagoria, tragic comedy, tragedy, fantasy). It explores the issues and topics of proscription (glorifying the beauty of nature of Ukr

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Gaudet, L., L. Krebs, M. Carr, et al. "P052: Breaking down the pieces: A scoping review exploring the components of image ordering interventions and trends in their outcomes in pediatric emergency medicine." CJEM 21, S1 (2019): S81—S82. http://dx.doi.org/10.1017/cem.2019.243.

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Introduction: Clinicians treating children in the emergency department (ED) are especially concerned with the efficacy and safety of imaging. Interventions to limit imaging have been proposed to maximize benefits and avoid risks; however, the types and effectiveness of interventions employed in pediatric EDs have not been examined in detail. Methods: Electronic databases and grey literature were systematically searched by a medical librarian. Comparative studies of ED-based interventions reporting computed tomography (CT), radiography (XR), or ultrasound (US) outcomes were included. Interventi

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NAUMENKO, TATIANA I., and ANASTASIA A. MOLOZYA. "NAMELESS STAR: EDISON DENISOV’S MUSIC IN THE DISCOURSES OF AN UNORDINARY STORY." ART AND SCIENCE OF TELEVISION 17, no. 2 (2021): 121–47. http://dx.doi.org/10.30628/1994-9529-2021-17.2-121-147.

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The article addresses the 1978 film Nameless Star (directed by Mikhail Kozakov, music by Edison Denisov) as one of the few examples of on-screen art in which music not only supports the story, but comes to the fore, becoming one of its characters. Naturally enough, in this article, Nameless Star is considered through the lens of its musical concept. The focus is on some of the composer’s individual features that characterize his film music. Among the main ones is Denisov’s fundamental idea about integrating music into a single canvas of a film work, which directly affects its figurative and st

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BROGAN, HUGH. "W. H. Auden, Benjamin Britten, and Paul Bunyan." Journal of American Studies 32, no. 2 (1998): 281–82. http://dx.doi.org/10.1017/s0021875898005921.

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Somewhat to the surprise of the critics and the public, the exiled company of the Royal Opera House had a great success with their production of Benjamin Britten's “operetta,” Paul Bunyan, just before Christmas, 1997. Everyone knew the difficulties in advance – for instance, the piece has absolutely no dramatic momentum – but no one seems to have foreseen that the splendid music would carry all before it in a theatre, or that a highly accomplished cast would find so many moments of real comedy and pathos in performance. Even now it is hard to imagine the piece entering the regular repertory, b

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Ognieva, T. K. "FEATURES OF THE DEVELOPMENT OF CONTEMPORARY CHINESE, KOREAN AND JAPANESE ART AND CINEMA." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 69–83. http://dx.doi.org/10.17721/ucs.2020.1(6).15.

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The article analyzes the conditions and factors that influenced the formation of contemporary art and cinema in China, South Korea and Japan. We can determine the peculiarities of the development of Chinese contemporary art, such as the desire of the first artists, after the Cultural Revolution, to reflect its flux and effects as much as possible. Further, artistic tendencies become diverse: the commercial component and a certain element of the state of affairs are viewed in the works of art by Chinese authors, but the desire for self-expression in different ways testify to the progressive phe

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Hummelen, W. M. H. "Toneel op de kermis, van Bruegel tot Bredero." Oud Holland - Quarterly for Dutch Art History 103, no. 1 (1989): 1–45. http://dx.doi.org/10.1163/187501789x00013.

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AbstractThe article considers the depictions of stage performances (or of preparations for stage performances) which first appeared in Dutch paintings and prints of country fairs around 1560. The performances in depictions dating from the period between 1560 and 1620 were given by the Rederijkers', members of the chambers of rhetoric, whose activities included play-acting. The stage-play motif occurs in depictions other than those of country fairs, but never as such an integral part of the proceedings. The article examines what was played, and how. Of a total of thirteen examples in which the

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Br. Gultom, Bontor Jumaylinda, and Tri Wibowo Caesariadi. "PERSEPSI MASYARAKAT TEPIAN SUNGAI TERHADAP PEMANFAATAN RUANG SIRKULASI DAN RUANG TERBUKA SEBAGAI RESPON MITIGASI BENCANA BERBASIS BENCANA AIR DI SINTANG." LANGKAU BETANG: JURNAL ARSITEKTUR 5, no. 2 (2018): 97. http://dx.doi.org/10.26418/lantang.v5i2.29889.

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Sintang merupakan salah satu kota di Kalimantan Barat yang berada di pertemuan dua sungai, yaitu sungai Kapuas dan Sungai Melawi. Kelurahan Kapuas Kiri Hilir, Kelurahan Menyumbung Tengah dan Kelurahan Ulak Jaya merupakan kawasan permukiman padat yang sudah ada sejak lama di Sintang, dekat dengan pusat historis Kota Sintang yaitu Keraton Sintang dan tetap eksis sampai sekarang. Sedangkan kondisi dunia yang sedang mengalami pemanasan global mengakibatkan kawasan-kawasan yang berhubungan langsung dengan air rentan mengalami kenaikan permukaan air sungai (pasang air). Mengingat mahalnya harga nyaw

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Stanovcic, Vojislav. "Contribution of historical and literary works to the understanding of political phenomena." Zbornik Matice srpske za drustvene nauke, no. 118-119 (2005): 93–124. http://dx.doi.org/10.2298/zmsdn0519093s.

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The paper presents a series of arguments which indicate that significant historiographic works describing and analyzing bygone political phenomena as well the literary works which picturesquely depict political situations and human destinies - with their specific approaches and methods - contribute to the better insight and understanding of the phenomena in the political life which philosophy and social sciences express by notions. Social and political life have their bright and dark sides. It is less arguable that political sciences - in the study of phenomena included in their topic -find gr

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Linh, Tran Thi Thuy. "CONVERSATIONAL IMPLICATURES IN THE MOVIE “THE MERMAID” (2016)." VNU Journal of Foreign Studies 36, no. 5 (2020). http://dx.doi.org/10.25073/2525-2445/vnufs.4608.

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"The Mermaid" (2016) is a Chinese fiction-comedy which ignites numerous laughters among the audience thanks to its humorous details and conversations among characters in the movie. On the basis of Gricean conversational implicatures (1975), this paper analyses conversational implicatures when characters intentionally violate conversation maxims. A total of 27 conversations with violations are put into analysis, among which some violate a single maxim whereas others may violate several maxims. Violations of the maxim of quality account for the highest proportion, and violations of the maxim of

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Linh, Tran Thi Thuy. "CONVERSATIONAL IMPLICATURES IN THE MOVIE “THE MERMAID” (2016)." VNU Journal of Foreign Studies 36, no. 5 (2020). http://dx.doi.org/10.25073/2525-2445/vnufs.4608.

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"The Mermaid" (2016) is a Chinese fiction-comedy which ignites numerous laughters among the audience thanks to its humorous details and conversations among characters in the movie. On the basis of Gricean conversational implicatures (1975), this paper analyses conversational implicatures when characters intentionally violate conversation maxims. A total of 27 conversations with violations are put into analysis, among which some violate a single maxim whereas others may violate several maxims. Violations of the maxim of quality account for the highest proportion, and violations of the maxim of

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Yitzhaki, Moshe. "Accepting the 'Other': Immigrants in Israeli children's literature." IASL Annual Conference Proceedings, February 22, 2021, 440–46. http://dx.doi.org/10.29173/iasl7473.

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   Israel is known as a typical immigration country, to which millions of people have immigrated throughout the last 130 years. The various problems encountered by immigrants in a new country, regardless of its geographical location, have been documented in detail by sociologists and anthropologists as well as by writers of novels and children's books. Inevitably, there are considerable social, economic, cultural, and sometimes religious differences between the immigrants and veteran residents. Much of the new-comer's resources are devoted to overcoming these difficulties.&#x

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Falk, Emily. "Tell Me Something Funny." Character Lab Tips, February 2021. http://dx.doi.org/10.53776/tips-tell-me-something-funny.

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My grandmother always opens our conversations with “So, tell me something!” When I was a teenager, I often felt paralyzed, thinking, “What do you want to know?” But then I discovered a trick: I loved watching late-night parodies of the news like Saturday Night Live and The Daily Show, and I would repurpose their jokes to make her laugh. That motivated me to watch more carefully, so I could remember the details to share later—and even to consult other news sources for context. Although some might consider watching comedy shows to be “wasting time,” recent research shows their value: humor helps

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Gorlitz, Sarah Jane. "Robert Bresson: Depth Behind Simplicity." Kinema: A Journal for Film and Audiovisual Media, April 10, 2000. http://dx.doi.org/10.15353/kinema.vi.919.

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On December 18, 1999, one of the world's greatest filmmakers, Robert Bresson, passed away at the age of 98. Although Bresson made only thirteen films over forty years, together they represent a body of work that is unparalleled in its stylistic consistency and the strength of its singular vision. Aside from Jean-Luc Godard, no other post-war French filmmaker's influence has spanned so many generations of filmmakers, so many countries, and such diverse aesthetics. Bresson's contribution to modern cinema has, however, only relatively recently come to proper recognition. As a result (and due to h

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"Ambiguities in Kreitton logos?" Mnemosyne 57, no. 3 (2004): 284–94. http://dx.doi.org/10.1163/1568525041317949.

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AbstractIn the Agon of Aristophanes' Clouds, Pheidippides has to choose Kreitton logos or Hetton logos in order to get the proper education at Socrates' thinking-shop. Kreitton logos's account is a praise of old-time education. He praises courage, endurance and hard work but at the same time his account is full of sexual remarks. In an influential discussion, Dover found a paradox at the heart of Kreitton logos's account: "Kreitton logos is obsessed with boys' genitals", according to Dover. In this article, I shall argue that in the context of archaic and classical Greece desire is compatible

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Sunderland, Geraint, Mitchell Foster, Sujay Dheerendra, and Robin Pillay. "Patient-Reported Outcomes Following Lumbar Decompression Surgery: A Review of 2699 Cases." Global Spine Journal, January 7, 2020, 219256821989654. http://dx.doi.org/10.1177/2192568219896541.

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Study Design: Retrospective case series. Objective: Despite numerous advances in the technology and techniques available to spinal surgeons, lumbar decompression remains the mainstay of degenerative lumbar spine surgery. It has proven efficacy in trials, but only limited evidence of advantage over conservative management in large scale systematic reviews. We collated data from a large surgically managed cohort to evaluate the patient-reported outcomes. Methods: We performed a retrospective analysis of a prospectively populated database. Patient demographics, surgical details, and patient outco

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Kjøller-Hansen, Lars, Henning Kelbæk, Evald Høj Christiansen, et al. "Predictors of 10-Year Stent-Related Adverse Outcomes after Coronary Drug-Eluting Stent Implantation: The Importance of Stent Size." Cardiology, August 3, 2021, 1–8. http://dx.doi.org/10.1159/000517614.

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<b><i>Introduction:</i></b> The predictors of stent treatment failure and their importance 10 years after treatment with drug-eluting stents (DESs) have not been reported in detail. <b><i>Methods:</i></b> Data were retrieved from the SORT-OUT II database encompassing 2,849 non-left main coronary lesions in 2,073 unselected all-comer patients treated with first-generation DES and followed clinically for 10 years. Stent treatment failure (STF) was defined as definite or probable stent thrombosis, target lesion revascularization (TLR), or &#x3e;

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Makowska, Urszula. "Spotkanie we Lwowie (do którego nie doszło). Bruno Schulz i Henryk Vogler." Schulz/Forum, no. 14 (December 16, 2019). http://dx.doi.org/10.26881/sf.2019.14.04.

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The paper presents unknown details concerning Bruno Schulz, found in the memoirs of the Cracow critic, writer, and poet Henryk Vogler (1911–2005). Vogler wrote quite a long article, “Two Romantic Worlds. On Bruno Schulz and Witold Gombrowicz” [Dwa światy romantyczne. O Brunonie Schulzu i Witoldzie Gombrowiczu], published in 1938 in Skamander. Both writers thanked him in letters, which initiated their correspondence that continued till the outbreak of World War II. Schulz exchanged with his younger colleague opinions about literature, evaluated his attempts to write fiction, and described his d

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