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Artículos de revistas sobre el tema "Consciousness in art"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de julio de 2024

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1

Humphrey, Nicholas. "Consciousness As Art." Scientific American Mind 26, no. 3 (April 9, 2015): 64–69. http://dx.doi.org/10.1038/scientificamericanmind0515-64.

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2

Sontag, Susan, Bonnie Marranca, and Gautam Dasgupta. "Art and Consciousness." PAJ: A Journal of Performance and Art 27, no. 2 (May 2005): 1–9. http://dx.doi.org/10.1162/1520281053850820.

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3

Ascott, Roy. "Art, Technology and Consciousness." Convergence: The International Journal of Research into New Media Technologies 4, no. 3 (September 1998): 110–13. http://dx.doi.org/10.1177/135485659800400315.

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4

Ascott, Roy. "Art, consciousness and artificial life." Artificial Life and Robotics 3, no. 3 (September 1999): 176–80. http://dx.doi.org/10.1007/bf02481136.

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5

Ascott, Roy. "Consciousness reframed: Art and consciousness in the post‐biological era." Digital Creativity 9, no. 1 (January 1998): 5–6. http://dx.doi.org/10.1080/14626269808567099.

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6

Mamakos, Christina, and Petros Stefaneas. "Consciousness reframed: Art and consciousness in the post-biological era." Technoetic Arts 14, no. 3 (December 1, 2016): 169–76. http://dx.doi.org/10.1386/tear.14.3.169_1.

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7

Kurg, Regina-Nino. "Aesthetic consciousness of site-specific art." South African Journal of Philosophy 32, no. 4 (October 2, 2013): 349–53. http://dx.doi.org/10.1080/02580136.2013.865098.

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8

Ascott, Roy. "Planetary Technoetics: Art, Technology and Consciousness." Leonardo 37, no. 2 (April 2004): 111–16. http://dx.doi.org/10.1162/0024094041139265.

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As the planet becomes telematically unified, the self becomes dispersed. The convergence of dry silicon pixels and biologically wet particles is creating a moistmedia substrate for art where digital systems, telematics, genetic engineering and nanotechnology meet. A technoetic aesthetic not only will embrace new media, technology, consciousness research and non-classical science but also will gain new insights from older cultural traditions previously banished from materialist discourse. In the present post- 9/11 crisis, collaborative transdisciplinary research is needed if a truly planetary c

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9

Guard, Julie, D’Arcy Martin, Laurie McGauley, Mercedes Steedman, and Jorge Garcia-Orgales. "Art as Activism." Labor Studies Journal 37, no. 2 (January 5, 2012): 163–82. http://dx.doi.org/10.1177/0160449x11431895.

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Popular theater has significant, although largely overlooked, potential as a tool for unions to raise members’ political consciousness and strengthen their relationship to the union movement. Activist theater validates workers’ own knowledge, builds workers’ solidarity and self-confidence, and fosters an activist culture. It can also raise gender consciousness within unions. It has particular value for unions attempting to organize precarious workplaces such as call centers, where workers are especially vulnerable and often unfamiliar with unions and union culture. The experience of one group

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10

Gupta, Sunita. "ART, ARTISTS AND CONDOLENCES." International Journal of Research -GRANTHAALAYAH 7, no. 11 (November 30, 2019): 277–80. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3753.

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English: Beauty, love, sensation, feeling and consciousness are social rites. With the continuous development of the developing living beings, they also evolved, rising above the category of human, monkey and forest man and became great human beings. His mind, mind, aesthetic consciousness and love continued to develop on the strength of his intellect and is still happening today. Man has always been a necessity of society and due to the desire for sociality, he has an attitude of love and love. Charles Darwin has accepted aesthetic consciousness even among non-human beings, but aesthetic cons

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11

Nefedova, L. K. "MODEL OF INTERACTION BETWEEN RELIGION AND ART: ONTOLOGICAL COMPARATIVE OF RELIGION AND ART." Review of Omsk State Pedagogical University. Humanitarian research, no. 32 (2021): 27–32. http://dx.doi.org/10.36809/2309-9380-2021-32-27-32.

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The correlate of religion and art is considered from the standpoint of their belonging to the forms of social consciousness, allowing one to reveal the identity of their structure. The model of the religious complex that has developed in the philosophy of religion, including consciousness, activity, relationships, organization, is extrapolated to the phenomenon of art. On this basis, an ontological comparative of religious and artistic consciousness, activity, relations, and organization is presented. These components of the structure are the points of interaction of phenomena, determining the

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12

Keski-Korsu, Mari. "On the edges of consciousnesses: Messaging between species." Technoetic Arts 20, no. 1 (July 1, 2022): 39–50. http://dx.doi.org/10.1386/tear_00080_1.

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Consciousness is often defined as an experience of the world, but its definitions vary and stir up controversy. It is described through the vocabulary of philosophy, psychology, neuroscience and spirituality, to name but a few fields. Other-than-human consciousness has long been considered non-existent, a notion that has only recently changed as other-than-humans have been found to possess consciousness and a capacity for intentional behaviour (Low 2012: 2). This article presents perspectives on interspecies communication to propose that various species have consciousness and that communicatio

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13

Krivtsun, Oleg A. "NATURAL SCIENCES CONSCIOUSNESS AND LANGUAGE OF ART." Articult, no. 4 (2017): 153–55. http://dx.doi.org/10.28995/2227-6165-2017-4-153-155.

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14

Punt, Michael. "A Speculative Bibliography of Art and Consciousness." Convergence: The International Journal of Research into New Media Technologies 4, no. 3 (September 1998): 114–15. http://dx.doi.org/10.1177/135485659800400316.

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15

Ascott, Roy, and Michael Punt. "A Specialist Bibliography of Art and Consciousness." Convergence: The International Journal of Research into New Media Technologies 4, no. 3 (September 1998): 116–33. http://dx.doi.org/10.1177/135485659800400317.

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16

Galanti, Geri-Ann. "States of Consciousness and Rock/Cave Art." Anthropology of Consciousness 9, no. 1 (March 1998): 1–2. http://dx.doi.org/10.1525/ac.1998.9.1.1.

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17

DANTO, ARTHUR C. "Art, Evolution, and The Consciousness of History." Journal of Aesthetics and Art Criticism 44, no. 3 (March 1, 1986): 223–34. http://dx.doi.org/10.1111/1540_6245.jaac44.3.0223.

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18

Danto, Arthur C. "Art, Evolution, and the Consciousness of History." Journal of Aesthetics and Art Criticism 44, no. 3 (1986): 223. http://dx.doi.org/10.2307/429732.

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19

Tsereteli, Asmat. "Media as Art and Art as Media (Magazines: “Theatre”, “Aril”, “Art in America”, “ARTFORUM”)." Works of Georgian Technical University, no. 1(531) (March 22, 2024): 29–38. http://dx.doi.org/10.36073/1512-0996-2024-1-29-38.

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Media and culture, two influential and important spheres of public life, have a long history of coexistence. There is no media art and no art without media. It is especially important to research the forms of impact on the formation of public consciousness in these areas, as well as the results. British media theorist Dennis McQuail in his work Journalism and Society notes that all theories that study the relationship between media, culture, and society, despite conceptual differences, agree that the media can serve to liberate and unify society, as well as to fragment and divide it – both dev

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20

Zhang, Aixin. "The Neglected Place of “Totems” in Contemporary Art." Religions 14, no. 6 (June 19, 2023): 810. http://dx.doi.org/10.3390/rel14060810.

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The religious nature of Joseph Beuys’ works was ignored or intentionally avoided by mainstream criticism since his artistic practice was ridiculed for its potential spirituality. It is argued that Beuys’ works are work meditations on the issues of potential ego in totemic art, which are frequent topics of theological concern. For example, what is the nature of our consciousness after death, and how does it relate to the consciousness of others? Beuys’ conceptual artworks reveal his engagement with the “witchcraft etiquette” of totemic art and his exploration of theological questions such as th

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21

Azevedo, Ge, and Y. S. Filippovich. "How art therapy supports development of self-consciousness." Collection of humanitarian researches, no. 3(24) (September 29, 2020): 18–23. http://dx.doi.org/10.21626/j-chr/2020-3(24)/3.

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As a therapeutic tool, art is a way to develop reflexive self-awareness. We suggest that to establish a link between art-therapy and the advancement of self-consciousness is a necessity taking into account that consciousness compounds of awareness of one’s body and one’s environment. Then we can regard self-awareness as recognition of consciousness. We suggest that a human body plays a key role in the process of conscious experience and that art can refine this process, increasing the awareness of self and others.

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22

Kriegel, Uriah. "Consciousness as Intransitive Self-Consciousness: Two Views and an Argument." Canadian Journal of Philosophy 33, no. 1 (March 2003): 103–32. http://dx.doi.org/10.1080/00455091.2003.10716537.

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The word ‘consciousness’ is notoriously ambiguous. This is mainly because it isnota term of art, but a mundane word we all use quite frequently, for different purposes and in different everyday contexts. In this paper, I am going to discuss consciousness in one specific sense of the word. To avoid the ambiguities of the word ‘consciousness,’ I will introduce a term of art:intransitive self-consciousness.As the term suggests, the phenomenon I have in mind is a kind of self-consciousness, or self-awareness.

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23

Burger, W. "Breyten Breytenbach se Boek: die taal (poësie) as voelinstrument om bewussyn te verken." Literator 26, no. 3 (July 31, 2005): 1–22. http://dx.doi.org/10.4102/lit.v26i3.234.

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Breyten Breytenbach’s Boek: language (poetry) as feelinginstrument to explore consciousness One of the big questions of science is the mystery of consciousness. How is it possible that a state of consciousness, an awareness of your own being and actions, can originate from matter, from the movement of neurons in nerve tissue? While neuroscience does not have answers to these questions (yet), the subjective exploration of consciousness by means of works of art, could make a valuable contribution. Breyten Breytenbach explicitly views his art (writing and painting) as ways to investigate consciou

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24

Myrzabayeva, Zh E. "ENVIRONMENTAL ART AND ITS IMPACT IN THE MODERN WORLD." ARTS ACADEMY 8, no. 4 (December 2023): 81–88. http://dx.doi.org/10.56032/2523-4684.2023.4.8.81.

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The article reveals the concept of art greening, its possibility of forming environmental consciousness and the way of influencing based on the principle of “ecological imperative”. The main indicator of sustainable development is the harmony between socioeconomic and environmental development, therefore, in the system of cultural values, the value of nature and attitude towards it acquires fundamental importance [1]. The author considers the stages of the formation of environmental consciousness in society through the art, as well as technological approaches, in particular, the art as a tool

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25

Yurdanidze, Mehrali Kholisovich. "FORMATION OF NATIONAL CONSCIOUSNESS THROUGH TEACHING UZBEK FOLK APPLIED ART TO STUDENTS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, no. 12 (December 1, 2021): 110–14. http://dx.doi.org/10.37547/pedagogics-crjp-02-12-22.

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The article gives a brief history of the development of folk arts and crafts, their stages and current significance. Besides the educational process, the students will study the folk arts and crafts, which are an integral part of our national cultural and spiritual heritage, as well as discuss the existing opportunities and shortcomings. It's done. Teaching students the applied decorative arts, their respect for the rich cultural and spiritual heritage of our people, the formation of our national identity in the minds of young people, their responsibility to preserve our increasingly forgotten

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26

Díaz, Jazz. "Art and Ethnic Studies." Ethnic Studies Review 42, no. 2 (2019): 173–79. http://dx.doi.org/10.1525/esr.2019.42.2.173.

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Jazz Díaz is an activist artist (artivist) who combines Art and Ethnic Studies. She describes her political consciousness and decolonizing process in navigating Western-centric art spaces. She highlights critical themes that her artwork addresses, and the essay includes examples of her work.

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27

Altieri, Charles, and Paul Crowther. "Art and Embodiment: From Aesthetics to Self-Consciousness." Journal of Aesthetics and Art Criticism 53, no. 1 (1995): 87. http://dx.doi.org/10.2307/431743.

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28

Potash, Jordan S. "Archetypal aesthetics: viewing art through states of consciousness." International Journal of Jungian Studies 7, no. 2 (May 4, 2015): 139–53. http://dx.doi.org/10.1080/19409052.2014.924984.

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A Jungian and archetypal psychology approach to aesthetics includes noticing which archetypes are activated when viewing or engaging with art. Archetypes provide vitality to art and can be accessed by viewers through attention to bodily responses and emotional awareness enhanced by imagination. Connecting these personal experiences to the collective requires framing viewers' responses within comprehensible patterns. Joan Kellogg's theory ‘The Archetypal Stages of the Great Round of Mandala’ offers a system for identifying archetypes as states of consciousness and making them accessible to a wi

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29

Strauss, Lauren B. "Complex Identities: Jewish Consciousness and Modern Art (review)." American Jewish History 89, no. 4 (2001): 464–67. http://dx.doi.org/10.1353/ajh.2001.0074.

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30

Kennedy, Henry, and Kenneth Knoblauch. "Imagery, art and biological aspects of visual consciousness." Word & Image 21, no. 2 (April 2005): 124–35. http://dx.doi.org/10.1080/02666286.2005.10462105.

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31

Belz, Carl. "Complex Identities: Jewish Consciousness and Modern Art (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 21, no. 2 (2002): 187–89. http://dx.doi.org/10.1353/sho.2002.0133.

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32

Lukkas, Lynn Tjernan. "Oculus: Crossing Boundaries in Cyberspace, Art, and Consciousness." Art Journal 59, no. 4 (2000): 14. http://dx.doi.org/10.2307/778116.

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33

Lukkas, Lynn Tjernan. "Oculus: Crossing Boundaries in Cyberspace, Art, and Consciousness." Art Journal 59, no. 4 (December 2000): 14–20. http://dx.doi.org/10.1080/00043249.2000.10792026.

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34

Chepelyk, Oksana. "Influence of Eco-art and the New Technologies on the Formation of Eco-Consciousness." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 128–44. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235235.

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The article addresses the problem of the effectiveness of eco-art as an instrument for the transformation of consciousness in the era of environmental crises. A number of eco-art projects focusing on threats to aquatic biodiversity that use digital technologies and data-driven approaches in interaction with biological organisms are considered. The features of eco-art with the use of new technologies and its impact on the formation of eco-consciousness are the subjectof the research. The aim of the study is to identify the features of the impact of eco-art projects on the formation of eco-consc

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35

Bronikov, Ignat, and Irina Khmyrova-Pruel. "INCONSISTENCY OF UTOPIAN CONSCIOSNESS." Studia Humanitatis 20, no. 3 (November 2021): 30–35. http://dx.doi.org/10.15393/j12.art.2021.3763.

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Utopia is undoubtedly an integral part of human culture, since it is impossible to imagine a person who would not dream of paradise shores. But as widespread as utopia is, it is also obscure. Perhaps in order to shed light on the mystery of the essence of utopia, it is necessary to turn to utopian consciousness. Namely we need to analyze utopian consciousness itself, as well as its character and features, hoping to eventually get an unambiguous understanding of what utopian consciousness is and where it originates from, thereby getting closer to utopia itself. The article presents an attempt a

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36

HSIEH, CHIA-CHUAN. "PUBLISHING THE RAPHAEL CARTOONS AND THE RISE OF ART-HISTORICAL CONSCIOUSNESS IN ENGLAND, 1707–1764." Historical Journal 52, no. 4 (November 6, 2009): 899–920. http://dx.doi.org/10.1017/s0018246x09990355.

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ABSTRACTIn studies of English artistic culture of the first half of the eighteenth century, the notion of art-historical consciousness has attracted little attention, in contrast to an immense interest in issues of picture consumption and taste. This article provides a new perspective on the rise of art-historical consciousness by examining publications associated with the Raphael Cartoons, then at Hampton Court. Through a wide range of engraved reproductions and written commentaries, the Cartoons not only came to be the most visible Old Master paintings in England in the period, but also beca

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37

Doufas, Anthony G., Maryam Bakhshandeh, Andrew R. Bjorksten, Robert Greif, and Daniel I. Sessler. "Automated Responsiveness Test (ART) Predicts Loss of Consciousness and Adverse Physiologic Responses during Propofol Conscious Sedation." Anesthesiology 94, no. 4 (April 1, 2001): 585–92. http://dx.doi.org/10.1097/00000542-200104000-00010.

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Background The authors evaluated a device designed to provide conscious sedation with propofol (propofol-air), or propofol combined with 50% nitrous oxide (N2O; propofol-N2O). An element of this device is the automated responsiveness test (ART), a method for confirming that patients remain conscious. The authors tested the hypotheses that the ART predicts loss of consciousness and that failure to respond to the ART precedes sedation-induced respiratory or hemodynamic toxicity. Methods The protocol consisted of sequential 15-min cycles in 20 volunteers. After a 15-min control period, propofol w

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38

Kharitonova, Natalia Stepanovna. "Impressionism as an Expression of Social Consciousness." Journal of Flm Arts and Film Studies 6, no. 3 (September 15, 2014): 82–90. http://dx.doi.org/10.17816/vgik6382-90.

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The article is an attempt to comprehend the emergence and establishing of the Impressionism, to understand the reasons of the reappraisal of artistic values gradually taking place in public consciousness and answer the question how the social demand for a new artistic value was formed. The birth of the Impressionism as a cultural phenomenon resulted from an artists interpretation of objective reality, his relations with the society, nature, science, philosophy, religion. The Impressionism was one of the brightest events in the European culture of the mid-1800s which made a great impact on the

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39

Krylova, Alexandra V. "Promotional and song extravaganza of air: goods in art format." Observatory of Culture, no. 1 (February 28, 2014): 55–60. http://dx.doi.org/10.25281/2072-3156-2014-0-1-55-60.

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Is devoted to the promotional song - one of the most popular genres in advertising practice, the impact on the mass consciousness of which is predetermined by music format and reliance on archetypal meanings that bring to the mass consciousness the concepts "song", "music", "art." The author classifies the types of promotional song, highlights musical and stylistic priorities, analyzes the issues of motivation, aesthetics and mnemonic properties of genre

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40

Mueller, Robert Emmett. "Mnemesthetics: Art as the Revivification of Significant Consciousness Events." Leonardo 21, no. 2 (1988): 191. http://dx.doi.org/10.2307/1578558.

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41

Hawley, William M. "Framing Consciousness in Art: Transcultural Perspectives. By Gregory Minissale." European Legacy 17, no. 4 (July 2012): 545–46. http://dx.doi.org/10.1080/10848770.2012.686752.

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42

Ding, Ying. "Development model and consciousness of Chinese ‘85 art movement’." Journal of Art and Culture Studies 15 (December 31, 2019): 161–79. http://dx.doi.org/10.18707/jacs.2019.12.15.161.

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43

Epstein, Russell. "Consciousness, art, and the brain: Lessons from Marcel Proust." Consciousness and Cognition 13, no. 2 (June 2004): 213–40. http://dx.doi.org/10.1016/s1053-8100(03)00006-0.

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44

Leach, J. P. "Diagnosis of loss of consciousness: When art meets science." Seizure 23, no. 7 (August 2014): 495. http://dx.doi.org/10.1016/j.seizure.2014.05.001.

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45

Altieri, Charles. "Visual Analogy: Consciousness as the Art of Connecting (review)." Modernism/modernity 7, no. 3 (2000): 514–17. http://dx.doi.org/10.1353/mod.2000.0051.

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46

Elcock, Chris. "Are you experienced? How psychedelic consciousness transformed modern art." Sixties 6, no. 1 (June 2013): 106–9. http://dx.doi.org/10.1080/17541328.2013.834188.

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47

Willis, Meredith Sue. "Seduced into Consciousness: The Art of Jayne Anne Phillips." Appalachian Heritage 37, no. 1 (December 2009): 22–28. http://dx.doi.org/10.1353/aph.2009.a258523.

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48

Little, Rina, and Candance Doerr-Stevens. "Building Place-Consciousness: An Art Museum and Entangled Relations." International Journal of the Inclusive Museum 16, no. 2 (2023): 1–18. http://dx.doi.org/10.18848/1835-2014/cgp/v16i02/1-18.

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49

Winfree, Jason Kemp. "Nietzsche and the Self-Overcoming of Historical Consciousness." Research in Phenomenology 52, no. 3 (September 26, 2022): 333–51. http://dx.doi.org/10.1163/15691640-12341504.

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Abstract This paper addresses the self-overcoming of historical consciousness in Nietzsche’s “The Uses and Disadvantages of History for Life” and contemporaneous texts. I argue that Nietzsche’s particular historical awareness, which conditions his treatment of historiography [Historie], is indebted to the lineage of German Idealism it also overtly contests. That contestation reaches its apex in Nietzsche’s valorization of appearance and the redirection of poietic power, which enables him to affirm an art of history rather than a science thereof, indeed, an art aligned with justice.

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50

Kubiak, Anthony. "Cave mentem: Disease and the Performance of Mind." TDR/The Drama Review 59, no. 2 (June 2015): 114–28. http://dx.doi.org/10.1162/dram_a_00453.

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What do the delineations of consciousness owe to disease? Might we see, in the earliest examples of performative art, traces of dis-ease giving rise to performance and art itself? And what do we make of recent discoveries that certain modes of disease can influence our states of mind, our beliefs, consciousness itself? Does our development as human beings—from distant past to present day—owe far more to disease than we might imagine?

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