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1

Bidgood, Lee. "Consort Cooperative Concert." Digital Commons @ East Tennessee State University, 2017. https://vimeo.com/239922609.

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2

Linnell, Anna-Marie. "Writing the Royal Consort in Stuart England." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23628.

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This dissertation examines the literature of royal consorts in Stuart England. Critics and historians have devoted considerable attention to the creation of the monarch’s image during this tumultuous period, which witnessed two revolutions and the explosion of print. We know that the Stuart monarchs embraced different forms of visual media – including pageantry, portraiture and print – to disseminate their image within the court and to a broader public. However, the extensive literature about the royal consorts remains under-examined. My thesis makes an original contribution to scholarship by
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3

Blackburn, Christopher A. "Napoleon and the szlachta /." Boulder [Colo.] : New York : East European monographs ; Columbia university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb370589583.

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4

McCain, Stewart N. "The langauge question under Napoleon." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:610a14d5-a7fc-4842-996a-ab3bc7e6b334.

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From the campaign waged by Revolutionaries like Barère and the Abbé Grégoire against those regional languages they referred to pejoratively as 'patois', to the educational policies of Jules Ferry a century later, successive governments of France engaged in a broadly successful struggle to force the French to speak French. Inverting the logic of cultural nationalists like Herder, who claimed a shared language as the legitimate basis of national polities, French legislators sought to impose French as a common language on a linguistically diverse population that had already b
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5

Malloch, Joseph W. "A consort of gestural musical controllers : design, construction, and performance." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112506.

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This thesis project presents the T-Sticks, a new family of digital musical instruments (DMIs). Most DMIs are either entirely unique interfaces, or exist as design iterations in which each incarnation is intended to improve on the last. The T-Sticks are instead intended to form a complementary group or consort which may be performed ensemble and also performed individually in solo pieces or works for mixed instrumentation. Each of the T-Sticks is based on the same general structure and sensing platform, but each also differs from its siblings in size, weight, timbre and register.<br>This docume
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6

Jay, Emma. "Caroline, Queen Consort of George II, and British literary culture." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402981.

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7

Grant, Sean Patrick. "Development of a CONSORT extension for social and psychological interventions." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:c1bd46df-eb3f-4dc6-9cc1-38c26a5661a9.

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<b>Background:</b> Defined by their mechanisms, social and psychological interventions are those interventions that work through mental processes and social phenomena. They are often complex and challenging to evaluate, so understanding randomised controlled trials (RCTs) of these interventions requires detailed reports of the interventions tested and the methods used to assess them. However, reports of these RCTs often omit important information. Poor reporting hinders critical appraisal and synthesis of RCTs in systematic reviews, thereby impeding the effective transfer of research evidence
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8

Robertson, Michael Neil. "The consort suite in the German-speaking lands (1660-1705)." Thesis, University of Leeds, 2004. http://etheses.whiterose.ac.uk/360/.

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It is likely that most of the composers considered in this dissertation would have thought of themselves as being German, even if they were nominal citizens of the Holy Roman Empire. The end of the Thirty Years War in 1648 had hardly brought lasting peace to Germany: in France, Louis XIV had territorial ambitions, and this brought him into conflict with Leopold I, the Holy Roman Emperor. Despite the political machinations of the period, French cultural influence was very strong in Germany. The music of Jean-Baptiste Lully swept through the German courts during the 1670s and '80s, and remained
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9

Cox, Jensen Oskar. "Napoleon and British popular song, 1797-1822." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2.

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Existing studies of popular culture and popular politics in the long eighteenth century over-favour either the ‘culture’ or the ‘politics’. This thesis contributes to debates on the making of both national and class identity in Britain via intensive analysis of popular song culture, in the context of the Napoleonic Wars. Portrayals of Napoleon himself are used to shape the thesis’ source material and the forms of discussion. It argues for the necessity of sympathetic, informed contextualisation of political issues within contemporary cultural processes: that an understanding of the composition
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10

Gimblett, Jennifer Leigh. "Painting and Propaganda: Napoleon and His Artists." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144321.

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11

Töppel, Roman. "Die Sachsen und Napoleon : ein Stimmungsbild 1806-1813 /." Köln Weimar Wien Böhlau, 2008. http://d-nb.info/988815354/04.

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12

Rhoden, W. Jack. "Caricatural representations of Louis-Napoleon Bonaparte, 1848-1871." Thesis, University of Sheffield, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574550.

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This thesis is concerned with French caricatural representations of Louis- Napoleon Bonaparte in the period from his appearance on the political scene during the nascent Second Republic to the summer following the end of the Franco-Prussian War and Paris Commune. The study of these images reveals his centrality to contemporary republican thought. From 1848 to 1871, Louis-Napoleon Bonaparte was constructed in the Parisian caricature press as the embodiment of all that was anti-republican. Under the Second Republic and Empire the caricature press was recognisably and overwhelmingly republican an
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13

Schönfuß-Krause, Renate. "Lotzdorfs „Scharfer Zacken“ am Sandberg und Napoleon Bonaparte." Teamwork Schönfuß, 2021. https://slub.qucosa.de/id/qucosa%3A74808.

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Es ist eine geschichtsträchtige Zeit. Napoleon Bonaparte, Zar Alexander I. von Russland, König Friedrich Wilhelm III. von Preußen, Graf zu Sayn-Wittgenstein, Ludwig Graf Yorck von Wartenburg und viele andere höchste Politiker und Militärs waren 1813, nach Napoleons Rückzug aus Russland, in Radeberg zu Lage-Sondierungen, Gelände-Besichtigungen und hochrangigen Gesprächen. Nur knapp sind Radeberg und Lotzdorf direkten militärischen Kämpfen entgangen, trotzdem waren die Schäden durch Belagerungen, Requirierungen, Plünderungen u. ä. unvorstellbar.... Dabei spielte der Sandberg, gelegen zwischen Ra
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14

Adams, Alissa R. "French depictions of Napoleon I's resurrection (1821-1848)." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/3236.

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Despite the inherently multivalent nature of images of Napoleon Bonaparte created during the middle of the nineteenth century, scholars often employ only one lens to interpret them: the political context of the age in which they were created. In doing so, they effectively separate these images from the wider art historical narrative. A second—and equally fraught—effect of this tendency is the perpetuation of dominant assumptions that the popularity of his image was due to his status as a “Great Man.” This dissertation examines a subset of mid-century Napoleonic imagery that demonstrates the fl
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15

Craft, Emalee, and Rachel Ogumbo. "Use of CONSORT Criteria for Reporting Randomized Controlled Trials in Pharmacy Journals." The University of Arizona, 2012. http://hdl.handle.net/10150/623596.

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Class of 2012 Abstract<br>Specific Aims: To explore whether publishing requirements for human-centered randomized control trials, particularly the CONSORT criteria, have any relationship to impact as measured by the Journal Citation Reports TM Impact Factor. Methods: A worksheet was used to evaluate a methodically selected list of journals, including types of articles published, requirements of authors for human-focused randomized control trials, JCR Impact Factor and other JCR metrics for each specific journal title. A worksheet was filled out for each journal by each member of the research
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16

Craft, Emalee, Rachel Ogumbo, and Marion Slack. "Use of CONSORT Criteria for Reporting Randomized Controlled Trials in Pharmacy Journals." The University of Arizona, 2012. http://hdl.handle.net/10150/614462.

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Class of 2012 Abstract<br>Specific Aims: To explore whether publishing requirements for human-centered randomized control trials, particularly the CONSORT criteria, have any relationship to impact as measured by the Journal Citation Reports ™ Impact Factor. Methods: A worksheet was used to evaluate a methodically selected list of journals, including types of articles published, requirements of authors for human-focused randomized control trials, JCR Impact Factor and other JCR metrics for each specific journal title. A worksheet was filled out for each journal by each member of the resear
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17

Robson, Tristram Newton Fatkin. "The Irish harp in art music c1550-c1650." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/9354/.

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The sixteenth century brought increased English military occupation and settlement to Ireland. Members of the invading nobility, who consequently came into contact with the native culture, were seduced by the sound of the Irish harp and took the instrument from its roots in Gaelic society and placed it in the setting of European courtly music. My aim is to examine this process, the resulting developments which took place in the evolution of the Irish harp, and compositions associated with its usage in the 'art' music of England and the Continent. Particular reference is made to the 'Harpe' Con
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18

Besslich, Barbara. "Der deutsche Napoleon-Mythos Literatur und Erinnerung ; 1800 - 1945." Darmstadt WBG, [Abt. Verl.], 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2811210&prov=M&dok_var=1&dok_ext=htm.

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19

O'Connell, Barry John. "British intelligence during the war against Napoleon, 1807-1815." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709285.

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20

Romaneski, Jonathan. "Importing Napoleon: Engineering the American Military Nation, 1814-1821." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149244658201799.

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21

Besslich, Barbara. "Der deutsche Napoleon-Mythos : Literatur und Erinnerung 1800-1945 /." Darmstadt : WBG, 2007. http://catalogue.bnf.fr/ark:/12148/cb41086328x.

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22

McLaughlin, Peter Joseph. "A CLASH OF WILLS: NAPOLEON vs. WELLINGTON, 1808-1815." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/192554.

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23

Sullivan, Sandra Jean. "Representations of Mary of Modena, Duchess, Queen Consort and exile : images and texts." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1349620/.

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This study of the way in which the "image" of Mary of Modena was constructed, and then deconstructed, examines the changing ways in which this late seventeenth-century Italian Catholic aristocrat was represented, both visually in portraits,prints and engravings, and textually in verse and prose, opera, masque and pamphlet plays, after her arrival in England in 1673 as the wife of James, Duke of York (later James II). The images and texts are placed within the cultural context of the age: contemporary artists, writers, patronage, conventions and expectations, including those relating to women,
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24

Benz, Lisa. "Queen consort, queen mother : the power and authority of fourteenth century Plantagenet queens." Thesis, University of York, 2009. http://etheses.whiterose.ac.uk/14154/.

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Between 1299 and 1369 there was a continuous succession of queen consorts and queen dowagers. Margaret of France was queen consort between 1299 and 1307 and died in 1318, Isabella of France was queen consort between 1308 and 1327 and she died in 1358 and Philippa of Hainault was queen consort between 1328 and 1369 when she died. A continuous transition between queens is particularly exciting for a study of queenship because an analysis of these queens' activities provides a unique opportunity to form conclusions about nonnative queenly behaviour, and to determine the extent to which their acti
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25

Llorente, M. "The image of the Catholic Queen, Mariana of Austria : consort, regent and Queen Mother." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1348748/.

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María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married her uncle, Felipe IV. After the death of Felipe IV, Queen Mariana became regent, guardian-tutor and guardian-curadora of her son, the child-King, and in his name ruled the monarchy. Although Mariana is relatively obscure as a historical figure, we know her portrait thanks to Velázquez, who produced a number of portraits and included her, as wife of the King and mother of the Infanta, in Las Meninas, in the famous background mirror. The goal of this thesis is to examine the various portraits of the
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26

Russo, Carole. "Confessions of a consort: the role of Meg in The Hostage by Brendan Behan." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392304909.

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27

Schulz, Andreas. "Herrschaft durch Verwaltung : die Rheinbundreformen in Hessen-Darmstadt unter Napoleon /." Stuttgart : F. Steiner, 1991. http://catalogue.bnf.fr/ark:/12148/cb35706090h.

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28

Golding, Christopher Thorn. "At Water's Edge: Britain, Napoleon, and the World, 1793-1815." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/430911.

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History<br>Ph.D.<br>This dissertation explores the influence of late eighteenth-century British imperial and global paradigms of thought on the formation of British policy and strategy during the French Revolutionary and Napoleonic Wars. It argues that British imperial interests exerted a consistent influence on British strategic decision making through the personal advocacy of political leaders, institutional memory within the British government, and in the form of a traditional strain of a widely-embraced British imperial-maritime ideology that became more vehement as the conflict progressed
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29

Cunningham, John Patrick. "Music for the privy chamber : studies in the consort music of William Lawes (1602-45)." Thesis, University of Leeds, 2007. http://etheses.whiterose.ac.uk/21097/.

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The first half of the seventeenth century was one of the most vibrant periods in English music. William Lawes is arguably one of the finest English composers of the period, and indeed, ranks with the best of his Continental contemporaries. He gained a post among the private musicians of Charles I in 1635, a group known as the Lutes, Viols and Voices (LVV). Much of his surviving consort music appears to have been written for performance by members of LVV; nevertheless, little is known of the internal workings of this elite group. Thus, this dissertation first considers the evidence available fr
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30

Hippler, Thomas. "Problematischer Nationalismus: Kaiserkult und Volkssouveränität in Selbstzeugnissen deutscher Soldaten unter Napoleon." Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6550/.

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31

Bainbridge, Simon. "The 'master-spirit' of the age Napoleon Bonaparte and English Romanticism." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306246.

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32

Shaw, Matthew John. "Time and the French Revolution 1789 - year XIV." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 2000. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.313766.

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33

Hassler, Christian. "MS-Therapiestudien, evaluiert nach CONSORT und evidence-based medicine neuer Beurteilungsscore für die Validität und Review /." [S.l.] : [s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972767223.

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34

Woodacre, Elena Crislyn. "The Queen and her consort : succession, politics and partnership in the Kingdom of Navarre, 1274-1512." Thesis, Bath Spa University, 2011. http://researchspace.bathspa.ac.uk/1491/.

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Although the queens of Navarre form the largest group of female sovereigns ruling in one kingdom during the Middle Ages, they have not been subject to intensive academic study. Outside of works on regional political history and limited biographical study, these important women have been widely overlooked by scholars, particularly those working in English. They have never been subject to comparative analysis nor have they been examined in the context of female rule. This thesis addresses this gap in scholarship by investigating the careers of each of the five ruling queens of Navarre: Juana I (
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35

Jessen, Olaf. ""Preussens Napoleon"? Ernst von Rüchel ; 1754-1823 ; Krieg im Zeitalter der Vernunft." Paderborn München Wien Zürich Schöningh, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2800339&prov=M&dok_var=1&dok_ext=htm.

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36

Needham, John L. "Napoleon I and the Catholic Church : a study in law and politics." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334173.

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37

Rowell, Diana C. "Ancient Rome, Louis XIV and the reinvention of Paris under Napoleon I." Thesis, University of Reading, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515771.

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38

Navickas, Katrina. "Redefining loyalism, radicalism and national identity : Lancashire under the threat of Napoleon." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:b5cdcdf5-848f-4407-a36b-07ab687fa44b.

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Lancashire redefined popular politics and national identity in its own image. The perceived threat of invasion by Napoleon, together with the Irish Rebellion, sustained the evolution in extra-parliamentary politics that had begun in reaction to the American and French revolutions. The meanings and principles of 'radicalism,' 'loyalism' and 'Britain' continued to be debated and contested in 1798-1812. Elite loyalism became even more exclusive, developing into the Orange movement. Radicals remained silent until the Napoleonic invasion scares had faded and opportunities arose for renewed vocal cr
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39

Granger, Catherine. "La liste civile de napoleon iii : le pouvoir imperial et les arts." Paris, EPHE, 2000. http://www.theses.fr/2000EPHE4029.

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Comme tous les souverains francais depuis louis xvi. Napoleon iii toucha durant son regne une allocation financiere. Appelee liste civile. Et jouit d'une dotation composee de plusieurs palais situes a paris et en province. Du gardemeuble de la couronne. Des manufactures des gobelins. De beauvais et de sevres. Et des musees du louvre. Du luxembourg et de versailles. Que fit l'empereur de sa listecivile ? il accorda de nombreuses subventions a des gens dans le besoin. A des chercheurs : comme la loi l'y obligeait. Il pourvut a l'entretien de sa dotation mais il fit aussi de nouvelles constructio
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40

Zarzeczny, Matthew Donald. "Meteors That Enlighten the Earth: Napoleon and the Cult of Great Men." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248387358.

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41

Jessen, Olaf. ""Preußens Napoleon?" - Ernst von Rüchel : 1754 - 1823; Krieg im Zeitalter der Vernunft /." Paderborn ; München ; Wien ; Zürich : Schöningh, 2007. http://deposit.ddb.de/cgi-bin/dokserv?id=2800339&prov=M&dok%5Fvar=1&dok%5Fext=htm.

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42

Durham, Norman L. "The command and control of the Grand Armee Napoleon as organizational designer." Thesis, Monterey, Calif. : Naval Postgraduate School, 2009. http://handle.dtic.mil/100.2/ADA501580.

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Thesis (M.S. in Systems Technology)--Naval Postgraduate School, June 2009.<br>Thesis Advisor(s): Pfeiffer, Karl D. "June 2009." Description based on title screen as viewed on July 13, 2009. DTIC Identifiers: Napoleon. Author(s) subject terms: TERMS Napoleon Bonaparte, Information Systems Engineering, Systems Engineering, Command and Control, Organizational Design, Grand Armee. Includes bibliographical references (p. 43-44). Also available in print.
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43

Severin-Barboutie, Bettina. "Französische Herrschaftspolitik und Modernisierung Verwaltungs- und Verfassungsreformen im Grossherzogtum Berg (1806 - 1813)." München Oldenbourg, 2004. http://d-nb.info/986964271/04.

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44

Soheil, Kian. "Browning's player-prince : Hohenstiel-Schwangau, saviour of society." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/brownings-playerprince--hohenstielschwangau-saviour-of-society(56bb90b3-a8da-4129-8be3-51ecc5a76256).html.

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45

Hanley, Wayne. "The genesis of Napoleonic propaganda, 1796 to 1799 /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924886.

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46

Santos, Juliano Buosi dos 1976. "Consort de violinos : música instrumental germânica para mais de quatro vozes na segunda metade do século XVII." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285234.

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Orientador: Esdras Rodrigues Silva<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T00:34:41Z (GMT). No. of bitstreams: 1 Santos_JulianoBuosidos_M.pdf: 5944297 bytes, checksum: 6493cd8b9254b752c233881a86712f71 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa tem o propósito de divulgar um repertório pouco conhecido e interpretado atualmente: a música germânica escrita para consort de violinos para mais de quatro vozes, na segunda metade do século XVII. Um estudo histórico e estilístico nos possibilita aproxima
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47

Telp, Claus. "The evolution of operational art from Frederick the Great to Napoleon : 1740-1813." Thesis, King's College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397820.

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48

Mager, Ria [Verfasser]. "Zwischen Legitimation und Inspektion : Die Rheinlandreise Napoleon Bonapartes im Jahre 1804 / Ria Mager." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1114640603/34.

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49

Philogène, Simone. "The feminization of the Crown : the role of a Governor-General's consort in post-Confederation Canada, 1867-1898." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=67521.

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In Walter Bagehot's book, The English Constitution (1867), he described the role that the Crown was to play in the late Victorian Age. Separating the Constitution into two parts, the dignified and the efficient, he deemed the Crown part of the dignified part of the Constitution. The roles he assigned to this dignified Crown, were by nineteenth century standards, "feminine"--symbol of virtue, societal leader and personification of family life. In Canada, this feminization of the Crown was particularly evident from 1872 onwards. With the arrival of Harriot, Lady Dufferin, Consort to Canada's thi
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50

Ross, Monique Deidre. "The development and evolution of Parisian fashion supremacy from François I to Napoleon III." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1999. http://digitalcommons.auctr.edu/dissertations/2139.

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This thesis charts the development of Parisian fashion supremacy, dating from the 16th century reign of François I to the eventual establishment of haute couture in the 19th century. Via a century-by-century analysis, key individuals who contributed to the development of fashion dominance and haute couture are highlighted. This analysis is composed of three chapters and a conclusion. The first chapter concentrates on the sixteenth and seventeenth centuries, identifying François I and Louis XIV as central personalities who influenced French fashion supremacy during their respective eras. This c
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