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1

Robert, Wallace. Canada, staging a nation: Evolutions in contemporary Canadian theatre. [London]: Academic, 2002.

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2

Wallace, Robert. Staging a nation: Evolutions in contemporary Canadian theatre. London: Canada House, 2003.

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3

name, No. Performing national identities: International perspectives on contemporary Canadian theatre. Vancouver, BC: Talonbooks, 2003.

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4

Knowles, Richard. The theatre of form and the production of meaning: Contemporary Canadian dramaturgies. Toronto: ECW Press, 1999.

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5

Knowles, Richard Paul. The theatre of form and the production of meaning: Contemporary Canadian dramaturgies. Toronto: ECW Press, 1999.

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6

Wallace, Robert. Theatre and transformation in contemporary Canada. Toronto: Robarts Centre for Canadian Studies, 1999.

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7

Michael, Heinze y Johnstone Neil, eds. Jewish facets of contemporary Canadian drama. Trier: WVT, Wissenschaftlicher Verlag Trier, 2008.

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8

Glaap, Albert-Reiner. Jewish facets of contemporary Canadian drama. Trier: WVT, Wissenschaftlicher Verlag Trier, 2008.

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9

Heinze, Michael. Love, sexuality, identity: The gay experience in contemporary Canadian drama. Trier [Germany]: Wissenschaftlicher Verlag Trier, 2007.

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10

Shakespeare, William. The tragedy of Macbeth: A facing-pages translation into contemporary English. Los Angeles: Lorenz Educational Publishers, 1995.

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11

Burnett, David G. Cineplex Odeon, the first ten years: A celebration of contemporary Canadian art. Toronto: Cineplex Odeon Corporation, 1989.

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12

Burnett, David G. Cineplex Odeon, the first ten years: A celebration of contemporary Canadian art. Toronto: Cineplex Odeon Corporation, 1989.

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13

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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14

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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15

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2011.

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16

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2010.

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17

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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18

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Farmington Hills, MI: Gale Cengage Learning, 2010.

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19

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2011.

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20

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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21

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2010.

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22

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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23

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2009.

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24

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2010.

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25

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2010.

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26

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Farmington Hills, MI: Gale Cengage Learning, 2010.

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27

Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers, and critics in the United States, Canada, Great Britain and the world. Detroit, Mich: Gale, 2010.

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28

1944-, Grace Sherrill y Glaap Albert-Reiner, eds. Performing national identities: International perspectives on contemporary Canadian theatre. Vancouver, B.C: Talonbooks, 2003.

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29

1949-, Wagner Anton y Canadian Theatre Critics Association, eds. Contemporary Canadian theatre, new world visions: A collection of essays. Toronto, Canada: Simon & Pierre, 1985.

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30

1945-, Nasby Judith, Fischlin Daniel y Macdonald Stewart Art Centre, eds. Shakespeare: Made in Canada : contemporary Canadian adaptations in theatre, pop media and visual arts. Guelph, Ontario: Macdonald Stewart Art Centre, 2007.

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31

1949-, Wagner Anton, ed. Contemporary Canadian theatre: New world visions : a collection of essays prepared by the Canadian Theatre Critics Association/Association des Critiques de Théâtre du Canada. Toronto: Simon & Pierre Pub. Co., 1985.

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32

Walker, Craig Stewart. Versions of poetic theatre in contemporary Canada. 1993.

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33

Kim, Christine. National Incompletion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040139.003.0002.

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This chapter examines how the figure of the Asian is currently positioned within the project of Canadian multiculturalism in order to discern how differently racialized bodies experience affective and political citizenship. It critiques the assumption that Asian Canadian publics demand recognition in multicultural terms by turning to two contemporary Asian Canadian texts that explore the unfinished nature of these conversations about race: Theatre Replacement's 2007 production, Bioboxes, and Joy Kogawa's 1995 novel, The Rain Ascends. These texts, as they call for intimacy, demand recognition in different ways: the first forces the audience to be physically conscious of the racialized body with which it shares a confined space, and the second uses the genre of the confessional novel to compel the reader to witness the most mundane and personal details of the narrator's story.
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34

Micheline, Chevrier, Playwrights' Workshop Montreal, Boisvert Nathalie 1965- y Centre des auteurs dramatiques, eds. Dialogues : pratiques d'écriture contemporaines du Québec et du Canada: Langue et traduction théâtrale = Contemporary writing practices from Quebec and Canada : language and theatre translation. Montréal: Centre des auteurs dramatiques, 2002.

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35

Shakespeare, William. Macbeth: Original text and facing-pages translation into contemporary English (Access to Shakespeare). Lorenz Educational Publishers, 2004.

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36

Peter, McKinnon y Associated Designers of Canada, eds. Designer shorts: A brief look at contemporary Canadian stage designers and their work = un bref aperçu des designers de la scène canadiens d'aujourd'hui et de leur travail. Streetsville, Ont: Associated Designers of Canada, 2005.

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37

Marc, Maufort y De Wagter Caroline, eds. Signatures of the past: Cultural memory in contemporary Anglophone North American drama. Bruxelles: P.I.E. Peter Lang, 2008.

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38

Duckett, Victoria. Camille. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039669.003.0004.

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This chapter examines how Camille adapted and changed the speed, structure, and meaning of Sarah Bernhardt's live play. La Dame aux Camélias was a film made by the French Film d'Art in late 1911 and released to French, American, and English audiences in early 1912. In America, Canada, and Mexico, it was released as Camille and sold with Madame Réjane's Mme. Sans-Gêne on a states' rights basis as part of a double bill. With Bernhardt at the helm of Camille, cinematized theater became an art nouveau product par excellence. This chapter argues that Bernhardt's use of the spiral in physical action and her taste for oriental colors and objects is evidence of the broader impact that japonisme was having on the fine arts in France. It also contends that the different classes, generations, and national audiences that celebrate Camille are proof of Bernhardt's international fame just as they are evidence of her capacity to realize and express contemporary tastes and fashion.
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39

J, Edgar Kathleen, Kondek Joshua y Zuber Pam, eds. Contemporary theatre, film and television: A biographical guide featuring performers, directors, writers, producers, designers, managers, choreographers, technicians, composers, executives, dancers and critics in the United States, Canada, Great Britain and the world. Farmington Hills, MI: Gale Research, 1999.

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40

Contemporary Theatre, Film and Television: A Biographical Guide Featuring Performers, Directors, Writers, Producers, Designers, Managers, Choreographers, Technicians, Composers, Executives, Dancers, and Critics in the United States, Canada, Great Britain, and the World, Volume 42. Thomson Gale, 2002.

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