Bibliografías temáticas / Contemporary slow burn

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Literatura académica sobre el tema "Contemporary slow burn"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Contemporary slow burn"

1

Ganthan, Resha Reya, Salar Shahzad, Asher Gorantla, Gautham Upadhya, and Francesco Rotatori. "Beyond the STEMI; Unmasking A Coronary Artery Aneurysm." World Journal of Case Reports and Clinical Images 04, no. 01 (2025): 01–10. https://doi.org/10.51521/wjcrci.2025.e41.409.

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Coronary artery aneurysms (CAAs) are relatively rare defects that range significantly in clinical presentation, most often discovered in adults with concomitant coronary artery disease. There remains no general consensus on the optimal management of CAAs. A vast majority of cases reported in literature are managed operatively or with percutaneous stenting. We however demonstrate a case of a CAA discovered upon angiography for a STEMI managed entirely with intracoronary thrombolytics and intravenous heparin, followed by a repeat coronary angiography that confirmed re-opening of the occluded ves
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2

Kirby, Peter Wynn. "Slow burn: Dirt, Radiation, and Power in Fukushima." Asia-Pacific Journal 17, no. 2 (2019). https://doi.org/10.1017/s1557466019015596.

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AbstractAmid the radioactive fallout of the meltdowns at Fukushima Daiichi Nuclear Power Station and across what would come to be known as the Exclusion Zone, Japanese members of the nuclear lobby laboured to contain the political fallout of the Fukushima disaster. This article scrutinizes the profuse rhetoric over recycling as mobilized by nuclear boosters and the wider operations of circularity in waste management in Japan. Japanese leant heavily on the notion of recycling to attempt to frame the clean-up in Fukushima in more ideologically convenient terms. This led, for example, to official
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3

Uhde, Jan. "Jour de fête DVD." Kinema: A Journal for Film and Audiovisual Media, April 10, 2005. http://dx.doi.org/10.15353/kinema.vi.1118.

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Jacques Tati, the French director, writer and comedian of Russian background is justly known as the heir of the best slapstick of Charlie Chaplin and Buster Keaton. His gentle, subtle humour reminds the contemporary viewer of the forgotten visual pleasures of the film medium's earlier days. Jour de fête, Tati's first feature, is dominated by the blundering postman François (Tati) who, inspired by a cinema newsreel, tries to introduce to a sleepy rural French town the "cutting edge" of the 1940s American postal technology, albeit with little success. Many François' characteristics foreshadow Mo
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Yelavich, Susan. "Komizm a dizajn. Śmiech jako krytyka i terapia." Formy, no. 21 (July 18, 2024). http://dx.doi.org/10.52652/fxyz.21.24.3.

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Mistakenly underrated, as comedy always is, the work of design’s tricksters is overdue for a considered appraisal. This paper looks at design that uses the tactics of humor – among them incongruity, absurdity, and exaggeration – to trigger emotional responses. Historical and contemporary examples are framed within the cultural frameworks of nature, the human body, animality, politics, and religion, both for their uncanny effects and their larger capacities to illuminate our relationships with things. Ranging in intent from calculated schadenfreude to pleasure-giving surprises, design that oper
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5

King, Emerald, and Monika Winarnita. "Fashioning Gender in Asia and Beyond." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2933.

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Walk, walk, fashion babyWork it, move that b***h crazy — Lady Gaga, “Bad Romance” There's a brand new dance but I don't know its nameThat people from bad homes do again and againIt's big and it's bland, full of tension and fearThey do it over there but we don't do it hereFashion! Turn to the leftFashion! Turn to the right — David Bowie, “Fashion” Piece by pieceMy emotions are glued togetherYou’re a new patternSent towards one another: We have a secretive and thrilling motionOoh ooh ooh, you are my fashion — TaeYeon, “Fashion” The word ‘fashion’ conjures images of glitzy 90s supermodels stompin
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Seale, Kirsten. "Doubling." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2372.

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 ‘Artists are replicants who have found the secret of their obsolescence.’ (Brian Massumi)
 
 
 The critical reception to British writer Iain Sinclair’s most recent novel Dining on Stones (or, the Middle Ground) frequently focused on the British writer’s predilection for intertextual quotation and allusion, and more specifically, on his proclivity for integrating material from his own backlist. A survey of Dining on Stones reveals the following textual duplication: an entire short story, “View from My Window”, which was published in 2003; excerpts from a 2002
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7

Kuppers, Petra. "“your darkness also/rich and beyond fear”: Community Performance, Somatic Poetics and the Vessels of Self and Other." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.203.

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“Communicating deep feeling in linear solid blocks of print felt arcane, a method beyond me” — Audre Lorde in an interview with Adrienne Rich (Lorde 87) How do you disclose? In writing, in spoken words, in movements, in sounds, in the quiet energetic vibration and its trace in discourse? Is disclosure a narrative account of a self, or a poetic fragment, sent into the world outside the sanction of a story or another recognisable form (see fig. 1)?These are the questions that guide my exploration in this essay. I meditate on them from the vantage point of my own self-narrative, as a community pe
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Redden, Guy, and Sean Aylward Smith. "Speed." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1843.

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Sitting in near darkness about eighteen inches from the screen, he turned the channel selector every half minute or so, sometimes much more frequently. He wasn't looking for something that might sustain his interest. Hardly that. He simply enjoyed jerking the dial into fresh image-burns. He explored content to a point. The tactile visual delight of switching channels took precedence, however, transforming even random moments of content into pleasing territorial abstractions. -- Don DeLillo (16) DeLillo captures in a few lines key aspects of a cultural narrative concerning how technology has sp
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9

Bender, Stuart Marshall. "You Are Not Expected to Survive: Affective Friction in the Combat Shooter Game Battlefield 1." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1207.

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IntroductionI stumble to my feet breathing heavily and, over the roar of a tank, a nearby soldier yells right into my face: “We’re surrounded! We have to hold this line!” I follow him, moving past burning debris and wounded men being helped walk back in the opposite direction. Shells explode around me, a whistle sounds, and then the Hun attack; shadowy figures that I fire upon as they approach through the battlefield fog and smoke. I shoot some. I take cover behind walls as others fire back. I reload the weapon. I am hit by incoming fire, and a red damage indicator appears onscreen, so I move
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Blackwood, Gemma. "<em>The Serpent</em> (2021)." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2835.

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The Netflix/BBC eight-part limited true crime series The Serpent (2021) provides a commentary on the impact of the tourist industry in South-East Asia in the 1970s. The series portrays the story of French serial killer Charles Sobhraj (played by Tahar Rahim)—a psychopathic international con artist of Vietnamese-Indian descent—who regularly targeted Western travellers, especially the long-term wanderers of the legendary “Hippie Trail” (or the “Overland”), running between eastern Europe and Asia. The series, which was filmed on location in Thailand—in Bangkok and the Thai town of Hua Hin—is set
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Libros sobre el tema "Contemporary slow burn"

1

Denton, Jamie Ann. Slow burn. Harlequin, 2003.

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2

Sacha, Craddock, Whiteley Nigel, and Mead Gallery, eds. Slow burn: Meaning and vision in contemporary British abstract painting. Mead Gallery, 1998.

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3

Douglas, Penelope. Falling away: A Fall Away novel. NAL, New American Library, 2015.

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4

Slow Burn. HQN, 2009.

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5

Maynard, Janice. Slow Burn. Harlequin Enterprises, Limited, 2020.

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6

Carson, Caro. Slow Burn. Harlequin Enterprises, Limited, 2020.

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7

Carson, Caro. Slow Burn. Harlequin Enterprises, Limited, 2020.

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8

Banks, Maya. Keep me safe: A slow burn novel. 2014.

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9

In His Keeping: A Slow Burn Novel. 2015.

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10

Silverstone, Alexandra. Awakened: A Fated Mates Alpha Shifter Slow Burn Contemporary Fantasy Romance. Independently Published, 2022.

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Capítulos de libros sobre el tema "Contemporary slow burn"

1

Tan, Boon Hui. "THE SLOW BURN: PRIVATISED PROTEST IN RECENT CONTEMPORARY ART FROM SINGAPORE." In Histories, Practices, Interventions. WORLD SCIENTIFIC, 2023. http://dx.doi.org/10.1142/9789811268632_0038.

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TAN, Boon Hui. "The Slow Burn: Privatised Protest in Recent Contemporary Art from Singapore." In Art Hats in Renaissance City. WORLD SCIENTIFIC, 2015. http://dx.doi.org/10.1142/9789814630788_0012.

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3

Peacocke, Arthur. "Creation And Hope In Contemporary Theology." In Creation and The World OF Science. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199271696.003.0047.

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Abstract ‘All of our deeds and actions finally come to nought in this temporal scene’, says Ford-from what science can tell us, not only our deeds and actions, as well as those of our predecessors, but also of those who, down the corridors of time, will succeed us-until the Earth is burnt up into the Sun, and the Sun and its galaxy go to their ‘long home’, of ‘slow refrigeration through everlasting expansion or dramatic cremation and complete obliteration of the physical world.
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