Bibliografías temáticas / Conversion vocale

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Literatura académica sobre el tema "Conversion vocale"

Autor: Grafiati
Publicado: 21 de diciembre de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Conversion vocale"

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Thamrin, Lily. "Phonological Description of Teochew Dialect in Pontianak West Kalimantan." Lingua Cultura 14, no. 2 (2020): 195–201. http://dx.doi.org/10.21512/lc.v14i2.6600.

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The research aimed to describe the phonological system of the Pontianak Teochew dialect spoken by the Chinese community in West Kalimantan, including vocals, consonants, and tones, using descriptive method. The phonological escription in question included both phonetic and phonemic descriptions with the subject of language that objectively and accurately describes the current aspects of Teochew’s phonology. The phonetic system of the Pontianak Teochew language would be articulately identified based on the way sounds are formed by human speech tools, namely through consonants, vocals and diphth
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Vevia Romero, Fernando Carlos. "Nostalgia de la conversación." Argos 6, no. 17 (2019): 149–57. http://dx.doi.org/10.32870/argos.v6.n19.14a19.

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Toda la vida sólo escuchando. ¿A quién? A la autoridad en todas sus formas; las más burdas y las más sutiles. Luego, más tarde, sólo oír. Oír, no escuchar. Con órdenes estrictas a las neuronas para no almacenar la información oída. Con los músculos faciales entrenados para poner cara interesante, mientras la conciencia dormita. Luego resultó que es mucho peor hablar. Decir, decir, decir. Mover la lengua, los pulmones, las cuerdas vocales... Sentir la señal roja que se prende en el cerebro y advierte:" ¡Atención! ¡Exceso de estupideces!". Hablar de la realidad del mundo que desconozco; de la re
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Harris, Taran. "Treating Audio Manipulation Effects like Photoshop: Exploring the Negative Impacts of a Lack of Transparency in Contemporary Vocal Music on Young Learners." INSAM Journal of Contemporary Music, Art and Technology, no. 8 (July 15, 2022): 47–59. http://dx.doi.org/10.51191/issn.2637-1898.2022.5.8.47.

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Amidst the great and rapid advance in digital audio processing over recent decades, a range of new ‘manipulation’ software has problematised the popular music scene, both in terms of authenticity and achievability of performance. This paper will set out to define manipulation effects as separate from the more over-arching umbrella term of staging effects, under which they have been vaguely included for a number of years. By separating out the staging of vocals from the manipulation of their core content, by pitch correction for example, we can more specifically observe their impact on audience
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Nishimura, Shogo, Takuya Nakamura, Wataru Sato, et al. "Vocal Synchrony of Robots Boosts Positive Affective Empathy." Applied Sciences 11, no. 6 (2021): 2502. http://dx.doi.org/10.3390/app11062502.

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Robots that can talk with humans play increasingly important roles in society. However, current conversation robots remain unskilled at eliciting empathic feelings in humans. To address this problem, we used a robot that speaks in a voice synchronized with human vocal prosody. We conducted an experiment in which human participants held positive conversations with the robot by reading scenarios under conditions with and without vocal synchronization. We assessed seven subjective responses related to affective empathy (e.g., emotional connection) and measured the physiological emotional response
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Nirmal, Jagannath, Suprava Patnaik, Mukesh Zaveri, and Pramod Kachare. "Complex Cepstrum Based Voice Conversion Using Radial Basis Function." ISRN Signal Processing 2014 (February 6, 2014): 1–13. http://dx.doi.org/10.1155/2014/357048.

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The complex cepstrum vocoder is used to modify the speaker specific characteristics of the source speaker speech to that of the target speaker speech. The low time and high time liftering are used to split the calculated cepstrum into the vocal tract and the source excitation parameters. The obtained mixed phase vocal tract and source excitation parameters with finite impulse response preserve the phase properties of the resynthesized speech frame. The radial basis function is explored to capture the nonlinear mapping function for modifying the complex cepstrum based real and imaginary compone
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Adachi, Seiji, Hironori Takemoto, Tatsuya Kitamura, Parham Mokhtari, and Kiyoshi Honda. "Vocal tract length perturbation and its application to male-female vocal tract shape conversion." Journal of the Acoustical Society of America 121, no. 6 (2007): 3874–85. http://dx.doi.org/10.1121/1.2730743.

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Zeitels, Steven M., Ramon A. Franco, Robert E. Hillman, and Glenn W. Bunting. "Voice and Treatment Outcome from Phonosurgical Management of Early Glottic Cancer." Annals of Otology, Rhinology & Laryngology 111, no. 12_suppl (2002): 3–20. http://dx.doi.org/10.1177/0003489402111s1202.

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Phonosurgical management of early glottic cancer has evolved considerably, but objective vocal outcome data are sparse. A prospective clinical trial was done on 32 patients with unilateral cancer (T1a in 28 and T2a in 4) who underwent ultranarrow-margin resection; 15 had resection superficial to the vocal ligament, and 17 deep to it. The subepithelial infusion technique facilitated selection of these patients for the appropriate procedure. All are cancer-free without radiotherapy or open surgery. Involvement of the anterior commissure (22/32) or the vocal process (15/32) of the arytenoid carti
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Vijayan, Karthika, Haizhou Li, and Tomoki Toda. "Speech-to-Singing Voice Conversion: The Challenges and Strategies for Improving Vocal Conversion Processes." IEEE Signal Processing Magazine 36, no. 1 (2019): 95–102. http://dx.doi.org/10.1109/msp.2018.2875195.

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Treinkman, Melissa. "A Conversation with Leslie Holmes." Journal of Singing 80, no. 1 (2023): 89–91. http://dx.doi.org/10.53830/tfcq4189.

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GEIST, ROSE, and SUSAN E. TALLETT. "Diagnosis and Management of Psychogenic Stridor Caused by a Conversion Disorder." Pediatrics 86, no. 2 (1990): 315–17. http://dx.doi.org/10.1542/peds.86.2.315.

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Psychogenic stridor, a recently reported cause of acute upper-airway obstruction, is also known as paradoxical vocal cord motion.1-3 Although reported to occur predominantly among young women,1,2 it has been recognized in both male adolescents and adults,3 as well as in older women.4,5 Several authors1,3,4,6 have associated psychogenic stridor with conversion disorder, but few have included a discussion of the diagnostic criteria or elaborated on the underlying mechanisms of the conversion process. In the case of a female adolescent with a diagnosis of paradoxical vocal cord motion presented h
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Tesis sobre el tema "Conversion vocale"

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Huber, Stefan. "Voice Conversion by modelling and transformation of extended voice characteristics." Electronic Thesis or Diss., Paris 6, 2015. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2015PA066750.pdf.

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La Conversion de la Voix (VC) vise à transformer les caractéristiques de la voix d’un locuteur source de manière qu’il sera perçu comme étant prononcé par un locuteur cible. Le principe de la VC est de définir des fonctions du transposition pour la conversion de la voix de l’un locuteur source à la voix de l’un locuteur cible. Les fonctions de transformation de VC systèmes "State-Of-The-Art" (START) adapte instantanément aux caractéristiques de la voix source. Cependant, la qualité est pas encore suffisant. Des améliorations considérables sont nécessaires que les techniques VC peuvent être uti
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Guéguin, Marie. "Evaluation objective de la qualité vocale en contexte de conversation." Phd thesis, Université Rennes 1, 2006. http://tel.archives-ouvertes.fr/tel-00132550.

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La qualité vocale des systèmes de télécommunications est évaluée par les opérateurs pour satisfaire leurs usagers. Les méthodes subjectives permettent de connaître le jugement humain mais sont coûteuses : les méthodes objectives représentent une alternative. Un modèle objectif est proposé pour évaluer la qualité en contexte de conversation à partir des qualités d'écoute, de locution et d'interaction. Il est divisé en deux parties : la partie intégration combine les notes de qualité d'écoute, de locution et d'interaction pour estimer une note de qualité de conversation et la partie mesure fourn
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Guéguin, Marie. "Évaluation objective de la qualité vocale en contexte de conversation." Rennes 1, 2006. https://tel.archives-ouvertes.fr/tel-00132550.

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La qualité vocale des systèmes de télécommunications est évaluée par les opérateurs pour satisfaire leurs usagers. Les méthodes subjectives permettent de connaître le jugement humain mais sont coûteuses : les méthodes objectives représentent une alternative. Un modèle objectif est proposé pour évaluer la qualité en contexte de conversation à partir des qualités d’écoute, de locution et d’interaction. Il est divisé en deux parties : la partie intégration combine les notes de qualité d'écoute, de locution et d'interaction pour estimer une note de qualité de conversation et la partie mesure fourn
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Ogun, Sewade. "Generating diverse synthetic data for ASR training data augmentation." Electronic Thesis or Diss., Université de Lorraine, 2024. http://www.theses.fr/2024LORR0116.

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Au cours des deux dernières décennies, le taux d'erreur des systèmes de reconnaissance automatique de la parole (RAP) a chuté drastiquement, les rendant ainsi plus utiles dans les applications réelles. Cette amélioration peut être attribuée à plusieurs facteurs, dont les nouvelles architectures utilisant des techniques d'apprentissage profond, les nouveaux algorithmes d'entraînement, les ensembles de données d'entraînement grands et diversifiés, et l'augmentation des données. En particulier, les jeux de données d'entraînement de grande taille ont été essentiels pour apprendre des représentatio
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Berger, Israel. "Inaction and silent action in interaction." Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/inaction-and-silent-action-in-interaction(a49cedf3-0263-463f-9362-12e13ad2f6e9).html.

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How do non-vocal practices function within sequences? This thesis addresses silence and gesture in the context of social interaction involving human participants through the framework of conversation analysis (CA) to answer this question. Although it is certainly possible, and indeed common, for gestures and other non-vocal practices to occur during talk, this thesis focuses on those that occur without accompanying talk. In order to understand the role of non-vocal practices in this environment, we must first understand the role of silence (or the absence of talk) in participants’ interactions
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Howell, Ashley N. "Effects of Social Context on State Anxiety, Submissive Behavior, and Perceived Social Task Performance in Females with Social Anxiety." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1365441706.

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Deschamps-Berger, Théo. "Social Emotion Recognition with multimodal deep learning architecture in emergency call centers." Electronic Thesis or Diss., université Paris-Saclay, 2024. http://www.theses.fr/2024UPASG036.

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Cette thèse porte sur les systèmes de reconnaissance automatique des émotions dans la parole, dans un contexte d'urgence médicale. Elle aborde certains des défis rencontrés lors de l'étude des émotions dans les interactions sociales et est ancrée dans les théories modernes des émotions, en particulier celles de Lisa Feldman Barrett sur la construction des émotions. En effet, la manifestation des émotions spontanées dans les interactions humaines est complexe et souvent caractérisée par des nuances, des mélanges et étroitement liée au contexte. Cette étude est fondée sur le corpus CEMO, composé
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"Conversation, Dark haze, San-shui Xi-nan." 1998. http://library.cuhk.edu.hk/record=b5896306.

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by Ho Tsz-Yan, Rebecca.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Chapter Part I: --- p.page<br>Chapter ´Ø --- Abstract --- p.1<br>Chapter Part II:<br>Chapter ´Ø --- "Analysis on ""Conversation""" --- p.3<br>Chapter ´Ø --- """Conversation"" (Full Score)" --- p.6<br>Chapter ´Ø --- "Analysis on ""Dark Haze´ح" --- p.25<br>Chapter ´Ø --- """Dark Haze"" (Full Score)" --- p.28<br>Chapter ´Ø --- "Analysis on ""San-Shui Xi-Nan""" --- p.65<br>Chapter ´Ø --- """San -Shui Xi-Nan"" (Full Score)" --- p.69<br>Chapter Part III：<br>Chapter ´Ø --- Biogr
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Libros sobre el tema "Conversion vocale"

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Klein, Evelyn R., Cesar E. Ruiz, and Louis R. Chesney. Echo: A Vocal Language Program for Building Ease and Comfort with Conversation. Plural Publishing, Incorporated, 2021.

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Eidsheim, Nina Sun, and Katherine Meizel, eds. The Oxford Handbook of Voice Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199982295.001.0001.

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More than two hundred years after the first speaking machine, we are accustomed to voices talking from seemingly anywhere and everywhere, including house alarm systems, cars, telephones, and digital assistants, or “smart speakers” such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions regarding the human, the animal, the machine, and the spiritual—or in nonmetaphysical terms, questions about identity and authenticity. Individuals and groups perform, refuse, and play identity through vocal acts and by listening to and for voice. In this volume, l
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Barnard, Stephen R. Hacking Hybrid Media. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197570272.001.0001.

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Abstract The contemporary public sphere is rife with problematic information, but on what terms are manipulators able to garner attention in the hybrid media system? Focusing on the messaging strategies employed by Donald Trump and his most vocal online supporters, Hacking Hybrid Media provides a theoretically oriented and empirically grounded analysis of the ways today’s media afford deceptive political communication. From the structures of social media platforms to the practices of political actors, the book offers a critical appraisal of media power and the capital required to wield it. Bri
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Budney, Stephen. William Jay. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798216035947.

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A founder of the New York Anti-Slavery Society, William Jay was one of the most prolific and influential abolitionists of his day, yet Americans know little about him. This is the first extensive examination of his life and work in over 100 years. Like many of his contemporaries, Jay looked at a rapidly changing America and it frightened him. As a conservative social reformer, it was not merely sinfulness that alarmed Jay, but the perception that America was betraying its founding principles. From his early involvement in local temperance societies to his conversion to the cause of immediate a
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Paczkowski, Szymon, and Piotr Szymczak. Polish Style in the Music of Johann Sebastian Bach. Rowman, 2017. https://doi.org/10.5040/9798881815752.

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Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book expl
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Capítulos de libros sobre el tema "Conversion vocale"

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Vekkot, Susmitha, and Shikha Tripathi. "Vocal Emotion Conversion Using WSOLA and Linear Prediction." In Speech and Computer. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66429-3_78.

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Vekkot, Susmitha, and Shikha Tripathi. "Significance of Glottal Closure Instants Detection Algorithms in Vocal Emotion Conversion." In Soft Computing Applications. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-62521-8_40.

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Teo, Nicole, Zhaoxia Wang, Ezekiel Ghe, et al. "DLVS4Audio2Sheet: Deep Learning-Based Vocal Separation for Audio into Music Sheet Conversion." In Lecture Notes in Computer Science. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2650-9_8.

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Lelandais, Manon. "A multimodal approach to coordination in spontaneous conversation." In Constructional Approaches to Language. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/cal.38.05lel.

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Abstract This chapter proposes a constructional framework that includes the verbal, vocal, and gestural modalities to describe coordination in conversation. I suggest a definition for coordination that is not modality-specific, and provide a detailed analysis of two coordinate structures from a corpus of spontaneous speech in British English that illustrates this definition. To assess its implications, a series of exploratory analyses investigating a relationship between discourse sequence type and coordination was carried out. This study is the first step into a new model for coordination tha
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Matthews, Colin. "Un Colloque sentimental (A Sentimental Conversation)." In New Vocal Repertory 2. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198790181.003.0038.

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Abstract This is a lovely work by one of our most sensitive and versatile composers. it seems beautifully balanced in structure, although the composer, somewhat surprisingly, reveals, in his note at the front of the score, that the three central songs of the five were in fact written between 1971 and 1978 for ‘private pleasure’. ‘Le Jet d’eau’ is the composer’s earliest surviving piece. Eventually he had the idea of expanding them into a cycle, by enclosing them within the two unequal parts of the setting of Verlaine’s celebrated poem of the title. He has, on his own admission, also taken cert
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Juslin, Patrik N., and Klaus R. Scherer. "Vocal expression of affect." In The New Handbook of Methods in Nonverbal Behavior Research. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198529613.003.0003.

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Abstract Imagine yourself sitting in a cafeteria. Suddenly, you can overhear another person’s conversation without being able to see the person in question. Within a few seconds of hearing that person’s voice, you are able to infer the person’s gender (a female), age (a young woman), and perhaps even her origin (from the south), social status (upper class), and physical health (having a cold). All this you can tell from hearing her voice, even though you are unable to understand the verbal contents of her conversation.
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Mcnally, Michael D. "Ojibwes, Missionaries, And Hymn Singing, 1828-1867." In Ojibwe Singers. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195134643.003.0003.

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Abstract One of the earlier important narratives written at the hand of an Ojibwe figure is shot through with references to hymn texts and their significance. Published first in 1847 and reissued in 1850 as The Life, Letters, and Speeches of Kah-Ge-Ga-Gah-Bowh, or G. Copway Chief Ojibway Nation, this text offers a glimpse of how complex was the world from which Ojibwe hymns emerged. Born far to the east of Minnesota near Rice Lake, Ontario, George Kahgegagahbowh Copway was an Ojibwe Methodist preacher who became well known on the lecture circuit and in print in the 1840s and 1850s for his vivi
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Recasens, Daniel. "Velar palatalization." In Phonetic Causes of Sound Change. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198845010.003.0003.

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An analysis of the conversion of velar stops before front vocalic segments, and in other contextual and positional conditions, into plain palatal, alveolopalatal, and even alveolar articulations is carried out using descriptive data from a considerable number of languages. Articulatory data on (alveolo)palatal stops reveal that these consonants are mostly alveolopalatal in the world’s languages, and also that their closure location may be highly variable, which accounts for their identification as /t/ or /k/. It is claimed that velar palatalization may be triggered by articulatory strengthenin
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"“A Little Singer on Broadway”." In Blues Mamas and Broadway Belters. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059967-004.

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This chapter addresses how black musical theatre singers and their contemporaries voiced the young, glamorous American girl for the Broadway stage in the 1950s and 1960s. In the decades prior, Lena Horne had established—by different means from her carefree, white contemporary Mary Martin—strategies for performing girlhood that reverberated for the next generation. Ingénues Diahann Carroll and Leslie Uggams, the first black women to win Tony Awards in the category of Leading Actress in a Musical, built vocal sounds in conversation with white stage actresses and pop music ingénues of the time. E
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Schneider, Magnus Tessing. "From the General to the Specific: The Musical Director’s Perspective." In Performing the Eighteenth Century: Theatrical Discourses, Practices, and Artefacts. Stockholm University Press, 2023. http://dx.doi.org/10.16993/bce.k.

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In this interview with conductor, pianist, and harpsichordist Mark Tatlow, who was the principal artistic researcher within Performing Premodernity, he describes what he has learned from working within the Early Music and Historically Informed Performance movements since the 1980s, and especially from working at the Drottningholm Palace Theatre. The conversation revolves around the crucial importance of the communicative aspect of musical and operatic performance, and about close attention to the words of a libretto or a sung poem as a key to a singer’s vocal performance.
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Actas de conferencias sobre el tema "Conversion vocale"

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Laskowski, Kornel, Mari Ostendorf, and Tanja Schultz. "Modeling Vocal Interaction for Text-Independent Classification of Conversation Type." In Proceedings of the 8th SIGdial Workshop on Discourse and Dialogue. Association for Computational Linguistics, 2007. https://doi.org/10.18653/v1/2007.sigdial-1.33.

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Chan, Paul Y., Minghui Dong, S. W. Lee, and Ling Cen. "Solo to a capella conversion - Synthesizing vocal harmony from lead vocals." In 2011 IEEE International Conference on Multimedia and Expo (ICME). IEEE, 2011. http://dx.doi.org/10.1109/icme.2011.6012032.

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Liliana, Resmana Lim, and Elizabeth Kwan. "Voice conversion application (VOCAL)." In 2011 International Conference on Uncertainty Reasoning and Knowledge Engineering (URKE). IEEE, 2011. http://dx.doi.org/10.1109/urke.2011.6007812.

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Rao, K. Sreenivasa, and B. Yegnanarayana. "Voice Conversion by Prosody and Vocal Tract Modification." In 9th International Conference on Information Technology (ICIT'06). IEEE, 2006. http://dx.doi.org/10.1109/icit.2006.92.

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Vekkot, Susmitha. "Building a generalized model for multi-lingual vocal emotion conversion." In 2017 Seventh International Conference on Affective Computing and Intelligent Interaction (ACII). IEEE, 2017. http://dx.doi.org/10.1109/acii.2017.8273658.

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Turk, Oytun, and Levent M. Arslan. "Voice conversion methods for vocal tract and pitch contour modification." In 8th European Conference on Speech Communication and Technology (Eurospeech 2003). ISCA, 2003. http://dx.doi.org/10.21437/eurospeech.2003-36.

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Weichao, Xie, and Zhang Linghua. "Vocal tract spectrum transformation based on clustering in voice conversion system." In 2012 International Conference on Information and Automation (ICIA). IEEE, 2012. http://dx.doi.org/10.1109/icinfa.2012.6246812.

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Nikolay, Korotaev. "Collaborative constructions in Russian conversations: A multichannel perspective." In INTERNATIONAL CONFERENCE on Computational Linguistics and Intellectual Technologies. RSUH, 2023. http://dx.doi.org/10.28995/2075-7182-2023-22-254-266.

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The talk provides a multichannel description of how interlocutors co-construct utterances in conversation. Using data from the “Russian Pears Chats &amp; Stories”, I propose for a tripartite sequential scheme of collaborative constructions. When the scheme is fully realized, its first step not only includes the initial component of the construction, but also presupposes that the first participant makes a request for a co-operative action; the final component of the construction is provided by the second participant during the second step; while the third step consists of the first participant’
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Shah, Nirmesh, Maulik C. Madhavi, and Hemant Patil. "Unsupervised Vocal Tract Length Warped Posterior Features for Non-Parallel Voice Conversion." In Interspeech 2018. ISCA, 2018. http://dx.doi.org/10.21437/interspeech.2018-1712.

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Saito, Daisuke, Satoshi Asakawa, Nobuaki Minematsu, and Keikichi Hirose. "Structure to speech conversion - speech generation based on infant-like vocal imitation." In Interspeech 2008. ISCA, 2008. http://dx.doi.org/10.21437/interspeech.2008-178.

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