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Bibliografías temáticas / Crampton (Firm)

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Literatura académica sobre el tema "Crampton (Firm)"

Autor: Grafiati

Publicado: 26 de julio de 2024

Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Crampton (Firm)"

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Jethani, Suneel. "New Media Maps as ‘Contact Zones’: Subjective Cartography and the Latent Aesthetics of the City-Text." M/C Journal 14, no. 5 (2011). http://dx.doi.org/10.5204/mcj.421.

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Any understanding of social and cultural change is impossible without a knowledge of the way media work as environments. —Marshall McLuhan. What is visible and tangible in things represents our possible action upon them. —Henri Bergson. Introduction: Subjective Maps as ‘Contact Zones’ Maps feature heavily in a variety of media; they appear in textbooks, on television, in print, and on the screens of our handheld devices. The production of cartographic texts is a process that is imbued with power relations and bound up with the production and reproduction of social life (Pinder 405). Mapping in

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Capítulos de libros sobre el tema "Crampton (Firm)"

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Lamphear, John. "The Time of Engolekume: The Administration of Turkana District 1919—1923." In The Scattering Time. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198202264.003.0010.

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Abstract Before taking up their new assignments in September 1918, Harry Rayne and D. R. Crampton met in Nairobi with Brigadier E. H. Llewellyn, the commandant of the KAR, to report on the recent operations against the Turkana and to discuss the future administration of the district. They concluded that while the southern sections were anxious for peace, the northerners would have to be controlled with a firm hand for some time to come. The operations had strengthened the British opinion that Turkana District was ‘an arid, uncultivated, waterless, dried-up corner of the world’. The only possib

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Falvey, Eddie. "“He’s Dead?” … “Not Anymore!” The Cult Legacies of Re-Animator." In Re-Animator. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859401.003.0006.

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This chapter explores the cult legacies of Re-Animator, beginning with its critical reception and adoption as a cult film. The chapter considers this in relation to Re-Animator’s strong presence on home releases and how those cultures of distribution contribute toward a film’s legacy. The next focus is on sequels Bride of Re-Animator and Beyond Re-Animator, and spin-offs that include comics, a porn parody, and a musical. The chapter ends by exploring the cult horror stardoms of Jeffery Combes and Barbara Crampton as extensions of Re-Animator’s legacy, tracing their cult performances to present

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Michalak, Arkadiusz. "Przedmioty związane z zajęciami mieszkańców / Items related to activities of residents." In Castrum Lubenov. Tragiczne dzieje średniowiecznej wieży w Lubrzy / Castrum Lubenov. The tragic history of the medieval tower in Lubrza. Wydawnictwo Profil-Archeo; Muzeum Archeologiczne Środkowego Nadodrza, 2022. http://dx.doi.org/10.33547/lubenov2022.09.

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Metal objects related to daily life and work that have been excavated in Lubrza, offer a glimpse at the typical activities of inhabitants of the medieval tower castle. Items related to kitchen activities have been recovered, such as fragments of tripod cooking cauldrons, along with personal equipment of everyday use (knives, crampons, fire steel), carpentry tools (auger, hammer), agricultural tools (sickles, harrow teeth), and probably furrier tools (awl). The whetstone discovered at the site could be used for care and maintenance of tools with cutting edges.

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Actas de conferencias sobre el tema "Crampton (Firm)"

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Uya, Yifan. "Collaborative Vibration: The Mythic Journey of A Coal Boy." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.

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Acknowledging the Anthropocene crisis, my research examines myth and myth-making to reimagine the role of Claude Lévi-Strauss’ bricoleur concept. Following Joseph M. Coll’s Taoist and Buddhist systemic thinking inspired theory of sustainable transformation, the practice-led project evolves into the making of an essayist film that conveys a specific personal myth.My research reckons that a bricoleur should perceive myth-making as an organic growing organisation that acquires intuition and posteriori knowledge. And focus on a narrative that evolves into the mythic identity of a piece of coal and

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