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Tesis sobre el tema "Creation"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de julio de 2025

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1

Witt, Susanna. "Creating creation : readings of Pasternak's Doktor Zivago /." Stockholm : Almqvist och Wiksell international, 2000. http://catalogue.bnf.fr/ark:/12148/cb39183263m.

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2

Witt, Susanna. "Creating creation readings of Pasternak's Doktor Živago /." Doctoral thesis, Stockholm : Almqvist och Wiksell International, 2000. http://catalog.hathitrust.org/api/volumes/oclc/46340409.html.

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3

Spiegel, Flora Elise. "Creator and creation in Anglo-Saxon literary traditions." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613911.

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4

Gotkin, Joseph Daniel. "Creation." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297617.

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What drives creation in art? What differs in this between artists, and more specifically? What comes from letting that creativity flow out, unhampered yet guided? What are the influences that inspiration plays in creation? These questions are what I want to explore for myself visually, creating compositions that are continually inventive. I explored these questions through a process driven by as pure an inspiration as I could obtain using the medium that is the most natural - and thus the smallest impediment to my thought process - and adding cohesiveness at the end to create a full, technical
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5

E, Cascante Quirós María Jesús, and Natalia Schlothauer. "From Sole-Creation to Co-Creation : Social Marketing Value Creation through Corporate-NPO Collaboration." Thesis, Högskolan i Gävle, Företagsekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-23453.

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Aim: The aim of this study was to investigate the structure of social marketing within a collaboration between non-profit organisations (NPOs) and business organisations as well as whether this collaboration facilitates the process of social marketing for the NPOs. For this purpose, Austin and Seitanidi´s (2012a, 2012b, 2014) Collaborative Value Creation (CVC) framework was applied to social marketing as value outcome by combining it with Andreasen and Kotler´s (2003) model of the social marketing process in NPOs. Method: A qualitative study was conducted based on secondary and primary data. H
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6

McCabe, Gordon. "Universe creation." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394235.

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7

Holmes, Thomas W. "Creation Myths." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.

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8

Eveler, Jesse B. "Knowledge Creation." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242833183.

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9

Dorman, Daniel. "Creation Myth." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1493918336967034.

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10

Doyle, Alexandra. "Developing a Choreographic Process: Instinctual Creation vs. Premeditated Creation." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579302.

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This thesis is a research project undertaken in order to develop a personal process of choreography. As a dance major at a university with a heavy emphasis on choreography, I feel it is important to identify and develop my own choreographic process. I am trying to find my own voice as a choreographer, so I am testing different recognized methods of movement creation in order to develop a process. Each semester, fall and spring, I choreographed separate pieces that were driven by a different process. Fall semester I choreographed driven by instinctual creation; spring semester I choreographed d
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11

Earnshaw, Rebekah [Verfasser], and Herman J. [Herausgeber] Selderhuis. "Creator and Creation according to Calvin on Genesis / Rebekah Earnshaw." Göttingen : Vandenhoeck & Ruprecht, 2020. http://www.v-r.de/.

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12

Earnshaw, Rebekah [Verfasser], and H. J. [Herausgeber] Selderhuis. "Creator and Creation according to Calvin on Genesis / Rebekah Earnshaw." Göttingen : Vandenhoeck & Ruprecht, 2020. http://nbn-resolving.de/urn:nbn:de:101:1-2020092723405226066309.

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13

Jungmann, Manuela. "Embodied creativity : a process continuum from artistic creation to creative participation." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7374/.

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This thesis breaks new ground by attending to two contemporary developments in art and science. In art, computer-mediated interactive artworks comprise creative engagement between collaborating practitioners and a creatively participating audience, erasing all notions of a dividing line between them. The procedural character of this type of communicative real-time interaction replaces the concept of a finished artwork with a ‘field of artistic communication'. In science, the field of creativity research investigates creative thought as mental operations that combine and reorganise extant knowl
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14

Hassani, Mehraban Farhad. "Supply chain knowledge creation : applications of organizational knowledge creation theory." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/supply-chain-knowledge-creation(02eaeb75-2fad-494b-ac4d-20e82dddfc60).html.

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Scholars argue that knowledge is a fundamental source for retaining competitive advantage, as value creation depends fundamentally on the competence of a firm to create new knowledge (Nonaka and Toyama, 2002). Knowledge creation is based on conversion of two types of knowledge: tacit knowledge, which is constituent to the comprehensiveness of an individual’s consciousness, and explicit knowledge, which can be readily communicated. Based on the framework by Nonaka and Takeuchi (1995), one of the most significant and cited models, the motivation of this research is to expand knowledge creation m
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15

Braddon, Denise. "God, humanity and creation the relationship between worship and creation /." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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16

Fanwar, Wann. "Creation in Isaiah /." Sarbrücken : Müller, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017068499&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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17

Vcislo, Mark Vance. "Sartre's creation myth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0016/MQ27551.pdf.

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18

Laffey, Desmond Joseph. "Online value creation." Thesis, University of Kent, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.593897.

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This thesis is based on a related set of nine papers I published between 2004 and 2010. Six of these papers are sole authored and I was the lead author for the three joint authored papers. Four underlying themes are identified which underpin the research I have done. Firstly, market entry through the dot com model which was covered in my first published paper (Laffey, 2004). This paper identified my second research theme, network effects in entrepreneurial markets, covered in Laffey (2005.; 2007b) which examined gambling markets and my third theme, the importance of search and paid click conce
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19

Sullivan, Rodney Thomas. "Haberek wetland creation." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/835836.

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Wetlands in the United States have been decreasing in number from the time European settlers began draining them for agricultural purposes to the present. Wetlands serve many important ecological functions such as waterfowl habitat.The purpose of this project was to investigate wetland creation literature in order to develop a process which could be applied to a particular site to attract waterfowl. The topics reviewed for this project were goal setting, for wetland creations, wetland creation methodologies and waterfowl habitat criteria. The major portion of the project was devoted to the con
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20

Walker, George. "Creation and destruction." Thesis, King's College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271651.

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21

Palmer, Geoffrey. "Essays in creation." Thesis, University of Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389097.

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22

Baudasse, Thierry. "Social capital creation." Universidad Peruana de Ciencias Aplicadas (UPC), 2014. http://hdl.handle.net/10757/333778.

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Si capital social es una fuente de desarrollo económico, es importante crear mecanismos de inversión social que sean capaces de alimentar el Si capital social es una fuente de desarrollo económico, es importante. En la tercera parte se evalúa el rol del capital social en la educación capital social, particularmente en países en vías de desarrollo económico,superior en lo concerniente a la formulación de políticas publicas en el sector educación.
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23

Riley, Nathan T. "Decadence and creation /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1453232581&sid=8&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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24

Zhanje, Taurayi William. "Creation ex nihilo." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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25

Luko, Sarah Suzanne. "Substrate for creation." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6184.

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26

Kattula, Steven R. "motus et re-creation: Movement and re-creation on accotink creek." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/36431.

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Speed has long been equated with "progress". The Romans' paved roads begot much of this concept, allowing faster travel that improved communication, commerce, and enabled control over vast territories. Additionally paved surfaces whisked insect-breeding water away from homes, improving the health of those in town. Today, part-and-parcel of the definition of the developed world are tremendous amounts of solid surfaces, mostly asphalt and concrete, to move mechanized devices and water quickly. Even the shoes we wear could be seen as complementary technological devices, cushioning our feet to a
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27

Dou, Josef Kalasansius. "God as creational event and vice versa a critical-complementary dialogue between Greshake's integrative theology of creation and Suchocki's relational theology of creation /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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28

Richtnér, Anders. "Balancing knowledge creation : examining organizational slack and knowledge creation in product development." Doctoral thesis, Handelshögskolan i Stockholm, Management av Innovation och Produktion (T), 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hhs:diva-533.

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Over the last few years there has been a downturn in business. As a response, many companies have initiated various downsizing activities – often on a short-term financial basis – in order to improve the competitive position of the company. Yet, at the same time, innovation is often cited as the key to long-term success by the very same companies. The central problem examined in this book is whether downsizing and innovation are compatible. The problem was studied during a two year exploratory case research in six cases – selected from a well-defined reference population consisting of 37 compa
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29

Cord-Landwehr, Andreas [Verfasser]. "Selfish network creation : on variants of network creation games / Andreas Cord-Landwehr." Paderborn : Universitätsbibliothek, 2016. http://d-nb.info/1082624322/34.

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30

Tournier, Marianne. "La creation artistique et la creation verbale dans l'oeuvre de claude simon." Paris 3, 2001. http://www.theses.fr/2001PA030005.

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L'oeuvre de claude simon invite a etablir une comparaison entre la creation artistique et la creation verbale. Non parce que les arts plastiques y sont largement mis en scene; mais d'abord parce que cette mise en scene est dirigee par un ecrivain qui a une formation, un regard, de peintre; et que ce regard specifique intervient dans son travail sur le verbe. Et plus encore, parce que ce regard s'inscrit dans un parallele a l'art moderne, des impressionnistes aux abstraits. Dans son intention, il en porte les memes refus : refus du sujet "noble", refus d'une figuration dite "realiste", et refus
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31

Klimpel, Oliver. "Scenes of constant creation." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-69809.

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Design is reemerging again as an active system of enquiry for cultural production with a wide ranging set of methods - not only to address short-term formal problems and limited functions, but as a discipline that is uniquely placed in its relations to other fields of visual culture, special settings and textual production. A new generation of designers are currently reassessing the positions within graphics, product design and architecture and picking up loose ends of progressive historic developments.
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32

Jang, Sun-Hee Chen Yi. "The creation for orchestra." Diss., UMK access, 2006.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006.<br>"A dissertation in music composition." Advisor: Chen Yi. Duration: 9:45. Typescript. Vita. Title from "catalog record" of the print edition. Online version of the print ediiton.
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33

Haers, Jacques. "Creation theology in Origen." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335752.

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34

Ross, Simon Frederick. "Black hole pair creation." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627545.

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35

Josephides, Dimitris Noel. "Optimising monodisperse emulsion creation." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/optimising-monodisperse-emulsion-creation(399fe892-a5e6-4dab-941a-457e620d651f).html.

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Monodisperse emulsions are a special class of emulsion where all droplets are of uniform size. The properties of emulsions (rheology, appearance, stability, reaction kinetics) are determined by the properties of both continuous and dispersed phases but also by the characteristics of the droplets themselves. It is for this reason that monodisperse emulsions are often sought after, as droplet size can have such a large influence upon emulsion behaviour. Having a uniform emulsion results in more predictability and allows for easier design in emulsion properties. Monodisperse emulsions find uses i
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36

Terokhina, P. I., and A. M. Tkalenko. "Creation of successful brands." Thesis, ГО "Інститут інноваційної освіти", 2021. https://er.knutd.edu.ua/handle/123456789/18991.

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37

Simonson, Karina. "Creation of fictional community." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/8127.

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Does not include abstract.<br>Includes bibliographical references (p. 62-68).<br>This essay explores how the creation of a fictional community is expressed through my body of work. These works do not reference an actual community as such, but are an "imagining"of a nonexisting one, so that they can be understood as a "fictional" or "imagined" community. The dynamic of this imagining is located in the exchange between the memories of my real-life Lithuanian community, and my investigation of the ways in which symbolic objects and group interactions create a sense of community. In this way, my w
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38

Ng, F. "Creation of seamless fashion." Thesis, Royal College of Art, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494365.

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Hsien-yi, Yang, and 楊欣怡. "The Creator of Creation- Self interpretation of Yang Hsin-yi's Ceramic Creations." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/15202008117207202460.

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碩士<br>國立臺灣藝術大學<br>工藝設計學系<br>97<br>Due to the burdens of art painting, I chose clay as a material to seek for another way out in art creation, moreover, taking this burden to confer the issue of art creation as my concept for creating. Through this process, I was inspired by the experience of children teaching, and started to realize that creativity of children was not actually what most people considered to be “creative”, instead, creation was affected by different causes of teacher, classmates, family and society. The behavior of “creation” is constructed by many unseen elements; therefore, t
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40

LIANG, DENG-HAO, and 梁登豪. "The creator─LIANG,DENG-HAO Creation Discourse." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/62s7ap.

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碩士<br>國立高雄師範大學<br>美術學系<br>107<br>[Creator] this is the word that reflect both on my style and in my works’ main contants. Disscussing the good and evil of human actions could impact our environment in what ways,and will my wish of ecologyical revival become true? This discussion is divided into five chapters: Chapter One－Preface: The source of creative power, to talk about the transformation of education and personality for the school experience from childhood to the present, affecting the perception of things. Chapter Two－Creative literature: Find similar people in the style of creation,fo
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41

Chen, Kuo-Hua, and 陳國華. "Taiwan Magazine Industry Creative Value Creation Cycle Research." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/86747080568439549864.

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碩士<br>國立臺灣大學<br>高階公共管理組<br>96<br>The magazine industry operates on a scale of more than 25 billion NTD per annum in Taiwan. In recent years, the proliferation of broadband Internet and an increase in Internet users have altered the methods and means by which consumers receive information. Faced with the challenges and opportunities brought about by the Internet, magazine publishers have attempted to incorporate their content onto the Internet in various ways, but the effects have been fairly limited. Analysis conducted in accordance with “The Long Tail” concept suggests that there is a market
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42

Ju-ChingHsueh and 薛如晴. "Does Creative Award Matter in Firm Value Creation?" Thesis, 2019. http://ndltd.ncl.edu.tw/handle/w5rkjy.

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碩士<br>國立成功大學<br>國際企業研究所<br>106<br>Advertising is a common marketing strategy in our daily life. It can attract customers’ interest and purchase intention easily. However, the advertising spending is also a huge number. Firms desire to figure out what kind of advertising is worth to spend on. A wide variety of advertising, one is the creative advertising. The creative advertising is believed can push the message into viewers’ minds. In this study, I choose two internationally recognized awards: the Clio Awards and the One Show Awards as the rating indicator of creativity. Investigating the impa
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43

Heng-Chien, Chen, and 簡禎恆. "Creative Field－Creation Exposition of Chen Heng-Chien’s Painting." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25806214249711457426.

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碩士<br>國立嘉義大學<br>視覺藝術研究所<br>101<br>“Creative Field” is to discover author’s internal motivation on creation, and reflection of his thoughts to the realistic life and environment. Through creation, based on the skill and spirit of traditional Landscape Painting, “Creative Field” integrates soul-searching and external watching and is to pursue the balance between psyche and flesh. Replying upon external observation and the projection of reality, this creation artwork perfectly performs his self-inspiring and thought. Based on theoretical consideration, this artwork discussion contents 5 chapters,
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44

Shih, Li-Chun, and 施麗君. "The Research of Banknotes creative design Media Application Creation." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/31484792881479102467.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>101<br>With the progress of the technology, the” convergence” and “Interdisciplinary” become the key of changing the world, including Visual Media Design.The field of Visual Media Design including contents ,form and style. After the time government define cultural and creative as the industries, we are actively looking for the culture elements which can on behalf of Taiwan. The “originality” will be the core of this thesis. We start with the “originality” and comes to “form”. At the end, we will discuss the way of Media. We use the "Evolution Beyond Money" as t
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45

Ho, Kuan Ting, and 何冠廷. "Creation behind curation: creative response to constraints through brokerage." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/20250715162167975316.

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碩士<br>國立政治大學<br>科技管理研究所<br>100<br>When innovation is regarded as resources combination rather than novel invention, recombination therefore becomes the origin of innovation. One school demonstrated the concept of 『Bricolage』, which transfers existed resources into new values, however, it would be limited if resources are insufficient. The other school referred to 『Brokerage』, which brokers the resources outside the organization and creates new combinations through diversified resources. Nevertheless, most of relative researches focus on the process of recombination, which led to disregarding t
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JI, SIN-SIAN, and 紀昕賢. "By creating, life exist.THE CREATION STATEMENT OF JI,SIN-SIAN." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/jj9hhz.

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碩士<br>國立高雄師範大學<br>美術學系<br>105<br>The title, “By Creating, life exist.”, is the core value from the inspection of my creating principles. When I graduated from my college lives without worries, I worked my way through my graduate life. Looking back to the three years in my graduate school life, I finally found the balance between work and study. There are two self-explored steps in this study. First, the implicit creations are the explanation of the alienation that affect me. In this step, I leverage the alienation theory of Karl Marx (May 5th, 1818 – March 14th, 1883) and “One Dimensional Man
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47

SU, CHIAO-YU, and 蘇巧玉. "Legacy・Creative x Portraits — Revealing the Creation of Death Images." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/fpj2nu.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>107<br>Once, I saw a series of portraits of the deceased hanging on the worship hall; an indescribable feeling comes up to my mind. It looks like this series of portraits are harmony, and it doesn’t give people any feelings of death. The display of the portraits is from right to left; from the friend’s great great-grandfather to grandfather. Looking at these similar faces, it is not hard to tell that they all have the same blood relation. If we look at the first portrait, then jump to the fifth one, there are no connection between each other. It’s like the rainbow
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48

Richards, Sarah P. "Artist's block : the creation of a workshop to re-engage visual artists with their creative process by using the natural environment as a facilitator." Thesis, 2008. http://hdl.handle.net/10321/2181.

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Thesis submitted in partial compliance with the requirements for the Masters Degree in Technology: Fine Art in the Department of Fine Art, Durban Institute of Technology, 2008.<br>The aim of this thesis is to research and create a workshop which will assist artists to engage with their creative process. I explore the possibility that by being in a natural environment the blocked artist can reengage with their creative process and unblock the debilitating effects of artist's block. I chose to complete this study through the Durban University of Technology, to engage myself in the focused tas
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49

Chang, Yu-Chin, and 張郁菁. "Discussion of My Creation From Vuillard''s Art Creation." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/45701875593048489767.

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碩士<br>中國文化大學<br>藝術研究所<br>92<br>The introduction will discuss the nature of artistic crea-tion should be cased on knowledge and learning to record the most truthful aspect of humans and the nature. This paper is expected to help me exploring a clearer thinking path in face of the artistic creation in the future. In early 20th century, modern collectors recognized Vuillard and Bonnard equally. In Taiwan, the recognition of Bonnard surpassed that of Vuillard. Chapter 2 and Chapter 3 introduce the background of Vuillard, and attaches his chronicle to this paper. During h
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LiuHsiang-Hsiu and 劉相秀. "From a Creation to Creator: Elizabeth Siddal’s Character Painting Research." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/tjeubu.

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碩士<br>國立成功大學<br>藝術研究所<br>106<br>Elizabeth Eleanor Siddal was a British Pre-Raphaelite female artist in the 19th century, Victorian era. Siddal was not only a gorgeous and talented artist, but also a model as well as a poet. Her short life was end up at age 33. Most of Siddal’s artworks were Character Painting and were themed either from literature or poetry in oil paint, watercolor, pencil sketch and ink sketch. Her paintings expressed the thought of female under the repressive time to praise the desire and eternal love that conveyed sincere and unique emotions. There are three chapters. In th
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