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Libros sobre el tema "Crible visuel"

Autor: Grafiati
Publicado: 21 de diciembre de 2024
Última modificación: 31 de julio de 2025

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1

Hamacher, Hans-Werner. Deutschland im Visier: Organisiertes Verbrechen. Militzke, 2000.

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2

Stepniak, Daniel. Audio-visual coverage of courts. Cambridge University Press, 2008.

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3

Stepniak, Daniel. Audio-visual coverage of courts. Cambridge University Press, 2008.

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4

Stepniak, Daniel. Audio-visual coverage of courts. Cambridge University Press, 2008.

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5

Stepniak, Daniel. Audio-visual coverage of courts. Cambridge University Press, 2008.

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6

Niemetz, Alexander. Die Kokain-Mafia: Deutschland im Visier. Goldmann, 1994.

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7

B, Cliteur P., Gennip, Pieter Anton van, 1944-, and Laeyendecker L. 1930-, eds. Burgerschap, levensbeschouwing en criminaliteit: Humanistische, katholieke en protestantse visies op de kwaliteit van de huidige samenleving. De Horstink, 1991.

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8

Sharon, Donna. Countering violence in families and communities: Schools' initiatives and the role of educational television. TVOntario, 1991.

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9

Rugoff, Ralph. Scene of the crime. Published in association with the MIT Press, 1997.

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10

Désirée, Schauz, and Freitag Sabine, eds. Verbrecher im Visier der Experten: Kriminalpolitik zwischen Wissenschaft und Praxis im 19. und frühen 20. Jahrhundert. Steiner, 2007.

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11

BAIERL, LUZIA FATIMA. Medo social : da violencia visivel ao invisivel da violencia. Cortez, 2004.

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12

Thatcher, Frances. The wonderful pop-up Christmas crib. Angus & Robertson, 1993.

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13

McClanahan, Bill. Visual Criminology. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529207446.001.0001.

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From its earliest days, criminology has been a visual discipline, and the processes of the visual remain significant in the production and configuration of harm, crime, and justice. Reflecting the foundational power of the image, contemporary criminological and social theory are increasingly engaging with the processes and products of the visual from fine art to popular digital cultures. Following a longstanding and critical theoretical interest in the politics of meaning and the ways that our understandings of the phenomena of crime and justice shape (and are shaped-by) their cultural meaning
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14

Visual Crime. Fantagraphics Books, 2021.

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15

Dielenberg, Robert. Ted Bundy: A Visual TImeline. JumpFish Publishing, 2016.

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16

Visual Culture and the Forensic. Taylor & Francis Group, 2022.

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17

Massey, Peter, and Marilyn T. Miller. Crime Scene: A Visual Guide. Elsevier Science & Technology Books, 2018.

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18

Massey, Peter, and Marilyn T. Miller. Crime Scene: A Visual Guide. Elsevier Science & Technology, 2018.

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19

author, Massey Peter, ed. The Crime Scene: A Visual Guide. Academic Press, 2015.

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20

Stepniak, Daniel. Audio-visual Coverage of Courts. Cambridge University Press, 2008.

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21

Programming in Visual Basic.Net 2005- Text Only. McGraw Hill, 2006.

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22

Crime Oracle: A 99 Card Deck of Visual Prompts and Keywords. Isinglass Press, 2022.

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23

Guilty and threatening: Visual bias in television news crime stories. Association for Education in Journalism and Mass Communication, 2003.

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24

Baer, Hester, and Jill Suzanne Smith, eds. Babylon Berlin , German Visual Spectacle, and Global Media Culture. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350370098.

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The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture. Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations, Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing espe
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25

Stepniak, Daniel. Audio-Visual Coverage of Courts: A Comparative Analysis. Cambridge University Press, 2008.

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26

Stepniak, Daniel. Audio-Visual Coverage of Courts: A Comparative Analysis. Cambridge University Press, 2008.

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27

Stepniak, Daniel. Audio-Visual Coverage of Courts: A Comparative Analysis. Cambridge University Press, 2008.

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28

Stepniak, Daniel. Audio-Visual Coverage of Courts: A Comparative Analysis. University of Cambridge ESOL Examinations, 2012.

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29

Stepniak, Daniel. Audio-Visual Coverage of Courts: A Comparative Analysis. Cambridge University Press, 2009.

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30

The ultimate spectacle: A visual history of the Crimean War. Gordon and Breach, 2001.

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31

Keller, Ulrich. Ultimate Spectacle: A Visual History of the Crimean War (Documenting the Image). Routledge, 2001.

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32

Almino de Freitas, Nilson, Claudia Turra Magni, and Philipi Emmanuel Lustosa Bandeira. Trajetórias pessoais na antropologia (audio)visual no Brasil. Volume 1. SertãoCult, 2022. http://dx.doi.org/10.35260/54210119-2022.

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O que nasceu como uma tentativa de aproximar pesquisadores de diversas áreas, de mobilizar os membros do Conselho Editorial da SertãoCult na elaboração de um material que exprimisse a capacidade da editora em produzir obras com qualidade técnica e com relevância acadêmica, tornou-se um sucesso logo em sua primeira edição. Após o lançamento do volume Diálogos sobre a Ditadura, que reuniu alguns dos maiores pesquisadores sobre a temática no Brasil, e do volume dois, Trajetórias de pesquisadores e os estudos das cidades médias em perspectiva, a série Território Científico chega ao seu terceiro vo
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33

The Surveillance Web: The Rise of Visual Surveillance in an English City. Willan Publishing (UK), 2002.

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34

Frisken, Amanda. Graphic News. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252042980.001.0001.

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This book explores sensationalism as it took hold of U.S. media between 1870 and 1900. During this period, print news publishers became adept at translating stories about sex, crime, and violence into emotion-based pictures. Analysis of significant episodes in media history shows how a range of news media producers engaged with the sensational style. As they pioneered the art of visual journalism, news publishers conveyed racial, class, and gender anxieties in a complex dialogue with audiences that established precedents for modern media. Prominent cases – obscenity litigation, anti-Chinese vi
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35

Brantingham, Patricia L., Paul J. Brantingham, Justin Song, and Valerie Spicer. Advances in Visualization for Theory Testing in Environmental Criminology. Edited by Gerben J. N. Bruinsma and Shane D. Johnson. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190279707.013.37.

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This chapter discusses advances in visualization for environmental criminology. The environment within which people move has many dimensions that influence or constrain decisions and actions by individuals and by groups. This complexity creates a challenge for theoreticians and researchers in presenting their research results in a way that conveys the dynamic spatiotemporal aspects of crime and actions by offenders in a clearly understandable way. There is an increasing need in environmental criminology to use scientific visualization to convey research results. A visual image can describe und
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36

Donoso Macaya, Ángeles. The Insubordination of Photography. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401117.001.0001.

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The Insubordination of Photography studies the documentary practices of photography devised by different collectives (relatives of the detained-disappeared, church organizations, visual artists, and photographers), organizations, and independent media, which resisted, defied, and participated in the downfall of the dictatorial regime in Chile. Given a milieu saturated by disinformation and cover-ups of all kinds and restricted by repression and censorship, how does one demand and make visible the truth about the (denied) crime of forced disappearances under Pinochet’s Chilean dictatorship? At
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37

Ilan, Jonathan, and Gregory J. Snyder. Graffiti. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935383.013.144.

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Graffiti writing is often intensely policed despite being a relatively low-harm crime. Graffiti can be read by members of the public as a visual indicator of lawlessness and thus induce a certain amount of alarm. While there are a range of different kinds of graffiti, the most ubiquitous is that practiced by subcultural “writers.” Research indicates that there is an order and logic to writing. Writers often cultivate skills, experiences, and dispositions that imbue them with particular value in the postindustrial economy, offering them heightened career prospects. Graffiti and street art are i
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38

Miklitsch, Robert. The Glass Web. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0010.

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Since 3-D was originally developed, like CinemaScope, in response to the catastrophic decline of the movie audience, studios were eager to exploit three-dimension and apply it to genres such as the “meller” or “thriller.” Set in the “exotic” world of live TV, featuring a three-dimensional femme fatale, and revolving around the production of a true-crime television show called “Crime of the Week,” The GlassWeb appeared in 1953, the annus mirabilis of 3-D movies. However, despite certain spectacular 3-D passages, the visual style of The Glass Web tends toward the “zero degree,” reflecting the do
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39

Berliner, Todd. Crime Films during the Period of the Production Code Administration. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0008.

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Chapter 8 demonstrates the ways in which ideological constraints in studio-era Hollywood shaped the aesthetic properties of an entire body of crime films, now commonly known as film noir. The ideological restrictions of the Production Code Administration posed creative problems that noir filmmakers solved through visual and narrative contortion. The contortions created challenges for audiences, who had to decode and make sense of films that may not show complete clarity or coherence in their storytelling. Film noir remains aesthetically engaging because it operates near the boundaries of class
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40

Rafter, Nicole, and Michelle Brown, eds. The Oxford Encyclopedia of Crime, Media, and Popular Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780190494674.001.0001.

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Over 120 scholarly articlesCrime and punishment fascinate. Overwhelming in their media dominance, they present us with our most popular television programs, films, novels, art works, video games, podcasts, social media streams and hashtags. This encyclopedia, a massive and unprecedented undertaking, offers a foundational space for understanding the cultural life and imaginative force and power of crime and punishment. Across five areas foundational to the study of crime and media, leading scholars from five continents engage cutting edge scholarship in order to provide definitive overviews of
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41

Llano, Samuel. Discordant Notes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.001.0001.

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Scholarship on urban culture and the senses has traditionally focused on the study of literature and the visual arts. Recent decades have seen a surge of interest in the effects of sound on the urban space and its population. These studies analyze how sound generates identities that are often fragmentary and mutually conflicting. They have also explored the rise of campaigns against the negative effects of noise on the nerves and health of the population. However, little research has been carried out on the impact of sound and music in areas of broader social and political concern, such as soc
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42

Marczak, Nikki, and Kirril Shields, eds. Genocide Perspectives VI: The Process and the Personal Cost of Genocide. University of Technology, Sydney, 2020. http://dx.doi.org/10.5130/aaf.

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Genocide Perspectives VI grapples with two core themes: the personal toll of genocide, and processes that facilitate the crime. From political choices governments and leaders make, through to denialism and impunity, the crime of genocide recurs again and again, across the globe. At what cost to individuals and communities? What might the legacy of this criminality be? This collection of essays examines the personal sacrifice genocide takes from those who live through the trauma, and the generations that follow. Contributors speak to the way visual art and literature attempt to represent genoci
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43

Christ, Birte. Imagining the American Death Penalty. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780198935117.001.0001.

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Abstract The book traces the U.S. American cultural imaginary of capital punishment through popular visual representations from the 1890s to the twenty-first century. It focuses on three generic and historical clusters of representations: early film from the 1890s through Intolerance (1916), crime film noir of the 1950s and 1960s, and legal TV series from the 1990s through the early 2000s. The book makes two central arguments. First, it demonstrates that an increased concern with the death penalty in popular media does not mean that these texts promote an abolitionist agenda: their cultural wo
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44

Orange, Garnet. Police Powers in Ireland. 2nd ed. Bloomsbury Publishing plc, 2024. https://doi.org/10.5040/9781526527578.

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Police Powers in Irelandcovers everything you need to know about police powers in the context of the investigation of crime, as well as general interactions between the members of An Garda Síochána and the public. This book examines the legal issues that arise, with an emphasis on the practicalities of policing. Alongside an analysis of up-to-date case law, this book traces the history of the force, its duties and powers, and details the importance of human rights. TheSecond Editioncovers: - The significant changes to the law on drawing adverse inferences - The changes which DPP v JC had on th
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45

Pereira, Reina Marisol. Eratóstenes. Constelações do Zodíaco. Imprensa da Universidade de Coimbra, 2020. http://dx.doi.org/10.14195/978-989-26-1948-4.

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Este escrito pseudoeratosténico que se traduz nesta publicação retrata um grupo de episódios que não se limita a 12 constelações. Tampouco discorre acerca de influências/condicionalismos deterministas sobre eventualidades e comportamentos diários, mensais ou anuais das criaturas terrenas da Época Alexandrinista. Embora não se trate de um tratado astronómico e o estilo prime por um carácter simples e sucinto, muito há para descodificar nos pouco mais de quarenta episódios. De conotações astronómicas, apresenta-se como um exercício de aproximação, ao proporcionar ao recetor explicações de algo v
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46

Cooper, L. Andrew. Dario Argento. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037092.003.0001.

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This book explores the extreme violence that pervades Dario Argento's films, and particularly the ways in which they push the limits of visual and auditory experience by offending, confusing, sickening, and baffling the viewers. It looks at Argento's approach to his work over more than four decades of filmmaking, and his commitment to innovation that is evident in two closely related genres whose disturbing violence reaches previously unrecorded levels of pain, suffering, and mental anguish: crime thriller and supernatural horror. From his directorial debut, The Bird with the Crystal Plumage (
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47

Willis, Andy. From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0004.

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From the Shaw Brothers production line to the clones of Bruce Lee, Hong Kong cinema has long been seen as driven by raw commercial concerns. Like many other commercial film industries, most notably Hollywood, production in the Hong Kong film industry has also been focused on popular cycles of production. These have included phases when family melodramas, historical swordplay and kung-fu films, screwball comedies and triad based crime films have all proved successful at the domestic and regional box-office. As with other commercially focused film industries there has also been a low budget sect
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48

Casagrande, Elton Eustaquio, Guilherme Wolf Bueno, David Ferreira Lopes Santos, and Levi Pompermayer Machado. Empreendedorismo na prática: conexões entre ciência, mercado e sociedade. Editora Ibero-Americana de Educação, 2022. http://dx.doi.org/10.47519/eiae.978-65-86839-10-4.

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Iniciamos a terceira década do século XXI no momento que entramos no ano de 2021. Uma época evidenciada por tópicos importantes que variam desde crises climáticas severas, até questões sociais que desempenham – com grande impacto –, o curso de nossa trajetória como indivíduo, a partir do momento em que a humanidade é posta em segundo plano. Aqui no Brasil, a contar dos últimos anos que antecedem essa terceira década e após uma agoniante crise epidemiológica, nos encontramos confusos e desorientados. Tal inflexão e confusão transparece culturalmente, politicamente, financeiramente e individualm
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