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Artículos de revistas sobre el tema "Critique de la culture"

Autor: Grafiati

Publicado: 25 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Couture, Francine. "L’effet critique de l’art : qu’en savons-nous?" Articles, no. 16 (April 19, 2011): 89–103. http://dx.doi.org/10.7202/1002130ar.

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Au cours des années soixante, la sculpture cinétique a fait porter la réflexion sur les relations entre l’art et la technologie. Dans ce sens la réception immédiate des objets d’art de Serge Cournoyer et du groupe Fusion des Arts, par la critique d’art, est exemplaire du débat ayant animé le milieu artistique montréalais durant cette période. Elle a rendu perceptible l’inadéquation entre l’univers sémantique de ces oeuvres et les critères de définition de l’art de certains critiques d’art adhérant à l’expressionisme ou au formalisme. La reconstitution du contexte de ce débat nous apprend que l

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2

Castro, Robert F. ":Racial Culture: A Critique." PoLAR: Political and Legal Anthropology Review 29, no. 2 (2006): 331–33. http://dx.doi.org/10.1525/pol.2006.29.2.331.

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3

Haslanger, Sally. "I—Culture and Critique." Aristotelian Society Supplementary Volume 91, no. 1 (2017): 149–73. http://dx.doi.org/10.1093/arisup/akx001.

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4

Chatterjee, P. "Critique of Popular Culture." Public Culture 20, no. 2 (2008): 321–44. http://dx.doi.org/10.1215/08992363-2007-028.

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5

McNamara, Laura A. "CULTURE, CRITIQUE AND CREDIBILITY." Anthropology Today 23, no. 3 (2007): 22–23. http://dx.doi.org/10.1111/j.1467-8322.2007.00515.x.

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6

Ikonen, Sirkku. "Cassirer’s critique of culture." Synthese 179, no. 1 (2009): 187–202. http://dx.doi.org/10.1007/s11229-009-9635-4.

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7

Perrin, Tom. "Critique, Tweaked." American Literary History 31, no. 3 (2019): 530–39. http://dx.doi.org/10.1093/alh/ajz021.

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Abstract Four recent monographs argue, in various ways, that the paradigm of critique is still a useful one for scholars to inhabit. Taken as a group, these authors broadly address the issues of how, and with what results, popular culture upholds hegemonic ideologies, and, by extension, whether the consumption of popular culture ought still to count as a guilty pleasure. Such questions are clearly related to the scholarly practice of studying popular culture by critiquing its ideological axioms. While these books all engage the problems with critique that have given rise to a contemporary post

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8

Nowak, Raphaël, and Andrew Whelan. "“Vaporwave Is (Not) a Critique of Capitalism”: Genre Work in An Online Music Scene." Open Cultural Studies 2, no. 1 (2018): 451–62. http://dx.doi.org/10.1515/culture-2018-0041.

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Abstract Vaporwave, first emerging in the early 2010s, is a genre of music characterised by extensive sampling of earlier “elevator music,” such as smooth jazz, MoR, easy listening, and muzak. Audio and visual markers of the 1980s and 1990s, white-collar workspaces, media technology, and advertising are prominent features of the aesthetic. The (academic, vernacular, and press) writing about vaporwave commonly positions the genre as an ironic or ambivalent critique of contemporary capitalism, exploring the implications of vaporwave for understandings of temporality, memory and technology. The i

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9

Jones, Jane Clare. "Idealized and Industrialized Labor: Anatomy of a Feminist Controversy." Hypatia 27, no. 1 (2012): 99–117. http://dx.doi.org/10.1111/j.1527-2001.2011.01217.x.

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Prompted by the ever‐increasing cesarean rate, this paper considers the interpretive disjunct between two significant strands of feminist analysis that have arisen in the last four decades as a consequence of the phenomenon of medicalized birth. In contrast to the dominant paradigm of bioethical “Principalism,” both modes of analysis, understood as “the critique of industrialized labor” and “the critique of idealized labor,” are attentive to the way in which social discourses inform bioethical deliberation and practice, but significantly diverge in the nature of their accounts. The “industrial

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10

Reynolds, Paul. "Sexual Capitalism: Marxist Reflections on Sexual Politics, Culture and Economy in the 21st Century." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 16, no. 2 (2018): 696–706. http://dx.doi.org/10.31269/triplec.v16i2.995.

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From an apparent impasse and crisis in the 1970s and 1980s – politically and intellectually – Marxism has recovered to offer critical insights into contemporary changes and developments in late capitalist societies. Sexuality has been one area where Marxist critiques of commodification and consumption, reification, cultural production and its hegemonic effects and the structures of feeling and meaning-making that compose contemporary subjectivities have been of significant value in decoding legal, political and cultural changes in the regulation, prohibition and propagation of forms of sex and

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11

Weingand, Yanik. "Scholars, States, and Human Rights." Global Europe – Basel Papers on Europe in a Global Perspective, no. 122 (June 16, 2022): 47–70. http://dx.doi.org/10.24437/globaleurope.i122.1109.

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This article investigates the similarities between different critiques towards the international human rights system from academia and state-actors. On the one hand, there are the critiques from scholars of the Third World Approaches to International Law (TWAIL) movement. On the other hand, there are critical points raised towards the international human rights system by China, Cuba, and Egypt in the reports from the first three cycles of their respective Universal Periodic Review (UPR) within the United Nations Human Rights Council (UNHRC). Through a literature review, the TWAIL critiques wer

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12

Jones, Eric L. "Cultures Merging: A Historical and Economic Critique of Culture." Journal of Institutional and Theoretical Economics 163, no. 3 (2007): 526. http://dx.doi.org/10.1628/093245607781871336.

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13

Andrew, Brad. "Cultures Merging: A Historical and Economic Critique of Culture." Review of Social Economy 67, no. 2 (2009): 252–54. http://dx.doi.org/10.1080/00346760802621609.

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14

Mayhew, Anne. "Cultures Merging: A Historical and Economic Critique of Culture." Journal of Economic Issues 41, no. 1 (2007): 287–89. http://dx.doi.org/10.1080/00213624.2007.11507007.

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15

Duroy, Quentin M. H. "Cultures Merging: A Historical and Economic Critique of Culture." Social Science Journal 44, no. 1 (2007): 199–201. http://dx.doi.org/10.1016/j.soscij.2006.12.019.

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16

Larrain, Jorge, and Louis Dupre. "Marx's Social Critique of Culture." Contemporary Sociology 14, no. 6 (1985): 780. http://dx.doi.org/10.2307/2071490.

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17

Rockmore, Tom. "Marx’s Social Critique of Culture." International Studies in Philosophy 20, no. 1 (1988): 73–74. http://dx.doi.org/10.5840/intstudphil198820116.

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18

Gross, David. "The Religious Critique of Culture." Philosophy Today 54, no. 4 (2010): 392–400. http://dx.doi.org/10.5840/philtoday20105446.

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19

Bourg, Carroll J., and Louis Dupre. "Marx's Social Critique of Culture." Review of Religious Research 28, no. 1 (1986): 90. http://dx.doi.org/10.2307/3511342.

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20

Kellner, Douglas. "Nietzsche’s Critique of Mass Culture." International Studies in Philosophy 31, no. 3 (1999): 77–89. http://dx.doi.org/10.5840/intstudphil199931353.

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21

McBride, William Leon. "Marx’s Social Critique of Culture." Owl of Minerva 17, no. 2 (1986): 212–14. http://dx.doi.org/10.5840/owl19861726.

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22

Koirala, Prabal. "Critique of Essentialist Culture in Koirala’s Sumnima." AJOIS: Academic Journal of Interdisciplinary Studies 1, no. 1 (2024): 99–104. http://dx.doi.org/10.3126/ajois.v1i1.62945.

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This paper attempts to analyze how Bishweshwar Prasad Koirala’s novel Sumnima critiques essentialist culture by the rulers of the contemporary time. Presenting two characters from diverse cultural background, Koirala makes a subtle distinction between the culture and way of life. In doing so, he snubs the superiority or inferiority of the cultures and shows that they are unique in their own terms. By taking insights on culture and ethnicity embedded in the identity of a person, this paper reveals that Koirala chides the essentialist thoughts of the rulers.

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23

Lemos, André. "The critique of essentialist critique of cyberculture." Matrizes 9, no. 1 (2015): 29. http://dx.doi.org/10.11606/issn.1982-8160.v9i1p29-51.

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The objective of this paper is to analyze the critical perspective of cyberculture from the discussion on the essence of technology. The article revisits the classic discussion about the essence of technology and updates it from the visions of the new critics of digital culture. The central argument is that traditional critical perspective (fundamentalist or pessimistic) fails to address the phenomena of digital culture by essentialist bias. It proposes an analysis of cyberculture by Actor-Network Theory (ART) since a focused view, stucked to the constituent networks of technical phenomenon, a

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24

Bandini, Elisa, Jonathan Scott Reeves, William Daniel Snyder, and Claudio Tennie. "Clarifying Misconceptions of the Zone of Latent Solutions Hypothesis: A Response to Haidle and Schlaudt." Biological Theory 16, no. 2 (2021): 76–82. http://dx.doi.org/10.1007/s13752-021-00374-x.

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AbstractThe critical examination of current hypotheses is one of the key ways in which scientific fields develop and grow. Therefore, any critique, including Haidle and Schlaudt’s article, “Where Does Cumulative Culture Begin? A Plea for a Sociologically Informed Perspective,” represents a welcome addition to the literature. However, critiques must also be evaluated. In their article, Haidle and Schlaudt (Biol Theory 15:161–174, 2020. 10.1007/s13752-020-00351-w; henceforth H&S) review some approaches to culture and cumulative culture in both human and nonhuman primates. H&S discuss the

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25

Martinez, Theresa A. "Popular Culture as Oppositional Culture: Rap as Resistance." Sociological Perspectives 40, no. 2 (1997): 265–86. http://dx.doi.org/10.2307/1389525.

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Bonnie Mitchell and Joe Feagin (1995) build on the theory of oppositional culture, arguing that African Americans, American Indians, and Mexican Americans draw on their own cultural resources to resist oppression under internal colonialism. In this paper, rap music is identified as an important African American popular cultural form that also emerges as a form of oppositional culture. A brief analysis of the lyrics of political and gangsta rappers of the late 1980s and early 1990s, provides key themes of distrust, anger, resistance, and critique of a perceived racist and discriminatory society

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26

PATTEN, ALAN. "Rethinking Culture: The Social Lineage Account." American Political Science Review 105, no. 4 (2011): 735–49. http://dx.doi.org/10.1017/s000305541100030x.

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Persuaded by the critique of cultural essentialism, many critics believe that there is no defensible way of identifying distinct cultures, or of distinguishing cultural loss from cultural change, that is compatible with the normative agenda of multiculturalism. This article challenges this widely shared belief by developing a concept of culture that can withstand the critique of essentialism and support the positive claims of multiculturalists. Culture, in the view developed here, is what people share when they have shared subjection to a common formative context. A division of the world, or o

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27

Truwant, Simon. "From the Critique of Reason to a Critique of Culture." Epoché: A Journal for the History of Philosophy 23, no. 1 (2018): 85–104. http://dx.doi.org/10.5840/epoche2018724121.

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This paper argues that Cassirer’s development of ‘the critique of reason into a critique of culture’ was prompted by two motives that ultimately seem to collide. On the one hand, Cassirer attempts to overcome the Kantian dichotomy between the faculties of sensibility and the understanding. To this end, he turns to the schemata of the Critique of Judgment. On the other hand, Cassirer expands the scope of transcendental philosophy to include cultural domains such as myth, language, and the human sciences. His desire to maintain both the differences between these domains and the unity of reason h

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28

Žukauskienė, Odeta. "Muziejų kultūra: kintantys diskursai ir institucinė kritika." Lietuvos kultūros tyrimai 2 (2012): 14–31. https://doi.org/10.53630/lkt.2012_1.1.

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Critical museum discourse seeks to urge fundamental changes in the institutional norms and policies. Therefore, the paper examines the questions raised by the new museology and institutional critique covering a wide range of issues related to the museum normative practices, power relations, canonical ways of representations, art-world narratives, curatorial practices and other issues. The article also discusses the theory of museums and the development of institutional critique in Lithuania. Aspects of Lithuanian art institutions critically evaluated in theory and practice are discussed, anti-

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29

Hunter, Siân. "Coppola's postfeminism: Emma Watson and The Bling Ring." Film, Fashion & Consumption 9, no. 1 (2020): 81–98. http://dx.doi.org/10.1386/ffc_00013_1.

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Abstract Sofia Coppola's The Bling Ring explores the contemporary obsession with commodities and celebrity culture which leads a group of Californian teenagers to break into the homes of celebrities, in order to steal their clothes and accessories. This article examines Coppola's critique of celebrity culture and consumerism through the movie itself, and through her casting of British actor Emma Watson and the ways in which she mobilizes the celebrity persona of Watson in order to further her critique. The Bling Ring will be compared to Coppola's work to understand how it contributes to her po

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30

Barebina, Natalya, and Galina Kostyushkina. "Analysis of the Deviant Usage of Criticism in Discourse Innovations of Cancel Culture and Woke Culture." Bulletin of Baikal State University 34, no. 1 (2024): 134–43. http://dx.doi.org/10.17150/2500-2759.2024.34(1).134-143.

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The research analyzed the deviant usage of critique in discourse innovations in the form of cancel culture and woke culture. These innovations represent modern ways of criticism, which rapid spread is due to network communication. The basis for classifying these types of criticism as deviant usage is the destruction of the locus of critical rationality. The problem is that the heuristic ideal of critique may be changed significantly due to the legitimation of non-standard forms of criticism. The authors identified several clusters of the normative ideal of critical activity in the form of nega

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31

Lofts, Steve. "Ernst Cassirer in Japanese Philosophy." Journal of Transcendental Philosophy 2, no. 1 (2021): 143–65. http://dx.doi.org/10.1515/jtph-2021-0007.

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Abstract The primary goal of this paper is not to argue for the “influence” of Cassirer, but rather to make known the reception of Cassirer in Japanese philosophy, illustrate the interconnection between Cassirer’s critique of culture and that of Japanese philosophy, and hopefully spark interest in what might be a fruitful dialog between Cassirer scholars and those working in Japanese philosophy. Historically, the paper defines Japanese philosophy and makes known its engagement with Western philosophy and the Marburg school of neo-Kantianism and its project of a critique of culture during its o

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32

Slinn, E. Warwick. "Poetry and Culture: Performativity and Critique." New Literary History 30, no. 1 (1999): 57–74. http://dx.doi.org/10.1353/nlh.1999.0014.

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33

Smith, Michael French. "Cargo, Cult, and Culture Critique (review)." Contemporary Pacific 17, no. 2 (2005): 470–73. http://dx.doi.org/10.1353/cp.2005.0070.

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34

Corteel, Mathieu, Ariel Kyrou, and Yann Moulier-Boutang. "Pour une culture critique de l’IA." Multitudes 78, no. 1 (2020): 51. http://dx.doi.org/10.3917/mult.078.0051.

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35

Barbier, René. "L’esprit critique dans la culture chinoise." Pratiques de formation / Analyses 45, no. 1 (2003): 39–50. https://doi.org/10.3406/pfa.2003.904.

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36

Aronsson, Mattias. "La réception de Marguerite Duras en Suède. La critique professionnelle et non-professionnelle." Moderna Språk 110, no. 2 (2016): 1–24. http://dx.doi.org/10.58221/mosp.v110i2.7858.

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Dans cet article nous examinons la réception suédoise de l’œuvre de Marguerite Duras, en comparant la critique professionnelle et la critique non-professionnelle. Le corpus est constitué de vingt comptes rendus professionnels publiés dans la presse, et vingt comptes rendus rédigés par des amateurs et publiés sur des blogs et des sites web personnels. La critique non-professionnelle des blogueurs représente un nouveau phénomène dans le paysage littéraire : une réception souvent subjective et sans prétentions intellectuelles, caractérisée par son ton personnel et parfois intime. Cette crit

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37

DUMONT, Fernand. "L’idée de développement culturel : esquisse pour unepsychanalyse." Sociologie et sociétés 11, no. 1 (2010): 7–31. http://dx.doi.org/10.7202/001217ar.

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L’auteur discute en profondeur de la notion de développement culturel en seposant les questions suivantes : de quelle culture s’agit-il lorsque l’on parle dedéveloppement culturel? Et pourquoi le développement? C’est parce que l’auteurplaide pour la primauté de la culture dans l’observation sociale qu’il se montretrès critique envers les idées reçues.

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38

Boynton, Anthony Dwayne. "August Wilson, Afrofuturism, & Gem of the Ocean." Open Cultural Studies 2, no. 1 (2018): 374–82. http://dx.doi.org/10.1515/culture-2018-0034.

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Abstract August Wilson's Century Cycle is as much a theatrical experiment of black cultural history and sociology as it is one of storytelling. Though often considered a realist playwright, Wilson walks beyond the realist landscape into speculative and imagined ones in Gem of the Ocean. His investment in cultural critique and history enhances the possibility of an enriching analysis of his work as speculative fiction. This research project locates the ties between Wilson’s affinity with history and the creation of a dystopian Pittsburgh in the play. In Wilson’s work, set in 1904, the antebellu

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39

Karlsson, Jens. "Breakthrough in Chinese Kant Scholarship. Interview with Prof. Deng Xiaomang." Kantian journal 40, no. 2 (2021): 131–50. http://dx.doi.org/10.5922/0207-6918-2021-2-5.

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Prof. Deng Xiaomang’s translations of the Critique of the Power of Judgment (2002), the Critique of Practical Reason (2003), and the Critique of Pure Reason (2004), were the first Chinese editions of Kant’s three Critiques translated in their entirety from the German originals. This interview tracks his scholarship, placing it within the broader scope of historical and contemporary Kant scholarship in China. Among the topics addressed, the reception of Kantian philosophy among the so called “New Confucians”, as well as the utility of Kantian thought as a tool for the reformation of traditional

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40

Bagdasar, Radu. "Critica între condiția de „magistratură”, „cățea literară” și tămâierea béată." Revista de Istorie și Teorie Literară 18 (December 20, 2024): 227–39. https://doi.org/10.59277/ritl.2024.18.20.

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The text discusses the roles of internal and external critique in the development of a literary work. On one hand, the creator’s intelligence, which also includes a strong critical dimension, is not identical to that of the critic, whose perspective entails a distancing and objectification that the author, considering it’s their own work, finds more challenging to adopt. The only drawback of external critique is that it arrives post facto and can only enhance the writer’s future style — thus benefiting subsequent creations, but not the one it critiques. Authentic critique plays an indispensabl

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41

McDougall, Michael, Mark Nesti, David Richardson, and Martin Littlewood. "Emphasising the culture in culture change: Examining current perspectives of culture and offering some alternative ones." Sport & Exercise Psychology Review 13, no. 1 (2017): 47–61. http://dx.doi.org/10.53841/bpssepr.2017.13.1.47.

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Culture change has rapidly become a topic of interest and importance within applied and academic sport psychology circles. Despite a number of notable advances in the culture change literature though, a critique aimed at some of this research (Cruickshank, Collins & Minten, 2013a) is that it may not be studying culture at all (Gilmore, 2013). Considering and extending this critique, it is contended that sport psychology culture change research to date has been change focused, rather than based in a broader and deeper understanding of culture; an action-orientated approach that limits the c

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42

Vokuev, Nikolai. "Politiser la sémiosphère : Juri Lotman et les études culturelles." Cygne noir, no. 10 (June 20, 2023): 66–86. http://dx.doi.org/10.7202/1100682ar.

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Le nom du sémioticien soviétique Juri Lotman, ainsi que la sémiotique de la culture de l’École de Tartu-Moscou en général, ne sont pas associés à la théorie critique. Les approches critiques visent à analyser la société contemporaine et sa transformation : les philosophes, comme le disait Marx, expliquent le monde, mais la tâche est de le changer. Dans la science soviétique, cependant, les postulats marxistes sont devenus des dogmes dont les sémioticiens ont voulu se libérer. Cette aspiration s’est incarnée non pas dans une critique du système existant, mais dans une coexistence presque escapi

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43

Lippuner, Roland. "Géographie, culture et quotidien : un renouveau théorique." Géographie et cultures 47 (2003): 29–44. https://doi.org/10.4000/13u5g.

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À la suite de ce que l'on a appelé le "tournant culturel" (cultural turn) en géographie, puis de ses critiques, le quotidien et la vie quotidienne sont (de nouveau) devenus des sujets d'importance en géographie humaine, Ce mouvement fait suite aux résultats de travaux cherchant à saisir en théorie la pratique quotidienne. Mais jusqu'ici les études portant sur les pratiques ordinaires n'ont jamais réellement discuté de la vie quotidienne comme catégorie de l'observation et de la représentation scientifiques. C'est l'objectif du présent article, qui aborde les questions épistémologiques soulevée

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44

Million, Loïc. "Politiques d’une pensée critique intersectionnelle dans la salle de classe : vers une urgente renégociation de la didactique du français langue seconde à l’ère post-vérité." Arborescences, no. 14 (2024): 5–22. http://dx.doi.org/10.7202/1113546ar.

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Compte tenu de l’écosystème d’information dans lequel nous vivons, il est désormais devenu vital d’être capable de penser de manière critique afin de ne pas se retrouver noyé·e parmi l’abondance d’information en ligne. Pourtant, la pensée critique n’a jamais autant généré de méfiance et semblé aussi insuffisante dans le climat politique actuel de la post-vérité où théories conspirationnistes et documents audiovisuels générés par l’intelligence artificielle se retrouvent propagés à grande échelle. Par un jeu de miroir entre les différentes crises existentielles et théoriques que traversent la c

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45

Smith, Rogers M. "Response to Karen Orren." Journal of Policy History 8, no. 4 (1996): 479–90. http://dx.doi.org/10.1017/s0898030600005431.

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Karen Orren's critique wages more war with itself than it does with my main arguments and evidence, most of which she does not engage directly. The bulk of my essay was devoted to textual critiques of Tocqueville, Myrdal, Hartz, and a number of more recent authors. I argued that their assumptions that liberal democratic traditions formed the core of American political culture led to inadequate accounts of major systems of ascriptive hierarchy, especially racist, nativist, and patriarchal ones. Orren mentions none of the authors I critiqued except Carol Pateman, whom she invokes in a paragraph

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46

Črnič, Aleš. "A Critique of Islamophobia – in Defence of European Culture." European Review 28, no. 4 (2020): 707–20. http://dx.doi.org/10.1017/s1062798720000071.

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The fear of refugees and migrants that has flooded Europe in the last few years emphasises the threat posed to contemporary European culture by the supposedly radically different Islamic culture. However, the roots of European Islamophobia reach far beyond that, all the way back to the Crusades; while Central and parts of Eastern Europe have mostly been feeding these roots with memories of Ottoman invasions. After inspecting these roots, this article sheds light on the irrefutable Christian sources of European culture, but also exposes other influences without which the culture would not exist

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47

Laffranchini, Moira. "Culture et diversité dans la formation du corps enseignant : une réflexion anthropologique et pédagogique." L’éducation en débats : analyse comparée 15, no. 1 (2025): 109–26. https://doi.org/10.51186/journals/ed.2025.15-1.e1696.

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Cet article explore la formation des enseignant-es à la diversité culturelle en s’appuyant sur une perspective anthropologique et pédagogique. Il s’inscrit dans le contexte d’une société globalisée où les interactions culturelles et les tensions identitaires sont omniprésentes, et où les approches interculturelles peinent à s’ancrer dans des pratiques éducatives concrètes. À travers une démarche auto-ethnographique, l’article met en évidence l’importance de dépasser les conceptions figées de la culture pour transformer la posture professionnelle du corps enseignant. L’analyse repose sur deux a

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Stamatov, Aleksandar, та Lindita Ahmeti. "Кон Jere Paul Surber, Culture and Critique: An Introduction to the Critical Discourses of Cultural Studies". Identities: Journal for Politics, Gender and Culture 4, № 1-2 (2005): 367–69. http://dx.doi.org/10.51151/identities.v4i1-2.164.

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Author(s): Aleksandar Stamatov | Александар Стаматов Title (Macedonian): Кон Jere Paul Surber, Culture and Critique: An Introduction to the Critical Discourses of Cultural Studies Title (Albanian): Për Jere Paul Surber, Culture and Critique: An Introduction to the Critical Discourses of Cultural Studies Translated by (Macedonian to Albanian): Lindita Ahmeti Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 4, No. 1-2 (Summer - Winter 2005 Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 3

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49

Lacasse, Germain, Sacha Lebel, and Hubert Sabino. "L’objet cinéma entre culture populaire et culture savante1." Globe 15, no. 1-2 (2013): 83–101. http://dx.doi.org/10.7202/1014627ar.

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Cet article envisage d’élargir et d’approfondir le champ de l’histoire culturelle en étudiant les relations entre culture académique et culture populaire. Prenant comme exemple diverses pratiques et institutions dans l’histoire du cinéma québécois (le bonimenteur, la censure, la critique), il propose de déconstruire leur histoire pour rappeler les exclusions sur lesquelles elle est souvent fondée. L’article s’inspire de travaux récents qui revalorisent les études culturelles et leur potentiel interdisciplinaire.

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Carravetta (book author), Peter, and Anna Ciamparella (review author). "After Identity: Migration, Critique, Italian American Culture." Quaderni d'italianistica 38, no. 1 (2018): 305–6. http://dx.doi.org/10.33137/q.i..v38i1.31236.

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