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Literatura académica sobre el tema "Cultural specific concepts"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Cultural specific concepts"

Lagopoulos, Alexandros Ph. "The cultural transformation of the proprioceptive senses". Semiotica 2019, n.º 231 (26 de noviembre de 2019): 193–223. http://dx.doi.org/10.1515/sem-2018-0041.

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Abstract The research question of the present paper is what relation exists between biology and cultural semiosis and I examine as a token of this question the relation between the physiological senses of proprioception and the cultural concepts corresponding to them. While the origins of semiosis are biological, the origin of proprioceptive concepts is debated. Against the biological view that the proprioceptive senses define directly the concepts corresponding to them, there is an opposite view supporting that these concepts are culture-specific. The concept of “classification system” is counter-proposed as the structural framework for the study of proprioceptive concepts. The paper discusses the senses and concepts of proprioception on the basis of a large corpus of anthropological and archaeological material concerning the semiotic systems of precapitalist societies and with the help of a set of metalinguistic spatial concepts. These metalinguistic concepts are up vs. down, front vs. rear, and right vs. left. The senses corresponding to them lead to the senses and concepts of spatial orientation and presuppose a point of reference, closely related to the sense of equilibrium. My conclusion is that the cultural concepts corresponding to these senses are not directly extrapolated from the senses themselves, but are culture-specific and each time integrated within a different cultural and social environment.

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Room, Robin. "The Cultural Framing of Addiction". Janus Head 6, n.º 2 (2003): 221–34. http://dx.doi.org/10.5840/jh2003628.

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The concept of addiction is historically and culturally specific, becoming a common way of understanding experience first in early nineteenth-century America, This paper considers the relation to the concept of elements in current professional definitions of addiction (as dependence). Addiction concepts have become a commonplace in storytelling, offering a secular equivalent for possession as an explanation of how a good person can behave badly, and as an inner demon over which a hero can triumph.

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Almubark, Amin Ali, Dr AmerrudinAbd Manan y KhairiObaidTayyeh Al-Zubaid. "The Hindrances in Translating Specific Cultural Concepts from Arabic into English". IOSR Journal of Humanities and Social Science 19, n.º 3 (2014): 166–73. http://dx.doi.org/10.9790/0837-1932166173.

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Bezkorovaynaya, G. T. "«The Comprehension of Cultural Context for Explanation of Nationally Specific Concepts»". Alfred Nobel University Journal of Philoligy 11 (2016): 184–88. http://dx.doi.org/10.32342/2523-4463-2016-0-11-184-188.

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Dotcenko, Dmitry Vasilevich. "USE OF SPECIFIC TYPES OF CONCEPTUAL ANALYSIS TO STUDY ‘OLD’ CULTURAL CONCEPTS". Sovremennye issledovaniya sotsialnykh problem 11, n.º 1 (28 de marzo de 2019): 14. http://dx.doi.org/10.12731/2077-1770-2019-1-14-25.

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Tumbahang, Mohan Kumar. "Cultural Specific Language in Kirat Yaakthung Mundhum". Dristikon: A Multidisciplinary Journal 9, n.º 1 (31 de diciembre de 2019): 63–74. http://dx.doi.org/10.3126/dristikon.v9i1.31157.

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This article attempts to discuss the various forms of the Kiraat Yaakthung Mundhum language employed in the various ritualistic performances. It has applied the qualitative research design in which the study attempts to gather non-numerical data explicitly referring to the meanings, concepts, definitions, or characteristics. Written documents related to the Kirat Yaakthung Mundhum are not adequate for having the ideas about the linguistic variations because the Mundhum is mostly based on oral tradition of recitation. The Limbu priests locally known as 'Saambaas' recite the diverse forms of the Mundhum depending on types of rituals they are performing. Basing on the available voice records, empirical knowledge, and written Mundhum documents, the paper has been prepared. After the analysis, the study has revealed that the elements of ethnographies of communication play a crucial role to bring about the distinctiveness in the level and meaning of the Mundhum utterances. This study may be helpful for those who are interested in the structure of the ritual language.

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Mannheim, Bruce. "The social (and cultural, and syntactic, and semantic) life of generics". Language in Society 50, n.º 4 (12 de agosto de 2021): 605–18. http://dx.doi.org/10.1017/s0047404521000336.

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ABSTRACTRecent work in linguistics, philosophy, and psychology suggests that the distinction between generic and specific (singular) reference is foundational to concept formation, and hence of special interest to social scientists. Generics provide the first-language learner with external evidence of the integrity of a word/concept cluster, partially filling in the scaffolding of concepts. As such, they are replicators, critical to the transmission of concepts across populations and across time. Generics are tacitly normative. As they refer to the constitutive properties of a concept rather than to its object, they tell us what—in a given social setting—a proper instance of the concept should look like. Generics sustain and reproduce social stereotypes, including—and perhaps especially—ethnoracial, class, and gender stereotypes. (Generics, conceptual formation, ethnography, tokenization, materiality)*

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Pyysiäinen, Ilkka. "No evidence of a specific adaptation". Behavioral and Brain Sciences 29, n.º 5 (octubre de 2006): 483–84. http://dx.doi.org/10.1017/s0140525x06459100.

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Bering's findings about the mental representation of dead agents are important, although his opposition between “endemic” and “cultural” concepts is misleading. Endemic and cultural are overlapping, not exclusive categories. It is also diffcult to see why reasoning about the dead would require a specific cognitive mechanism. Bering presents no clear evidence for the claim that the postulated mechanism is an adaptation.

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Taves, Ann. "Reverse Engineering Complex Cultural Concepts: Identifying Building Blocks of “Religion”". Journal of Cognition and Culture 15, n.º 1-2 (17 de marzo de 2015): 191–216. http://dx.doi.org/10.1163/15685373-12342146.

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Researchers have not yet done an adequate job of reverse engineering the complex cultural concepts of religion and spirituality in a way that allows scientists to operationalize component parts and historians of religion to consider how the component parts have been synthesized into larger socio-cultural wholes. Doing so involves two steps: (1) distinguishing between (a) the generic elements that structure definitions and (b) the specific features used to characterize the generic elements as “religious” or “sacred” and (2) disaggregating these specific features into more basic cognitive processes that scientists can operationalize and that historians can analyze in situ. Three more basic processes that interact on multiple levels are proposed: perceiving salience, assessing significance, and imagining hypothetical, counterfactual content.

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Feng, Mei. "Towards a cultural model of qi in TCM". Review of Cognitive Linguistics 19, n.º 1 (28 de abril de 2021): 1–25. http://dx.doi.org/10.1075/rcl.00074.fen.

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Abstract This paper aims to construct a cultural model of qi in Traditional Chinese Medicine (TCM) by probing into its conceptual metaphors based on a contextualized semantic analysis of qi in Huang Di’s Inner Classic (HDIC). It is found that there are eight conceptual metaphors of qi, each involving experiential correlation between source and target concept. To be specific, cause for effect builds up a major metonymic basis for the metaphorical mappings from the source concept of qi (i.e., substance) to the target concepts, including physiological function, breathing, climate, pathogenic factor, disease/syndrome, odor, property of drugs and time. It is worth special noting that time is understood in terms of the motion of qi in TCM. The conceptual metaphor time is qi is Chinese culture-specific. On the whole, conceptual metaphors of qi form a conceptual network and further constitute a cultural model: qi as the substance origin of human life is believed in TCM to function by ceaseless motion, giving rise to wellness or illness. This cultural model reflects a pair of inseparable concepts in ancient Chinese philosophy, viz. substance and (its) function, with the former being primary, essential and original, while the latter, secondary, concomitant and derivational.

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Tesis sobre el tema "Cultural specific concepts"

VERSACE, MARIA. "La Russkaja Jazykovaja Kartina Mira: teorie, metodi di analisi e applicazioni". Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/929.

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La ricerca offre per la prima volta una disamina ampia, approfondita ed aggiornata degli studi linguistici post-sovietici dedicati alla Russkaja Jazykovaja Kartina Mira; essi dimostrano, attraverso l’analisi semantica delle parole-chiave della lingua russa, l’esistenza di concetti glotto-specifici, e dunque l’esistenza di un quadro del mondo veicolato dalla lingua russa. Nella ricerca viene indagato dapprima il contesto storico-culturale che ha portato al sorgere dell’indirizzo linguistico della RJaKM e viene mostrato il legame esistente tra le ricerche sulla RJaKM e lo sviluppo degli studi di semantica lessicale, nonché l’apporto della linguistica occidentale all’evoluzione della linguistica sovietica. Individuati poi i rappresentanti attualmente più autorevoli degli studi sulla RJaKM - la Scuola di Anna Wierzbicka e la Scuola Semantica di Mosca per la descrizione integrale della lingua e la lessicografia sistemica - si considerano in modo sistematico e comparativo i principi teorici alla base delle rispettive concezioni linguistiche e i metodi di analisi semantica, applicati alla parola russa smirenie, valutandone la loro efficacia. Quindi, si presentano alcune applicazioni della RJaKM e si indicano alcuni strumenti linguistici e lessicografici innovativi, utilizzati o prodotti all’interno di tali studi, particolarmente utili nella didattica della lingua e della linguistica russa. Infine, si offre una valutazione conclusiva del fenomeno studiato, individuando nuove vie di ricerca nell’ambito dell’analisi linguistico-culturale.
This dissertation represents the first extensive and updated research of the post-Soviet linguistic studies dedicated to Russkaja Jazykovaja Kartina Mira. These studies demonstrate the existence of specific language ideas through a semantic analysis of the keywords of the Russian language. As a consequence, these studies also display a perspective on the world vehiculated by the Russian language. The research opens with an investigation of the historical and cultural context that lead to RJaKM’s linguistic disposition and it shows the existing link between analysis on RJaKM and the development of the studies on lexical semantics. It also shows how western linguistics contributed to the evolution of Soviet linguistics. After mentioning the most authoritative and representative experts on RJaKM, such as Anna Wierzkicka’s School and the Moscow Semantic School for the Integrated Description of Language and Systematic Lexicography, this dissertation systematically and comparatively considers the theoretical principles at the base of both schools linguistic ideas and methods of semantic analysis, applying them to the Russian word ‘smirenie,’ and consequently evaluating their effectiveness. As an outcome, this research presents some possible applications of RJaKM and it indicates some innovative linguistic and lexicographic tools which were either employed or even produced at the bosom of RJaKM studies and are especially useful for the teaching of the Russian language and linguistics. In conclusion, this dissertation offers a final evaluation of the studied phenomena, defining new research paths in the fields of linguistics and cultural analysis.

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Damberg, Victor. "Den magiska kritan : En kommenterad översättning från japanska till svenska av Abe Kōbōs novell 魔法のチョーク (Mahou no chooku)". Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104616.

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Denna uppsats består av en översättning av Abe Kōbōs korta novell Den magiska kritan (魔法のチョーク) från japanska till svenska och en översättningskommentar som främst fokuserar på tre olika kategorier ord eller uttryck som kan vara problematiska vid översättning från japanska. Dessa kategorier är kulturspecifika referenser, onomatopoetiska ord och västerländska lånord. Eftersom Abe Kōbō är en prisbelönt och internationellt erkänd författare och de rådande översättningsnormerna stipulerar att sådana författare bör översättas källtroget har jag valt att försöka arbeta utifrån en adekvansinriktad (källtrogen) översättningsstrategi. Detta innebär bland annat att jag i möjligaste mån försökt överföra författarens stil och hålla mig så nära källtextens betydelse som möjligt utan att måltextens språkbruk blir onaturligt.
This essay consists of a translation from Japanese to Swedish of the short story The Magic Chalk (魔法のチョーク) by Abe Kōbō and an accompanying commentary focusing on three categories of words or expressions that might pose a problem to translators of Japanese. These categories are cultural specific concepts, onomatopoeia and western loanwords. Since Abe Kōbō is an award-winning, internationally acclaimed author and the norm when translating such authors is to be source text oriented, I have chosen to translate using a adequacy-oriented strategy. In other words, I have tried to keep the original author's style and stay true to the source text as much as possible without making the target text sound unnatural.

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Haraldsson, Helena. "La traducción de conceptos políticos en la prensa : problemas y estrategias de traducción del español al sueco en el artículo "Adiós clase media, adiós"". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-29188.

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This essay deals with translation issues arising when translating a political newspaper article from Spanish into Swedish. The identified issues are strongly related to cultural differences between the culture of the source text and the culture of the target text. Thus, the aim of the study is to identify and explore how cultural references, political concepts and metaphors are translated in the following newspaper article, “Adiós clase media, adiós”. The study is partly based on a quantitative method, which shows that the four most common translation techniques in the present translation are the following: transposition, direct translation, couplet and established equivalent. However, the qualitative analysis, focusing on the social context and the cognitive processes of the translations, proves that several other strategies are useful when translating political concepts. Furthermore, the study verifies that it is necessary that the translator bears in mind that by using one strategy or another, he or she can influence the way the target text will be perceived by the receptor. Some translations are more faithful to the source text while others are more closely related to the target culture. Likewise, some are strongly influenced by the author or publisher and others by the translator’s own ideological purposes.

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Diaz, Linda. "Pippi Calzaslargas de viaje entre hispanohablantes : El estudio de la adaptación de conceptos culturales al contexto cultural de la lengua meta". Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8225.

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En esta monografía nos interesamos en el ámbito de literatura infantil, basando el análisis en el libro Pippi Långstrump de Astrid Lindgren y la traducción Pippi Calzaslargas realizada por Blanca Ríos. Nuestro interés se centrará en el campo contrastivo entre el sueco y el español, poniendo de relieve que no sólo se realiza la traducción entre dos lenguas diferentes, sino también entre dos culturas diferentes. Observaremos en el estudio cómo se logra transferir el contexto de una cultura a otra y lo que eventualmente se desfigura en la traducción. Examinaremos varios ejemplos de conceptos culturales que aparecen en la obra, presentando las estrategias que utiliza la traductoras para adaptarlos al texto meta así como el efecto de no adaptarlos. A través de los ejemplos podremos averiguar si ha logrado obtener equivalencia entre ambos textos o si las adaptaciones implementadas han cambiado el significado del texto de destino.

El presente estudio muestra que se han utilizado varias estrategias para transmitir los conceptos culturales y la conclusión es que la traductora ha optado por una estrategia dirigida hacia el lector y la cultura de la lengua meta, según defienden varios traductólogos de la literatura infantil.

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Shabangu, Andries. "The gospel embodied in African traditional religion and culture with specific reference to the cult of ancestor veneration and the concept of salvation an inculturation hermeneutic /". Thesis, Pretoria : [S.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-08312005-155649/.

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Braasch, Steffen. "Expatriates in India: culture-specific leadership and its potential : a theoretical concept of adaptions & leadership, and the experience of 85 expatriates in American and German companies in Bombay and Delhi /". Bamberg, 1999. http://aleph.unisg.ch/hsgscan/hm00002171.pdf.

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Liberman, Therése. "Att flytta periferin mot mittpunkten: riktningsekvivalens och representationell rättvisa i översättning från japanska till svenska : En partiell översättning från japanska till svenska med en översättningsteoretisk kommentar av IMAMURA Natsukos bok, Kvinnan i den lila kjolen (むらさきのスカートの女, Murasaki no sukaato no onna)". Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182358.

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Den här magisteruppsatsen består av en partiell översättning från japanska till svenska av IMAMURA Natsukos bok Kvinnan i den lila kjolen samt en översättningskommentar med fokus på kulturspecifika kategorier uttryckt i det japanska språket som egocentriciteten och andra kulturspecifika element i den japanska texten, de beskrivande onomatope (onomatopoetiska och mimetiska uttryck), och de västerländska låneordens förskjutningar (shifts) i en översättning. Dessa kategorier kan upplevas som svåra att översätta mellan två språk som ligger långt ifrån varandra. De teoretiska ramarna för uppsatsen lägger tyngdpunkten på riktningsekvivalens (directional equivalence), ett begrepp myntat av Anthony Pym, med fokus på likhet (similarities) i översättningen (Chesterman 1996), tillsammans med den etiska utgångspunkten representationell rättvisa (representational justice), beskrivet av Liu Yameng (2007). De utgör basen för översättningsmetoden och blir ledljus i översättningsval för översättning mellan språk i periferin av varandra.
This essay consists of a partial translation of IMAMURA Natsuko’s book The Woman In The Purple Skirt from Japanese to Swedish, together with a translation commentary focusing on egocentricity and other culture-specific concepts in Japanese texts, the descriptive onomatope (onomatopoetic and mimetic expressions) and the shifts in loanwords from western languages when translated. These categories are prone to cause issues when translating between languages so far removed from each other. The theoretical framework in this essay concentrates on directional equivalence, an expression coined by Anthony Pym, focusing on similarities in translations (Chesterman 1996) together with the ethical starting point representational justice as described by Liu Yameng (2007). These form the base for the translation method and serve as guiding lights in the choices made when translating between languages peripheral to each other.

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Viberg, Björn y Andreas Westerling. "Filmens pedagogiska möjligheter i svenskundervisningen". Thesis, Jönköping University, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-8422.

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Vårt syfte med denna uppsats är att fördjupa oss i och undersöka vilka pedagogiska möjligheter spelfilmen har i svenskundervisningen på gymnasiet bland annat genom att intervjua filmkunskapslärare. Vi har jobbat utifrån olika frågeställningar där den viktigaste lyder: Varför är det viktigt att låta det vidgade textbegreppet få större utrymme i svenskundervisningen? Studien genomfördes med åtta kvalitativa intervjuer med svensk- och filmkunskapslärare på fyra olika skolor. En kvalitativ enkätundersökning kompletterade intervjuerna. Huvudresultatet från detta arbete är att filmanvändandet skiljer sig åt på en mängd olika punkter i filmkunskap och svenskundervisningen samt att idag finns i stort sett alla tekniska förutsättningar för film i undervisningen.

Our purpose with this thesis is to explore the pedagogical possibilities of using film in the Swedish subject in high school, mainly so by interviewing teachers working with a subject primarily concerning film analysis (Filmkunskap). We have worked with different issues as the most important is: Why is it important to use a wider text concept to a greater extent in the Swedish subject? The study was conducted with eight qualitative interviews with teachers in the Swedish subject and in the Filmkunskap subject at four different schools. A qualitative survey complements these interviews. The main results of this work is that the use of films differ in a number of points comparing the two examined subjects and it also seems as schools today generally have all the technical possibilities for using film in teaching.

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Yu, Yueh-Ping. "Semantische Analyse kulturspezifischer Ausdrücke im Chinesischen". Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2014. http://dx.doi.org/10.18452/17047.

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Kulturspezifische Ausdrücke spielen bei der verbalen Kommunikation eine wichtige Rolle, dies gilt umso mehr für die interkulturelle Kommunikation. Missverständnisse können durch Fehlselektion eines situativ ungeeigneten Ausdrucks ausgelöst werden, effiziente und störungsfrei verläuft eine Kommunikation hingegen erst bei einem tieferen Verständnis dieser kulturtragenden Ausdrücke. Kulturspezifische Ausdrücke werden in der interkulturellen Kommunikation als sogenannte Hotwords bezeichnet. Ihre Bedeutungen lassen sich schwer in eine andere Sprache übertragen und ebenfalls schwer im Unterricht erlernen, da jede Kultur einem eigenen Konzept folgt. Zur Erhöhung der Sprachsicherheit und des tieferen Sprachverständnisses muss daher im Unterricht eine intensive Beschäftigung mit den abstrahierten semantischen Merkmalen dieser Hotwords erfolgen, da im Sprachverarbeitungsprozess die situationsgemäße Identifizierung präferiert über die semantischen Merkmale kulturspezifischer Ausdrücke erfolgt. Erst dann kann im mentalen Lexikon beim Sprachverstehen und bei der Sprachproduktion eine der Situation angemessene Identifizierung dieser Indikatoren erfolgen. In der vorliegenden Arbeit werden die semantischen Merkmale der höflichkeits- und ge-sichtsbezogenen Ausdrücke im Chinesischen im chinesisch-kulturellen Kontext erarbeitet und ihre in den Chinesisch-Deutschen Wörterbüchern vorhandenen Übersetzungen ins Deutsche diskutiert.
Culture-specific expressions play an important role in verbal communication; this applies even more to the intercultural communication. Misunderstandings can be triggered by the faulty selection of a situational appropriate expression; on the other hand, efficient and trouble-free communication can be achieved by a deeper understanding of these cultural expressions. Culture-specific expressions are the so-called Hotwords in intercultural communication. Their meanings are difficult to transfer into another language and also difficult to learn in the classroom, because each culture follows its own concept. Therefore to increase language skills and understanding an intense preoccupation with the abstract semantic features Hotwords must be done in the classroom, because in the speech processing the situation proper identification prefers to be done through the semantic features of culture-specific expressions. Only then these proper indicators of situation can be identified in the mental lexicon during language comprehension and language production successfully. In this paper, the semantic features of politeness and face-related Words in Chinese in the Sino-cultural context are developed and their translations into German in the existing Chinese-German dictionaries are discussed.

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Al, Agha Basem Abbas. "The translation of fast-food advertising texts from English to Arabic". Diss., 2006. http://hdl.handle.net/10500/2325.

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On the assumption that the translation strategies used to translate American fast-food advertisements into Arabic cause the Arabic translations to be culturally bound to their originals, the aim of the present study is to identify such translation strategies. The study was conducted with the aid of questionnaires as a primary research method to obtain data which are then complemented by means of textual analyses of the corpus. The findings reveal that the main translation strategies used to translate phrases in fast-food advertisements from English into Arabic are borrowing and transliteration. The overall finding is that inadequate translations of culture-specific concepts, phrases, logos and terms produce target texts which are bound to the source texts. This causes the translations to be rejected by the target culture.
Linguistics
M.A. (Linguistics)

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Libros sobre el tema "Cultural specific concepts"

Semantics, culture, and cognition: Universal human concepts in culture-specific configurations. New York: Oxford University Press, 1992.

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Balanzategui, Jessica. The Uncanny Child in Transnational Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986510.

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The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegotiations of the concept of childhood. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.

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Vicari Haddock, Serena, ed. Brand-building: the creative city. Florence: Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-8453-540-5.

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The aim of this book is to contribute to a critical assessment of the literature on the creative city and to a clarification of some of the many questions that remain unanswered. It is a collection of essays which, in the first part, addresses concepts and theories of urban development, city marketing and branding, presented as a framework in which the discourse of the creative city is embedded. In the second part, four case studies of cities considered to be emblematic of cultural industries (Manchester, Berlin, Dublin, and a comparative study of Milan and London) serve to illustrate the social production of creativity in specific urban contexts.

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Zlotnikova, Tat'yana. Interdisciplinary discourse of culture (philosophical-psychological and socio-cultural methodology). ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1002008.

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The textbook actualizes interdisciplinary discourse as a principle of studying cultural experience in its versatility (creative personality and features of its activity; the existence of artistic culture in the society of different epochs, including in the modern world; Russia-specific problems of artistic influences: absurdity, totalitarianism). The material is presented on the basis of philosophical, psychological and social methodology, based on art criticism ideas. The author's concept of the publication is based on a non — trivial choice of analyzed cultural phenomena corresponding to the triad "man- chronotope — culture". The publication can be used to deepen the theoretical positions studied in accordance with the new state educational standard for social and humanitarian specialties in compulsory and elective courses. It is intended for students of universities and pedagogical universities, universities of culture and art: cultural scientists, historians, sociologists, philologists, art historians, graduate students in the Humanities and teachers.

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Kádár, Judit Ágnes y András Tarnóc, eds. La Frontera. Szeged, Hungary: Department of American Studies, University of Szeged, 2016. http://dx.doi.org/10.14232/americana.books.2016.frontera.

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The essays in this book have one common denominator, the discussion of the concept of the border in American culture. Partly motivated by a symposium held on this very topic in late 2014 at Eszterházy Károly University of Applied Sciences of Eger, Hungary, the subsequent call for papers resulted in a variety of submissions. The starting point of all essays was Gloria Anzaldua’s statement: “[B]orderlands are not specific to the [American] Southwest. In fact the borderlands are physically present wherever two or more cultures edge each other, where people of different races occupy the same territory, where under, lower, middle and upper classes touch, where the space between two individuals shrinks with intimacy.”As a whole the nine articles involved treat issues related to the actual U.S.-Mexico border and U.S.-Canadian border, investigate the consequences of the encounter of different cultures, and examine the borderlines discernible in popular culture including film and music, literature, i.e. slave narratives and history.

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Meyer, Christian. The Cultural Organization of Intercorporeality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190210465.003.0006.

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This chapter addresses the question of the universality of specific forms of intercorporeality. This detailed microethnographic study of a Wolof village in Northwestern Senegal describes how different senses—eye-gaze, hearing, and touch—are used in embodied interaction and how, in turn, participation in cultural interaction patterns shapes people’s senses. These patterns are notably different than they are in those Western societies about whose micro-interactions which we have reliable information. The chapter first analyzes the cooperative pounding of millet by four women, then, in the second part, examines in detail social interactions in which other intercorporeal resources than gaze, notably acoustic feedback signals and touch, are used to secure intersubjectivity. The third part shows how the experience and expression of emotions as well as basic cultural concepts such as the “person” are shaped by the specific Wolof forms of intercorporeality as they are lived in concrete interactional situations.

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Lee, Geok Ling y Irene Teo. Cultural Considerations in Body Image and Cancer. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190655617.003.0017.

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Abstract: This chapter discusses the Asian cultural perspective based on Confucian concepts and how they can influence the body image experiences of patients with cancer. The chapter begins with a brief description of key Confucian concepts, such as relationship dominance, relational self, and self-cultivation. The connection between these concepts and the body image experience of patients with cancer is discussed, with illustrative examples. This is followed by a review of the research findings on body image in psycho-oncology studies conducted in Asia. Although limited, there are studies that examine body image changes in breast, gynecologic, head and neck, as well as gastrointestinal cancers. Clinical considerations are offered for health care providers who are interested in working with Asian patients with body image issues in an oncology setting. In conclusion, more efforts are needed to examine body image and cultural-specific themes in the context of oncology in Asia.

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Dignas, Beate, Beate Dignas, Gerald Schwedler, Marek Tamm, Patrick Hutton, Susan A. Crane, Stefan Berger, Alessandro Ancangeli y William Niven, eds. A Cultural History of Memory in Antiquity. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781474206747.

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The ancient world is a paradigm for the memory scholar. Without an awareness that collective memories are not only different from individual memories (or even the sum thereof) but also highly constructed, ancient research will be fundamentally flawed. Many networks of memories are beautifully represented in the written and material remains of antiquity, and it is precisely the ways in which they are fashioned, distorted, preserved or erased through which we can learn about the historical process as such. Our evidence is deeply characterized by the fact that ancient ‘identity’ and ‘memory’ appear exceptionally strong. Responsible for this is a continuing desire to link the present to the remote past, which creates many contexts in which memories were constructed. The ancient historian therefore has the right tools with which to work: places and objects from the past, monuments and iconography, and textual narratives with a primary purpose to memorize and commemorate. This is paired with our desire to understand the ancient world through its own self-perception. With the opportunity of tapping into this world by way of oral history, personal testimonies are a desideratum in all respects. Memory of the past, however, is profoundly about ‘self-understanding’. This volume surveys and builds on the many insights we have gained from vibrant research in the field since Maurice Halbwachs’ and Jan Assmann’s seminal studies on the idea and definition of ‘cultural memory’. While focusing on specific themes all chapters address the concepts and expressions of memory, and their historical impact and utilization by groups and individuals at specific times and for specific reasons.

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Edwards, Clive, Andrew Wallace-Hadrill, Katherine L. French, Amanda Flather, Clive Edwards, Jane Hamlett, Despina Stratigakos y Joanne Berry, eds. A Cultural History of the Home in the Age of Enlightenment. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474207164.

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During the period of the Enlightenment, the word ‘home’ could refer to a specific and defined physical living space, the location of domestic life, and a concept related to ideas of roots, origins, and retreat. The transformations that the Enlightenment encouraged created the circumstances for the concept of home to change and develop in the following three ways. First to influence homemaking were the literary and cultural manifestations that included issues around attitudes to education, social order and disorder, sensibility, and sexuality. Secondly, were the roles of visual and material culture of the home that demonstrated themselves through print, portraiture, literature, objects and products, and dress and fashion. Thirdly, were the industrial and sociological aspects that included concepts of luxury, progress, trade and technology, consumption, domesticity, and the notions of public and private spaces within a home. The chapters in this volume therefore discuss and reflect upon issues relating to the home through a range of approaches. Enlightenment homes are examined in terms of signification and meaning; the persons who inhabited them; the physical buildings and their furniture and furnishings; the work undertaken within them; the differing roles of men and women; the nature of hospitality, and the important role of religion in the home. Taken together they give a valuable overview of the manners, customs, and operation of the Enlightenment home.

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Fowler, Chris. From Identity and Material Culture to Personhood and Materiality. Editado por Dan Hicks y Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0015.

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The term ‘personhood’ refers to the state or condition of being a person. Studies of personhood investigate how persons emerge from specific ways of being in the world, and consider personhood and concepts of the person to be socially and culturally varied. This article explores the development of studies of personhood mainly in anthropology and archaeology in the context of previous and ongoing studies of identity and material culture. In so doing it seeks to demonstrate the importance of relationships between personhood and materiality — a term referring to the material character of the world at large, regardless of it being ‘cultural’ or ‘natural’. This article begins by outlining the development of studies of social and cultural identity, and explores the role played by material culture in these studies. This article also examines personhood as a specific axis of identity, and explores the integral relation between concepts of personhood and conceptions of materiality.

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Capítulos de libros sobre el tema "Cultural specific concepts"

Niemeier, Susanne. "Culture-specific concepts of emotionality and rationality". En Human Cognitive Processing, 43–56. Amsterdam: John Benjamins Publishing Company, 2011. http://dx.doi.org/10.1075/hcp.30.04nie.

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Sperling, Alison. "Radiating Exposures". En Cultural Inquiry, 41–62. Berlin: ICI Berlin Press, 2020. http://dx.doi.org/10.37050/ci-17_03.

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The brief explorations of radiation exposures presented within this essay draw primarily from nuclear art and culture and contribute to the field of nuclear aesthetics, which has long been fixated on the problem of visibility and the representation of nuclear residues. The examples draw primarily from photographic technologies and other aesthetic registers that capture visual residues of radiation. The challenges of nuclear aesthetics are also political and social. This constellation of objects and inquiries is meant to explore the fraught political, environmental, and social relations between radiation, visibility, toxicity, through the concept of exposure. They offer feminist glimpses into other ways of thinking exposure, as it develops in relation to (often imperceptible) toxicity that is not inscribed into a logic that partitions the passive victim of suffering from some pure or unaffected subject. They are examples that are both forms of exposure specific to the nuclear while also, perhaps, helping to expose more nuanced and complex ways of understanding forms of exposure that extend beyond nuclearity.

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Scioli, Anthony. "The Psychology of Hope: A Diagnostic and Prescriptive Account". En Historical and Multidisciplinary Perspectives on Hope, 137–63. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46489-9_8.

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Abstract In this chapter, I review psychology’s contributions to the study of hope. To close potential gaps in this interdisciplinary volume, I include work in psychiatry and nursing. The nearly 400-year history of psychological reflections on hope reveals extended stretches of neglect, alternating with brief flashes of interest. Shifting scientific paradigms are partly to blame. However, I suggest that the greatest challenge for investigators seeking scientific consensus on the topic may be cultural and sociopolitical. I begin with a review of the most significant writings and research on hope, dating back to the seventeenth century. I examine goal-related approaches in greater depth, due to their strong influence on the field of psychology. The latter half of this chapter is more critical and prescriptive. For a deeper commentary, I rely on Markus’s (Meas Interdisciplinary Res Perspect 6:54–77, 2008) distinction between constructs and concepts as well as Danziger’s (Naming the mind: How psychology found its language. Sage Publications, 1997) observation on how psychology found its lexicon. This middle, diagnostic section includes a review of philosophy of science criteria for evaluating theories. I transition to general prescriptions for achieving a better understanding of hope, organized around Bacon’s “four idols” of the mind, and add specific suggestions for future research. I conclude with a summary of recent work within our hope lab.

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Catalá-Pérez, Daniel y Gabino Ponce-Herrero. "Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions". En Music as Intangible Cultural Heritage, 101–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_7.

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AbstractThis chapter makes a brief approach to the origins and evolution of both wind bands and the Moors and Christians festivals, especially in the Valencian Region, tracing the lines that connected both phenomena at a specific moment in history. The indissoluble relationship that has united them since then has created a musical genre that has not only become one of the most recognisable signs of Valencian society’s identity, but also a treasure of its intangible cultural heritage, and a fundamental part of the economic activity of musical societies in the context of what certain authors call “the ecosystem of the Moors and Christians cluster”. Moors and Christians festivals are linked to the hiring of bands for musical accompaniment in parades and for the celebration of other activities, such as concerts, recreational performances and recordings which make up an essential part of many musical societies’ funding sources.

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Toepfer, Regina. "Introduction to Section II: Anthropology and Knowledge*". En Übersetzungskulturen der Frühen Neuzeit, 221–35. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_11.

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AbstractTranslation is a culture-forming practice that transmits content into a new language system. In the process, it contributes to shaping the development of literature and knowledge and even has the capacity to balance power relationships. Because translations arise from specific occasions, serve specific purposes, belong to specific contexts, and are understood differently depending on the situation, they are a fundamental instrument of knowledge transfer and play a key role in the normalization of society and the construction of culture. The introduction to the second section of this volume focuses on the knowledge that is accessed, reclassified, and expanded during the translation process and that permits conclusions to be drawn about underlying social, discursive, and anthropological concepts.

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Sager, Juan C. "The neutralisation of culture-specific concepts in the translation of Saramago'sAn Essay on Blindness(Ensaio sobre a Cegueira)". En Benjamins Translation Library, 107. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/btl.24.10sag.

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Holmes, Robyn M. "The Self, Identity, and Personality". En Cultural Psychology, 244–87. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199343805.003.0007.

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Chapter 7 explores the ways culture shapes our conceptions of self, identity, and personality. It discusses self-definitions, culture and self-definitions, cross-cultural comparisons of self-definitions, types of self-concepts, cultural contexts and the self, and culture-specific and cross-cultural studies of the self. It explores self-efficacy, culture-specific and cross-cultural studies on self-efficacy, face, face and self-concepts, and face and dignity cultural communities. It also discusses definitions and the construction of identity, whether identity is fluid and whether it is possible to have more than one identity. Finally, it addresses the self and personality, the five-factor model, cross-cultural studies on personality, the applied value of the five-factor model, and indigenous personalities. This chapter includes a case study, Culture Across Disciplines box, chapter summary, key terms, a What Do Other Disciplines Do? section, thought-provoking questions, and class and experiential activities.

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"2. Glossary of specific subject-related concepts and terms used in this book". En The Cultural Landscape and Heritage Paradox, 679–84. Amsterdam University Press, 2011. http://dx.doi.org/10.1515/9789048510962-047.

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Prakash, Brahma. "Introduction". En Cultural Labour, 1–52. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199490813.003.0001.

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The introduction foregrounds the field of study and introduces the concepts and specific contexts in which the study is undertaken. It problematizes the existing binaries that remain between culture and labour and uncovers the uncanny relationship between them. The chapter asks what happens to culture and labour in their affective and performative turn, especially in ‘folk’ performances in India when labour becomes a performance, performance becomes labour. The irreducibility of such practices to culture or labour demands the formulation of some other category, and I designate it as cultural labour. Cultural labour is the core of the folk performance in South Asia and therefore the chapter argues that it can also work as a framework to study the performance cultures of subaltern communities. The chapter also discusses research method and methodology and introduces the five performances which have been undertaken in this work.

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Latimer, Margot, Amy Bombay y Rachel VanEvery. "Pain in the cultural context". En Oxford Textbook of Pediatric Pain, editado por Bonnie J. Stevens, Gareth Hathway y William T. Zempsky, 101–8. Oxford University Press, 2021. http://dx.doi.org/10.1093/med/9780198818762.003.0011.

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Pain and culture are complex and multifactorial phenomena. The concepts are difficult to define and measure since they intersect with the biological, psychological, and social realms. Considering the intrinsic multidimensionality of each phenomenon, we are only beginning to understand the myriad ways in which culture may influence pain. Consequently, (1) the study of the relationship between culture and pain has been fraught with methodological and theoretical challenges; and (2) there is little evidence to support specific guidelines on how to assess and treat pain of specific cultural groups. Therefore, researchers face challenges in conducting research on pain with indigenous populations.

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Actas de conferencias sobre el tema "Cultural specific concepts"

Nemkova, V. "Culture-specific concepts and linguistic means in A. and B. Strugatskys’ “Roadside picnic” and its English translation". En Russian cultural space: language – mentality – understanding. XX International scientific and practical conference. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1453.rcs_xx-2019/206-211.

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Mitrică, Bianca, Irena Mocanu, Ines Grigorescu y Monica Dumitraşcu. "CULTURAL TOURISM IN ROMANIA – A GENERAL OUTLINE OF THE CONCEPTUAL FRAMEWORK". En GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/28.

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At the international and national level there is a strong connection between culture and tourism, tourism representing an important factor of the economic development by capitalizing the tourist potential of the cultural elements. Romania has a rich and valuable heritage potential with tourist attractions included on the map of European cultural routes. The challenge for Romania is the weak promotion of the cultural tourism due to the difficulties in developing a better infrastructure for a high accessibility to cultural attractions. The literature offers a wide range of definitions of cultural tourism which emphasize the complexity of this phenomenon. The Romanian literature lacks a thorough documentation on the cultural tourism as a whole, most of studies being concentrated on general approaches i.e. introduction to cultural tourism, analysis of the cultural tourism trends, sustainable development and perspectives, Romanian heritage, promoting strategies. Some papers are concentrated on specific areas of Romania such as Transylvania, with the medieval cities, fortresses and castles, Bucovina, with the painted monasteries and traditional artefacts, Maramureş, with the rural tourism and cultural heritage, as well as Black Sea Coast and Danube Delta. Other papers are related to cultural attractions like museums, orchestra performances, restaurants, hotels in some developed areas, and to traditional or religious rituals, popular art or folklore events in some less developed areas and how they could promote and revive the Romanian tourism or other areas with a low or medium level of capitalization of cultural attractions. Within this broader context, the paper aims to review and discuss the definitions and concepts of cultural tourism in Romania and identify the main types of cultural tourism practiced and addressed by the literature.

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Uçak, Olcay. "Towards a Single Culture in Cross-Cultural Communication: Digital Culture". En COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.007.

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Culture is a multifaceted, complex process which consists of knowledge, art, morals, customs, skills and habits. Based on this point of view of Tylor, we can say that the culture is the human in the society, his learning styles and the technical or artistic products that originate from these learning styles, in other words, the content. In antropology it is argued that when the concept of culture is considered as a component in a social system, the combination of the social and cultural areas form the socio-cultural system. Approaches that handle culture within the socio-cultural system are functionalism (Malinowski), structural-functionalism (Radliffe-Brown), historical-extensionist (Kluckhohn, Krober), environmental adaptive (White), while the approaches that treat culture as a system of thought are cognitive (Goodenough), structural (Levi Strauss) and symbolic (Geertz) approaches. In addition to these approaches that evaluate cultures specific to communities, another definition is made according to the learning time: Margeret Mead, Cofigurative Culture. In order to evaluate today’s societies in terms of culture, we are observing a new culture which has cofigurative features under the influence of convergent technologies (mobile, cloud technology, robots, virtual reality): Digital Culture. This study aims to discuss the characteristics of the digital culture, which is observed after the theoretic approaches that define different cultures in cross-cultural communication (Hofstede’s Cultural Dimension and Cofigurative Culture) and called as network society by Manual Castells and accelerated during the Covid19 pandemic, in other words the common communication culture. Common cultural features will be studied through methods of semiology and text analysis upon digital contents which are starting to take hold of cross-cultural communication, a comparison between cross-cultural communication and communicative ecology will be made, the alteration in the cultural features of the society will be examined via visual and written findings obtained.

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Lecce, Chiara y Marinella Ferrara. "The Design-driven Material Innovation Methodology". En Systems & Design: Beyond Processes and Thinking. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/ifdp.2016.3243.

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The paper here proposed introduces the Design-driven Material Innovation Methodology as a systematic approach in new material-product development processes as a possible strategic tool for design schools, practitioners and SMEs. Scientists and engineers are problem solver, but to engender innovations of success requires not only technological exploitations but also a broader understanding of materials meaningful application for consumers. For the design language, material performances are based in technological performance and also on experience, perception and cultural values. Nowadays the design knowledge and skills are approaching us to a new materials research scenario where creative communities, scientists and material industries are becoming deeply engaged in the creative challenge to achieve material functionality and meanings. Considering these and others factors, the Design Department of Politecnico di Milano promoted in October 2014 the Material Design Culture Research Center (MADEC) funded by FARB (University Funds for Basic Research). Within the MADEC research program, one critical point has been the identification of a specific methodology able to integrate tailor-made materials during the design process, in order to create new scenarios of concepts material and product. So, the Design-driven Material Innovation Methodology arose to enhance new products innovation starting from a specific material and suggesting a method able to manage the entire design process. After a brief forward of the method theoretical premises, the paper will analyzes the seven steps (Data collection about materials, Sensing, Sensemaking, Envisioning, Specifying, Setting up, Placing) suggested by the method associated with a selection of case studies to help its comprehension.Actually the DdMIM is part of the Design for Enterprises, the winner project of the Tender Capabilities for Design-Driven Innovation in European SMEs funded by EASME (Executive Agency for SMEs-European Commission). D4E is a consortium estabilished between MIP- Politecnico di Milano, D’Appolonia and ADIPER and will be a three years long European training program in order to help SMEs to manage a design process for product and services innovation where different actors like materials scientists, suppliers, creative communities and consumers are getting engaged.DOI: http://dx.doi.org/10.4995/IFDP.2016.3243

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Kohl, Marie-Anne. "Die weinende Jury. »Geschlechtslose« Tränen bei globalen Musik-Castingshows?" En Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.59.

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Tears are flowing. Whether Yvonne Catterfeld, Kazim as-Sahir, Unati Msenga-na, Liu Huan, Simon Cowell or Lira – they are all part of a jury of global music casting show formats such as The Voice, Idol or Got Talent and show their tears in front of the camera, seemingly ashamed and yet completely uninhibited. Their tears flow in reaction to ‘particularly soulful’ music titles or to the candidates’ tragic personal stories, paired with the ‘right’ song selection. The display of great emotions is an essential element of reality TV formats. With Sara Ahmed, they can be understood in the sense of an ‘affective economy’ as an effect of their circulation, their staging as a specific ‘emotional style’ of dealing with emotions (Eva Illouz). The circulation of affects in casting shows is a global one, since the formats, developed in Europe, have produced local versions in over 60 countries worldwide. Emotions play an important role in the successful localization of the formats and define a complex area of conflict between a sensitization to socio-cultural characteristics and the ‘reproduction of culturalistic concepts’ (Laura Sūna) or clichés. In European cultural history, tears have developed a special significance as guarantors of the authenticity of empathy (Sigrid Weigel), and are generally associated with femininity, however at the same time have been film-historically recoded as ‘gender-neutral’ (Renate Möhrmann). Keeping in mind that all these casting show formats have been exported from Europe, these observations are of special interest, especially since one can see men and women crying equally in the Arabic, German or South African versions of e. g. The Voice. This article questions the concurrence of musical performance, display of tears, gender performance and the translocal dramaturgy of music casting shows.

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Mai, Vanessa, Susanne Wolf, Paul Varney, Martin Bonnet y Anja Richert. "DIGITAL ENGINEERING: COMPETENCE ACQUISITION AND PROGRAM DEVELOPMENT AS AN OPEN CO-CREATION PROCESS". En International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end090.

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Dealing with the increasingly complex interrelationships in companies, technologies and markets requires engineers to have a holistic, systemic understanding of digital change. Future engineers need future skills and must be able to react to ever faster changing technical requirements by independently expanding their knowledge, developing (technology-based) solution strategies as well as designing, evaluating and communicating these with regard to social, ecological and cultural aspects and requirements. In order to integrate these future skills into existing curricula, study programs must be designed in such a way that they are permeable to continuous and agile adaptation in relation to new knowledge and new technologies. This process can only succeed if universities see themselves as open learning systems that promote co-creation processes among all university stakeholders. The Faculty of Process Engineering, Energy and Mechanical Systems at TH Köln/University of Applied Sciences has recently recognized the resulting need for a transformation process in program development and has further developed the consecutive master's program "Mechanical Engineering/Smart Systems", in which agile learning environments and innovation spaces are created. However, the redesign and further development of modules is not enough. A holistic, systemic understanding in dealing with transformative technologies requires a cultural change in which lecturers and students shape the digital transformation on an equal footing. In a joint learning and research process, they iteratively and agilely test which competencies best prepare students for an increasingly digitalized workplace and which analog and virtual learning spaces this requires. As part of the project "Digital Engineering - Competence Acquisition for Mechanical Engineers in the Digital Age", the faculty is currently implementing the Technology Area, a measure whose aim is to accompany these digital transformation processes at the faculty and to provide lecturers and students with the necessary freedom to experiment with new technologies in teaching. Here, subject-specific teaching and research concepts for the use of new technologies are to be developed and tested together in a co-creation process. The first concepts developed in the Technology Area as well as other Best Practices from the faculty will be presented in the paper. These include the Mixed-Reality-Game FutureING, the Serious Game Worlds of Materials and the development of a StudiCoachBot. In order to promote co-creation processes within and outside the university, a Digitalization Conference was held in May as part of the project to present innovative and forward-looking innovations in engineering education. The reflection of all of the presented initiatives is structurally anchored and professionalized by the House of Excellence in Engineering Education.

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Nurtdnova, Gulnara, Marina Vinnikova, Guzel Fassahova y Alfiya Yarhamova. "TATAR CULTURE-SPECIFIC CONCEPTS AS A SOURCE OF GLOBAL ENGLISH VOCABULARY ENRICHMENT". En 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.0802.

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Pratt, Deirdre Denise. "Modelling social algorithms as design templates for educational software". En Conference on Computer Science and Systems. IADIS Press, 2006. http://dx.doi.org/10.51415/10321/248.

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Education involves a process of initiating learners into complex socio-cultural processes which may vary from culture to culture and even between institutions within the same culture, making it difficult to design versatile courseware which has some relevance for the social process to be mastered by learners. Moreover, social elements often operate intra- as well as extra-systemically in social processes, which makes it difficult for the courseware designer to differentiate between the commonalities and variables in learning processes. Yet in spite of the complexity of human social behaviour, psychologists have identified social algorithms which apply to various key domains, and which prepare young people for effective social functioning in a variety of life situations. It is the contention of this paper, based on doctoral research on modelling composition, that it is possible to identify social algorithms which underpin human learning, and which might form the basis for effective courseware, given that such programs would require customisable options so as to cater for the extra-systemic elements applying in various socio-cultural contexts. One of the means whereby social algorithms can be identified is provided by Franck’s modelling process, which uses the principle of reverse engineering. The modelling process is described in some detail, as is the central concept of the social mechanism (i.e. algorithm) with specific reference to the development of educational software in the form of a process-based writing tutor program.

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Reiners, Torsten y Heinz Dreher. "Culturally-based Adaptive Learning and Concept Analytics to Guide Educational Website Content Integration". En InSITE 2008: Informing Science + IT Education Conference. Informing Science Institute, 2008. http://dx.doi.org/10.28945/3211.

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In modem learning environments, the lecturer or educational designer is often confronted with multi-national student cohorts, requiring special consideration regarding language, cultural norms and taboos, religion, and ethics. Through a somewhat provocative example we demonstrate that taking such factors into account can be essential to avoid embarrassment and harm to individual learners’ cultural sensibilities and, thus, provide the motivation for finding a solution using a specially designed feature, known as adaptive learning paths, for implementation in Learning Management Systems (LMS). Managing cultural conflicts is achievable by a twofold process. First, a learner profile must be created, in which the specific cultural parameters can be recorded. According to the learner profile, a set of content filter tags can be assigned to the learning path for the relevant students. Example content filter tags may be “no sex” or “nudity ok, but not combined with religion”. Second, the LMS must have the functionality to select and present content based on the content filter tags. The design of learning material is presented via a meta-data based repository of learning objects that permits the adaptation of learning paths according to learner profiles, which include the cultural sensibilities in addition to prior knowledge and learning and categorized learning content - a detailed example is given.

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Malinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.

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This article covers some new forms of publicness in the field of art culture of the Russian city of Perm, e.g. dramatics as a performance in a street environment, and synthetic museum-theatrical form under the conditions of a stage box. The study was accomplished mainly via culturological method. At one time theatre left the urban environment, but in the 21st century theatrical forms have begun to permeate urban space again, the statement primarily concerns site-specific theatre. This is equivalent to the birth of new theatrical-city publicity, a new modality of the interpenetration of the public and the private. One of the best-known theatrical projects in this field is ‘Remote X’ (‘Rimini Protokoll’ band). Here, the close co-existence habitual to city dwellers turns into a social substrate, and a way to implement interpersonal artistic communication, thereby largely changing the disposition of the former, and transforming itself. Another new form of relationship between collective and individual aspects in the public sphere is the synthetic museum-theatre form, on the example of immersion dramatics ‘Permian Pantheon’ (Perm Academic Theatre, stager Dmitry Volkostrelov). The natural ‘calendar-seasonal’ tempo-rhythm of the dramatics creates a triple semantic effect risen from artistic reality. It immerses the viewer into the process of traditional subsistence in whole (actualisation of the cultural collective unconscious), represents cultural phenomena (which corresponds to the culture-focused paradigm of artistic consciousness of the second half of the 20th century to the early 21st century), reaches the level of worldview values, the philosophical generalisation of cultural-existential reality. Thus, on the example of two Perm theatrical plays the author can speak about the origin of new forms of publicness in contemporary culture to entail new relationships between publicity and privacy in the current realities.

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