Bibliografías temáticas / Dancer-Researcher-Performance

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Literatura académica sobre el tema "Dancer-Researcher-Performance"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Dancer-Researcher-Performance"

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Alfajri, Rendi, and Marzam Marzam. "STRUKTUR PERTUNJUKAN KUDA LUMPING DI KELURAHAN KAMPUNG LAPAI KECAMATAN NANGGALO PADANG." Jurnal Sendratasik 10, no. 1 (2020): 254. http://dx.doi.org/10.24036/jsu.v9i2.110546.

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This study aims to determine and describe the Performance Structure of Kuda Lumping in Kampung Lapai Village, Nanggalo District, Padang.This research belongs to a qualitative research. The research instruments used were the researcher it self, writing tools, and cellphone cameras. The object of this research was Kuda Lumping Brandon in Kampung Lapai Village, Nanggalo District, Padang.The results show that Kuda Lumping has a performance structure which cannot be removed or reversed from beginning to end. In the performance process, there must be several important people or instruments such as a
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Asmarani, Ratna. "Surviving Modernity Through Magic: A Participatory Study on Pekalongan Sintren Performance." MOZAIK HUMANIORA 19, no. 2 (2020): 216. http://dx.doi.org/10.20473/mozaik.v19i2.12267.

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This study aims to analyze how magic is performed in Sintren and what survival strategies are applied by its performers in the modern era. Sintren is a unique folk art of Pekalongan performed by a regional arts group called Kudo Bekso Utomo from Pringsurat village, Kajen sub-district, Pekalongan on June 23rd, 2018 during the Syawalan festivals in Linggo Asri village, Pekalongan, Central Java, Indonesia. To achieve this goal, the researcher uses qualitative method. Data are collected by participatory observation and interview with the Sintren dancers, the Sintren shamans, and the Sintren audien
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Nektarios, Peter Yioutsos. "Order in ancient Greek dance rituals: The dance of Pan and the Nymphs." Dramaturgias, no. 5 (October 27, 2017): 211–34. http://dx.doi.org/10.26512/dramaturgias.v0i5.8439.

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 Dance maintained an important role in antiquity and was believed to be a ritual act that should be treated and performed with the outmost respect, regardless of its severe or ludicrous character. Despite the lack of adequate data, ancient sources now and again provide enough details on dance rituals, so as to be able to recognize and even more reconstruct the structure and order of an ancient performance, the so-called “τάξις” of Alkman. The cult of Pan and the Nymphs was deeply connected to dance and music. They were mostly celebrated in outdoor shrines and sacred grottos throughout t
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Repertório, Teatro &. Dança. "Mudanças na imagem corporal de bailarinas que vivenciaram o método BPI [Graziela E. F. Rodrigues, M. da Consolação G. C. F. Tavares]." REPERTÓRIO, no. 14 (November 3, 2010): 145. http://dx.doi.org/10.9771/r.v0i14.4675.

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<p>Bailarino-Pesquisador-Intérprete (BPI) é um método coreográfico desenvolvido no Brasil na década de 1980 que prioriza a identidade do bailarino em todo o processo de construção do espetáculo de dança. O objetivo desta pesquisa foi identificar elementos relacionados ao desenvolvimento da imagem corporal a partir da análise dos depoimentos a um conjunto de questões aplicadas a um grupo de pessoas que utilizaram o método BPI no processo de criação. É possível verificar que os três eixos de sustentação do método - Inventário no Corpo, Co-habitar com a Fonte e Incorporação da Personagem -
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Fan, Sin-Syuan. "Libretto of the G. Presgurvic’s musical «Romeo and Juliet»: author’s original source and literary translation as an interpretation of the first text." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 145–60. http://dx.doi.org/10.34064/khnum1-53.09.

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Background. The proposed research based on the librettology as the scientific direction of musicology. At the present stage, there is an increasing interest of researchers in the texts of the libretto (among authors G. Ganzburg, 2008; U. Weisstein, 2006; I. Pivovarova, 2002; M. Aleinikov, 2011; T. Gulaya, 2006; E. Rakhmankova, 2008). Librettology is gradually acquiring the status of an independent research discourse, affecting the interdisciplinary connections of musicology, philology, and cultural studies. The objective of this study is to compare the libretto of the musical «Romeo and Juliet
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Hopkins, Lekkie. "Articulating Everyday Catastrophes: Reflections on the Research Literacies of Lorri Neilsen." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.602.

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Lorri Neilsen, whose feature article appears in this edition of M/C Journal, is Professor of Education at Mount Saint Vincent University in Halifax, Nova Scotia, Canada. Neilsen has been teaching and researching in literacy studies for more than four decades. She is internationally recognised as a poet and as an arts-based research methodologist specialising in lyric inquiry. In the latter half of this last decade she was appointed for a five year term to be the Poet Laureate for Nova Scotia. As an academic, she has published widely under the name of Lorri Neilsen; as a poet, she uses Lorri Ne
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Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont
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Tesis sobre el tema "Dancer-Researcher-Performance"

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Nagai, Angela Mayumi. "O Dojo do BPI : lugar onde se desbrava um caminho." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284085.

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Orientador: Graziela Estela Fonseca Rodrigues<br>Acompanha 1 DVD<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T02:42:43Z (GMT). No. of bitstreams: 1 Nagai_AngelaMayumi_M.pdf: 954874 bytes, checksum: 97abdb3f5ceafcfcca7d2926cf04d092 (MD5) Previous issue date: 2008<br>Resumo: Esta é uma investigação sobre o dojo, procedimento laboratorial do método Bailarino- Pesquisador-Intérprete (BPI), criado pela Profa. Dra. Graziela Rodrigues. O BPI trabalha a dança no sentido do desenvolvimento da imagem corporal do bailarino e
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