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Tesis sobre el tema "Dancing body"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Khudaverdian, Clara. "The dancing body." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39453.pdf.

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2

Davidson, Julia Rose. "Listening to the Dancing Body| Understanding the Dancing Body as Performative Agent within the Choreographic Process." Thesis, Mills College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096902.

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<p> The performativity of dance relies on the the power that different dance practices and choreographies have to shape culture, “making and unmaking” identities by “molding” the moving body (Franko, 2012). While theorists have connected dance technique and instruction to the perpetuation of larger cultural and historical ideologies, few methods yet have attempted a critical study of how performative impact is connected to a dancer’s own embodied experience. </p><p> Working from an understanding of embodied experience as central to the performative impact of da

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3

Shrubsall, Gina M., University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The dancing body makes sense of place." THESIS_CAESS_CAR_Shrubsall_G.xml, 2002. http://handle.uws.edu.au:8081/1959.7/805.

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The grounded theory of this dissertation is that 'the dancing body makes sense of place'. This theory is investigated through hermeneutic praxis based on the theoretical perspective of phenomenology. In exploring how the dancing body experiences place, it is the processes that underlie and give form to dance that capture my attention. 'The dancing body makes sense of place' is a phrase that liberates the description and consideration of the non-verbal processes that underlie the dance/place interface. The phrase offers the possibility of communicating coexisting processes. Interpreted as 'the

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4

Shrubsall, Gina M. "The dancing body makes sense of place." Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/805.

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The grounded theory of this dissertation is that 'the dancing body makes sense of place'. This theory is investigated through hermeneutic praxis based on the theoretical perspective of phenomenology. In exploring how the dancing body experiences place, it is the processes that underlie and give form to dance that capture my attention. 'The dancing body makes sense of place' is a phrase that liberates the description and consideration of the non-verbal processes that underlie the dance/place interface. The phrase offers the possibility of communicating coexisting processes. Interpreted as 'the

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5

Shrubsall, Gina M. "The dancing body makes sense of place /." View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030929.102832/index.html.

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Thesis (M. A.) (Hons.) -- University of Western Sydney, 2002.<br>A dissertation submitted in partial fulfillmemt of the degree of Master of Arts, UWS Nepean, School of Contemporary Arts : Dance, July 2002. Bibliography : leaves 81-84.

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6

Acker, Shaun Albert. "Writing the aerial dancing body a preliminary choreological investigation of the aesthetics and kinetics of the aerial dancing body." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002361.

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This mini-thesis investigates some of the nineteenth century socio-cultural ideals that have structured a connection between virtuosic aerial skill and bodily aesthetics. It views the emergence of a style of aerial kineticism that is structured from the gender ideologies of the period. It investigates the continual recurrence of this nineteenth century style amongst contemporary aerial dance works and outlines the possible frictions between this Victorian style of kineticism and contemporary aerial explorations. From this observation, a possible catalyst may be observed with which to relocate

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7

Pienaar, Samantha. "Boyzie Cekwana the South African dancing body in transition." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002376.

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Boyzie Cekwana is one of many black male dancers and choreographers that is currently receiving widespread support and recognition for his contribution to the field of contemporary dance in South Africa. Why certain images of the dancing body - as presented by this individual dance practitioner - are currently being promoted as artistically more viable than others by dance critics and the media is the central concern of this thesis. An analysis of the dancing body in contemporary South Africa must take into account the current post-apartheid condition, a condition of transformation and reconst

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8

Samuel, Gerard M. "Dancing the Other in South Africa." Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22781.

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At the centre of discourse of Dance in South Africa is the notion of Other. The form and approach in Contemporary Dance in South Africa in the 21st century has been shaped by cultural forces such as apartheid and colonialism. This thesis sets out a phenomenological study of Othering in Dance in South Africa through a hermeneutical unpacking of 'Older dancing'. Its critical question grapples with the notion of age as a new marker of alterity in Dance and asks: How does dancing the Other bring new ways of seeing bodies? The lived experiences of four categories in Older dancing: dancers, choreogr

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9

Ramphal, Vena Radha. "A word on movement : thinking approaches to the dancing body." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420643.

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10

Kissell, Kristin. "Dancing Theology - A Construction of a Pneumatology of The Body." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/941.

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Dance is the language of the soul. Dance, as a theological source, can remind us of who we are in and with the living perichoresis of the Trinity. Dance, as embodied art, can provide us with a new way of viewing and discussing pneumatology and that we too, in our incarnate reality, participate in perichoresis. Within this work I seek to answer the questions of how dance is a source of theology, why a pneumatology of the body is significant, and how dance provides a framework for a pneumatology of the body. The creation of a pneumatology of the body is a rooting or re-membering of the Spirit an

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11

Friesen, Constance A. "The raving body narratives, dancing ecstatically betwixt Nietzsche's Apollo and Dionysus." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65034.pdf.

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12

Liu, Chih-Chieh. "Corporeal pun : translations of the dancing body in Taiwanese popular culture." Thesis, University of Surrey, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540710.

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13

Finestone, Juanita. "The politics and poetics of choreography the dancing body in South African dance." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002370.

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This mini-thesis is situated in the discourse on patriarchy, nationhood and its artistic forms. It is argued that an uncritical pursuit of commonality as a political aesthetic strategy for dance in South Africa repeats the metaphysical foundationalism of this discourse. It is further suggested that a postmodern ethos subverts this heritage, while at the same time offering a viable alternative for accommodating and representing the cultural diversity and plurality characteristic of current theatre dance in South Africa. Chapter One examines the way dance has historically structured its patriarc

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14

Van, Oort Jessica. "Dancing in Body and Spirit: Dance and Sacred Performance in Thirteenth-Century Beguine Texts." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/45623.

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Dance<br>Ph.D.<br>This study examines dance and dance-like sacred performance in four texts by or about the thirteenth-century beguines Elisabeth of Spalbeek, Hadewijch, Mechthild of Magdeburg, and Agnes Blannbekin. These women wrote about dance as a visionary experience of the joys of heaven or the relationship between God and the soul, and they also created physical performances of faith that, while not called dance by medieval authors, seem remarkably dance-like to a modern eye. The existence of these dance-like sacred performances calls into question the commonly-held belief that most medi

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15

Genet, Coline. "Dialogues between a violin and a body : How to be a dancing musician on stage ?" Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4217.

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The folk tradition has often been divided between two sections: on one side is music,on the other is dance. The aim of this research is to study the relationships between dance and music inside one individual to create a new profile: the dancing musician.The process of this research went through different stages. First of all, I relied on my background as a folk musician and dancer to enable dialogue between these two profiles. Then I went beyond the boundaries of the folk tradition by mixing improvisation and folk music. Finally, I analysed movements, meters and expression of each part in ord

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16

Durkin, Hannah. "The black female dancing body in the films and writings of Josephine Baker and Katherine Dunham." Thesis, University of Nottingham, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575418.

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This project investigates the international film careers and writings of African American dancers Josephine Baker (1906-1975) and Katherine Dunham (1909- 2006) as dynamic sites of identity construction to illuminate the conflicting ways in which individual performances complicate categorisations of "race" and "gender." By exploring the ways in which these two artists mediate popular constructions of black women's identities, my investigation interrogates widely held conceptions of authorship and artistic hierarchies. It provides insights into intercultural identity formations by positioning bl

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17

Hulbert, S. "Dancing with Parkinson's : an exploration of teaching and the impact on whole body coordination during turning." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/378386/.

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Parkinson’s is a common, progressive, neurodegenerative movement disorder of the central nervous system, presenting with particular impairment of the motor system. Despite a growing body of literature recommending the use of dance for the treatment and management of Parkinson’s, the exact impact and effect on turning ability has not been investigated. In addition, the experience of those teaching dance has also received little attention. The purpose of this research study was to explore the experience of teaching ballroom and Latin American dance classes for people with Parkinson’s (PwP) from

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18

Cieslewicz, Lindsy Stewart. "Dance and Doctrine: Shaker and Mormon Dancing as a Manifestation of Doctrinal Views of the Physical Body." Diss., CLICK HERE for online access, 2000. http://patriot.lib.byu.edu/u?/MTAF,24559.

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19

Drozd, Natalia. "Tailbone-ing movement practice." Thesis, Stockholms konstnärliga högskola, Institutionen för dans, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-916.

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The main purpose of the essay is to serve as a documentation of my research practice on the movement of the tailbone and its connections to my dancing body. The essay is being written from my personal perspective which springs out of my interest in the importance of using the tailbone whilst dancing. In the first part of the text I have included personal information to the reader about where my interest in the movement of the tailbone arose. One of the methods during the research was to write a process diary as a way to combine a physical practice and writing practice. This process diary is no

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20

Macpherson, Benjamin Jonathan. "The acting text, the dancing voice, the singing body : towards a model of somaesthetic performance analysis for musical theatre." Thesis, University of Winchester, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548201.

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This thesis offers a model for analysing live musical theatre performance through a focus on the embodied relationship between the actors and the audience. It presents a framework for analysing the bodily experience of performance, and the role of corporeality in understanding musical theatre. Throughout the study, this framework is developed by exploring aspects of performance studies and reception theory, along with related cognitive and neuro-biological research in support of such a position. The model is then tested through an examination of three contrasting musical theatre works in perfo

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21

Kempton-Jones, Jessica. "“Tell me about it, Stud”: Queering the Dancing Male Body in Musical and Dance Films of the 1970s and 1980s." Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33830.

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Heterosexuality is coded on-screen in many musical films from the last century as a “celebratory ideal.” 1 This thesis explores the queer possibilities of the so-called heterosexual male in three films spanning a decade from 1977 with Badham's Saturday Night Fever and Grease (Kleiser, 1978), to 1987's Dirty Dancing (Ardolino). Each of the films I have examined foreground heterosexual romance. However, by looking at the male body in these films I have argued for the ways in which the male, dancing body works against these films' assertion of a narrative heterosexuality. I have shown how these f

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22

Lehman, Sarah. "Taking care of a dancing body an investigation of how anatomical knowledge effects a dancer's risk of injury and performance quality /." Connect to resource, 2008. http://hdl.handle.net/1811/32147.

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23

Szymajda, Joanna. "Esthetique de la danse contemporaine europeenne après 1990." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030107.

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La thèse de doctorat-ci présente est consacrée à la recherche sur l’esthétique de la danse contemporaine de ces vingt dernières années en Europe. Après une introduction méthodologique et historique, nous présentons dans la partie principale les quatre paradigmes du corps dansant : politique, critique, poétique et virtuel, ce qui nous permet de distinguer des courants esthétiques présents dans la danse européenne à partir de1990. Cette date n’indique aucun événement en particulier, mais elle renvoie plutôt à deux faits majeurs : un historique – la fin du communisme en Europe qui a permis le dév

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24

Novella, Centellas Carolina. "When the Body is the Oppressed , or The Ma Project, Dancing a New Collective Story (Participatory Research on Communication for Social Change)." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307244804.

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25

Carter, Sandra. "The effect of an eight week aerobic dance program on maximal oxygen uptake of low, medium and high fit college age females /." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63155.

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26

Chultz, Gabriela Maffazzoni. "Coreografando em larga escala : corpo social, corpo dançante." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/140952.

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Proponho uma reflexão sobre a prática coreográfica em dança com uma comunidade específica: os alunos do Ensino Médio do Colégio Estadual Júlio de Castilhos, de Porto Alegre – RS. Investigando um contexto institucional, público e de ensino, meu objeto de estudo centra-se no corpo como inscrição social e dançante, articulando procedimentos coreográficos com grandes grupos. Busco compreender a coreografia, sobretudo, como ato político e como teorização de identidade – corporal, individual e social (FOSTER, 2011) –, além de compreendê-la como possível catalisador na proposta de indicar o corpo soc

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27

Kiss, Dóra. "La saisie du mouvement : de l'écriture et de la lecture des sources de la belle danse." Thesis, Nice, 2013. http://www.theses.fr/2013NICE2047.

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La thèse définit ce qui pourrait être une saisie du mouvement et interroge la possibilité d'écrire et de lire la danse. La belle danse, dont l'origine, la contextualisation, et la définition en tant que style sont présentés dans le premier chapitre est prise comme cas d'école. Le second chapitre est rédigé dans la perspective du scripteur et il présente une analyse de la notation Beauchamps-Feuillet. Le troisième chapitre, qui adopte le point de vue du lecteur, définit les règles implicites de la belle danse, déductible de l'analyse des sources, et propose une analyse de la "Türkish Dance" (c.

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28

Gaule, Scott G. "Meeting up with the worlds of exercise and rave at the start of the twenty-first century : a story about young people, body culture, health and identity in changing times." Thesis, Liverpool John Moores University, 2005. http://researchonline.ljmu.ac.uk/5776/.

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29

Minozzi, Carolina Nicolino 1987. "Estados corporais : catalisadores de experiência na criação em dança." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285325.

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Orientador: Matteo Bonfitto Júnior<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-27T09:42:02Z (GMT). No. of bitstreams: 1 Minozzi_CarolinaNicolino_M.pdf: 3593026 bytes, checksum: 221bbb0215dfff4a5ee1f5cf38b32764 (MD5) Previous issue date: 2015<br>Resumo: A presente pesquisa tem como campo de investigação os "estados corporais" que permeiam as criações em dança contemporânea. A investigação, que possui um caráter teórico-prático, tem como principal fonte o diário de campo com registros e reflexões sobre processos de cr

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30

Duarte, Cicera Claudinea. "Efeito da dança samba na aptidão cardiorrespiratória e composição corporal de mulheres passistas." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/5/5160/tde-04022016-105011/.

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Introdução: As adaptações fisiológicas da dança samba são pouco conhecidas. A caracterização cardiorrespiratória e metabólica aguda e/ou crônica e da composição corporal como atividade física é pouco estudada. O samba é uma atividade intermitente que envolve movimentos dos membros inferiores, tronco e membros superiores simultaneamente. Objetivo: Verificar o efeito da dança samba na aptidão cardiorrespiratória e na composição corporal de mulheres passistas que desfilam em escolas de samba. Métodos: Participaram do estudo 26 mulheres, entre 20 e 40 anos de idade, distribuídas em dois grupos: Gr

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31

Pearce, Malcolm. "The Mandala dancers : a collaborative inquiry into the experiences of participants in a program of creative meditation : an investigation into a means of celebrating the wonderful in ordinary people." Thesis, View thesis, 1994. http://handle.uws.edu.au:8081/1959.7/315.

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The thesis is the result of an inquiry into the experiences of a group of people engaged in a Buddhist inspired creative meditation program, the main practice of which is the recognition and honouring of the spiritual dimensions, the divinity of self and others. The study employed a heuristic process of examining 'inner world' experiences. The inquiry was collaborative in the sense that its findings were not those of one person alone, but were a compilation of the results of interactions within the group. The inquiry was based on the hypothesis that creative meditation can facilitate changes i

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32

Manzke, Sabrina Marques. "Abambaé – “terra dos homens”: a invenção de uma brasilidade por intermédio da performance cênica do samba de roda." Universidade Federal de Pelotas, 2016. http://repositorio.ufpel.edu.br:8080/handle/prefix/3157.

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Submitted by Leda Lopes (ledacplopes@hotmail.com) on 2017-02-14T18:55:41Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5)<br>Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-02-16T20:46:52Z (GMT) No. of bitstreams: 2 ABAMBAÉ TERRA DOS HOMENS - SABRINA MANZKE.pdf: 13547674 bytes, checksum: 3c6da6faa534303defed1ed49a2a16d6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Ap

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Nascimento, Diego Ebling do. "Macho, bailarino e homossexual: um olhar sobre as trajetórias de vida de professores dançantes." Universidade Federal de Pelotas, 2013. http://repositorio.ufpel.edu.br/handle/ri/1794.

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Made available in DSpace on 2014-08-20T13:49:10Z (GMT). No. of bitstreams: 1 Diego Ebling do Nascimento.pdf: 1315154 bytes, checksum: 87d969d98aa00ec5ca92a69304da29c9 (MD5) Previous issue date: 2013-02-07<br>The present research aims to analyze, from narratives, professional dancers‟ life trajectory, who currently understand them as homosexuals, are under-graduated in Physical Education, and work with dancing. It was analyzed the impact and consequences of homosexuality on these professional teachers‟ career, besides describing their family relationship, their primary academic qualificatio

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34

Liberman, Flavia. "Delicadas coreografias: instantâneos de uma terapia ocupacional." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/15625.

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Made available in DSpace on 2016-04-28T20:39:33Z (GMT). No. of bitstreams: 1 Flavia Liberman.pdf: 14649085 bytes, checksum: 5e0b0c1174b02b7931ed170efe0c4673 (MD5) Previous issue date: 2007-10-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Taking cartography as its methodological trajectory, this paper aims at describing, discussing and, above all, articulating a series of experiences carried through in different clinic contexts occupational therapy clinic, graduation teaching and groups of study using body approaches to promote the meeting between bodies/ individual

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35

Chatagnon-Weiler, Pauline. "Claude Pujade-Renaud ou le corps en ses métamorphoses." Thesis, Pau, 2016. http://www.theses.fr/2016PAUU1014.

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De la danse à l’écriture, le parcours de Claude Pujade-Renaud se caractérise par l’hétérogénéité des pratiques sportives, artistiques, universitaires et littéraires. En soulignant les rapports étroits de l’histoire vécue et de l’œuvre littéraire, cette thèse met l’accent sur les interactions permanentes entre les mots et les corps. L’étude du corpus, composé de treize romans, cinq recueils de nouvelles, une correspondance et une« duobiographie », montre combien l’écriture se construit bien avant les premières publications. Elle se nourrit des premières confrontations aux mots et à la langue or

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Hernandes, Janete Capel. "Qualidade de vida e imagem corporal de mulheres que praticam dança do ventre." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/9105.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2018-11-28T16:46:31Z No. of bitstreams: 2 Tese- Janete Capel Hernandes - 2018.pdf: 13238473 bytes, checksum: b765a62a2666ba8854dce0caee5ab460 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-11-29T11:03:09Z (GMT) No. of bitstreams: 2 Tese- Janete Capel Hernandes - 2018.pdf: 13238473 bytes, checksum: b765a62a2666ba8854dce0caee5ab460 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available i

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Fogarty, Mary Elizabeth. "Dance to the drummer's beat : competing tastes in international b-boy/b-girl culture." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5889.

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This thesis explores the relationship between musical tastes and dance practices in a popular dance style known as breaking or b-boying/b-girling. It is based on a multi-sited ethnography involving the participation in and observation of the practices of breaking, as well as interviews with individual b-boys and b-girls, who often travelled between cities as part of their practices. Although there were many interesting and contradictory observations and participant responses provided by this multigenerational, multicultural scene, one theme emerged as central. 'Vernacular' or street dancers ma

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38

Fritz, Vivian. "Danse et nouvelles technologies vers d'inédites écritures chorégraphiques." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC001/document.

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Les avancées technologiques, principalement au niveau des télécommunications, interrogent les formes de relation et les transferts d’informations dans le monde actuel. La danse contemporaine, affectée par l’usage des technologies sur la scène (image vidéo, internet, logiciel), voit se modifier les manières de chorégraphier. Si les éléments de base de la création chorégraphique, à savoir le corps dansant, l’espace scénique et le temps de la danse, sont transgressés par l’usage des technologies de la télécommunication (téléprésence), comment les chorégraphes pensent-ils et écrivent-ils la danse

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39

Sharir, Yacov. "Beyond the electronic connection : the technologically manufactured cyber-human and its physical human counterpart in performance : a theory related to convergence identities." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/1498.

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This thesis is an investigation of the complex processes and relationships between the physical human performer and the technologically manufactured cyber-human counterpart. I acted as both researcher and the physical human performer, deeply engaged in the moment-to-moment creation of events unfolding within a shared virtual reality environment. As the primary instigator and activator of the cyber-human partner, I maintained a balance between the live and technological performance elements, prioritizing the production of content and meaning. By way of using practice as research, this thesis ar

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Escobar, Ninoska M'bewe. "Auto/body/graphy and the black dancing body." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3515.

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This thesis considers how the Black dancing body constitutes both Black history and dance history by reading the body in Pearl Primus' Hard time blues, The Negro speaks of rivers and Strange fruit as physical auto/biography, or what I shall herein refer to as auto/body/graphy. The Black dancing body, because it is a repository of the Black experience, actively engages in the act of self-naming, self-shaping, and self-recognition. As such, it may be considered an auto/body/graphy that is situated in Black history, an instrument through which histories of origin and migration, struggle against o

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王維銘. "The journey of a dancing body." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/90160712076510258295.

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chuan, Hsu shu, and 許書銓. "Exploring Aspects of the Dancing Body Through Shell Body—A Site-Specific Production." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/9s9eyu.

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碩士<br>國立臺北藝術大學<br>舞蹈研究所<br>107<br>This report is about Shell Body, a dance performance production, as partial fulfillment for my MFA degree from the Graduate Institute of Dance, Taipei National University of the Arts. The purpose of this production is to present a different form of performance and attempt to experiment with it: to return to state of dance performance, and try to think about how to use the performance training from a conservatory in nontraditional theater setting. Base on my experience of professional performance over many years, I re-think the relationship between performers a

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HSU, YI-YING, and 許伊瑩. "Study of Relationship among Body Image, Eating Attitude, and Body Checking Behaviors for Dancing Class Female Students." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/12542198222032745740.

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碩士<br>國立高雄大學<br>運動健康與休閒學系碩士在職專班<br>105<br>Dance is a very high aesthetic art, through the body, rhythm, etc. to express the emotions to be presented, dancers often peer, teacher and audience under the pressure of growth, in order to maintain a perfect body, commonly used unhealthy means to lose weight. This research was to study the association among female Students of dance class, their body images, eating attitude, and body checking behavior. It researches the following: 1. To understand the background variables, body perception gap, eating attitude, and body checking behavior. 2. The differ

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Woekel, Erica Dawn. "Dancing mosaics : influences on the body images of elite adolescent female dancers." Thesis, 2005. http://hdl.handle.net/2429/16788.

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This research examines how elite adolescent female dancers visualize and scrutinize their bodies and construct their ideal body type from the basis of the thin ideal in dance culture. Competitive and pre-professional dancers were studied to explore the role body image, body satisfaction and dance culture plays in their desire for thinness. Good body image and body satisfaction in female dancers is lowered during adolescence as their bodies change through puberty and they strive toward the thin ideal (Rhea, 1998). The dance ideal, although similar to the cultural ideal, also emphasizes mu

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Wan-Lin, Liao, and 廖婉琳. "Life Is a Dreamlike Illusion”－An Investigation on The Interpretations of Dancing Body." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/57492288649168633891.

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碩士<br>國立臺灣體育運動大學<br>體育舞蹈學系碩士班<br>103<br>This thesis examines the graduation production “Life Is a Dreamlike Illusion” and expounds on reviewing the production process and on the interpretations of dance. The main goal is to extensively discusses the dance movement, the interpreting methods, and the participation experiences of the three dances that the author performed - “I am Liao, Wan-Lin”, “The Girls at Play “, and “Lost Paradise”. The first chapter, “Introduction”, is an account of the author’s return to dance performance after reconsideration, which resulted in the motivation and the purp

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Lee, E.-Lin, and 李依齡. "The Study of Body Image, Sociocultural Factors, and Eating Disorder among Dancing Department Students." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/91454418608107357154.

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碩士<br>國立體育學院<br>教練研究所<br>93<br>The Study of Body Image, Sociocultural Factors, and Eating Disorder among Dancing Department Students ABSTRACT The purpose of this study was to investigate: (1) The differences on body image, sociocultural factors, and eating disorder among dancing department students with different demographic variables. (2) The relationship among body image, sociocultural factors, and eating disorder. (3) The predictive utility of body image and sociocultural factors on eating disorder. Four hundred and fifty six of dancing department students from seven colleges were recruit

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Chiu, Yu-Wen, and 邱鈺雯. "《Embrace》– Discovery the History of Dancing Body through Professional Dance Education System in Taiwan." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/47104114246187434030.

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碩士<br>國立臺北藝術大學<br>舞蹈表演創作研究所碩士班<br>98<br>【Abstract】 Taiwan Dance Education has started since 1981 and developed in past three decades. There are more and more dance schools from primary school, high school, University and graduate school. This kind of “stage by stage” system, which provides dance students a completed study pipeline, made me become a so-called “professional dancer”. However, “dance education” is not only involved in the physical technique training but also contain the humanities and artistry, in order to build up the dancing body filled with artistic potential. Embrace, which

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Downing, Charlené. "A model for the facilitation of mental health through belly dancing as movement." Thesis, 2012. http://hdl.handle.net/10210/8204.

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D.Cur.<br>Movement is an integral aspect of daily living. Movement allows the human being to express, find meaning and reflect a part or the whole of the unfolding of the stories of their lives. In nursing movement is the dialogue and interaction between professional nurse and patient. The essence of the dialogue is the movement towards caring and healing between the professional nurse and the individual. The purpose of this research is to develop, describe, evaluate and provide guidelines for the operationalisation of a model as a framework of reference for nursing to facilitate the individua

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Chien, Hua-Bao, and 簡華葆. "Self awareness and practice ( or embodiment) of dancing body through the production of《Double Happiness》." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/mrhxpb.

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Vincent, Jordan Beth. "In pursuit of a dancing ‘body’: modernity, physicality and identity in Australia, 1919 to 1939." 2009. http://repository.unimelb.edu.au/10187/4887.

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The primary focus of this work is the Interwar years (1919-1939), a time when dance came to the forefront of Australian consciousness, not only as an expression of worldwide modernity, but in terms of a new kind of local professionalism. Using dance as window through which to analyse Australian culture, this thesis explores notions of the dancing ‘body’ in Australia. For this research, the term dancing ‘body’ is used to indicate a kind of artistic identity that incorporates various elements of the mind, the physical being, the conscious and unconscious idea of ‘self,’ and the external percepti

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