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Tesis sobre el tema "Dancing"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Tidemann, Axel. "Dancing Robots." Thesis, Norwegian University of Science and Technology, Department of Computer and Information Science, 2006. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-10054.

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<p>This Masters thesis implements a multiple paired models architecture that is used to control a simulated robot. The architecture consists of several modules. Each module holds a paired forward/inverse model. The inverse model takes as input the current and desired state of the system, and outputs motor commands that will achieve the desired state. The forward model takes as input the current state and the motor commands acting on the environment, and outputs the predicted next state. The models are paired, due to the fact that the output of the inverse model is fed into the forward model.

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2

Hofling, Ana Paula. "Dancing Voices." Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/6919.

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This chapter includes both the revised proposal for the concert shared between Melissa Teodoro and myself, Dancing Voices, and the revised proposal for my MFA thesis piece, The smallest unit of meaning. In an earlier version of this proposal, submitted in the Spring 2002 semester, the working title of my MFA thesis piece was Syllables. The change of title reflects the changes in the choreographic process, caused by a delay in the completion of the original score commissioned for the piece. These changes will be discussed in detail in chapter II.<br>vii, 41 leaves

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3

Teodoro, Melissa. "Dancing Voices." Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/6920.

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This MFA concert will be shared between Ana Paula Hofling and Melissa Teodoro. Our idea is to have a concert that showcases our choreographic work, old and new, in a cohesive concert that is more than a collage of unrelated dances. We have chosen the title "Dancing Voices" because of our interest in working with the spoken word, both in past works and new works. The concert will be divided into two parts, one featuring each of our 15-minute pieces, created to satisfy the MFA degree requirement, and the other will feature reconstructions and restagings of older pieces (some of them revised or e

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4

Kramer, Paula. "Dancing materiality." Thesis, Coventry University, 2015. http://curve.coventry.ac.uk/open/items/95453abd-9ad9-4154-bd46-7affd402bba7/1.

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This thesis studies materiality in the context of contemporary outdoor dance practices in the natural environment. The more particular territory of this research is comprised of receptivity-, materiality- and/or exposure-based practices, influenced predominantly by the international lineages of Amerta Movement and postmodern dance. This territory is understood to be a relevant niche domain that is relatively uncharted and particularly informative regarding questions of materiality. The practitioners that this study turns to are mostly located in the UK, but also in Germany. The key influence o

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5

Young, David Robert. "Circles/dancing /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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6

Nasti, Jacquelyn. "Dancing Plague." ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2479.

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7

Khudaverdian, Clara. "The dancing body." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39453.pdf.

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8

Gaidar, Sergii, and Stefan Diez. "Dancing along microtubules." Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-182537.

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9

Salameh, Hadeel J. "Dancing with Birds." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1552037191445985.

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10

Spilis, Angelica Abby. "Dancing With Arthritis." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/327134.

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Dance<br>M.A.<br>This Master of Arts thesis is based on research that I conducted on dancers who have the auto-immune disease of Rheumatoid Arthritis. Rheumatoid Arthritis is a long-term autoimmune disease that causes inflammation in the joints and the surrounding tissues. Dancers with arthritis feel pain the joints that can be minor or severe, depending on how they are moving their bodies. This research investigates how dancers with an arthritic body can dance without the experiencing pain in their joints. Arthritis impairs movement because it is a disease that affects the joints. In this the

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11

Hermawan, Rahmanu. "Dancing with Theremins." Thesis, Uppsala universitet, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-393153.

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This project is building a wireless sensor network for a room-scale Theremin instrument using ZigBee protocol. The Theremin is an instrument that is played entirely without touching it. The instrument based on electromagnetic fields, which are being "disturbed" by the limbs of the player. Theremin has two antennas, vertical antenna for controlling the pitch and horizontal antenna to control the volume. Unfortunately, the playing of Theremin is limited to the area around the antenna. This case, however, also means that it will be necessary to redesign the theremin in some aspects. We will try o

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12

Wu, Wei-Chi. "Dancing Within Taiwanese-ness| International Folk Dancing Communities in Taiwan and California." Thesis, University of California, Riverside, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10935353.

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<p>This research investigates Taiwanese dancers? practice of international folk dancing through interviews and participant-observation. International folk dancing is a specific dance genre, in which its practitioners explore various regional folk dances around the world, regardless of their ethnicities. I define this practice as a transnational embodiment, because it not only covers folk dances from different countries, but also was a government-sanctioned exercise during the Taiwanese Martial Law Period (1945-1987). Furthermore, many Taiwanese immigrants in California are still practicing thi

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13

Barry, Jeane. "Dancing in the dark." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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14

Knott, Laura. "Dancing on the horizon." Thesis, Massachusetts Institute of Technology, 1987. http://hdl.handle.net/1721.1/78963.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Bibliography: leaves 92-96. "Videography: leaves 97-99.<br>by Laura Knott.<br>M.S.V.S.

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15

McMonagle, Catherine Ann. "Dancing feminisms and intertextuality." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/56134/.

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This thesis investigates representations of dancing women in three postmodern novels, arguing that their radical revisions of traditional texts offer readers steps to be taken in the future. Resistant and troublesome dances are deployed here to address feminisms, multiple and contradictory subjectivities and intertextuality. I suggest that a consideration of a nuanced view of multiple subjectivities can benefit women more than striving towards an illusory, autonomous identity. Intertextuality invites contemplation of the dance between different texts and the meanings invoked as a result. Not o

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16

Vattulainen, Ilpo. "Molecules dancing in membranes." Universitätsbibliothek Leipzig, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-196812.

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In 1828, a botanist named Robert Brown found that small pollen particles suspended in water migrated in an erratic fashion. Later it was realized that the dance Brown observed was essentially a two-dimensional random walk driven by thermal fluctuations, thus this Brownian motion was more intense at higher temperatures. The pioneering ideas and observations by Brown have inspired people for a long time to think about the fascinating aspects of random walks, and hence of diffusion. In this brief contribution, we consider this topic at complex biological interfaces known as cellular membranes and

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17

Vattulainen, Ilpo. "Molecules dancing in membranes." Diffusion fundamentals 2 (2005) 113, S. 1-15, 2005. https://ul.qucosa.de/id/qucosa%3A14452.

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In 1828, a botanist named Robert Brown found that small pollen particles suspended in water migrated in an erratic fashion. Later it was realized that the dance Brown observed was essentially a two-dimensional random walk driven by thermal fluctuations, thus this Brownian motion was more intense at higher temperatures. The pioneering ideas and observations by Brown have inspired people for a long time to think about the fascinating aspects of random walks, and hence of diffusion. In this brief contribution, we consider this topic at complex biological interfaces known as cellular membranes and

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18

Lorenzen-Schmidt, Timo. "On Dancing with Architecture." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/34078.

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"I would like to - sometime - build a theater which has natural light..." Louis I. Kahn "Space and the Inspirations" 1967 Titled "On Dancing with Architecture" and in reference to Merce Cunningham's choreography, this thesis project is the notion of overlaying architecture as a third autonomous layer to the existing ones in the performance arts that are dancing and music. Since the project is equally concerned with the performers and the audience as well as with the general public, it shall contain a nonstandard performance stage for modern dance as well as general public space. However,

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19

Erla, Adamsdóttir Lilý. "Tension Attention! : Dancing Embroidery." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12400.

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This Master’s degree project explores the design possibilities of thread tension, to create a transformation in an interactive, 3D embroidered, wooden surface. The aim is to create a playful visual expression on a surface triggered by interaction. The surface is manipulated by embroidery and the embroidery is manipulated by the tension in the thread. Together all parts create a simple mechanism that allows the viewer to sink into a playful loop of a rising and collapsing structure. Dancing embroidery. The work explores the potential of the thread as a key factor together with interaction to m

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20

Howell, Les. "Dancing without a fiddle." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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21

Holden, Patsy. "Civilized Dancing: The Evolution of Ballroom Dancing from African Trance and Folk Dance." Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1173.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Philosophy

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22

Noxolo, Patricia Elaine Patten. "'Dancing a yard, dancing abrard' : race, space and time in British development discourses." Thesis, Nottingham Trent University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302519.

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23

Green, Alida Maria. "Dancing in borrowed shoes : a history of ballroom dancing in South Africa (1600s-1940s)." Diss., Pretoria : [S.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-10202009-190259.

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24

Schulze, Janine. "Dancing bodies dancing Gender : Tanz im 20. Jahrhundert aus der Perspzktive der Gender-Theorie /." Dortmund : Edition Ebersbach, 1999. http://catalogue.bnf.fr/ark:/12148/cb37100296x.

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25

Thoms, Victoria. "Ghostly present : bodies, dancing, histories." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420160.

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26

Nieto, Alvarez Isabel. "Rueda casino dancing for health." Thesis, Saybrook University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1584137.

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<p> The practice of <i>rueda casino</i> (or <i>salsa casino </i>) has increased worldwide in the last four decades, and the physical, psychological, and psychosocial effects of this dance may improve the health and wellness of participants. There is limited literature defining rueda casino as a social dance and previous findings are from interventions with Latin dance practices. This qualitative description focused on the nature of rueda casino integrating perspectives of archival data from interviews with three experts and the researcher's observations on this partnered and group dance in Mex

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27

Owen, Craig. "Dancing gender : exploring embodied masculinities." Thesis, University of Bath, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.636536.

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Within popular culture we have recently witnessed a proliferation of male dancers. This has been spear-headed by the success of the BBC television program Strictly Come Dancing. The current cultural fascination with dance provides a stark contrast to traditional discourses in England that position dance as a female activity, with men’s participation frequently associated with homophobic stigma. We therefore have a context in which multiple and contradictory discourses on masculinity are available for men to make sense of themselves. This thesis explores how young men negotiate these discourses

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28

Scott, Catriona Mairi. "The Scottish Highland dancing tradition." Thesis, University of Edinburgh, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543850.

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The primary objective of this thesis is to inyestigate the development of and changes within the practice of Scottish competitive solo Highland dancing. Although this activity has been inherited through strong oral and military traditions, and is currently practised by over fifty thousand people world-wide. this theoretical and empirical work is the first in-depth study of its kind in the field. The focus of research is the extent to which the impact of regulation on a previously unregulated tradition has contributed to the usurping of creativity by technicality. Five dances have formed the pr

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29

Brengle, Edward Quine IV. "The Evocation of Dancing Stars." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1133313458.

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30

Malbon, Ben. "Clubbing : dancing, ecstasy and vitality /." London : Routledge, 1999. http://catalogue.bnf.fr/ark:/12148/cb37568722m.

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31

Kaschl, Elke. "Dance and authenticity in Israel and Palestine : performing the nation /." Leiden : Brill, 2003. http://www.ub.unibe.ch/content/bibliotheken_sammlungen/sondersammlungen/dissen_bestellformular/index_ger.html.

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32

Davidson, Julia Rose. "Listening to the Dancing Body| Understanding the Dancing Body as Performative Agent within the Choreographic Process." Thesis, Mills College, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096902.

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<p> The performativity of dance relies on the the power that different dance practices and choreographies have to shape culture, “making and unmaking” identities by “molding” the moving body (Franko, 2012). While theorists have connected dance technique and instruction to the perpetuation of larger cultural and historical ideologies, few methods yet have attempted a critical study of how performative impact is connected to a dancer’s own embodied experience. </p><p> Working from an understanding of embodied experience as central to the performative impact of da

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33

HARRYSSON, MATTIAS, and HJALMAR LAESTANDER. "Solving Sudoku efficiently with Dancing Links." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-157551.

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With this thesis, we hope to motivate software developers to seek out already existing solving algorithms instead of attempting to use a bruteforce algorithm or specialized solving algorithms.The reason for choosing the Sudoku puzzle as a platform to demonstrate this is because it is well known around the world and easy to understand, while the reduction to an exact cover problem provides a challenge. Because of the challenge in the reduction and because we did not find any earlier research which explained in detail how the reduction from a Sudoku puzzle to an exact cover problem is done, we d

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34

Yau, See-wing Catherine. "Intertextuality in Helen Lai's dancing texts." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38675754.

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35

Hawksley, Sue. "Dancing to an understanding of embodiment." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7918.

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This practice-led research employs choreographic and somatic practices, and their mediation through performance and/or technologies, to facilitate critical engagement and apprehension of notions of embodiment. The core concerns are movement, dance and the body, as sites of knowledge and as modes of inquiry, with particular focus on lived experience approached from a nondualist perspective. Central themes are action, attention, bodyscape, tensegrity, improvisation, interactivity, memory, language and gesture. Taking as a starting point the position that knowledge and mind may be embodied, and t

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36

Penny, Patricia A. "Contemporary competitive ballroom dancing : an ethnography." Thesis, University of Surrey, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245223.

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37

Marek, Terry. "Scenic Design for Dancing at Lughnasa." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/523.

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This thesis examines the process of designing the set for the fall 2006 production of Brian Friel.s Dancing at Lughnasa at the University of New Orleans. This production was chosen for me by the graduate committee in partial completion of my Master of Fine Arts degree in scenic design. I will examine the process I went through from initial introduction to the project, the interpretation, communication and execution of the design as well as the response to this design. The text of this thesis will be accompanied by copies of all research, renderings, draftings as well as all supporting material

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38

Samuel, Gerard M. "Dancing the Other in South Africa." Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22781.

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At the centre of discourse of Dance in South Africa is the notion of Other. The form and approach in Contemporary Dance in South Africa in the 21st century has been shaped by cultural forces such as apartheid and colonialism. This thesis sets out a phenomenological study of Othering in Dance in South Africa through a hermeneutical unpacking of 'Older dancing'. Its critical question grapples with the notion of age as a new marker of alterity in Dance and asks: How does dancing the Other bring new ways of seeing bodies? The lived experiences of four categories in Older dancing: dancers, choreogr

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39

Telban, Borut. "Dancing through time : a Sepik cosmology /." Oxford : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb375459074.

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40

Finnerty, Mora Lee. "Dancing with the baglady a memoir /." Huntington, WV : [Marshall University Libraries], 2002. http://www.marshall.edu/etd/descript.asp?ref=229.

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41

Duvall, Tracy. "Communicating Romantic Intentions through Social Dancing." University of Arizona, Department of Anthropology, 1996. http://hdl.handle.net/10150/110874.

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This is an analysis of how young Latino men and their female dance partners communicate their romantic intentions while dancing, or perhaps through dancing. I find that apparent ethnic and class distinctions and levels of romantic interest affect the way these people dance, especially in three key indices of romantic intentions: eye contact, hand placement, and hip position. Because these intentions are culturally unspeakable in this context, talk is important mostly for its non-referential effects.

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42

Marcheselli, Marta. "The Dancers Dancing: un’analisi sulle strategie traduttive." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13715/.

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Lo scopo di questo elaborato è l’analisi linguistica dell’opera The Dancers Dancing della scrittrice irlandese Éilís Ní Dhuibhne e dei riferimenti culturali in essa contenuti, oltre alla presentazione di diverse strategie per la traduzione dell’opera, la quale è stata scritta principalmente in lingua inglese, includendo anche alcune parti in gaelico irlandese. La scrittura del libro è in costante rapporto con la cultura e le antiche tradizioni irlandesi e tali connessioni sono fondamentali per comprendere l’intera storia e capire il background culturale in cui è stato scritto il romanzo: ho pe

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43

Shrubsall, Gina M., University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The dancing body makes sense of place." THESIS_CAESS_CAR_Shrubsall_G.xml, 2002. http://handle.uws.edu.au:8081/1959.7/805.

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The grounded theory of this dissertation is that 'the dancing body makes sense of place'. This theory is investigated through hermeneutic praxis based on the theoretical perspective of phenomenology. In exploring how the dancing body experiences place, it is the processes that underlie and give form to dance that capture my attention. 'The dancing body makes sense of place' is a phrase that liberates the description and consideration of the non-verbal processes that underlie the dance/place interface. The phrase offers the possibility of communicating coexisting processes. Interpreted as 'the

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44

Yeh, Yi-Lan Art College of Fine Arts UNSW. "Dancing brush: an exploration of Taoist aesthetics." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42906.

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Dancing Brush video installation is dedicated to legendary Taiwanese dancer Tsai Jui-Yue (1921-2005) in the memory of her suffering, creativity and faith in life. This work reveals the true meaning of Chinese scroll paintings as an infinity of time and space. It draws on the notion of mobility as expounded in the I Ching or Book of Changes. Dancing Brush creates a modern cityscape where the principal of Taoism, ancient Chinese landscape painting, and calligraphy meet new media aesthetics. The focus of this thesis is to reassess media arts practice and aesthetics via the traditions of Chinese T

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45

Phillips, Dara L. "Dancing Through Film Musicals : Narratives in Motion /." Lynchburg, Va. : Liberty University, 2006. http://digitalcommons.liberty.edu.

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46

Lawson, Selena Michelle. "Radiohead: The Guitar Weilding, Dancing, Singing Commodity." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/communication_theses/47.

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In 2007, Radiohead released a downloadable album, In Rainbows, allowing consumers to pay what they thought the album was worth. The band responded to a moment of change in the music industry. Since then, other bands, like Nine Inch Nails and Coldplay, have made similar moves. Radiohead's capability to release an album and let the fans decide its worth relied on the image they built, which foregrounded their commodification. The historic move redefined the boundaries between art and commodity, a well know tension in popular music studies. The thesis focuses on popular music as communication in

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47

Andreou, Marios Simon. "Message traceback systems dancing with the devil." Thesis, University of Newcastle Upon Tyne, 2009. http://hdl.handle.net/10443/2115.

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The research community has produced a great deal of work in recent years in the areas of IP, layer 2 and connection-chain traceback. We collectively designate these as message traceback systems which, invariably aim to locate the origin of network data, in spite of any alterations effected to that data (whether legitimately or fraudulently). This thesis provides a unifying definition of spoofing and a classification based on this which aims to encompass all streams of message traceback research. The feasibility of this classification is established through its application to our literature rev

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48

Mylona, Stefania. "Dancing sculptures : contractions of an intercorporeal aesthetic." Thesis, University of Surrey, 2010. http://epubs.surrey.ac.uk/804938/.

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Contraction dances have been seen as 'unnatural' since the contemporary dance focus shifted - especially in Europe - towards release-based dance forms, of continuous rather than 'free' flow, based on somatic and anatomical knowledge. In the modern dance period, however, contraction proved productive in creating radical shifts of form in the case of Martha Graham and Merce Cunningham. In this research, the dancing contraction is redefined to characterize muscular tension and used to visually distort bodily forms. Disciplinary discourses may keep dance contraction separated from contemporary dan

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49

Anderson, Lucinda. "Dancing in the dark : an adolescent novel." Virtual Press, 1988. http://liblink.bsu.edu/uhtbin/catkey/539861.

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The purpose of this project was to demonstrate usage of the criteria important in writing an adolescent novel. My main effort with this project was to write something that was both educational and entertaining.To prepare this novel, I discussed my subject with people in the fields of medicine and psychiatry. I also used several books and articles relating to the experience of adolescent depression.By the time I completed the work, I felt that I had designed something that displayed my knowledge of adolescent literature, and something that was very entertaining as well as education. The manu

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50

Perazzo, Domm Daniela. "Dancing poetry : Jonathan Burrows's reconfiguration of choreography." Thesis, University of Surrey, 2007. http://epubs.surrey.ac.uk/609/.

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The starting point for this interpretive study of Jonathan Burrows's (b 1960) choreography is the limited and fragmentary existing literature on his work. Critical essays and performance reviews hint, tentatively, at the idiosyncratic, eccentric and enigmatic qualities of the movement language of this British contemporary choreographer. In this thesis I interrogate the distinctiveness of his performances, arguing that they challenge conventions of co-existing dance genres and techniques, by employing a variety of disciplinary, cultural and theoretical contexts. These frameworks both surround a

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