Bibliografías temáticas / Dark Contemporary Romance

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Literatura académica sobre el tema "Dark Contemporary Romance"

Autor: Grafiati
Publicado: 28 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Dark Contemporary Romance"

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Fischer, Rachel K. "The Alert Collector: The Gothic Aesthetic: From the Ancient Germanic Tribes to the Contemporary Goth Subculture." Reference & User Services Quarterly 58, no. 3 (2019): 143. http://dx.doi.org/10.5860/rusq.58.3.7040.

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Goths. How did we get from warlike Germanic tribes sacking Rome, to an aesthetic or subculture imbued with “the dark and melancholy, a hint of horror tinged with romance.” This column will show you how widely this aesthetic is represented in art, architecture, film, literature and more, and along the way you will undoubtedly find some great resources to add to your collections, from music CD, to academic journals, reference works and the usual popular and academic books. Rachel Fischer has ably put together an excellent resource for anyone wanting to build a collection from the ground-up, or a
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Prus, Robert. "Encountering Nature, Experiencing Courtly Love, and Romance of the Rose: Generic Standpoints, Interpretive Practices, and Human Interchange in 12th-13th Century French Poetics." Qualitative Sociology Review 10, no. 2 (2014): 6–29. http://dx.doi.org/10.18778/1733-8077.10.2.01.

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Whereas the fields of poetic expression and pragmatist philosophy may seem some distance apart, a closer examination of the poetics literature from the early Greeks onward provides testimony to the more general viability of the pragmatist analysis of community life, particularly as this has come to be associated with pragmatism’s sociological derivative, symbolic interaction. Following a brief overview of the Greek, Roman, and Christian roots of contemporary fictional representations, attention is given to the ways that pragmatist concerns with human activity were addressed within the context
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Marques, Deyse Filgueiras Batista, and Renata Rocha Ribeiro. "A aporia do trauma e a escrita da resistência: o passado que não passa em O corpo interminável, de Claudia Lage// The aporia of trauma and the writing of resistance: the past that doesn’t pass in O corpo interminável, by Claudia Lage." O Eixo e a Roda: Revista de Literatura Brasileira 32, no. 1 (2023): 295. http://dx.doi.org/10.17851/2358-9787.32.1.295-320.

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Resumo: Este trabalho é fruto da necessidade de refletir sobre os percursos narrativos ficcionais e de resistência em face do trauma e do esquecimento históricos relacionados à ditadura militar no Brasil. Esta apreciação tem como amostra a obra O corpo interminável (2019), de Claudia Lage, cujas personagens estão inseridas no âmbito da barbárie e da violência de Estado. Na tentativa de alcançar vivências que foram extorquidas pelo autoritarismo político, o romance apresenta a busca por vidas e histórias silenciadas em razão dos anos de barbárie impostos pela ditadura militar brasileira. Altern
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Tembo, Kwasu David. "Social and Spatial Representations of the Nerd in Donnie Darko." Exchanges: The Interdisciplinary Research Journal 9, no. 3 (2022): 145–61. http://dx.doi.org/10.31273/eirj.v9i3.917.

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The nerds of 20th and 21st century global pop and visual culture have taken various forms over the decades. In a plethora of media - from video games to comic books to film - individuals associated with this subject position have typically been shown to be on the periphery of socio-spatially determined spaces of value. Through contemporary North American high school dramas, comedies, romances, and thrillers ranging from The Faculty (1998) to She’s All That (1999) to The Twilight Saga (2008-2012), these socio-spatial spaces of value are typically associated with social capital and popularity. R
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Ravetti, Graciela, and Eulálio Marques Borges. "A Río Fugitivo de Edmundo Paz Soldán: uma cidade distópica? / The Río Fugitivo of Edmundo Paz Soldán: A Dystopian City?" Caligrama: Revista de Estudos Românicos 25, no. 1 (2020): 135. http://dx.doi.org/10.17851/2238-3824.25.1.135-150.

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Resumo: Este é um estudo sobre dois romances do escritor boliviano Edmundo Paz Soldán, Sueños Digitales (2000) e El delirio de Turing (2005 [2003]), destacando os tópicos da (1) urbe dividida entre um centro urbano caótico e uma periferia escura e (2) um governo federal com ares totalitários, aspectos pouco abordados até então pela crítica literária especializada. Objetivamos mostrar como a fictícia cidade de Río Fugitivo, onde transcorrem as histórias de Sueños Digitales e El delirio de Turing, funciona como uma espécie de microcosmo dos centros urbanos latino-americanos que conhecemos ao inc
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Ancuta, Katarzyna. "Love, death and laughter in the city of different angels: S.P. Somtow’s Bangkok Gothic." eTropic: electronic journal of studies in the tropics 18, no. 1 (2019). http://dx.doi.org/10.25120/etropic.18.1.2019.3688.

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S.P. Somtow’s novel The Other City of Angels (2008) portrays Bangkok as a Gothic metropolis: a city stuck between illusion and reality, where dreams and nightmares come to life, simultaneously backwards and modern, spiritual and material, and full of peculiarities that make one doubt whether such a place exists at all. It is a temple to consumerism filled with fortune tellers and high society serial killers that for Somtow, a composer himself, can best be expressed through the jarringly haunting sounds of Béla Bartók’s music. The Other City of Angels (2008) is a modern retelling of the Gothic
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Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl
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Miller, Edward D. "Why Does Love Tear Us Apart?" M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.2006.

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"Love Will Tear Us Apart" When routine bites hard, And ambitions are low, And resentment rides high, But emotions won't grow, And we're changing our ways, taking different roads. Then love, love will tear us apart, again. Love, love will tear us apart again. Why is the bedroom so cold? You've turned away on your side. Is my timing that flawed? Our respect runs so dry. Yet there's still this appeal that we've kept through our lives But love, love will tear us apart, again. Love, love will tear us apart, again. You cry out in your sleep, All my failings exposed. And there's a taste in my mouth,
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Hackett, Lisa J., and Jo Coghlan. "Bubbles." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2763.

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Welcome to the ‘bubbles’ issue of M/C Journal. When we first pitched the idea of ‘bubbles’ for an issue of M/C Journal it was 2019, several months before COVID-19 was identified in Wuhan, China, and the resulting pandemic that brought the term ‘bubble’ to prominence in ways we had not even imagined. Our pre-pandemic line of enquiry focussed on how bubbles manifested themselves within popular culture and society and how the media reported on these concepts. Thinking about bubbles from bubbly champagne to the ‘political bubble’ we asked researchers to think about the ephemeral nature of bubbles.
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Heřmanová, Marie. "Sisterhood in 5D." M/C Journal 25, no. 1 (2022). http://dx.doi.org/10.5204/mcj.2875.

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Introduction Online influencers play an increasingly important role in political communication – they serve as both intermediaries and producers of political messages. As established opinion leaders in areas such fashion and lifestyle consumption, many influencers recently turned towards more political content (Riedl et al.). For influencers who built their personal brands around aspirational domestic and lifestyle content, the COVID-19 global pandemic created an opportunity (and sometimes even a necessity) to engage in political discourse. The most basic everyday acts and decisions – such as
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Libros sobre el tema "Dark Contemporary Romance"

1

Donald, Robyn. Dark fire. Harlequin Books, 1995.

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Donald, Robyn. Dark fire. Mills & Boon, 1994.

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3

Bianchin, Helen. Dark Enchantment. Mills & Boon, 1992.

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Donald, Robyn. Dark Fire. Mills & Boon, 1994.

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5

Wilson, Patricia. Dark illusion. Mills & Boon, 1992.

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Bianchin, Helen. Dark enchantment. Mills & Boon, 1986.

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7

Copyright Paperback Collection (Library of Congress), ed. Dark side of dawn. New American Library, 2001.

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8

Copyright Paperback Collection (Library of Congress), ed. Tall, dark and delicious. Encanto, 2001.

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9

Absalom, Stacy. Dark night dawning. Mills & Boon, 1985.

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10

Arnold, Judith. In the Dark. Harlequin, 2010.

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Capítulos de libros sobre el tema "Dark Contemporary Romance"

1

Thoma, Pamela. "Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl." In Noir Affect. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287802.003.0010.

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This chapter explores a surprising shift that has occurred in postfeminist popular culture and more specifically “chick culture” in the wake of the global economic crisis. Chick noir forms itself in opposition to those two standbys of twenty-first-century U.S culture, chick lit and the chick flick. If these latter genres perform a humorous remodelling of romance as the “happy object” around which young women should orient self-making or self-improvement projects for the promise of a good life and future feelings of happiness, chick noir has emerged across popular culture to chronicle widesprea
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Schmelz, Peter J. "Kitsch." In Sonic Overload. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197541258.003.0005.

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Chapter 5 explores contemporary Soviet anxieties about mass media and popular culture by detailing Valentin Silvestrov’s shift in the 1970s from avant-garde cacophony to a quiet, nostalgic style that he unironically called “kitsch.” During this dark economic period, when he also was persona non grata in the Ukrainian Union of Composers, Silvestrov hoped to earn money by writing pop songs, a failed venture that resulted in his unpublished Kitsch Songs (1973), a cycle that sounds closer to Schubert and nineteenth-century Russian romances than the Beatles or contemporary Soviet pop. Silvestrov’s
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Preda, Aura Marcela. "Repere privind prevenirea victimizării/revictimizării in România." In EVOLUȚII ȘI PERSPECTIVE ÎN DREPTUL CONTEMPORAN. Editura Pro Universitaria, 2024. http://dx.doi.org/10.52744/978-606-26-1958-9.04.

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Având in vedere cifra neagra a victimizării mai ales ca oglinda a diverselor forme de manifestare a criminalității precum violenta domestica, hartuirea sexuală în diverse medii, traficul de persoane, traficul de droguri, criminalitatea informatica, etc. apreciem ca o asemenea tema este interesanta si, deopotrivă, utilă. Capitolul va fi divizat in două secțiuni ce vor trata: aspecte legislative (legislație europeana si națională, repere practice (instituții publice si ONG-uri implicate in prevenirea si combaterea diferitelor forme de victimizare, respectiv diferitelor tipologii de victime). In
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