Literatura académica sobre el tema "Dehmel, Richard"

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Artículos de revistas sobre el tema "Dehmel, Richard"

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Birke, Joachim. "Richard Dehmel und Arnold Schönberg". Die Musikforschung 11, n.º 3 (21 de septiembre de 2021): 279–85. http://dx.doi.org/10.52412/mf.1958.h3.2568.

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Dümling, Albrecht. "Das Buch der hängenden Gärten". »Der digital-ökonomische Komplex« 31, n.º 1 (junio de 2019): 129–44. http://dx.doi.org/10.30820/0941-5378-2019-1-129.

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Die Semiramis-Gedichte von Stefan George, die er in seinem Buch der hängenden Gärten veröffentlichte, sind verschlüsselte Liebeserklärungen an die in Bingen lebende Ida Coblenz. Als diese Frau sich aber ausgerechnet seinem verhassten Rivalen, dem Dichter Richard Dehmel, zuwandte, führte dies bei George zu einem Persönlichkeitswandel und einer neuen Ästhetik. Arnold Schönberg hatte in seinen frühen Werken (etwa im Streichsextett Verklärte Nacht op. 4) Gedichte verwendet, die Richard Dehmel an seine Frau Ida geb. Coblenz gerichtet hatte. In einer schweren persönlichen Krise, die ihn an den Rand des Suizids führte, wandte er sich ab 1907 Stefan George zu. Orientiert an Inhalt und Form von Gedichten aus dessen Buch der hängenden Gärten sowie dem Buch Maximin fand er 1908 zu einer neuen Ästhetik und einem überpersönlichen Künstlerbild. Parallel zu seiner Auffassung vom Künstler als eines Propheten des Weltgeists löste er sich in seinem Liedzyklus Fünfzehn Gedichte aus dem Buch der Hängenden Gärten von Stefan George op. 15 von der Tonalität, die bis dahin das Fundament der europäischen Musik gebildet hatte.
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McLaughlin, Carly. "Reluctant Affinities. Rainer Maria Rilke and Richard Dehmel. (203–220)". Sprachkunst. Beiträge zur Literaturwissenschaft 37 (2007): 203–20. http://dx.doi.org/10.1553/spk37_2s203.

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Herm, Dietrich. "Richard Dehm". Paläontologische Zeitschrift 71, n.º 3-4 (septiembre de 1997): 161–62. http://dx.doi.org/10.1007/bf02988484.

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Braungart, Wolfgang. "Björn Spiekermann: Literarische Lebensreform um 1900. Studien zum Frühwerk Richard Dehmels." George-Jahrbuch 8, n.º 1 (27 de agosto de 2010): 206–7. http://dx.doi.org/10.1515/9783484605695.3.206.

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Maquieira, Carlos P., William L. Megginson y Lance Nail. "Wealth creation versus wealth redistributions in pure stock-for-stock mergers1We are grateful to Tom Arnold, Sanjai Bhagat, James Bicksler, David Blackwell, Ekkehart Boehmer, Ted Bos, Robert Brokaw, Bill Carleton, Bob Comment, Chris Cornwell, Mary Dehner, Bob Eisenbeis, Jimmy Hilliard, Randy Howard, Steve Jones, Ed Kane, Josef Lakonishok, Larry Lang, Bill Lewellen, Marc Lipson, Paul Malatesta, Jeff Netter, Cathy Niden, Volker Pollmann, Annette Poulsen, Jay Ritter, Richard Ruback, Louis Scott, Joe Sinkey, Bill Schwert (the editor), Ralph Walkling (the referee), Ron Warren, J. Fred Weston, Karen Wruck, and seminar participants at the University of Arizona, the University of Delaware, the University of Illinois, the University of Georgia, the University of Miami, Seattle University, the 1995 European Finance Association, the 1996 Financial Management Association, and the 1996 American Finance Association meetings for their helpful comments and recommendations. We also gratefully acknowledge the financial support provided for this project by the University of Georgia Research Foundation. Finally, Steve Henry, Rick McKinney, David Quillian, and Ryan Vaughn provided vital assistance with data collection and assisted with data input.1". Journal of Financial Economics 48, n.º 1 (abril de 1998): 3–33. http://dx.doi.org/10.1016/s0304-405x(98)00002-6.

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Neuhuber, Christian. "„Der kranke Jude und der große Künstler“ – Richard Dehmels Gedicht". Zeitschrift für deutsche Philologie, n.º 4 (1 de octubre de 2006). http://dx.doi.org/10.37307/j.1868-7806.2006.04.06.

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Tesis sobre el tema "Dehmel, Richard"

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Tavianini, Marie. "Text, Context, and Reception History of the Richard Dehmel Poems "Venus Mater" and "Wiegenlied" and Their Lieder Settings by Hans Pfitzner and Richard Strauss". Scholarly Repository, 2006. http://scholarlyrepository.miami.edu/oa_dissertations/51.

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This study examines the social and cultural circumstances surrounding the publication of the poems "Venus Mater" and "Wiegenlied" by the late nineteenth-century German poet Richard Dehmel, and the composition of the corresponding lieder by Hans Pfitzner and Richard Strauss. An accurate history of the publication and reception of Richard Dehmel's poetry has been difficult due to the existence of multiple similar versions of his poems. By referring back to the primary sources of his poetry, it is shown that "Venus Mater" and "Wiegenlied," although very similar, were discrete works published at different times in different anthologies of Dehmel's poems. Further examination of the circumstances behind the publication of these two poems shows that the social and cultural reaction to the differing sources of these poems were substantially different. While "Wiegenlied" never aroused any controversy in fin-de-siècle German society, "Venus Mater" was a component of Die Verwandlungen der Venus, a poetic cycle which was one of Dehmel's most problematic works, the publication of which resulted in charges of blasphemy and obscenity against the writer. In light of the circumstances under which Dehmel's poetry was published and received, the musical settings of these poems by Hans Pfitzner and Richard Strauss are investigated. It is shown that, contrary to many previous accounts, Pfitzner's textual source for his lied "Venus Mater" was Dehmel's notorious Die Verwandlungen der Venus, while Strauss' source for his "Wiegenlied" was Dehmel's uncontroversial Erlösungen. The effects which these different texts and their contexts had on the composition and reception of the composers' lieder is explored through an examination of the composers' own writings, the writings of other scholars and critics, and a brief music analysis of the two lieder. The elucidation of these details reveals some ways in which cultural and social ideologies, such as representations of gender and sexuality, can be transmitted through both text and music.
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Rodenberg, David. "Text/music relationships in five posthumous songs by Alexander Zemlinsky". Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1286426.

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This study centers on a 1907 collection of art songs for voice and piano composed by Alexander Zemlinsky. Although his small cycle of five songs was not published during the composer's lifetime and has not been given the scholarly attention that other pieces in his oeuvre have, it is well crafted and carries a high degree of expressive and emotional weight. The cycle sets the poetry of Richard Dehmel; a contemporary of Zemlinsky and the inspiration behind works of Arnold Schoenberg, Anton Webern and Richard Strauss as well. In these 1905 settings Zemlinsky experiments with an extremely chromatic language while exploring themes of love and betrayal in the poetry of Dehmel. This study examines this chromatic style and how it relates to the themes in the text. Through the detailed analysis of each of the songs the reader will see how, in spite of the free succession of harmonies that often obscure the tonal orientation, a central underlying tonic/dominant relationship is at the core of each song except the first. In this manner the songs display a subtle yet powerful exploitation of tonal ambiguity that brings out many of the nuances of Dehmel's poems.
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Kamzelak, Roland S. "E-Editionen : zur neuen Praxis der Editionsphilologie: Ida und Richard Dehmel - Harry Graf Kessler; Briefwechsel 1898-1935 /". Tübingen : Universitätsbibliothek, 2004. http://w210.ub.uni-tuebingen.de/dbt/volltexte/2004/1251.

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McLaughlin, Carly Rebecca. "Poetic Redemptions : A Study of Richard Dehmels Poetry". Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499175.

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WANG, YUE-XIA y 王月霞. "Das Chinabild bei Richard Dehmel, Franzkafka und Hugo von Hofmannsthal". Thesis, 1986. http://ndltd.ncl.edu.tw/handle/56335847876968968731.

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Kamzelak, Roland S. [Verfasser]. "E-Editionen : zur neuen Praxis der Editionsphilologie ; Ida und Richard Dehmel - Harry Graf Kessler ; Briefwechsel 1898 - 1935 / von Roland S. Kamzelak". 2004. http://d-nb.info/971578737/34.

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Libros sobre el tema "Dehmel, Richard"

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Dehmel, Richard. Richard Dehmel: seine Werkausgaben. Eschborn: Verlag Dietmar Klotz, 1994.

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Dehmel, Richard. Eine deutsch-französische Brieffreundschaft: Richard Dehmel-Henri Albert : Briefwechsel 1893-1898. Herzberg: Traugott Bautz, 1998.

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Jansen, Franz Mathias. Zwei-Menschen-Bilder: Holzschnitte von F.M. Jansen nach dem Epos von Richard Dehmel. Münster: Rhema, 1996.

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Vier sonntägliche Strassen: A study of the Ida Coblenz problem in the works of Stefan George. New York: P. Lang, 1988.

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Sabine, Henning y Staats- und Universitätsbibliothek Hamburg, Carl von Ossietzky., eds. WRWlt, o Urakkord: Die Welten des Richard Dehmel ; Ausstellung in der Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky ; 3. August bis 30. September 1995. Herzberg: T. Bautz, 1995.

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Capítulos de libros sobre el tema "Dehmel, Richard"

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Pöppel, Nicole. "Dehmel, Richard". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6197-1.

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Viering, Jürgen. "Dehmel, Richard". En Metzler Autoren Lexikon, 145–47. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_70.

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Mehring, Martina. "Dehmel, Richard: Das lyrische Werk". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6198-1.

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Ilgner, Julia. "Postkartenpoetik. Richard Dehmels epigrammatisches Reisegedicht Eine Rundreise in Ansichtspostkarten (1906)". En Ambulante Poesie, 259–99. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05116-5_14.

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Paulus, Jörg. "Dichterkorrespondenz im Geschäftsgang. Ein Brief an Rilke in der Umgebung von Richard Dehmels Briefkopierbuch IV (nebst drei Briefen Rilkes an Dehmel von Anfang 1906)". En Rilkes Korrespondenzen, 127–48. Wallstein Verlag, 2019. http://dx.doi.org/10.5771/9783835343962-127.

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"Der Briefwechsel Richard Dehmels mit Conrad Ansorge 1895–1920". En Conrad Ansorge (1862-1930), 233–376. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205204817.233.

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Braungart, Wolfgang. "Björn Spiekermann: Literarische Lebensreform um 1900. Studien zum Frühwerk Richard Dehmels". En 2010/2011, 206–7. De Gruyter, 2010. http://dx.doi.org/10.1515/9783112414187-022.

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