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1

Redgård, Rickard. "Scientific Theories on the Déjà Vu Phenomenon." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3918.

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<p>The term ”déjà vu” was first introduced around the 1890s in order to separate thephenomenon from other paramnesias, but a clear consensus on its definition was not reacheduntil mid 20th century. Since the middle of the 19th century, several dozens ofparapsychological, pseudoscientific and scientific theories have been proposed to explain thedéjà vu phenomenon, ranging from “messages from God” to “delayed neural transmissionspeed”. Most scientific theories can be divided into four categories: dual-processing,neurological, memory and attentional. This paper discusses and compares some of thes
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2

McNamara, Barry A. III. "A graphical environment for Déjà Vu app development." Thesis, Massachusetts Institute of Technology, 2019. https://hdl.handle.net/1721.1/123049.

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This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Thesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2019<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 63).<br>Déjà Vu is a platform that allows people to build web applications from clichés, reusable implementations of software concepts. A cliché provides user interface elements and a database-backed web service in a single pac
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3

Schmidt, Maria Katharina [Verfasser]. "Getanzte Zitate. Vom choreografierten Déjà-vu / Maria Katharina Schmidt." Bielefeld : Aisthesis Verlag, 2020. http://d-nb.info/1222549441/34.

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4

Pichon, Alban. "L'expérience du déjà-vu dans l'oeuvre de Leos Carax." Paris 3, 2006. http://www.theses.fr/2006PA030001.

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Dans l'œuvre de Leos Carax, la mémoire cinéphilique participe d'une plus vaste expérience de déjà-vu dans laquelle spectateurs et personnages partagent une même sensation de reconnaissance. Les réminiscences littéraires ou cinématographiques, les régularités de la filmographie, la mise en scène des rencontres amoureuses relèvent toutes d'un phénomène de mémoire comparable à la paramnésie : le présent semble répéter le passé (ou répondre à une prédestination), mais la reconnaissance peut s'avérer trompeuse. Les citations, explicites ou implicites, migrent sous diverses formes ; leur relevé s'in
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5

Holm, Carl-Johan. "Svensk militär avskräckning, en tröskel eller déjà vu från kalla kriget?" Thesis, Försvarshögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-6010.

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Redan i Sun Zis klassiska verk Krigskonst beskrivs hur avskräckning skapas genom förberedelser i fred som syftar till att för motståndaren framstå som oövervinnerlig. Huruvida Sverige nyttjar avskräckning som en övergripande strategi eller i olika form på olika nivåer gör det relevant att studera fenomenet och om det finns en skillnad i synen på avskräckande förmåga relativt strategisk nivå och strategiska maktmedel. Vilket utifrån hur avskräckning uttrycks och beskrivs samt de förmågor som anses generera denna effekt skapar ett svenskt perspektiv på avskräckning.   Syftet med uppsatsen har va
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6

Ping, April Lee Seow. "A 'new' preschool curriculum that puts play on top : déjà vu or second chance?" Thesis, Durham University, 2005. http://etheses.dur.ac.uk/2402/.

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This thesis examines explanatory theories of play and an empirical study of preschoolers' play. It aims to provide an understanding of the educational purpose, value and extent of play in children’s lives. Understanding the interrelationship between play, development and learning, the writer hopes to be better equipped to facilitate and organize a meaningful play environment during the preschool years of young children to guide them into realising their potential of becoming confident and communicative beings; never mind the neat handwriting or colouring that preschool education focuses so muc
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7

Weiss, Claude. "Déjà-vu et écologie du sens : De la croyance perceptive à la confiance adaptative." Electronic Thesis or Diss., Lyon 2, 2022. http://www.theses.fr/2022LYO20024.

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Le phénomène de déjà-vu exacerbe une réalité par laquelle il devient difficile d’admettre que le sens puisse être totalement contenu « dans » ni même « par » un système. L’expérience vivante n’est pas une situation de sens structurée par un ensemble fini de règles puisque le déjà-vu nous montrerait que, justement, si système il y avait, une programmation pourrait manquer son résultat. Il ne s’agit pas là d’un programme qui « échouerait », mais plutôt d’une programmation qui « manquerait » quelque chose. Dans le cas du déjà-vu, la non-conformité d’un résultat escompté, induit non pas une résolu
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8

Curot, Jonathan. "Une exploration multidimensionnelle des phénomènes expérientiels mnésiques : de la sémiologie à l'activité neuronale unitaire." Thesis, Toulouse 3, 2018. http://www.theses.fr/2018TOU30279/document.

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Depuis 10 ans, se multiplient les tentatives d'augmentation des performances mnésiques humaines par la stimulation électrique intracérébrales (SEIC), mais avec des résultats contradictoires et peu probants. Nous sommes incapables d'activer les réseaux mnésiques de manière reproductible et ne maitrisons pas les effets des SEIC dont le choix des paramètres est empirique. Surtout, les corrélats neuronaux de la mémoire à long-terme que les SEIC sont censées activer restent imparfaitement connus. Dans ce contexte, les phénomènes expérientiels mnésiques ressentis par les patients épileptiques, du dé
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9

Murphy, Hugh. "Déjà vu all over again! : the reluctant rise and protracted demise of Scott Lithgow Limited." Thesis, University of Westminster, 2001. https://westminsterresearch.westminster.ac.uk/item/94251/d-j-vu-all-over-again-the-reluctant-rise-and-protracted-demise-of-scott-lithgow-limited.

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This thesis charts the growth and demise of the two largest shipbuilding firms on the Lower Clyde in Scotland, Scotts' Shipbuilding & Engineering Company Limited of Greenock, [established 1711 ] and Lithgows Limited of Port Glasgow [established as Russell & Company in 1874 and as Lithgows Limited in 1918]. The history of each firm is considered separately, with more emphasis on Lithgows, in order to give the reader a fuller perspective of their respective growth and internal and external dynamics. The bulk of the thesis, however, is concentrated in the post-1945 period with emphasis on the pro
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10

VanWagoner, Rachel. "DAY JAW BOO, a re-collection." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2714.

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For my MFA thesis exhibition, I have collected ideas surrounding events that happened in the past and combined them with the ceramic work I have made in the three years of my master's program at Brigham Young University. I have grouped visual elements from Buck Rogers and other Futro (retro-future) pop-culture with ideas surrounding the Voyager Interstellar Mission and the compiling of the Golden Record. Combining these elements in an installation, will create an environment where people can reflect on things they have "already seen" and envision a brighter future. For that reason I playfully
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11

Demeulemeester, Julien Marcel. "Déjà vu : o Brasil e a revitalização de uma condição histórica de dependência motivada pela ascensão chinesa." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/147462.

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O presente trabalho tem como objetivo principal estudar os impactos que a ascensão chinesa e o estreitamento das relações sino-brasileiras imprimem no Brasil, utilizando como suporte teórico o pensamento desenvolvimentista latino-americano e depositando especial atenção no período pós-2001. A escolha deste marco teórico se deve ao fato de que a evolução da dinâmica do relacionamento sino-brasileiro traz à tona uma série de características estruturais de dependência caracterizadas pelos pensadores desenvolvimentistas latino-americanos. A hipótese do presente trabalho é que a ascensão chinesa e
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Oliveira, Marisa Terezinha Garcia de. "Sonhos na clínica psicanalítica e na cultura : um estudo de "o espelho" de Tarkovski." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/159023.

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A obra escrita de Tarkovski e o filme O Espelho são analisados à luz da teoria psicanalítica da interpretação dos sonhos articulando conceitos vindos de outros campos do conhecimento, quais sejam inconsciente ótico e choque em Walter Benjamin. O filme se passa em lugares do passado de Tarkovski, evocados a partir de lembranças encobridoras, sonhos e devaneios, em que o cineasta é espectador e ator. Há a referência, no título e ao longo das cenas, ao espelho, também usado por Lacan, como modelo de dispositivo ótico, ao teorizar sobre a formação da função do “Eu”. Através desta análise, pretende
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13

Chaffin, Jason Edward. "The Embedded American Artist." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1162.

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As our world ramps up the speed of its connections, our identities merge with increasing speed and angles of confluence. Not only are new identities created, but also the more fringe social and cultural elements of our world are exposed to mainstream consciousness. My work is a product of my own fringe background (namely its sheer breadth of experiences not normally visited upon a single person's life). My aim is to add variables to our social and cultural speed of combination and new variety by creating work that is derived from my own experiences to speak to those who are of the newer combin
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14

Eklund, Mira. "Landningsbana för tidsresande." Thesis, Kungl. Konsthögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-180.

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15

Chen, Wei-Chi, and 陳惟祺. "A Study on the Narrative Symbol of the FamilyMart’s Micro Film "Déjà vu"." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/5h85h2.

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碩士<br>國立臺中科技大學<br>商業設計系碩士班<br>105<br>ABSTRACT Apart from causing the rise and fall of traditional advertising media and print publications, through the improvement and popularization of smart communication media, such as LINE stickers and comprehensive community software, amongst all new communication media, the “micro movie” has earned the support of increasing audiences for its high-tension story narration in a short time and straightforward expressions of issues concerning the public according to leading market surveys. Therefore, the “micro movie” has by far become a rather popular and eff
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16

I-RueyChow and 鄒宜叡. "A Déjà vu Urban Perception Heterotopia: Taking the Tainan city MingShen roundabout and the former MingShen market area as a design example." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/293a4d.

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碩士<br>國立成功大學<br>建築學系<br>107<br>Urban Déjà vu & Familiarity Perception Heterotopia sells seemingly ordinary but novel and interesting visual sensory experiences. Today we live in the information explosion era in which social networks and media are leading the mass culture to the fastmoving and skin-deep culture. Gradually people don’t care about the abstract and essential things with no time or ability to interpret and appreciate. People seek immediate and effective solutions while taking pictures and upload and sharing to prove being alive and existing. Architecture should be a stereoscopic re
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