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Artículos de revistas sobre el tema "Digital television"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 25 de julio de 2025

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1

Ortiz-Sobrino, Miguel-Ángel. "Television, globalization and social change." Comunicar 13, no. 25 (2005): 79–85. http://dx.doi.org/10.3916/c25-2005-011.

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XXI Century television is undergoing a process of transformation. New actors, new products and new ways of consuming television are on the lookout. Interactivity will make the traditional concept of television disappear. Television viewers can design their own grids independently of the operator’s schedule. The convergence of television and computer, Internet, telephone and video games bring us a new concept of television. Television faces two big transformations: digital transformation and that of the concept of «general public». The computer, the computer screen, has the calling of turning i

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2

Victoria-Mas, Juan Salvador. "From the school in television to the (digital) television in the school." Comunicar 14, no. 27 (2006): 98–103. http://dx.doi.org/10.3916/c27-2006-15.

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In this paper, first, three implicits insights are identified regarding relationships between education and television. Next is the description of one kind of development from television programs «sort of educational» to the properly educational television programs. Finally, we focus in the ideal of interactivity in one television alreadey converged, in some cases, with internet. In the epilogue, an insight is proposed regarding two platonic miths, one about participation in the communication and another about the breaking of the unidirectionality and of the mass communication media like telev

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3

Koga, Toshio, and Eiichi Iizuka. "Digital television. 11: Measurements for digital television." Journal of the Institute of Television Engineers of Japan 40, no. 1 (1986): 54–62. http://dx.doi.org/10.3169/itej1978.40.54.

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4

Gualdo, Riccardo. "Connessioni interdiamesiche: fiction e documentari nella didattica delle scienze." Lingue e culture dei media 6, no. 1 (2022): 1–23. http://dx.doi.org/10.54103/2532-1803/18568.

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Il passaggio al digitale ha cambiato radicalmente il modo di “guardare” la televisione: questa rivoluzione culturale, percettiva e cognitiva ha trasformato gli spettatori da consumatori passivi in manipolatori e produttori dei messaggi. Un fattore di novità è l’interconnessione tra i diversi codici semiotici, verbali e non verbali, che cooperano alla costruzione del messaggio. L’articolo tratta il tema della divulgazione e della didattica in televisione, commentandone alcune forme e suggerendo, con esempi concreti, come usare nella didattica dell’italiano a stranieri prodotti televisivi

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5

Rizky, Dede, Dewi Nusraningrum, Alyssa Edwina Imad Khalid Bakhour, Egit Mulyatri, and Kayla Rosantya Dewi. "Correlation of Terrestrial Satellite Computation and Allocation of Influence in The Development of Digital Television Services in Indonesia." Jurnal Ilmiah Manajemen dan Bisnis 10, no. 2 (2024): 224. http://dx.doi.org/10.22441/jimb.v10i2.25353.

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Analog television in Indonesia is currently being transformed into digital television. The purpose of this study was to determine the effectiveness and impact of the transformation of these changes. The total population of the study was unknown, so convenience sampling was used. The data obtained is processed descriptively. The results show that all respondents who earn below one million rupiah per month do not receive government assistance to convert their televisions into digital televisions, and respondents do not have knowledge about how to convert analog televisions into digital televisio

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6

Ugalde, Leire, Juan-Ignacio Martínez-de-Morentín, and Concepción Medrano-Samaniego. "Adolescents’ TV viewing patterns in the digital era: A cross-cultural study." Comunicar 25, no. 50 (2017): 67–76. http://dx.doi.org/10.3916/c50-2017-06.

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The deep-rooted changes that have taken place in the media world over recent years have brought about changes in both television itself and in the relationships established with this medium. Consequently, it is important to understand how young people watch television today, in order to design strategies to help them develop the capacities they require to ensure responsible use. With this aim, the present study analyzes the television viewing habits of 553 adolescents (267 boys and 286 girls), aged between 14 and 19, from Ireland, Spain and Mexico. Through the implementation of two questionnai

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7

Mothersole, Peter L. "Digital Television." IEE Review 36, no. 11 (1990): 432. http://dx.doi.org/10.1049/ir:19900182.

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8

Anastassiou, D. "Digital television." Proceedings of the IEEE 82, no. 4 (1994): 510–19. http://dx.doi.org/10.1109/5.282227.

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9

Hatori, Mitsutoshi, and Takanori Okoshi. "Digital television(end): A prospect of digital television." Journal of the Institute of Television Engineers of Japan 40, no. 3 (1986): 198–203. http://dx.doi.org/10.3169/itej1978.40.198.

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10

Iglesias, Manuel J. Fernández, and Luis M. Álvarez Sabucedo. "From Analog to Digital Television; Strategies to Promote Rapid Adaptation and Awareness." JUCS - Journal of Universal Computer Science 16, no. (8) (2010): 1056–74. https://doi.org/10.3217/jucs-016-08-1056.

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Europe is currently transitioning to digital terrestrial television and isaimed to replace all analog infrastructures by 2012. Besides replacing all broadcasting networks in Europe, the transition requires updating household televisions andantennas. As with any major change, public administrations must keep citizens informed and provide support, especially when dealing with a communication mediumexpected to support a new portfolio of services and information. State-of-the-art technologies enable universal coverage in locations where television services are currentlyunavailable. This paper eval

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11

García-Matilla, Agustín. "About a television for the education in tuning multimedia." Comunicar 13, no. 25 (2005): 33–44. http://dx.doi.org/10.3916/c25-2005-005.

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In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among thes

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12

Hashimoto, Yoshitaka, and Seiichiro Iwase. "Digital Television (5) Structures of Digital Television Sub-Systems." Journal of the Institute of Television Engineers of Japan 39, no. 5 (1985): 457–64. http://dx.doi.org/10.3169/itej1978.39.457.

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13

Millán-Paredes, Tatiana. "New ways to understand the world: from analogic to digital television." Comunicar 11, no. 21 (2003): 147–51. http://dx.doi.org/10.3916/c21-2003-23.

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Digital technology has caused a revolution in the television world. The quality of sound and video have been improved and the channels have been multiplied. Television has been transformed into a receiver of many and different services and television has became very similar to the computer and the way it works. After initial euphoria, it has been generally recognised that we need better audiovisual products and the adaptation of traditional products to a digital format. The author thinks that the future of digital television will be succesful, but at present the projects frequently fail and th

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14

Chirumamilla, Padma. "Remaking the set: innovation and obsolescence in television’s digital future." Media, Culture & Society 41, no. 4 (2018): 433–48. http://dx.doi.org/10.1177/0163443718781993.

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In this article, I examine how television’s shifting presence in an unfamiliar venue – the repair shop – is illustrative of a broader tension between rhetorics of innovation and obsolescence. Investigating the nature of this tension, I argue, is crucial for understanding how television is changing in India. Through interviews with small-town and rural television repairmen in south India, and an ethnographic study of a small-town television repair shop, I explore how studying the television as a material object with a distinct life outside the walls of the home and the experiences of the indivi

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15

Schaefer, Richard J. "Whither Digital Television?" Journal of Broadcasting & Electronic Media 47, no. 1 (2003): 145. http://dx.doi.org/10.1207/s15506878jobem4701_9.

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16

Pilati, Antonio, and Emanuela Poli. "Digital terrestrial television." Modern Italy 6, no. 2 (2001): 195–204. http://dx.doi.org/10.1080/13532940120084116.

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17

Pilati, Antonio, and Emanuela Poli. "Digital terrestrial television." Modern Italy 6, no. 2 (2001): 195–204. http://dx.doi.org/10.1017/s1353294400011984.

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SummaryIn Italy, as in much of Europe, the beginning of the new century has brought a crucial period of change to the television system. The change affects technology, strategies and regulation of the medium. This article starts by reconstructing the current situation and the emerging trends at a global level. It then analyses the state of the Italian television industry on the eve of the introduction of digital terrestrial broadcasting, setting out the opportunities and potential developments this opens up.

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18

Hashimoto, Hideo, and Hideo Kuroda. "Digital Television (3)." Journal of the Institute of Television Engineers of Japan 39, no. 2 (1985): 178–85. http://dx.doi.org/10.3169/itej1978.39.178.

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19

Bloomfield, Louis A. "Television Goes Digital." Physics Today 52, no. 11 (1999): 42–47. http://dx.doi.org/10.1063/1.882883.

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20

Mejia Noe, Alex Fernando, and Jon Arambarri. "Guía metodológica para la implementación de televisión digital en Bolivia." Project, Design and Management 1, no. 2 (2019): 89–110. http://dx.doi.org/10.35992/pdm.v1i2.343.

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The migration to Digital Terrestrial Television or Open Digital Television, with the ISDB-Tb standard, is a transition that involves several changes and heavy investments in the transmission and development of content by television companies and also meansa change for users, since they must also adapt their televisions to have access to the new signal with more audio and video quality. It is necesary to study the regulations, to point out the essential requirements for the different phases of implementation, in joint work with companies and specialized professionals, with international recogni

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21

Arwidya Tantri Agtusia, Akhmad Sarif, and Ajib Setyo Arifin. "Analysis of Digital Television User Acceptance After Analog Switch-Off (ASO) Implementation in Jabodetabek." Jurnal E-Komtek (Elektro-Komputer-Teknik) 7, no. 1 (2023): 39–51. http://dx.doi.org/10.37339/e-komtek.v7i1.1169.

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The government officially stopped broadcasting analog television or what is known as Analog Switch Off (ASO) on November 2, 2022, in Jabodetabek. It impacts analog TV users in Jabodetabek, who can no longer receive television broadcasts on their analog televisions. This research aimed to determine user acceptance of digital television broadcasts after implementing ASO in the Jabodetabek area. In the present study, the experience of digital TV users is evaluated using the UTAUT (Unified Theory of Acceptance and Use of Technology) 2 model and the Structural Equation Model (SEM). The data was obt

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22

Klein, Bethany. "Relocating Television: Television in the Digital Context." Information, Communication & Society 15, no. 2 (2012): 327–28. http://dx.doi.org/10.1080/1369118x.2011.589909.

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23

Bais, M., J. Cosmas, C. Dosch, et al. "Customized television: standards compliant advanced digital television." IEEE Transactions on Broadcasting 48, no. 2 (2002): 151–58. http://dx.doi.org/10.1109/tbc.2002.1021281.

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24

Nuryanto Budisusila, Eka, Munaf Ismail, and Jenny Putri Hapsari. "Transfer Teknologi Optimalisasi Penggunaan Set Top Box (STB) Televisi Digital Bagi Masyarakat Kelurahan Gebangsari Kecamatan Genuk Kota Semarang." Journal of Approriate Technology for Community Services 5, no. 2 (2024): 181–88. http://dx.doi.org/10.20885/jattec.vol5.iss2.art10.

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The Indonesian government's policy of deactivating analog television broadcasts and switching to digital television has an impact on people who are still used to enjoying analog television broadcasts. Moreover, many television devices owned by the public are still analog system televisions. Thus, people need devices that can convert analog signals into digital form and can be displayed on analog television. This device is better known as a Set Top Box (STB). Unfortunately, people only use STB to watch digital TV shows, while STB has many features that can be used to obtain information, communi

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25

Matsumoto, Shuzo. "Digital television. 7; Digital custom IC." Journal of the Institute of Television Engineers of Japan 39, no. 8 (1985): 733–39. http://dx.doi.org/10.3169/itej1978.39.733.

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26

Ishida, Jun-ichi. "Digital television (8); Digital signal transmission." Journal of the Institute of Television Engineers of Japan 39, no. 9 (1985): 822–31. http://dx.doi.org/10.3169/itej1978.39.822.

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27

Moldabayev, Khassen. "Development of regional television: Problems and solutions." Scientific Herald of Uzhhorod University Series Physics, no. 56 (January 23, 2024): 498–505. http://dx.doi.org/10.54919/physics/56.2024.49bko8.

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Relevance. The relevance of the study lies in the fact that the implementation of sustainable development of television at the local level depends on the understanding of territorial intelligence, which is not limited to the production of scientific or regulatory information. Purpose. The purpose of the research is to consider the problems of development of regional television, as well as ways of their solution in the modern world. Methodology. The research article utilized three main methodological approaches: empirical, deductive, and structural. Results. The results of the research article

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28

Hussein Saado, Kovan, and Ebtisam Ismaeil Qadr. "Media encounters: Models of TV program adaptation to digital platforms." Journal of University of Raparin 12, no. 2 (2025): 397–421. https://doi.org/10.26750/vol(12).no(2).paper19.

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This paper aims to articulate the media evolution on how the old media species compete with new ones to adapt to the new conditions of the media ecology, in an ecosystem, when new media species emerge, old species try to adopt to the new paradigm. In this case, how Television deals with the new media environment? What are the main methods that television has to deal with to adopt to the new condition of media environments? in what ways, television has to alter programming and distribution strategies and practices to follow the new media species characteristics. The Television adaptation in the

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29

James Bennett. "Television Studies Goes Digital." Cinema Journal 47, no. 3 (2007): 158–65. http://dx.doi.org/10.1353/cj.0.0019.

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30

Yip, William, and Lowell Kongable. "Advanced Digital Television System." IEEE Transactions on Consumer Electronics CE-32, no. 4 (1986): 743–53. http://dx.doi.org/10.1109/tce.1986.290167.

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31

Kujawinska, Malgorzata, Tomasz Kozacki, Claas Falldorf, et al. "Multiwavefront digital holographic television." Optics Express 22, no. 3 (2014): 2324. http://dx.doi.org/10.1364/oe.22.002324.

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32

Kleinsteuber, Hans J. "Digital television in Germany." International Journal of Digital Televison 2, no. 1 (2011): 87–93. http://dx.doi.org/10.1386/jdtv.2.1.87_7.

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33

de Bot, Paul G. M., and Flavio Daffara. "Digital terrestrial television broadcasting." Philips Journal of Research 50, no. 1-2 (1996): 61–77. http://dx.doi.org/10.1016/0165-5817(96)81301-5.

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34

Springett, Mark, Mark Rice, and Richard Griffiths. "Towards inclusive digital television." Universal Access in the Information Society 12, no. 1 (2011): 1–3. http://dx.doi.org/10.1007/s10209-011-0261-9.

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35

Yiyan Wu and B. Caron. "Digital television terrestrial broadcasting." IEEE Communications Magazine 32, no. 5 (1994): 46–52. http://dx.doi.org/10.1109/35.281578.

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36

Netravali, A., and A. Lippman. "Digital television: a perspective." Proceedings of the IEEE 83, no. 6 (1995): 834–42. http://dx.doi.org/10.1109/5.387087.

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37

Mlynek, D. J., and J. Kowalczuk. "VLSI for digital television." Proceedings of the IEEE 83, no. 7 (1995): 1055–70. http://dx.doi.org/10.1109/5.390123.

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38

Mariani, Dina, and Yanuar Mahfudz Safarudin. "Rancang Bangun Antena Mikrostrip dengan Metamaterial CSRR untuk Penerima TV Digital." Jurnal Sustainable: Jurnal Hasil Penelitian dan Industri Terapan 7, no. 1 (2018): 7–12. http://dx.doi.org/10.31629/sustainable.v7i1.438.

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Digital television technology has more benefit than analog television, for example several TV channel may included in one frequency channel. The changing from analog to digital televisions system require more innovative antenna parameter such as working frequency, bandwidth, return loss, VSWR, and gain. In other hand, the size of the antenna must be minimalized, so it can be integrated inside digital television. This research used metamaterial element of Complementary Split Ring Resonator (CSSR) method with negative permittivity that manufactured in the patch and Double Pole Ground Plane

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39

NWOGA, Chibuzor Cosmas IBE Kingsley C. NWANKITI Chukwuemeka Ononuju CHIME-NGANYA Chioma Rose OBIN Ogban Obin &. NGWU Ogonnaya Lynda. "ACHIEVING MEDIA VIABILITY THROUGH DIGITAL TRANSFORMATION IN NIGERIA'S DEPRESSED ECONOMY: A STUDY OF SELECT GOVERNMENT OWNED TELEVISION STATIONS IN SOUTHEAST NIGERIA." IMSU Journal of Communication Studies 9, no. 1 (2025): 276–87. https://doi.org/10.5281/zenodo.15242033.

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This study was on the effect digital transformation has on the viability of Television stations in Nigeria. The objectives were to: ascertain effects of digital media platforms on TV stations; determine the implications of digital transformation on viability of television stations; identify the impediments to TV stations digital transformation in southeast Nigeria and ways it could be self-sustaining, as they face stiff competition with the digital media platforms and irregular subvention from government. The study was anchored on the Disruptive Innovation theory and adopted survey design. A s

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40

Nurfitria, Syintia, Muhamad Yusuf, and Ican Mandala. "MIGRASI MEDIA TELEVISI MAINSTREAM KE DIGITAL." KOMUNIKASIA: Journal of Islamic Communication and Broadcasting 2, no. 1 (2022): 37–54. http://dx.doi.org/10.32923/kpi.v2i1.2489.

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Digital era has influenced most local television to retreat in media and also factors such as human resources and production financing are thing that hinder growth of local television in entering digital system. However, since the issuance of Law no. 32 of 2002 about Broadcasting, ownership of local television station in Indonesia is increasing. This law can be a rule as well as a protector for diversity of content and ownership of local television station in maintaining their existence. Local television existences have an important role in changing function of mainstream media, especially in

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41

Scalabrin Müller, Mariana. "Beyond news consumption: television’s role on younger audiences in Portugal." Media & Jornalismo 24, no. 45 (2024): e4506. http://dx.doi.org/10.14195/2183-5462_45_6.

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This study explores the relationship between television and young audiences (aged 15-24) in Portugal, in a context of rising digital media. Through the analysis of data from an online survey of 1362 participants and 42 semi-structured interviews, youths are categorized into seven profiles based on their television consumption habits and critical perspectives. A nuanced media landscape is revealed, in which television's relevance is maintained in transformed roles—from a traditional source of news to a platform for streaming content. The engagement of young viewers with television is shown to b

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42

Kai Khiun, Liew, Trisha Tsui-Chuan Lin, and Theng Yin Leng. "Skeuomorphic Domestic Television’s Analog Divide: Television and Social Stratification in Singapore." Television & New Media 21, no. 7 (2019): 730–48. http://dx.doi.org/10.1177/1527476419826514.

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Through the ethnographic survey of the ownership, use, and display of television-related devices of forty households in Singapore, this article frames the concept of Skeuomorphic Domestic Television. This term describes the continued centrality of the traditional “living room television” amid digital media’s portability. Results from the stocktaking of the ownership of television-related devices in the surveyed households point to the narrowing of the digital divide arising from the greater affordability of media technologies. However, within the highly densely populated city-state, it was fou

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43

Pinto, Manuel. "The search for communication in a multi-screen society: an ecology point of view." Comunicar 13, no. 25 (2005): 259–64. http://dx.doi.org/10.3916/c25-2005-036.

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This paper presents new aspects to think about public service broadcasting, emphasizing the role of emotion and entertainment to the understanding of the television experience. Television is discussed in the context of the «multi-screen society» and technological devices, from an ecological point of view. Finally, several aspects dealing with digital literacy are discussed. Este texto reflexiona sobre una nueva forma de concebir la televisión como servicio público, resaltando las dificultades y problemas que plantea analizar el concepto de la calidad de la televisión, si no se tiene en cuenta

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44

Hagedoorn, Berber. "Collective Cultural Memory as a TV Guide: “Living” History and Nostalgia on the Digital Television Platform." Acta Universitatis Sapientiae, Film and Media Studies 14, no. 1 (2017): 71–94. http://dx.doi.org/10.1515/ausfm-2017-0004.

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Abstract Modern audiences engage with representations of the past in a particular way via the medium of television, negotiating a shared understanding of the past. This is evidenced by the increasing popularity of reboots, newly developed history and documentary programming, re-use of archival footage and nostalgia content. This article takes a closer look at television’s abilities to circulate and contextualize the past in the current era of convergence through narrowcasting or niche programming on digital television platforms, specifically via nostalgia programming. Such platforms exemplify

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45

Gilbert, Anne. "Push, Pull, Rerun: Television Reruns and Streaming Media." Television & New Media 20, no. 7 (2019): 686–701. http://dx.doi.org/10.1177/1527476419842418.

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In scholarly and industry analyses of television’s expansion into online distribution, few have accounted for the specific negotiations required when old television content streams on new media. This article considers the economic consequences, viewer utility, and cultural position of television reruns as they expand from the pushed flows of legacy television to the pull contexts of digital streaming. The emergence of streaming outlets upsets conventions of off-network syndication yet introduces new licensing revenue to television markets, and streaming undermines the pleasures of familiar, pa

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46

Murakami, Hitomi. "Digital television. (9) High efficiency coding of television signals." Journal of the Institute of Television Engineers of Japan 39, no. 11 (1985): 1110–17. http://dx.doi.org/10.3169/itej1978.39.1110.

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47

Frandsen, Kirsten. "Tour de France in a digital television paradigm." MedieKultur: Journal of media and communication research 39, no. 75 (2023): 032–52. http://dx.doi.org/10.7146/mk.v39i75.138616.

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This article analyses sports events as mega-events with global appeal and increasing socio-economic and cultural significance, and as genres which have now become important in the television industry’s transformation from broadcast to online streaming. It presents findings from a qualitative production analysis of how the Tour de France 2022 was shaped in a twofold strategic context. Genre specific aspects of the media event in the ongoing transformation of the television industry and wider strategic interests behind the hosting and organization of the start of the race in Denmark 2022 are dis

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48

Albab, Choirul Ulil, Muhammad Noor Hidayat, and Muhamad Hasan Basori. "The Migration from Analog to Digital Television." Jurnal Audience 5, no. 2 (2023): 238–49. http://dx.doi.org/10.33633/ja.v5i2.7391.

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This study aims to see the effect of information exposure in the mass media and the level of public knowledge about digital television on people's decision making to adopt digital television. Digitization of television in Indonesia has been prepared more than 12 years ago. In 2009 Indonesia had prepared a framework for the implementation of a digital broadcasting system which was later in 2010. However, the migration process for digital television in Indonesia did not go well because of the conflict of interest of private television and regulations that were not yet strong. The theory of diffu

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49

Ahmed, Humara, and Khawaja Farouk Mazhar. "Role of digital marketing strategies in success of small businesses in Pakistan." Journal of Economic Info 10, no. 4 (2024): 1–6. http://dx.doi.org/10.31580/04qweb11.

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This paper attempts to examine the effect that digital marketing has on small businesses in Pakistan. The current impact and use of digital marketing by small business enterprises will be examined. Digital marketing is the promotion of businesses and their products using digital channels such as the internet, television, and text to potential customers. This may also include social media, advertisements on televisions, emails, web advertising and other multimedia channels. It is defined as achieving marketing objectives through applying digital technologies.

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50

Zhang, Yi Fei, Zhao Yang Meng, and Guo Zhang. "Digital Simulation Television Technology Show the Chinese Culture." Advanced Materials Research 962-965 (June 2014): 2924–27. http://dx.doi.org/10.4028/www.scientific.net/amr.962-965.2924.

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By using modern television technology, we could create great film and television works by combine the technology and the film art perfectly. The movie Avatar lead a revolution of television technology. In this article, we will focus on the how to make film and television works which contain the Chinese culture.

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