Bibliografías temáticas / Dinosaurs, poetry

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Literatura académica sobre el tema "Dinosaurs, poetry"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 27 de julio de 2025

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Artículos de revistas sobre el tema "Dinosaurs, poetry"

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Pazdziora, John Patrick. "Tell it slant: Talking with Jane Yolen about poetry." Book 2.0 13, no. 2 (2023): 209–26. http://dx.doi.org/10.1386/btwo_00094_7.

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Among her more than 400 books, Jane Yolen (b. 1939) has written or edited around 50 collections of poetry. In this new interview, Yolen discusses how her poetry developed throughout her writing life. We talk about her early desire in childhood to write poetry and about poets whose work she has admired. Yolen talks about her process in writing works such as the verse novel Finding Baba Yaga (2018) or the agonizing Radiation Sonnets (2003) and explains the difference between writing poetry for children and grown-ups, using her How Do Dinosaurs…? (2000–ongoing) series and Yuck, You Suck! Poems ab
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Ben-Porat, Ziva. "‘Golden Age’ Poetry in Contemporary Israeli and Palestinian Poetry." European Review 16, no. 1 (2008): 127–43. http://dx.doi.org/10.1017/s1062798708000136.

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This article is a small part of a research project dealing with the presence of Hebrew poetry from al-Andalus in Israeli culture in general and in Israeli poetry in particular. In spite of its indisputably canonic status and 800-year history as a central model for the writing of poetry, this magnificent corpus is quite unknown to today’s readers, and its genres are obsolete. It is, as I shall explain, a ‘dinosaur-like’ canonic entity. The article contains some explanatory references to the historical trajectory of the poetry in question, from a central and active position to a marginal and pas
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MARCHÉ, JORDAN D. "“GIANT BIRDS OF OLD”: AN 1837 POEM BY JAMES DWIGHT DANA (?) ON THE SUPPOSED MAKERS OF THE CONNECTICUT VALLEY'S FOSSIL TRACKWAYS." Earth Sciences History 38, no. 2 (2019): 276–98. http://dx.doi.org/10.17704/1944-6178-38.2.276.

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ABSTRACT An 1842 letter from Benjamin Silliman, Jr., to Edward Hitchcock contains the only known text of a poem that was reportedly composed five years earlier by an anonymous ‘tutor’ at Yale College. The poem's light-hearted verses depicted how the recently-described three-toed fossil footprints (now known to have been produced by theropod dinosaurs) were supposedly made by “giant birds of old”, as Hitchcock's recent investigation had concluded. The poem's lines offered a verbal ‘reconstruction’ of that ancient scene, along with suggesting the existence of two marsupial animals which may have
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Olzkhuu, Otgonbaatar, and Qiburi. "Principles of God in Nomad Epics." Mongolian Journal of Humanities and Social Sciences 10, no. 20 (2025): 26–34. https://doi.org/10.69542/mjhss.v10i20.4206.

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The Mongolian folk heroic epic is a giant dinosaur of early oral poetry, a complex of multiple forms of the oral art tradition. Therefore, the Mongolian folk heroic epics have created many types of studies covering the wide scope of epic studies from ancient times until now. Herein, dozens of books and articles have been written and published, such as the study of character description of Mongolian heroic epics, the study of symbolism, the study of historical methodology, the biographical works of epic writers, and the rituals of epics. As far as we know our academics have compared and studied
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Llerena Casas, Pierre. "Las antologías de microrrelato peruanas: apuntes sobre su estudio y conformación." Microtextualidades. Revista Internacional de microrrelato y minificción, no. 13 (May 8, 2023): 1–14. http://dx.doi.org/10.31921/microtextualidades.n13a1.

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La siguiente investigación tiene como finalidad analizar las publicaciones antológicas de los últimos dieciséis años en la literatura peruana respecto a la creación de microrrelatos/minificción, género que al parecer ha comenzado a cultivarse en las últimas décadas. Sin embargo, en las diversas publicaciones que se analizarán, la inclusión de ciertos escritos fechados a mitad e inicios del siglo XX, y anteriores a este, pretenden ir en contra de lo mencionado y conocido por la crítica. Es por este motivo que, en la revisión de las antologías existentes, se evaluarán los criterios utilizados po
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Libros sobre el tema "Dinosaurs, poetry"

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Wise, William. Dinosaurs forever. Dial Books for Young Readers, 2000.

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Andreae, Giles. Dinosaurs galore! Tiger Tales, 2005.

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3

ill, Chess Victoria, ed. Good night, dinosaurs. Clarion Books, 1996.

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Fortey, Richard A. The Dinosaurs' Alphabet. Barron's, 1990.

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Foster, John, 1941 Oct. 12- and Paul Korky, eds. Dragons, dinosaurs, monster poems. Oxford University Press, 1998.

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Most, Bernard. Four & twenty dinosaurs. Harper & Row, 1990.

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Most, Bernard. Four & twenty dinosaurs. Voyager Books, 1999.

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illustrator, Fox Woody, ed. Dinosaur poems. Scholastic Ltd, 2015.

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Hagen, Nipp Susan, and Klein Nancy, eds. Wee sing dinosaurs. Price Stern Sloan, 1991.

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10

ill, Vargö Kurt, ed. Dinosongs: Poems to celebrate a T.rex named Sue. Scholastic, 2000.

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Capítulos de libros sobre el tema "Dinosaurs, poetry"

1

Desmond, Adrian. "24. Museum and Pantheon for the Masses." In Reign of the Beast. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0393.24.

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The idea that Saull’s was a radical museum had to do with more than an Owenite evolutionary interpretation of its 20,000 exhibits. The contents could themselves betray the radicalism. Here we discuss the fossils, although our knowledge of them is skewed by the press’s concern with size and beauty. Hence we know more about his Iguanodon dinosaurs than fossil fish. A comparison with the distiller James Scott Bowerbank’s Highbury Grove museum also illustrates different proprietorial and professional interests, which resulted in different display arrangements. Finally there is a Chartist’s-eye-vie
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Eller, Jonathan R. "A Most Favorite Subject." In Bradbury Beyond Apollo. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0020.

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Bradbury’s fascination with genre fiction art resulted in “1982: A Helicon Year for the Artists of Science Fiction.” Chapter 19 goes on to describe how Byron Preiss assembled a range of well-known artists to illustrate a new collection of Bradbury stories, Dinosaur Tales. These included Gahan Wilson, Jim Steranko, Jean Henri Giraud, David Wiesner, and Overton Loyd. The chapter also explores Bradbury’s high regard for traditional poets Phyllis McGinley and Helen Bevington in the context of his second and third Knopf volumes of his own poetry. The chapter concludes with Bradbury’s ill-fated coll
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