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Artículos de revistas sobre el tema "Dionysisme"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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1

Lejri, Sélima. "Dionysisme et démonisme : l’excès dans Macbeth." Actes des congrès de la Société française Shakespeare, no. 25 (November 1, 2007): 119–31. http://dx.doi.org/10.4000/shakespeare.1066.

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2

Régent-Susini, Anne. "Dionysisme et gallicanisme : la figure de l'évêque selon Bossuet." Revue de l'histoire des religions, no. 3 (July 1, 2009): 413–28. http://dx.doi.org/10.4000/rhr.7272.

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3

Baslez, Marie-Françoise. "Dionysisme versus judaïsme dans le Troisième Livre des Maccabées: religion et politique à la cour de Ptolémée IV." Semitica et Classica 4 (January 2011): 63–72. http://dx.doi.org/10.1484/j.sec.1.102505.

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4

Willmann, Roland. "Alexander Skrjabin: Die 6. Klaviersonate op. 62." Die Musikforschung 48, no. 2 (2021): 153–66. http://dx.doi.org/10.52412/mf.1995.h2.1067.

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Als Musik historischen Übergangs erweist sich die 6. Sonate Skrjabins. Oktatonik vermittelt noch unverbrauchten Ausdruck und ist schon einheitsstiftendes Strukturprinzip. Die Sonatensatzform wird einer prozeßhaften Dynamik unterworfen, indem sich die Musik mittels klanglich-linearer Dialektik entfaltet. Thematische Gestalten profilieren sich, die auf einer höheren Entwicklungsstufe wiederum zur Synthese gelangen. Eine Analogiebildung zu geistigen Prinzipien schein möglich. Der von Friedrich Nietzsche formulierte dionysisch-apollinische Gegensatz erscheint in der 6. Sonate sogar explizit: Als a
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5

Hubbard, Thomas K., and Xavier Riu. "Dionysism and Comedy." Phoenix 55, no. 1/2 (2001): 171. http://dx.doi.org/10.2307/1089034.

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6

McNally, Sheila, and Brigitte Hundsalz. "Das dionysische Schmuckrelief." American Journal of Archaeology 96, no. 1 (1992): 187. http://dx.doi.org/10.2307/505778.

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7

Michael Skowron. "NIETZSCHES DIONYSISCHE GEGENLEHRE." Journal of Korean Nietzsche-Society ll, no. 27 (2015): 247–72. http://dx.doi.org/10.16982/jkns.2015..27.007.

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8

Schlesier, Renate. ""Dionysische Kunst". Gottfried Benn auf Nietzsches Spuren." MLN 108, no. 3 (1993): 517. http://dx.doi.org/10.2307/2904759.

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9

Nunes, Antonio Manoel. "Querelas da Dissonância: Nietzsche, Wagner, Tragédia e Música." Aletria: Revista de Estudos de Literatura 1 (October 31, 1993): 75. http://dx.doi.org/10.17851/2317-2096.1.0.75-81.

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Tristan and Isolde as a metaphor for the union and disaggregation between Nietzsche and Wagner. Dionysus spirit and apollinean spirit: The Birth of Tragedy. First encounters and the building up of passion. A strange triangle: Nietzsche, Wagner and Cosima. The fall of the relationship in Human, All-Too-Human and The Wagner Affair. Bizet and the Mediteranean dionysism. The disputes of dissonance: the dawn of modernity in its several vanguards of expression.
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10

김정섭. "The Dionysische as aesthetics of spectators' theatre experience." Journal of Drama ll, no. 48 (2016): 107–40. http://dx.doi.org/10.15716/dr.2016..48.107.

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11

van Vaerenbergh, Leona. "Der dionysische tanz und das “Lebenspathos” der jahrhundertwende." Neophilologus 69, no. 4 (1985): 579–89. http://dx.doi.org/10.1007/bf00399533.

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12

Kjerschow, Peder Chr. "Mellom det dionysiske og det apollinske –­ en vei til Adornos musikktenkning?" Studia Musicologica Norvegica 28, no. 01 (2002): 24–37. http://dx.doi.org/10.18261/issn1504-2960-2002-01-03.

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13

Schmidhuber, Gabriele. "Dionysische Frauen in der griechischen Vasenmalerei: Nymphen oder Mänaden?" Jahreshefte des Österreichischen Archäologischen Institutes in Wien 76 (2008): 353–70. http://dx.doi.org/10.1553/oejh76s353.

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14

Schlesier, Renate. "Die Bakchen des Hades. Dionysische Aspekte von Euripides' Hekabe." Mètis. Anthropologie des mondes grecs anciens 3, no. 1 (1988): 111–35. http://dx.doi.org/10.3406/metis.1988.908.

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15

Pandiella Gutiérrez, Paulino. "La inconclusa edición crítica de las De situ orbis explanationes in Dionysium Afrum de Pedro Juan Núñez a través de la correspondencia de Gregorio Mayans y Francisco Cerdá." Revista de literatura 79, no. 158 (2017): 455. http://dx.doi.org/10.3989/revliteratura.2017.02.017.

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En este artículo mostramos el trabajo de Gregorio Mayans y Siscar y otros ilustrados valencianos en la recuperación de la obra de su compatriota el humanista Pedro Juan Núñez. Nos centramos en reconstruir el proyecto de edición de un texto de Núñez (De situ orbis explanationes in Dionysium Afrum) por Mayans y Francisco Cerdá Rico, tomando como fuente principal su correspondencia.
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16

Mortensen, Ellen. "Væren og intethetens sangerske: et dionysisk dykk i Gunvor Hofmos lyrikk." Norsk litteratur­vitenskapelig tidsskrift 14, no. 01 (2011): 99–105. http://dx.doi.org/10.18261/issn1504-288x-2011-01-13.

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17

Takho-Godi, Elena A. "A. F. Losev and GAKhN’s “Encyclopedia of Artistic Sciences”: to the history of an unrealized publishing project." Philosophy Journal, no. 3 (2021): 173–80. http://dx.doi.org/10.21146/2072-0726-2021-14-1-173-180.

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The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were
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18

Losev, Alexei F., and Elena A. Takho-Godi. "Articles from the“Encyclopedia of Artistic Sciences” (ed. by E.A. Takho-Godi)." Philosophy Journal, no. 3 (2021): 181–91. http://dx.doi.org/10.21146/2072-0726-2021-14-1-181-191.

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The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were
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19

Skrine, Peter, Thurit Kriener, and Gabriella Rovagnati. "Dionysische Perspektiven: Gerhart Hauptmanns Novelle 'Der Ketzer von Soana' und sein Briefwechsel mit Rudolf Pannwitz." Modern Language Review 103, no. 1 (2008): 278. http://dx.doi.org/10.2307/20467744.

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20

Longosz, Stanisław. "Nazwy ołtarza chrześcijańskiego w literaturze patrystycznej." Vox Patrum 50 (June 15, 2007): 497–533. http://dx.doi.org/10.31743/vp.6730.

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Hac in haud brevi dissertatiuncula, quae tribus partibus constat, de nominibus altaris christiani modo philologico tractatur. Priore in parte de vetustissimis altaris classicis praechristianis, deinde de thysiasterion et trapeza, quae in Sacra Scriptura, denique de vocabulis: altare, altarium, ara ac mensa, quae in litteris Latinorum apparent, et haec omnia iam apud antiquissimos auctores christianos (praesertim Patres Apostolicos) inveniuntur, disputatur. In altera autem parte de vocabulis thysiasterion et trapeza apud Patres Graecos (Justinum, Irenaeum, elementem Alexandrinum, Origenem, Euse
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21

Mersch, Dieter. "Nietzsches Dionysos." Performance Philosophy 3, no. 2 (2017): 352. http://dx.doi.org/10.21476/pp.2017.32141.

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Nietzsches Dionysos stellt zwar eine direkte Provokation und einen Angriff auf die seit Winckelmann gültige Klassik-Deutung dar, die das Apollinische zu ihrem Zentrum erhoben hat, und gegen dessen Prinzip die Einführung eines anderen, entgegengesetzten Prinzips keine genuine Erfindung Nietzsches darstellt, vielmehr der schmalen Kluft zwischen Hegel und Hölderlin ersteigt. Weist nämlich die Hegelsche Ästhetik von Anfang an auf den Schein und die Erscheinung – als notwendige Bedingung der Wahrheit, denn die Wahrheit wäre nicht, wie Hegel schreibt, wenn sie nicht schiene und erschiene –, so bleib
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22

Vaganova, Natalia. "Dionysiasm and Sophianic. Ontology and Anthropology of Femininity in the Project of Artistic Religion by Vyacheslav Ivanov." Вопросы философии, no. 10 (2018): 128–39. http://dx.doi.org/10.31857/s004287440001155-5.

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23

Tsakona, Villy. "Hatzidaki, Ourania/Goutsos, Dionysis (eds.) (2017): Greece in Crisis: Combining Critical and Corpus Linguistics Perspectives." Sociolinguistica 32, no. 1 (2018): 299–302. http://dx.doi.org/10.1515/soci-2018-0027.

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24

Calindere Apostu, Otilia. "Fabienne BAIDER, Marcel BURGER et Dionysis GOUTSOS (dir), La communication touristique. Approches discursives de l’identité et de l’altérité." Communication, Vol. 25/1 (November 15, 2006): 280–84. http://dx.doi.org/10.4000/communication.543.

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25

Yang, Jianxin, and Yaqi Wang. "Book review: Ourania Hatzidaki and Dionysis Goutsos (eds), Greece in Crisis: Combining Critical Discourse and Corpus Linguistics Perspectives." Discourse & Society 32, no. 2 (2021): 257–59. http://dx.doi.org/10.1177/0957926520982497b.

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26

Sommerstein, Alan H. "X. Riu: Dionysism and Comedy. Pp. X + 293. Lanham, Boulder, New York, and Oxford: Rowman & Littlefield, 1999. Paper, £19.95. ISBN: 0-847-69442-9." Classical Review 51, no. 2 (2001): 384–85. http://dx.doi.org/10.1093/cr/51.2.384.

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27

Hutchinson, Valerie J. "A new book on Dionysiac iconography - ERWIN POCHMARSKI , DIONYSISCHE GRUPPEN: EINE TYPOLOGISCHE UNTERSUCHUNG ZUR GESCHICHTE DES STÜTZMOTIVS (Österreichisches Archäologisches Institut, Wien 1990). Pp.xvi + 417, 82pp. of black and white plates. ISBN 3-900-306-1." Journal of Roman Archaeology 5 (1992): 294–96. http://dx.doi.org/10.1017/s1047759400022029.

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28

Greiner, Bernhard. "Evidenz des Dionysos-Mythos als Begründung der Tragödie." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 58, no. 1 (2013): 97–120. http://dx.doi.org/10.28937/1000106217.

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Der Beitrag unternimmt eine neue Lektüre der Tragödienschrift Nietzsches mit Blick auf deren doppelte Leistung – den Dionysos-Mythos neu zu vergegenwärtigen und den Ursprung der Tragödie vor Augen zu stellen –, deren Zusammenhang bisher wenig befragt wurde. Als Mythenbildner (nicht als Wissenschaftler des Mythos) stellt Nietzsche den Dionysos-Mythos in einer neuen Weise vor, die ihm den Ursprung der Tragödie freizulegen erlaubt. Gegenläufig führt ihn die Bestimmung des Ursprungs der Tragödie zu einer Konstellation, die dem Dionysos-Mythos neue Gegenwart verleiht. Die neue Präsenz dieses Mythos
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29

Mansfeld, Jaap. "'Illuminating What is Thought'. A Middle Platonist Placitum On 'voice' in Context." Mnemosyne 58, no. 3 (2005): 358–407. http://dx.doi.org/10.1163/1568525054796818.

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AbstractThe Plato κɛπαλαιον in Aëtius' chapter On Voice is the result of the interpretation, modernization, and systematization of brief passages dealing with hearing, voice and speech to be found in several dialogues. This construction of Plato's doctrine of 'voice' was mainly inspired by the systematic and innovative Stoic τóπος On Voice. The 'physical' definition is based on passages in Theaetetus and other works, the 'physiological' on a passage in Timaeus. The distinction and relation between voiceless internal λóγος (or thought) and spoken λóγος in Theaetetus and Sophist was interpreted
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30

Adamichou, C., I. Genitsaridi, D. Nikolopoulos, et al. "THU0245 PENALIZED REGRESSION ANALYSIS IDENTIFIES CRITERIA AND NON-CRITERIA FEATURES THAT MAY INCREASE THE ACCURACY OF EXISTING SETS OF CRITERIA FOR CLASSIFYING SYSTEMIC LUPUS ERYTHEMATOSUS (SLE)." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 349.3–350. http://dx.doi.org/10.1136/annrheumdis-2020-eular.6103.

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Background:The ACR-1997, SLICC-2012 and EULAR/ACR-2019 classification criteria have high sensitivity and specificity for SLE, yet they classify non-overlapping groups of patients suggesting that they can be supplemented with additional features to improve their diagnostic performance.Objectives:To identify criteria and non-criteria manifestations that are significantly associated with SLE in clinical practice and can be used to complement the existing sets of classification criteria.Methods:Individual items from all three classification criteria (ACR-1997, SLICC-2012, EULAR/ACR-2019) and non-c
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31

Ntali, S., L. Pantazi, K. Boki, et al. "FRI0543 BIRTH REGISTRY OF WOMEN WITH SYSTEMATIC LUPUS ERYTHEMATOSUSAND COURSE OF THE DISEASE DURING FIRST YEARS POST-PARTUM-THE GREEK EXPERIENCE." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 872.2–873. http://dx.doi.org/10.1136/annrheumdis-2020-eular.6195.

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Background:Pregnancy in women with SLE Systematic Lupus Erythematosus (SLE) has been related with adverse events both in the mother and the foetus.1Many studies have reported relapse of the disease during the pregnancy and post-labour, while others have not confirmed this finding.2To this end, most of these results originate from retrospective studies with patients of diverge ethnicities.Objectives:To record the Greek experience with pregnancies in mothers with SLE and their outcomes, as well as the course of the disease during first year post labor.Methods:This is a prospective, multicentre,
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Adamichou, C., D. Nikolopoulos, M. Nikoloudaki та ін. "FRI0155 Α MULTICENTER “AT-RISK” COHORT FOR THE DISCOVERY OF ENVIRONMENTAL, CLINICAL AND MOLECULAR PREDICTORS FOR THE TRANSITION INTO SYSTEMIC LUPUS ERYTHEMATOSUS (SLE)". Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 661.1–661. http://dx.doi.org/10.1136/annrheumdis-2020-eular.4468.

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Background:SLE onset is preceded by a preclinical phase evidenced by the presence of anti-nuclear and other autoantibodies (autoAbs), which however, have low predictive value for development of clinical SLE.Objectives:To define the subgroup of autoAbs-positive individuals who are at high risk for progression into SLE by integrating environmental, clinical/serological, genetic and transcriptome data.Methods:A multicenter, across five European countries, inception cohort of autoAbs-positive individuals or first-degree relatives (FDRs) of SLE patients who are monitored prospectively over five yea
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33

Karampeli, M., K. Thomas, D. Tseronis, et al. "AB1216 INTERSTITIAL PNEUMONIA WITH AUTOIMMUNE FEATURES (IPAF): A SINGLE CENTER, PROSPECTIVE STUDY." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 1899–900. http://dx.doi.org/10.1136/annrheumdis-2020-eular.2753.

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Background:Interstitial pneumonia with autoimmune features (IPAF)1describes a group of patients with interstitial lung disease and autoimmune features who do not meet the classification criteria for a specific connective tissue disease. Limited data regarding IPAF are available so far.Objectives:To identify the epidemiological and clinical characteristics of patients with IPAF and to observe disease progression, response to treatment and frequency of infections in 1-year follow-up period.Methods:Thirty-nine patients from ‘Attikon’ University Hospital of Athens fulfilling the IPAF criteria were
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Havatza, K., K. Togia, S. Flouda та ін. "FRI0170 THERAPEUTIC ΤARGETS AND QUALITY INDICATORS IN SYSTEMIC LUPUS ERYTHEMATOSUS (SLE), DEFINED ACCORDING TO THE 2019 UPDATE OF THE EULAR RECOMMENDATIONS: DATA FROM THE “ATTIKON“ LUPUS COHORT". Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 669.2–670. http://dx.doi.org/10.1136/annrheumdis-2020-eular.6255.

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Background:Targets of therapy and quality of care are receiving increased attention in the management of SLE, as outlined in the 2019 update of the EULAR recommendations for SLE treatment.Objectives:To assess compliance with quality indicators and attainment of treatment targets, according to recent EULAR recommendations, in the SLE cohort of “Attikon” Rheumatology Unit.Methods:100 consecutive SLE patients followed for at least one year were. A 30 item Quality Indicator Set (QIS) was developed, according to the 2019 EULAR recommendations for SLE, to include laboratory tests for diagnosis and m
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Grivas, A., I. Kapniari, K. Tzannis, et al. "AB0788 GENDER DIFFERENCES IN PSORIATIC ARTHRITIS DISEASE CHARACTERISTICS: EVIDENCE FOR WORSE DISEASE IN WOMEN." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 1692.1–1693. http://dx.doi.org/10.1136/annrheumdis-2020-eular.3346.

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Background:Psoriatic arthritis (PsA) affects both sexes equally, however there seem to be significant differences in disease expression between the genders.Objectives:To investigate gender differences in disease manifestations, patient-reported outcomes and comorbidities among patients with PsA.Methods:This cross-sectional study of patients with PsA followed at an academic rheumatology outpatient clinic between 1/6/2017 and 1/12/2019. We compared clinical characteristics, patient-reported outcomes, disease activity and comorbidities in male and female patients with PsA. All patients were over
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36

Kim, Soo-Young. "Critical Times in Greece: Anthropological Engagements with the Crisis ed. by Dimitris Dalakoglou and Georgios Agelopoulos, and: Living under Austerity: Greek Society in Crisis ed. by Evdoxios Doxiadis and Aimee Placas, and: Greece in Crisis: Combining Critical Discourse and Corpus Linguistic Perspectives ed. by Ourania Hatzidaki and Dionysis Goutsos, and: Greece in Crisis: The Cultural Politics of Austerity ed. by Dimitris Tziovas." Journal of Modern Greek Studies 38, no. 2 (2020): 563–68. http://dx.doi.org/10.1353/mgs.2020.0032.

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Hutchinson, Valerie J. "The cult of Dionysos/Bacchus in the Graeco-Roman world: new light from archaeological studies - C. GASPARRI , “BACCHUS,” LIMC III.1 (1986) 540–566, with III.2, 428-456. - C. AUGÉ , “DIONYSOS (IN PERIPHERIA ORIENTALI),” LIMC III.1 (1986) 514-31, with III.2, 406-19 - S. BOUCHER , “BACCHUS (IN PERIPHERIA OCCIDENTALI),” LIMC IV.1 (1988) 908-23, with IV.2, 612-31. - S. F. SCHRÖDER , RÖMISCHE BACCHUSBILDER IN DER TRADITION DES APOLLON LYKEIOS. STUDIEN ZUR BILDFORMULIERUNG UND BILDBEDEUTUNG IN SPÄTHELLENISTISCH-RÖMISCHER ZEIT (Giorgio Bretschneider, Roma 1989). Pp. xii + 216, 31 black and white plates. ISBN 88-7689-020-3. - I. MANFRINI-ARAGNO , BACCHUS DANS LES BRONZES HELLÉNISTIQUES ET ROMAINS: LES ARTISANS ET LEUR RÉPERTOIRE (Bibliothèque historique vaudoise, Lausanne 1987). Pp. 190, 84 p. of black and white plates. ISBN 28-8028-034-6. - B. HUNDSALZ , DAS DIONYSISCHE SCHMUCKRELIEF (Tuduv-Studien, Reihe Archäologie, Band 1, München 1987). Pp. xvii + 311, 32 p. of black and white plates. ISBN 3-88073-236-1." Journal of Roman Archaeology 4 (1991): 222–30. http://dx.doi.org/10.1017/s104775940001566x.

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Tassignon, Isabelle. "Anne-Françoise Jaccottet, Choisir Dionysos. Les associations dionysiaques ou la face cachée du dionysisme." Kernos, no. 17 (January 1, 2004). http://dx.doi.org/10.4000/kernos.1489.

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39

"Dionysism and comedy." Choice Reviews Online 37, no. 10 (2000): 37–5495. http://dx.doi.org/10.5860/choice.37-5495.

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40

Voss, Christiane. "Der dionysische Schalter." Zeitschrift für Medien- und Kulturforschung 4, no. 1 (2013). http://dx.doi.org/10.28937/1000106385.

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Humor wird gemeinhin nicht eigens theoretisiert, sondern umstandslos mit dem Komischen und dem Lachen identifiziert. In diesem Aufsatz geht es darum, die Eigenlogik von humoresken Operationen vor dem Hintergrund von Freuds Auslassungen zum Humor herauszuarbeiten und für eine mediale Anthropologie produktiv zu machen. Im Unterschied zu herkömmlichen Anthropologien interessiert sich eine mediale Anthropologie für die ontologisierenden und wirklichkeitskonstituierenden Effekte technisch zu fassender Operationen. Humoreske Operationen sind entsprechend als Techniken der dionysischen Verschaltung v
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41

Skowron, Michael. "Nietzsches dionysische Gegenlehre und Gegenwertung." Nietzscheforschung 22, no. 1 (2015). http://dx.doi.org/10.1515/nifo-2015-0118.

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42

Müller, Enrico. "„Aesthetische Lust“ und „dionysische Weisheit“." Nietzsche-Studien 31, no. 1 (2002). http://dx.doi.org/10.1515/9783110170740.134.

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Ebeling, Knut. "Die Ekstase des Bildes. Blanchots dionysische Bildtheorie." Nietzscheforschung 18, no. 1 (2011). http://dx.doi.org/10.1524/nifo.2011.0006.

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Skowron, Michael. "DIONYSISCHE PERSPEKTIVEN. EINE PHILOSOPHISCHE INTERPRETATION DER DIONYSOS-DITHYRAMBEN." Nietzsche-Studien 36, no. 1 (2007). http://dx.doi.org/10.1515/9783110192827.1.309.

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Pieper, Annemarie. "Das Stille Auge Der Ewigkeit. Nietzsches Dionysische Rechtfertigung Der Kunst." Nietzscheforschung 10, no. 1 (2003). http://dx.doi.org/10.1515/nifo-2003-0121.

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DUNCAN, LINDA. "HEINE AND NIETZSCHE. Das Dionysische: Cultural Directive and Aesthetic Principle." Nietzsche-Studien 19, no. 1 (1990). http://dx.doi.org/10.1515/9783110244380.336.

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