Bibliografías temáticas / Dominican identities

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Literatura académica sobre el tema "Dominican identities"

Autor: Grafiati
Publicado: 25 de mayo de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Dominican identities"

1

Rodriguez Suero, Felix V. "Negated Identities in Dominican Art Education." Studies in Art Education 65, no. 4 (2024): 421–36. https://doi.org/10.1080/00393541.2024.2390331.

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Bailey, Benjamin. "The Language of Multiple Identities among Dominican Americans." Journal of Linguistic Anthropology 10, no. 2 (2000): 190–223. http://dx.doi.org/10.1525/jlin.2000.10.2.190.

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Arias Álvarez, Alba. "A Little Caribbean in Madrid: analysis of the Dominican identity in the public space." Lengua y migración 2, no. 15 (2024): 105–31. http://dx.doi.org/10.37536/lym.2.15.2023.2198.

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According to the field of sociolinguistics of globalization, migrants resettle in new countries through deterritorialization and reterritorialization processes, which entail changes in the perception of the language and symbols of the homeland and those of the communities that migrants establish themselves in. Given that this contextual relation is expressed in the public space, the present study analyzes how Dominican resources are used in the linguistic and semiotic landscape of Tetuán, a well-known Dominican neighborhood of Madrid. Using both quantitative and qualitative methodologies, resu
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Zimmerman, Tegan. "Unauthorized Storytelling: Reevaluating Racial Politics in Julia Alvarez’s In the Time of the Butterflies." MELUS 45, no. 1 (2020): 95–116. http://dx.doi.org/10.1093/melus/mlz067.

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Abstract This article revisits Julia Alvarez’s critically acclaimed historical novel In the Time of the Butterflies (1994). While much scholarship has paid attention to the novel as historiographic metafiction, its depiction of Rafael Leónidas Trujillo’s regime (1930-61), and its feminist perspective on the Dominican Republic, its racial politics are under-studied. In particular, scholars have overlooked Fela, the Afra-Dominican servant, spirit medium, and storyteller. I argue that studying Fela’s presence in the text as an unauthorized and unauthored voice not only adds complexity to the prod
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Bormpoudaki, Maria. "Evidence of Dominican Imagery and Cultural Identities on Venetian Crete at the Time of the Revolt of St Titus." Frankokratia 3, no. 2 (2022): 121–42. http://dx.doi.org/10.1163/25895931-12340021.

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Abstract Current discourse on Latin imagery in rural Greek churches in Venetian Crete is habitually focused on images of St Francis. The explanations offered by scholars concerning his appearances in this context usually revolve around Francis’s perceived interconfessional appeal, but the introduction of another Latin saint from a different mendicant order into the monumental art of Byzantine character on Crete revises this picture significantly. The present article discusses images of Dominican saints found in Cretan churches of the Venetian period. With statutes promulgated in 1254 and 1256,
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DURÁN-ALMARZA, EMILIA MARÍA. "Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance." Journal of American Studies 46, no. 1 (2012): 139–53. http://dx.doi.org/10.1017/s0021875811001332.

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The Dominican American community in New York is perhaps one of the best examples of how processes of transculturation are affecting traditional definitions of ethnic identification. Given the intense economic, social and cultural transnational exchanges between the island and the USA from the 1960s, Dominicanyorks have been challenging the illusion of homogeneity in the definition of Americanness for decades, creating transnational social networks that transcend traditional national and ethnographic boundaries. The theatrical works of Josefina Báez, a Dominican American performer living in New
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Candelario, Ginetta E. B. ""Black Behind the Ears"——and Up Front Too? Dominicans in The Black Mosaic." Public Historian 23, no. 4 (2001): 55–72. http://dx.doi.org/10.1525/tph.2001.23.4.55.

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This article considers the formation and representation of Washington, D.C.'s Dominican community in the Anacostia Museum's 1994 -1995 exhibit, Black Mosaic: Community, Race and Ethnicity Among Black Immigrants in D.C. The exhibit successfully pointed to the extensive historical presence of African Diaspora peoples in Latin America and explored the development of subsequent Diaspora from those communities into Washington, D.C. The case of Dominican immigrants to D.C., however, illustrates the continued privileging of a U.S.- or Anglo-centric ideation of African-American history and identity. I
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Bailey, Benjamin. "Dominican-American Ethnic/ Racial Identities and United States Social Categories." International Migration Review 35, no. 3 (2001): 677–708. http://dx.doi.org/10.1111/j.1747-7379.2001.tb00036.x.

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Samal, Prabhudutta, and Swati Samantaray. "Queer Narratives and Colonial Injustice: Tropical Landscape in The Brief Wondrous Life of Oscar Wao." eTropic: electronic journal of studies in the Tropics 23, no. 2 (2024): 39–57. http://dx.doi.org/10.25120/etropic.23.2.2024.4047.

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This paper explores the intersection of colonialism, masculinity, and queerness in Junot Díaz’s The Brief Wondrous Life of Oscar Wao. Through a decolonial lens, it examines how Díaz critiques the lingering effects of colonialism and dictatorship on Dominican identity, particularly through the ‘fukú’ curse—a symbol of intergenerational trauma. The paper argues that the queering of heterosexuality in the novel challenges rigid gender norms, where Oscar’s nonconformity and Yunior’s conflicted hypermasculinity expose the limitations of Dominican masculinity shaped by colonial rule. Set against the
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Ögüt, Özlem. "(Dis)Claiming Identity: Christina García's The Agüero Sisters and Julia Alvarez' How the García Girls Lost Their Accents." Ethnic Studies Review 26, no. 1 (2003): 135–56. http://dx.doi.org/10.1525/esr.2003.26.1.135.

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Christine Garcia's The Aguero Sisters and Julia Alvarez's How the Garcia Girls Lost Their Accents are novels that revolve around the conflicts and tensions among the members of the two immigrant families, the Aguero sisters from Cuba and the Garcia sisters from the Dominican Republic, arising mainly from their need to come to terms with their ambiguous identities. This article focuses on the ways in which the Aguero and Garcia sisters through their hybrid identities overcome boundaries and exclusive categories so as to challenge homogenizing, hegemonic systems, and open vistas into new, non-es
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Tesis sobre el tema "Dominican identities"

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Correa, Higuera Juan Francisco. "Restaurer et réformer l’ordre dominicain en Colombie (1881-1949). Une histoire au croisement des imaginaires sociaux divers et des identités dominicaines plurielles." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL037.

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Lors de leur présence en Colombie, entre 1938 et 1949, cinq Dominicains de la province de Lyon cherchent à réformer la province colombienne. Toutefois, il ne s’agit pas d’une nouveauté, car le besoin de la réforme est manifeste tout au long du processus plus large de sa restauration, entre 1881 et 1965. L’épisode lyonnais sert, cependant, d’observatoire à partir duquel examiner la persistance des notions de restauration et de réforme, dans les évolutions que connaît la province depuis 1881. Car si la restauration prône le rétablissement d’un état des lieux existant jusqu’avant la suppression d
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2

Vasconcelos, Alex Donizete. "Identidade haitiana na história, na literatura e em discursos midiáticos do Haiti, da República Dominicana e dos Estados Unidos (2004-2014)." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/5746.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-07-27T17:37:58Z No. of bitstreams: 2 Tese - Alex Donizete Vasconcelos - 2016.pdf: 3555804 bytes, checksum: ba2d619851f0a7b9f8c10bf2405d4fa2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-07-28T10:54:52Z (GMT) No. of bitstreams: 2 Tese - Alex Donizete Vasconcelos - 2016.pdf: 3555804 bytes, checksum: ba2d619851f0a7b9f8c10bf2405d4fa2 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made avail
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Lorenzo, Feliciano Violeta. "El bildungsroman en el Caribe hispano." Thesis, 2011. http://hdl.handle.net/1807/29796.

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This dissertation examines the bildungsroman genre in Cuba, Puerto Rico, and the Dominican Republic. A close examination of the development of this genre demonstrates that it has ideological implications that link the young protagonists’ development with that of the nation. The authors on whom I focus—Ángela Hernández, Rita Indiana Hernández, René Marqués, Pedro Juan Soto, Magali García Ramis, Severo Sarduy, and Jesús Díaz—do not merely imitate the European model but revise, adapt, and often subvert it thematically and, in some cases, aesthetically. I argue that these bildungsromane differ, fo
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Libros sobre el tema "Dominican identities"

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Caribbean race and American dreams: How migration shapes Dominicans' and Puerto Ricans' racial identities and its impact on socioeconomic mobility. 2006.

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2

Quinn, Rachel Afi. Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.001.0001.

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With this book, Rachel Afi Quinn makes the case for a transnational feminist cultural studies lens of analysis and an ethnographic approach to the study of race, gender, and visual culture in the Dominican Republic. This book provides a new window into contemporary life in Santo Domingo through which surrealist cultural productions reflect the social climate. Quinn theorizes the ways that the racial meaning of Dominican women’s mixed-race bodies “see/saw” in the viewing moment, as they are read visually in relation to others and informed by particular narratives of identity. Drawing on some fo
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3

Secundum morem patriae: Identitet crkava propovjedničkih redova u Jadranskoj Hrvatskoj. Društvo povjesničara umjetnosti Hrvatske, 2016.

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4

Widdig, Vincent, ed. Kulturgüterschutz im System der Vereinten Nationen. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783845296166.

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The images of the destroyed Buddha statues of Bamiyan, of the ancient city of Palmyra lying in ruins, and of destroyed World Heritage sites in Timbuktu have received much attention from the international public. At the same time, these cases also reflect a new dimension in the conduct of armed hostilities today, which is increasingly aimed at destroying cultural identities or heritage. Therefore, in addition to the issue of preserving the world's cultural heritage, especially in the context of human rights protection and international humanitarian law, the protection of cultural property is se
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Capítulos de libros sobre el tema "Dominican identities"

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Hill, Lowine Stella. "Identities in Disasters: opportunities and challenges for developing inclusive disaster risk governance networks for gender and sexual minorities in Dominica and neighbouring small Caribbean islands." In Sustainable Development Goals Series. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-3857-4_20.

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DUVAL, SYLVIE. "FEMALE DOMINICAN IDENTITIES (1200–1500)." In Women Religious Crossing between Cloister and the World. Arc Humanities Press, 2022. http://dx.doi.org/10.2307/j.ctv2gmhh4q.5.

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Duval, Sylvie. "Chapter 1. Female Dominican Identities (1200–1500)." In Women Religious Crossing between Cloister and the World. Amsterdam University Press, 2022. http://dx.doi.org/10.1515/9781641892995-003.

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Aparicio, Ana. "Race, Identities, and the Second Generation." In Dominican-Americans and the Politics of Empowerment. University Press of Florida, 2006. http://dx.doi.org/10.5744/florida/9780813029252.003.0007.

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Quinn, Rachel Afi. "Me Quedo con la Greña." In Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.003.0003.

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This chapter provides several examples of how Dominican women articulate their own racial identities in relation to dominant narratives that intersect with gender in a patriarchal society. Ethnographic research in this chapter reveals the ways that Dominican women constantly navigate hierarchies of color and how narratives of class, as in the case of transnational Dominican celebrity Martha Heredia, frequently inform shifting racial meanings within and outside of the country. In this chapter Santo Domingo artists Yaneris Gonzalez Gomez and Michelle Ricardo each describe experiences of overlapp
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Quinn, Rachel Afi. "A Thorn in Her Foot." In Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.003.0005.

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By presenting a series of ethnographic examples of the ways that interviewees experience their racial identities as Dominican women, this chapter reveals how anti-blackness emerges for individuals in the discourse of such a racially mixed place. Interviews included here reveal contrasting experiences with racialization in Santo Domingo and abroad in Europe (in Germany and Spain) that inform how particular Dominican women understand their social positions based on race and color. This chapter also includes several affective moments in the ethnographic research, the ethnographer’s own experience
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Otte, Suzanne Carol, and M. J. Best. "Institutional Culture and Identity." In Student Culture and Identity in Higher Education. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-2551-6.ch012.

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Our Doctoral Program in Educational Leadership aims to develop leaders whose fundamental leadership identity is grounded in the Catholic, Dominican tradition. The values, studium, and COR questions are detailed as part of the Dominican ethos. The chapter describes a process by which the comprehensive exams were replaced with a qualitative program assessment focused on building three identities: academic writer, scholarly researcher, and an Edgewood Leader. The Edgewood Leader identity is built upon the Dominican ethos and is the focus of this study. Three models of assessment and the literatur
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Quinn, Rachel Afi. "Sites of Identity." In Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.003.0002.

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This chapter examines how place and identity are tied to visual culture for Dominican women, including images circulated in online spaces. The author considers the influence of Facebook, the most popular social media network among Dominican youth in 2010, as a tool for crafting virtual identities, maintaining diasporic relationships over the long term, promoting community education, and organizing movements of resistance. This chapter shows how the use of visual images online is an extension of a culture of muralism and the ways that visual culture has long been used in Santo Domingo to reinfo
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Aparicio, Frances R. "Of Fathers and Mothers." In Negotiating Latinidad. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042690.003.0005.

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This chapter unravels both the identification and alienation between Intralatino/a children and their parents given the performance of gender and sexuality. I examine the case of Daniel, who is Dominican, Puerto Rican, and Mexican-American, but who identifies strongly with his mother and with her Dominican national identity, thus illustrating the traditional theories regarding the mother’s central role in transmitting culture, especially in mixed families. I also discuss the profound pain of two other Intralatino/as, Mario and Maria Isabel, who counteract Daniel’s narrative by distancing thems
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Quinn, Rachel Afi. "Introduction." In Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.003.0001.

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In this introductory chapter the author employs as metaphor the uniquely Dominican muñeca sin rostro, a highly feminized yet racially ambiguous “doll without a face” that is commonly sold as a souvenir. This chapter frames the overarching argument of the text in which racial meaning for mixed-race women in the Dominican Republic requires a “narrative eye” and functions relationally. Locating herself in relation to the women she writes about, the author explores the ways that Dominican women in Santo Domingo produce identities within and against dominant stereotypes of the Caribbean picturesque
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