Literatura académica sobre el tema "Double-aspect ontology"

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Artículos de revistas sobre el tema "Double-aspect ontology"

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Jordan, J. Scott. "“Mind is brain” is trivial and nonscientific in both neurobiology and cognitive science." Behavioral and Brain Sciences 22, no. 5 (October 1999): 842. http://dx.doi.org/10.1017/s0140525x99362191.

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Gold & Stoljar reveal that adherence to the radical neuron doctrine cannot be maintained via appeals to scientific principles. Using arguments from (1) naturalism and materialism, (2) unification, and (3) exemplars, it is shown that the “mind-is-brain” materialism explicit in the trivial version of the neuron doctrine ultimately suffers the same theoretical fate. Cognitive science, if it is to adopt an ontology at all, would be better served by a metaphysically neutral ontology such as double-aspect theory or neutral monism.
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Hüpkes, Philip, and Gabriele Dürbeck. "Aesthetics in a Changing World—Reflecting the Anthropocene Condition through the Works of Jason deCaires Taylor and Robert Smithson." Environmental Humanities 13, no. 2 (November 1, 2021): 414–32. http://dx.doi.org/10.1215/22011919-9320222.

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Abstract This article focuses on an important aspect of aesthetics in the context of the Anthropocene: the situatedness of aesthetic techniques and operations within earth’s (changing) materiality. Aesthetics is not only a way of making sensible but also contributes ontologically to the world it makes sensible. In this view aesthetics does not rely on a subject’s capacity to apprehend the world as a perceptually objectifiable entity. Focusing on works by Jason deCaires Taylor (Anthropocene and La Gardinera de la Esperanza) and Robert Smithson (Spiral Jetty), the authors interrogate how artisti
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Pinto da Silva, Maria Zélia, Víctor Moita Pinheiro, Fátima Maria Nobre Lopes, and Adauto Lopes da Silva Filho. "Duplo Aspecto da Reprodução e Sua Influência na Educação." EDUCAÇÃO E FILOSOFIA 36, no. 77 (June 15, 2022). http://dx.doi.org/10.14393/revedfil.v36n77a2022-63135.

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Resumo: Tomando o pensamento lukacsiano, podemos afirmar que as distorções que se apresentam no trabalho refletem diretamente nos atos reprodutivos do homem, na sua sociabilidade. Portanto, todas as categorias da superestrutura ficam comprometidas, inclusive a educação, visto que o espelhamento da realidade estará fundamentado na exploração promovida pelo capital. Partindo dessas considerações o presente artigo objetiva mostrar como o duplo aspecto da reprodução também se reflete na educação. Para tanto tomamos o pensamento do filósofo György Lukács, a partir da sua obra Ontologia do Ser Socia
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Zschocke, Julian. "Towards a multimethod approach for film geography: a case study of Los Angeles’ Nate Starkman Building." GeoJournal, May 9, 2022. http://dx.doi.org/10.1007/s10708-022-10660-1.

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AbstractThis paper introduces a multi-method approach for Film Geography that intertwines spatial analysis, cartography, textual analysis, discourse analysis, field research, and expert interviews. Historically, film studies has focused on textual analysis whereas geography has emphasized the material aspect of space through field research. However, if cinema is a double ontology of image and industry film geographers must engage with both to make a meaningful contribution to the complex interwoven discourses on cinematic space. This case study focuses on the Nate Starkman Building, a frequent
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"POST-ANTROPOCENTRIC HYPOSUBJECTIVATION." Journal of V. N. Karazin Kharkiv National University, Series "Philosophy. Philosophical Peripeteias", no. 58 (2018). http://dx.doi.org/10.26565/2226-0994-2018-58-1.

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The article considers hyposubjectivation as the most essential kind of subjectivation in a post-Antropocentric context. Hyposubjectivation is a variety of subjectivation that takes into account the possibility and necessity of anthropological nothing or even less than nothing, the non-presence of a human being. In comparison with hyperobjects from weather catastrophes to celebrities hyposubjects appears as lacanian lamella, deleuzian double fan of a sensation or, in a more philosophical-anthropological formulation, as an uncanny ontological strange stranger. Post-Antropocentric particularizati
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Hodge, Bob. "The Complexity Revolution." M/C Journal 10, no. 3 (June 1, 2007). http://dx.doi.org/10.5204/mcj.2656.

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 ‘Complex(ity)’ is currently fashionable in the humanities. Fashions come and go, but in this article I argue that the interest in complexity connects with something deeper, an intellectual revolution that began before complexity became trendy, and will continue after the spotlight passes on. Yet to make this case, and understand and advance this revolution, we need a better take on ‘complexity’. ‘Complex’ is of course complex. In common use it refers to something ‘composed of many interrelated parts’, or problems ‘so complicated or intricate as to be hard to deal with’. I
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Gantley, Michael J., and James P. Carney. "Grave Matters: Mediating Corporeal Objects and Subjects through Mortuary Practices." M/C Journal 19, no. 1 (April 6, 2016). http://dx.doi.org/10.5204/mcj.1058.

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IntroductionThe common origin of the adjective “corporeal” and the noun “corpse” in the Latin root corpus points to the value of mortuary practices for investigating how the human body is objectified. In post-mortem rituals, the body—formerly the manipulator of objects—becomes itself the object that is manipulated. Thus, these funerary rituals provide a type of double reflexivity, where the object and subject of manipulation can be used to reciprocally illuminate one another. To this extent, any consideration of corporeality can only benefit from a discussion of how the body is objectified thr
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Stover, Chris. "Musical Bodies: Corporeality, Emergent Subjectivity, and Improvisational Spaces." M/C Journal 19, no. 1 (April 6, 2016). http://dx.doi.org/10.5204/mcj.1066.

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IntroductionInteractive improvisational musical spaces (which is to say, nearly all musical spaces) involve affective relations among bodies: between the bodies of human performers, between performers and active listeners, between the sonic "bodies" that comprise the multiple overlapping events that constitute a musical performance’s unfolding. Music scholarship tends to focus on either music’s sonic materialities (the sensible; what can be heard) or the cultural resonances that locate in and through music (the political or hermeneutic; how meaning is inscribed in and for a listening subject).
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Hazleden, Rebecca. "Promises of Peace and Passion: Enthusing the Readers of Self-Help." M/C Journal 12, no. 2 (May 13, 2009). http://dx.doi.org/10.5204/mcj.124.

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The rise of expertise in the lives of women is a complex and prolonged process that began when the old networks through which women had learned from each other were being discredited or destroyed (Ehrenreich and English). Enclosed spaces of expert power formed separately from political control, market logistics and the pressures exerted by their subjects (Rose and Miller). This, however, was not a question of imposing expertise on women and forcing them to adhere to expert proclamations: “the experts could not have triumphed had not so many women welcomed them, sought them out, and … organised
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Tesis sobre el tema "Double-aspect ontology"

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LAWRENZ, JURGEN. "LEIBNIZ: DOUBLE-ASPECT ONTOLOGY AND THE LABYRINTH OF THE CONTINUUM." University of Sydney, 2008. http://hdl.handle.net/2123/2475.

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Doctor of Philosophy<br>The main issue to be articulated in this thesis is the proposition that Leibniz’s mature philosophy is best, or preferably, presented as a double-aspect ontology. All the arguments to be furnished herein support this case; however, their intrinsic weight and extent far exceeds that of the principal contention, so that the whole of Leibniz’s natural philosophy and metaphysics will be seen to be involved and to undergo some measure of re-orientation away from more traditional interpretive concerns. Part I follows Leibniz in his emendation of Aristotelian-Scholastic notion
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Lawrenz, Jürgen. "Leibniz double-aspect ontology and the labyrinth of the continuum /." Connect to full text, 2007. http://hdl.handle.net/2123/2475.

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Thesis (Ph. D.)--University of Sydney, 2008.<br>Title from title screen (viewed 10 September, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Philosophy, Faculty of Arts. Degree awarded 2008; thesis submitted 2007. Includes bibliographical references. Also available in print form.
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LAWRENZ, JURGEN. "LEIBNIZ: DOUBLE-ASPECT ONTOLOGY AND THE LABYRINTH OF THE CONTINUUM." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2475.

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The main issue to be articulated in this thesis is the proposition that Leibniz’s mature philosophy is best, or preferably, presented as a double-aspect ontology. All the arguments to be furnished herein support this case; however, their intrinsic weight and extent far exceeds that of the principal contention, so that the whole of Leibniz’s natural philosophy and metaphysics will be seen to be involved and to undergo some measure of re-orientation away from more traditional interpretive concerns. Part I follows Leibniz in his emendation of Aristotelian-Scholastic notions as a result of his nee
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Libros sobre el tema "Double-aspect ontology"

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Leibniz: The nature of reality and the reality of nature : a study of Leibniz's double-aspect ontology and the labyrinth of the continuum. Newcastle upon Tyne: Cambridge Scholars, 2010.

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