Bibliografías temáticas / Dutch Motion pictures

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Literatura académica sobre el tema "Dutch Motion pictures"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Dutch Motion pictures"

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Hanewinkel, Reiner. "Rauchen in Oscar- und Lola-nominierten Filmen." SUCHT 63, no. 6 (2017): 307–13. http://dx.doi.org/10.1024/0939-5911/a000511.

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Zusammenfassung. Ziel: Untersuchung der Häufigkeit des Rauchens in Filmen, die für einen Filmpreis nominiert worden sind. Prüfung der Assoziation zwischen dem Rauchen in Filmen und der Altersfreigabe der Filme. Methodik: Erfasst wurde für alle 81 Filme, die 2016 und 2017 für die „Oscars“ oder den Deutschen Filmpreis („Lolas“) nominiert wurden, ob geraucht wurde. Ferner wurde die Altersfreigabe der Filme durch die „Freiwillige Selbstkontrolle der Filmwirtschaft“ (FSK) und die „Motion Picture Association of America“ (MPAA) erhoben. Ergebnisse: In 60 (74%) der 81 Filme wurde geraucht. In Filmen,
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2

Finocchiaro, Francesco. "Photoplay Music as a Key Source for a New Historiographical Paradigm." Fontes Artis Musicae 71, no. 2 (2024): 63–84. http://dx.doi.org/10.1353/fam.2024.a933073.

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English Abstract: The notion of 'source' poses considerable problems for the study of silent film music. On the one hand, from a purely historical point of view, it is worth remembering that most of the music for the films of the silent era no longer exists. On the other hand, a vast repertoire of stock photoplay music has come down to us from the silent era, as an example of specialised publishing in the field of film music. Collections such as Kinothek, Motion Picture Moods, Filmharmonie , and many others consisted of original pieces that were not associated with a specific film but were des
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Siregar, Harifa. "“Indonesia, Rubber, and Modern Techniques: Goodyear’s Conquering the Jungle (1939)”." Media+Environment 6, no. 1 (2024). https://doi.org/10.1525/001c.125930.

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In the late nineteenth century, rubber became a precious commodity. Many companies were looking for opportunities to satisfy the market demand by investing in rubber plantations established mainly in colonized lands. In 1916, the Goodyear Tire and Rubber Company, headquartered in the US in Akron, Ohio, acquired 20,000 acres in Dolok Merangir, Deli area, East Sumatra, Dutch East Indies (the region is now part of North Sumatra province, Indonesia), by concession of the Dutch East Indies and the local ruler of the Deli Sultanate. In 1929, Goodyear developed another plantation called Wingfoot, sou
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4

Kamenetski, Anna, Vicky Tzuyin Lai, and Monique Flecken. "Minding the manner: Attention to motion events in Turkish–Dutch early bilinguals." Language and Cognition, May 18, 2022, 1–23. http://dx.doi.org/10.1017/langcog.2022.10.

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Abstract Languages differ in the way motion events are encoded. In satellite-framed languages, motion verbs typically encode manner, while in verb-framed languages, path. We investigated the ways in which satellite-framed Dutch and verb-framed Turkish co-determine one’s attention to motion events in early bilinguals. In an EEG oddball paradigm, Turkish–Dutch bilinguals (n = 25) and Dutch controls (n = 27) watched short video clips of motion events, followed by a still picture that matched the preceding video in four ways (oddball design: 10% full match, 10% manner match, 10% endpoint match, an
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5

Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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6

Arps, Arnoud. "Performative Memories." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2924.

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Introduction Indonesian cultural productions use the Indonesian War of Independence (1945-1949) as inspiration for the war’s remembrance in popular culture such as in films (Arps; Irawanto), music, and mobile games, while a special emphasis on wearing historical costumes is made during the anniversary of Indonesia’s declaration of independence. Nowhere is this clearer than in Indonesian historical re-enactment. Although Indonesia has seen a rise in historical re-enactment groups for the last couple of years, the absence of scholarly research on the topic reflects how Indonesian historical re-e
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7

Flynn, Bernadette. "Towards an Aesthetics of Navigation." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1875.

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Introduction Explorations of the multimedia game format within cultural studies have been broadly approached from two perspectives: one -- the impact of technologies on user interaction particularly with regard to social implications, and the other -- human computer interactions within the framework of cybercultures. Another approach to understanding or speaking about games within cultural studies is to focus on the game experience as cultural practice -- as an activity or an event. In this article I wish to initiate an exploration of the aesthetics of player space as a distinctive element of
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Libros sobre el tema "Dutch Motion pictures"

1

Stevens, Matthew. Directory of contemporary Dutch films and film-makers. Flicks Books, 1990.

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2

Blom, Ivo Leopold. Jean Desmet and the early Dutch film trade. Amsterdam University Press, 2003.

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3

Blom, Ivo. Jean Desmet and the early Dutch film trade. Amsterdam University Press, 2002.

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4

Draisma, Janneque. Into the light: Cinematographic choreographies and visual works. Janica Draisma, 2015.

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5

1944-, Hauer Rutger, and Connoisseur Video Collection, eds. Keetje Tippel. Connoisseur Video Collection, 1989.

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6

Rob, Schouten, ed. Cinema literair: Film in de Nederlandse literatuur. Agathon, 1989.

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7

Jooren, Marieke, and Vera de Lange. Nieuwe kaders: Schilderkunst, fotografie en film 1920-1940. WBOOKS., 2020.

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8

Jong, Mirande de. Gids voor Nederlandse filmtijdschriften: Van 1912 tot heden. Stichting Film en Wetenschap, 1990.

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9

1944-, Reiss Erwin, and Zielinski Siegfried, eds. Grenzüberschreitungen: Eine Reise durch die globale Filmlandschaft. Wissenschaftsverlag V. Spiess, 1992.

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10

Burghardt, Kirsten. Werk, Skandal, Exempel: Tabudurchbrechung durch fiktionale Modelle : Willi Forsts "Die Sünderin" (BR Deutschland, 1951). Diskurs-Film-Verlag Schaudig & Ledig, 1996.

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Capítulos de libros sobre el tema "Dutch Motion pictures"

1

Kalinak, Kathryn. "A history of film music I." In Film Music: A Very Short Introduction, 2nd ed. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/actrade/9780197628034.003.0004.

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Abstract Music has been central to the history of film. This chapter charts that history through a global perspective, looking at the origins and development of musical accompaniment to motion pictures from the United States to South America, from Europe, Russia, and the Soviet Union to India, Japan, China, and numerous other countries in between. That history includes attention to the variety of forms that musical accompaniment to early film took from phonographic accompaniment to live performance, from improvisation to cue sheets to original film scores, and from a single musician to a symph
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