Literatura académica sobre el tema "Écritures exposées"
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Artículos de revistas sobre el tema "Écritures exposées":
Fraenkel, Béatrice. "Les écritures exposées". Linx 31, n.º 2 (1994): 99–110. http://dx.doi.org/10.3406/linx.1994.1327.
Cazals, Rémy. "Écritures ouvrières à Mazamet (XIXe-XXe siècles)". Annales du Midi : revue archéologique, historique et philologique de la France méridionale 129, n.º 297 (2017): 65–79. http://dx.doi.org/10.3406/anami.2017.8861.
D’ALIGNY, Marie-Claire. "Marche, couleur et écriture. Le « chemin du rouge » à travers Œdipe, Clios, Antigone et Richard Long". Revue internationale Henry Bauchau. L’écriture à l’écoute, n.º 6 (30 de diciembre de 2014): 229–47. http://dx.doi.org/10.14428/rihb.v0i6.17483.
Charland, Dany. "« Immédiateté médiatisée » des expériences chrétiennes de « Dieu » : une grille d'interprétation". Studies in Religion/Sciences Religieuses 30, n.º 3-4 (septiembre de 2001): 307–22. http://dx.doi.org/10.1177/000842980103000304.
Meouak, Mohamed. "Notules sur le lexique arabe vernaculaire/semi-vernaculaire dans les Manāqib Abī l-Qāsim al-Misrātī de l’écrivain Ǧamāl al-dīn Muḥammad b. Ḫalaf al-Misrātī al-Qayrawānī (après 1035/1626)". Al-Qanṭara 42, n.º 2 (30 de diciembre de 2021): e21. http://dx.doi.org/10.3989/alqantara.2021.018.
Vachhani, Sheena J. "Rethinking the politics of writing differently through écriture féminine". Management Learning 50, n.º 1 (28 de septiembre de 2018): 11–23. http://dx.doi.org/10.1177/1350507618800718.
Gosselin, Katerine. "L’« art romanesque », du Mentir-vrai aux Incipit". Études littéraires 45, n.º 1 (15 de julio de 2014): 91–102. http://dx.doi.org/10.7202/1025942ar.
Millet, Agnès. "Orthographe française et phonographie : enjeux théoriques et descriptifs". Lidil 13, n.º 1 (1996): 21–40. http://dx.doi.org/10.3406/lidil.1996.1672.
Le-Bastard-Landrier, Séverine y Bruno Suchaut. "L’élève comme objet d’évaluation au sein d’une démarche d’apprentissage de la lecture". Mesure et évaluation en éducation 23, n.º 2-3 (9 de agosto de 2022): 21–36. http://dx.doi.org/10.7202/1091225ar.
Gilbert, Nicolas. "Chute/Parachute de Michel Gonneville : pensée sérielle, écriture postmoderne (ou l’inverse)". Circuit 19, n.º 3 (8 de octubre de 2009): 91–108. http://dx.doi.org/10.7202/038262ar.
Tesis sobre el tema "Écritures exposées":
Araya, Pedro. "Des choses écrites : écritures exposées en situation de "dissensus" au Chili : une enquête anthropologique". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0632.
The present dissertation concerns displayed writing in contemporary Chilean urban space, specially in Santiago de Chile. Based on anthropological perspective, it discusses a wide range of displayed written objects, political and poetic: slogans and mottos, rayados and papelografos, the releasing of writings and poems from the sky, the use of bomb-sprays and brushes, banners and posters, among others. Approaching the manners on how different collectives adopt these practices - i. E. The structuring of a logic of action - involves analysing situations where these writings are produced, displayed, put into circulation and conserved, among others. This also imposes adopting an historical perspective on these writings' modes of existence, their survival and the forms of life that they involve. Ephemeral and situated, these displayed writings question and challenge our contemporary "distribution of the sensible" (Rancière). This calls to consider the ways in which this tensioning works. The control over displayed writing exercised by the authorities is confronted with these writings' modes of appearance and persistence. Through the persons' writings and sayings, it is also possible to approach ethnographically the dissensus operated by these writings, and to understand how the proper form that can give force to these written acts and objects is elaborated. In short, these pages outline anthropology of writing, looking at what we do with writing, and what it makes us do
Liu, Wenling. "L' écrit des enseignes commerciales : une écriture exposée chinoise dans l'espace urbain". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0581.
The purpose of this thesis is to examine Chinese commercial signs, considered as a kind of public "displayed writing" in a modern urban space, both in Beijing and Paris. In the first part we propose a formal analysis of commercial signs from a linguistic and semiotic perspective partly inspired by Peirce(s semiosis: we analyse the sign as a proper name in a situation of "labelling" (étiquetage) and we consider the problem of translating foreign marks into Chinese in a context of digraphia. The second part approaches the sign from a socio-anthropological point of view, as an object of social transactions involving distinct categopries of agents (merchant, manufacturer, customer, legislator). Empirical observation enables us to confront pragmatically ideal representations and actual behaviors. The last part is devoted to a contribution to an anthropology of writing, from a twofold vantage point: the effects of official powers on the sign (through a study of norms and regulations) and the specific efficiency possessed by writing displayed on a Chinese sign. This latter aspect is highlighted through a comparison with other forms of traditional writings traditionally imbued with magic powers (duilian)
Libros sobre el tema "Écritures exposées":
Liu, Wenling. Les enseignes commerciales chinoises: Une écriture exposée chinoise dans l'espace urbain. Paris, France: Editions You Feng, 2009.