Bibliografías temáticas / Elio Pagliarani

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  2. Tesis
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Literatura académica sobre el tema "Elio Pagliarani"

Autor: Grafiati
Publicado: 14 de marzo de 2023

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Artículos de revistas sobre el tema "Elio Pagliarani"

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Santini, Federica. "Una borghese piccola piccola: Ragazze milanesi in Giorgio Scerbanenco ed Elio Pagliarani". Forum Italicum: A Journal of Italian Studies 54, n.º 2 (5 de noviembre de 2019): 574–90. http://dx.doi.org/10.1177/0014585819881440.

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The project consists of a study of selected works by two authors who have not been connected or compared before, experimental poet Elio Pagliarani and noir writer Giorgio Scerbanenco. Specifically, the study explores several coinciding representations of lower-middle class women in Pagliarani’s poem La ragazza Carla and Scerbanenco’s collection of short stories Milano Calibro 9. Through references to existing scholarship on each author and analytical readings of the texts, the study aims to demonstrate how the two writers, who were active at the same time in Milan, showed much attention to class and gender issues in their work, and thus obtained similar results through very different stylistic approaches. In addition, the study explores the underlying reasons for which Pagliarani and Scerbanenco chose to focus on realistic representations of Milanese women within their distinct narrative scopes. Finally, the article has the secondary goal of breaking the canon by focusing on two genres, experimental poetry and popular literature, which are rarely if ever considered together.
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Santini, Federica. "Elio Pagliarani oltre la linea lombarda". Carte Italiane 2, n.º 1 (2004). http://dx.doi.org/10.5070/c921011347.

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Ballerini, Luigi. "Della violenta fiducia, ovvero di Elio Pagliarani in prospettiva". Carte Italiane 2, n.º 1 (2004). http://dx.doi.org/10.5070/c921011343.

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Tsan, Loli. "Spazio negativo e specularità nella Ragazza Carla di Elio Pagliarani". Carte Italiane 2, n.º 1 (2004). http://dx.doi.org/10.5070/c921011348.

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Tesis sobre el tema "Elio Pagliarani"

1

Panarella, Valentina. "Poesia e oralità in Italia nel secondo Novecento". Doctoral thesis, Università di Siena, 2021. http://hdl.handle.net/11365/1171493.

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This thesis proposes a theoretical and historic-literary recognition on the relationship between poetry and orality in the second half of the 20th century. The study is structured into three levels: 1) the reconstruction of the methodological and theoretical issue of oral and written texts; 2) the reconstruction of the historic-literary scenario in the poetry of the second half of the 20th century, with its disclosure in radio, vinyl records and on the stage; 3) the analysis of Elio Pagliarani and Antonio Porta’s poetic production.
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2

La, Rosa Emanuele [Verfasser]. "Impegno metonimico, impegno esplicito: poetiche della Neoavanguardia a confronto. : Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola. / Emanuele La Rosa". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2019. http://d-nb.info/1191648079/34.

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3

Paroli, Elena. "Le Je anti-lyrique dans la poésie italienne des années soixante : le sujet poétique en question dans la poésie d’Elio Pagliarani, Mario Luzi et Vittorio Sereni". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3075.

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Cette étude se consacre à l’avènement du Je anti-lyrique dans la poésie italienne des années soixante. C’est à ce moment que la pensée post-métaphysique peut se dire assimilée par la culture italienne, qui y trouve une nouvelle clef de lecture de l’expérience de la guerre et du miracle économique. C’est aussi la période où le réel, cru et changeant, fait irruption dans l’expérience artistique. Elio Pagliarani, Mario Luzi et Vittorio Sereni nous ont parus des représentants emblématiques de cette nouvelle posture du sujet poétique. Nous avons étudié leurs ouvrages des années soixante par le biais de trois catégories principales : la mise en question du Je, le rapport entre le Je et le monde, le rapport entre le Je et les autres. Cette articulation nous a permis d’une part de suivre les trois étapes principales de la reformulation anti-lyrique du Je (face à lui-même, face au monde et face aux autres), et d’autre part de reconnaître une progression dans la perte de l’identité lyrique traditionnelle. Le poète, ayant perdu la consolation métaphysique, commence à rechercher la vérité dans le monde physique ; il comprend ensuite que la vérité des choses est éphémère et que toute unité est brisée ; et il donne enfin la voix à d’autres personnages, dans l’effort de comprendre ce questionnement polyphonique qui est désormais la véritable voix du monde et du poète lui-même
This research focuses on the rise of the anti-lyrical I in the Italian poetry of the Sixties. This was the time when the post-metaphysical philosophy had been fully assimilated by the Italian culture, which started using it as a new reading key to under- stand WW2 experience and the so-called economic miracle. This was also the time when the raw and ever-changing real broke into the artistic experience. Elio Paglia- rani, Mario Luzi and Vittorio Sereni seemed to us emblematic representatives of this new poetic subject's posture. We studied their poems from the Sixties under three main categories: the questioning of the I, the relationship between the I and the world, and the relationship between the I and the others. This structure allowed us firstly to follow the three main stages of the anti-lyrical reformulation of the I (confronted to himself, to the world and to the others) and secondly to recognize a progression in the loss of the traditional lyrical identity. Aware of the loss of any metaphysical consolation, the poet begins to seek the truth inside the physical world; he the realizes that even objects/things bear a fleeting truth and that any unity is broken; and he finally gives voice to other characters in the effort to understand the polyphonic questioning which has become by now the real voice of the world and of the poet himself
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Libros sobre el tema "Elio Pagliarani"

1

Dall'avanguardia all'eresia: L'opera poetica di Elio Pagliarani. Firenze: Società editrice fiorentina, 2011.

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2

Elio Pagliarani: Tutte le poesie 1946-2005. Milano: Garzanti, 2006.

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3

Rosa, Emanuele La y L. A. Rosa Muller. Impegno Metonimico, Impegno Esplicito - Poetiche Della Neoavanguardia a Confronto: Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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4

Rosa, Emanuele La. Impegno Metonimico, Impegno Esplicito : Poetiche Della Neoavanguardia a Confronto: Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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5

Rosa, Emanuele La. Impegno Metonimico, Impegno Esplicito : Poetiche Della Neoavanguardia a Confronto: Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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6

Rosa, Emanuele La. Impegno Metonimico, Impegno Esplicito : Poetiche Della Neoavanguardia a Confronto: Elio Pagliarani, Edoardo Sanguineti, Adriano Spatola. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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Capítulos de libros sobre el tema "Elio Pagliarani"

1

"ELIO PAGLIARANI". En Twentieth-Century Italian Poetry, editado por John Picchione, 319–32. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-023.

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"ELIO PAGLIARANI". En Those Who from Afar Look Like Flies, editado por Luigi Ballerini y Giuseppe Cavatorta, 358–97. Toronto: University of Toronto Press, 2017. http://dx.doi.org/10.3138/9781442625143-013.

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"ELIO PAGLIARANI". En Those Who from Afar Look Like Flies, editado por Luigi Ballerini y Giuseppe Cavatorta, 1536–55. Toronto: University of Toronto Press, 2017. http://dx.doi.org/10.3138/9781442625143-051.

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4

"4. Collage, Multilingualism, and Ideology: Elio Pagliarani's Epic Narratives". En The New Avant-Garde in Italy. Toronto: University of Toronto Press, 2004. http://dx.doi.org/10.3138/9781442681835-006.

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