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1

Khramov, Alexander. "Did God create fossils? Notes on the history of an idea." St. Tikhons' University Review 104 (December 29, 2022): 29–45. http://dx.doi.org/10.15382/sturi2022104.29-45.

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The subject of the paper is prochronism, e.g. the teaching which says that the world was created with the appearance of old age. It is shown that the sources of prochronism could be traced to the medieval doctrine of double truth and philosophy of Descartes, who suggested that cosmological theories on the origin of the Universe are purely conditional, while in fact the world was instantly created complete and mature. The idea of apparent, but non-existent past gained much credence during the first half of the 19th century, when paleontological and geological discoveries raised a question on ho
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2

Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l
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3

Bouso, Tamara, and Pablo Ruano San Segundo. "Another turn of the screw on the history of the reaction object construction." Functions of Language 28, no. 2 (April 7, 2021): 208–31. http://dx.doi.org/10.1075/fol.20026.bou.

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Abstract This article deals with the Reaction Object Construction (ROC), as in She smiled disbelief, where an intransitive verb (smile), by adding an emotional object (disbelief), acquires the extended sense “express X by V−ing” (i.e. “She expressed disbelief by smiling”). Earlier research has suggested a diachronic connection between the ROC and Direct Discourse Constructions (DDCs) of the type She smiled, “I don’t believe you” (Visser 1963–1973). More recently, Bouso (2018) has shown that the ROC is primarily a feature of 19th century narrative fiction. This paper aims to bring together thes
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4

Shaytanov, I. O. "History of Russian translations of fiction in 1800–1825." Voprosy literatury, no. 6 (December 8, 2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.

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The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre tha
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5

Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (February 4, 2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un
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6

Svyatoslavsky, Alexey V. "The Сategory of Nationality of Literature as a Subject of Comprehension in the History of Russian Criticism of the 19th Century". Two centuries of the Russian classics 6, № 2 (2024): 164–83. http://dx.doi.org/10.22455/2686-7494-2024-6-2-164-183.

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The article examines the history of the formation of the concept of “nationality” as an aesthetic category in Russian criticism of the 19th century. The research attempts to identify certain constants in understanding nationality as an ethnic-social concept and aesthetic category in fiction and to trace its transformations in changing historical conditions concerning certain ideological discourses and cultural paradigms. The works of V. G. Belinsky, A. S. Khomyakov, N. A. Dobrolyubov, I. V. Kireevsky, N. A. Berdyaev, N. K. Mikhailovsky, the correspondence of P. A. Vyazemsky and articles by A.
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7

Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang
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8

ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (April 1, 2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin
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9

Sozina, Elena K. "Epoch / Period vs Generation in the Literary and Critical Consciousness of the 19th Century." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 3 (2022): 9–25. http://dx.doi.org/10.15826/izv2.2022.24.3.041.

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This article analyses the functioning of the concepts of “epoch”, “period”, and “generation” in nineteenth-century literature, criticism, and literature studies. The concept of “epoch” presupposes a linear stage understanding and interpretation of history, and “period” can also be used within other concepts of historical development. The “epoch”, sometimes replaced by the “century”, and the “period” were traditionally used as measurement units of literature and culture history (cf. works of A. Bestuzhev, I. Kireevsky, V. Belinsky, etc.). One of the first periodisations of the history of Russia
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10

Mikhailova, Maria, and Sofya Kudritskaya. "Mire’s Interpretation of the Tragic and Paradoxical World of Oscar Wilde." Literatūra 63, no. 2 (November 22, 2021): 70–87. http://dx.doi.org/10.15388/litera.2021.63.2.5.

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This article analyzes the reception of the figure of O. Wilde, the 19th-century English writer, and his works in the prose and criticism of Alexandra Mikhailovna Moiseeva (1874-1913), who entered the history of Russian literature of the Silver Age by the name of “Mire”. The study focuses mainly on her story Black Panther (1909), in which the author provides an original perspective on the tragic love episode in Wilde’s life. Attention is also paid to the thematic similarities between the works of Wilde and Mire in terms of genre, plot and literary image, as well as Mire’s interpretation of Wild
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11

Leonczyk, Sergiusz. "ETHNOGRAPHIC STUDIES OF THE PEOPLES OF SIBERIA BY POLISH EXILES IN THE SECOND HALF OF THE 19TH CENTURY." Ural Historical Journal 71, no. 2 (2021): 154–60. http://dx.doi.org/10.30759/1728-9718-2021-2(71)-154-160.

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The article provides information on ethnographic studies of Siberian peoples published by Poles in the form of descriptions, notes and diaries in the second half of the 19th century. The ethnographic sketches of the exiled participants of the January Uprising in Poland (1863–1864), P. Argant, A. J. Kon, M. Hruszecki, and J. Koton, published in European languages are still little-studied. The author notes the special contribution of L. Nemojewski, who, while in exile, wrote dozens of essays and the book “Siberian Pictures”, which was published in Polish and English. L. Nemojewski was one of the
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12

Abdurakhmanova-Pavlova, Daria V. "John Woolman’s image in the English non-fiction in the 1850–1940s: Hagiographical motives." Izvestiya of Saratov University. Philology. Journalism 22, no. 2 (May 23, 2022): 177–85. http://dx.doi.org/10.18500/1817-7115-2022-22-2-177-185.

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John Woolman, an 18th century Quaker preacher, is known in the history of American literature for his spiritual autobiography titled The Journal (1774). The 1850–1940s is a period when Woolman’s autobiographical character attracts the attention of British and American critics and essay writers. They publish a significant number of non-fiction texts, which contain numerous elements of hagiography in Woolman’s portraiture, depicting him as a saintly proto-abolitionist figure. According to recent studies, the pioneering role in Woolman’s literary “sanctification” belonged to the 19th century Amer
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13

Mašek, Petr. "Zámecká knihovna Nové Syrovice." Acta Musei Nationalis Pragae – Historia litterarum 67, no. 1-2 (2022): 62–65. http://dx.doi.org/10.37520/amnpsc.2022.008.

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The Nové Syrovice Castle library was collected by the Counts of Nimptsch, in particular Count Johann Heinrich von Nimptsch (1723–1806) and Count Karl von Nimptsch (1803–1869), and it also contains traces of the library of the Counts Marcolini. A later part of the collection was added by the Counts of Stubenberg. What is interesting is the manuscript collection, including a set of plans and drawings depicting the Hungarian fortress of Eger (Erlau) and the legal norms applicable to the duchies of Silesia. Works coming from the 16th century were mainly written by ancient authors. Early printed bo
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14

Chugunov, D. "The national myth in S. Clarke’s novel “Jonathan Strange & Mr Norrell”." Philology and Culture, no. 2 (June 25, 2024): 233–37. http://dx.doi.org/10.26907/2782-4756-2024-76-2-233-237.

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The purpose of this article is to study the constituent elements of the English national myth, embodied in the novel “Jonathan Strange & Mr. Norrell” by Susanna Clark (2004). The work gained genuine success immediately after its appearance, but the reasons for this success have not been investigated to date. The literary criticism focused mainly on the way S. Clarke followed the English literary tradition associated with the names of Charles Dickens, Jane Austen, Walter Scott and other writers of the 19th century. The article traces S. Clark’s skill to handle different sides of the nationa
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15

Moon, Set Byul. "“Undisputed Masculine Supremacy”: A Subversive Imagination of Moral Masculinity in Catharine Maria Sedgwick’s Hope Leslie." Institute of Humanities at Soonchunhyang University 42, no. 3 (September 30, 2023): 33–55. http://dx.doi.org/10.35222/ihsu.2023.42.3.33.

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19th-century female author Catharine Maria Sedgwick’s 1827 novel, Hope Leslie, or Early Times in the Massachusetts, portrays the eponymous Heroine, Hope Leslie, who is born and orphaned in England and comes to a Puritan community in Massachusetts, New England. Hope’s trans-Atlantic experience allows her a peculiar position between a Native American community and a white settler one, and this trope has been popular in Hope Leslie criticism. While many critics focus on the female characters and their interracial intimacy, this paper attempts to explore peripheral male characters and undiscussed
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16

Solis, Luis. "Three Voices in the Wake of an Earthquake." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 2 (November 19, 2020): 34–43. http://dx.doi.org/10.31178/ubr.9.2.4.

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Like practically every single country, Mexico has had its fair share of pain and trauma. Bloodshed and utter devastation are rife in Mexico’s modern history. To civil wars and —in recent years— drug-related violence, one has to add the destruction and horror caused by earthquakes. The seism that devastated Mexico City on the 19th of September was the most destructive and painful in living memory. As an uncanny coincidence, also on the 19th of September, but in 2017, another earthquake hit the capital. Perhaps not surprisingly, Mexican novelists and poets have written profusely about their coun
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17

Garcha, Amanpal. "FORGETTING THACKERAY AND UNMAKING CAREERS." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 531–45. http://dx.doi.org/10.1017/s1060150318000128.

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One of the peculiar challengesfacing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. TheMLA Bibliographycontains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of
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18

Shcherbinina, Yu I. "Teaching Creative Writing within the framework of philology: historical overview." Vestnik of Samara University. History, pedagogics, philology 29, no. 4 (December 30, 2023): 173–82. http://dx.doi.org/10.18287/2542-0445-2023-29-4-173-182.

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The purpose of the present article is to consider the dialectical relationship between Creative Writing and philology. The relevance of this subject is borne out by the recent surge of interest in teaching Creative Writing among EFL practitioners, writers, as well as teachers and researchers of literature, and the lack of a well-established system of instruction in our country. The materials analyzed in the paper include the works of American theoreticians and practitioners of Creative Writing, who laid the foundation of this discipline in the late 19th – early 20th century, the works of Briti
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19

Shuai, Siyang. "A Dilemma between Politics and Evangelism: S. Wells Williams’ Controversial Translation of the “Toleration Article” in the Sino–U.S. Treaty of Tientsin." Religions 15, no. 2 (January 25, 2024): 152. http://dx.doi.org/10.3390/rel15020152.

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The Sino–U.S. Treaty of Tientsin (1858), for the first time in history, included an article to ensure the toleration of Protestantism in China, i.e., the Toleration Article. The man behind the article was S. Wells Williams (1812–1884), an interpreter of the U.S. Legation and a former missionary, who negotiated with Chinese officials directly. Williams produced the Chinese version of the clause and its official English translation which led to controversies, for it was deemed unfaithful and humiliating to the Christian communities. This paper revisits this important episode in the history of Pr
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20

Romanenko, Ksenia. "The Transformation of the Canon, the Struggle With the Canon, the Re-creation of the Canon as the Basis of Fanfiction Culture." Philosophy. Journal of the Higher School of Economics VI, no. 2 (March 31, 2022): 168–88. http://dx.doi.org/10.17323/2587-8719-2022-2-168-188.

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To understand the transformation of canons and the struggle with them, we may productively explore fanfiction, a particular reader's, viewer's, and author's practice, within non-professional and non-commercial texts based on the plots and heroes of other people's works. Fanfiction is a paradoxical phenomenon: it is wholly based on a specific canon — collectively selected film and literary texts, moves by worship, emotional attachment, and attention, while initially working as a criticism of the canons and changing the canons. Canon is not only a research concept but also an intra-cultural desi
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21

Markov, Alexander. "Formation of a Philosophical Canon in Religious-idealistic Samizdat." Philosophy. Journal of the Higher School of Economics VI, no. 1 (March 31, 2022): 89–116. http://dx.doi.org/10.17323/2587-8719-2022-1-89-116.

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As a product of hobby groups, religious and philosophical samizdat was the practice of an entire cycle of intellectual content production: from the search for sources to their adaptation and pragmatization. At the same time, pragmatization determined the future projects and the organization of circles as communities. A wary attitude towards the transformations of the world demanded among supporters of religious philosophy reflection on the life-building and social potential of the community. This cautious attitude determined the composition of the canon, the features of which are determined by
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22

Markova, Ekaterina A. "W.B. Yeats's play Where There is Nothing and its Tolstoyan dimension." Vestnik Tomskogo gosudarstvennogo universiteta, no. 474 (2022): 73–87. http://dx.doi.org/10.17223/15617793/474/9.

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The article discusses the issue of the influence of Leo Tolstoy, his fiction and non-fiction, on William Butler Yeats's drama in the broader context of Tolstoy's reception in the late 19th - early 20th century in both Russia and the United Kingdom. Tolstoy's image as a writer in the correspondence and non-fiction of the Irish playwright is analysed. The author shows that Yeats's attitude towards the Russian writer, though initially favourable, was gradually becoming more and more irreverent and complex. Similar attitudes towards Tolstoy are detected in Russian writers of the period. Yeats crit
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23

Krupina, Ekaterina A. "OLD ENGLISH LEXEME ÆÐELING IN THE GLOSSARIES AND IN THE TEXT OF THE POEM BEOWULF." Sovremennye issledovaniya sotsialnykh problem 15, no. 1 (March 31, 2023): 83–93. http://dx.doi.org/10.12731/2077-1770-2023-15-1-83-93.

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Background. The Old English poem Beowulf is one of the samples of the Anglo-Saxon poetic tradition and the culture. This work keeps secrets that attract attention of culture experts, historians, linguists, including lexicographers. The 19th century became a starting point for making dictionaries to this poem. Both dictionaries as the text can be a valuable source of information about semantic scope of lexical items.
 Purpose. The article considers the semantic scope and the shades of the meaning of the Old English æðeling.
 Materials and methods. The research material comprises the t
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24

Tetenova, Mariia Aleksandrovna. "Edgar Allan Poe's journey to Russia: fiction and reality." Litera, no. 6 (June 2024): 28–36. http://dx.doi.org/10.25136/2409-8698.2024.6.70956.

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This study highlights the history of E.A. Poe's work on the Russian literary scene, shedding light on the cultural, historical and editorial factors that determined its existence in Russia in the nineteenth century. In analysing the translations, we have resorted to the study of existing studies on the subject, archival materials of the Russian press, literary criticism etc. The aim of the study was to reconstruct the specific context and the specific conditions under which the work of Poe penetrated into Russia, which would also allow us to illustrate the key role of translators in the presen
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25

Блашків, О. В. "INTELLECTUALS IN THE FACE OF HISTORIC TURMOIL: “THE REVENGE OF THE PRINTER” BY STANISLAV ROSOVETSKYJ AS ACADEMIC FICTION." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (December 20, 2019): 3–15. http://dx.doi.org/10.34142/2312-1076.2019.3.93.01.

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Since mid-twentieth century the academic novel has been treated in English literary criticism as a separate literary genre centered on the life of professors. Often the action takes place on and outside of campus, revealing the professors’ private concerns. Satire is a characteristic feature of academic novels, which usually drives the action. In these novels university appears as a “microcosm of society at large.” Even though the academic novel is an emerging genre in Ukrainian literature, there are texts which fall into this category. In the article the author analyzes “The Revenge of the Pr
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26

Kolchanov, Vladimir V., and Svetlana A. Kosyakova. "To the sources of the motive of mass psychosis in M.A. Bulgakov’s novel “The Master and Margarita”." Neophilology, no. 2 (2022): 312–23. http://dx.doi.org/10.20310/2587-6953-2022-8-2-312-323.

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The aim of the work is to analyze the motive of mass psychosis in the novel “Master and Margarita” by M.A. Bulgakov. It is relevant nowadays, when the tendency of close study of madness motive in the writer's works as a particular case of madness motive in Russian literature is outlined in literary criticism. The subject of the research is the consideration of this motive as a technique of parody, creating a unique satirical palette of the sociopolitical life of the country in the era of 1920–1930. Therefore, the methodology of the article includes, along with traditional historical, cultural
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27

Zabiyako, Anna A., and Wang Yuqi. "The Image of the Perception of the Japanese and Japan in the Pre-Revolutionary Experience of Artistic Reflection: The Genre Aspect." Humanitarian Vector 17, no. 1 (February 2022): 19–28. http://dx.doi.org/10.21209/1996-7853-2022-17-1-19-28.

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The relevance of the research is determined by the interest of modern literary criticism in the imagological aspects and the problem of developing a research strategy in relation to this kind of texts. The novelty of the work is defined by the genre approach to the study of the image of perception of Japan and the Japanese in Russian pre-revolutionary literature dedicated to the events of the Russian-Japanese war, the introduction of previously unknown texts into scientific circulation, a comparative analysis of narrative strategies that determine the genre specificity of each text. The purpos
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28

Fens–De Zeeuw, Lyda. "The HUGE presence of Lindley Murray." English Today 34, no. 4 (September 25, 2018): 54–61. http://dx.doi.org/10.1017/s0266078418000354.

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The grammarian Lindley Murray (1745–1826), according to Monaghan (1996), was the author of the best selling English grammar book of all times, calledEnglish Grammarand first published in 1795. Not surprisingly, therefore, his work was subjected to severe criticism by later grammarians as well as by authors of usage guides, who may have thought that Murray's success might negatively influence the sales figures of their own books. As the publication history of the grammar in Alston (1965) suggests, Murray was also the most popular grammarian of the late 18thand perhaps the entire 19thcentury, an
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29

Mossaki, Nodar Z. "ON THE 100TH ANNIVERSARY OF NAFTULA ARONOVICH KHALFIN: (SCIENTIFIC ACTIVITY IN 1971–1987). PART II." Journal of the Institute of Oriental Studies RAS, no. 2 (24) (2023): 136–56. http://dx.doi.org/10.31696/2618-7302-2023-2-136-156.

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This work continues a series of articles dedicated to the 100th anniversary of the outstanding Soviet historian and orientalist Naftula Aronovich Khalfin. This biobibliographic essay presents an analysis of his activities in 1957–1971, that is, after his appointment as head of the Sector of the Institute of Oriental Studies of the USSR Academy of Sciences. The article shows information about the Department of Historical and Cultural Problems of the Soviet East, which included the Sector of Historical and Cultural Relations between the Soviet and Foreign East in Modern and Contemporary Times. T
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30

Ши, Юэ. "On the translation of the classic Chinese novel “Jin, Ping, Mei, or the Plum in the Golden Vase” in the West." Modern Humanities Success, no. 3 (March 29, 2024): 21–27. http://dx.doi.org/10.58224/2618-7175-2024-3-21-27.

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в истории китайской литературы роман «Цзинь, Пин, Мэй» (Jin Ping Mei, кит. 金瓶梅) династии Мин (1368-1644) является знаковым произведением, которое можно сравнить с «Четырьмя великими шедеврами китайской классической художественной литературы». В 2016 году четвертый том (кн.1 и 2) перевода «Цзинь, Пин, Мэй, или Цветы сливы в золотой вазе» был опубликован в Россия, что позволило русскоязычному миру наконец-то в полном объеме получить полный русский перевод этого классического китайского романа. Появление этого четырёхтомный перевод вновь вызвало повышенное внимание к этому роману и в России, и в
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31

Bardone, Ester, Maarja Kaaristo, Kristi Jõesalu, and Ene Kõresaar. "Mõtestades materiaalset kultuuri / Making sense of the material culture." Studia Vernacula 10 (November 5, 2019): 12–45. http://dx.doi.org/10.12697/sv.2019.10.12-45.

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People live amidst objects, things, articles, items, artefacts, materials, substances, and stuff – described in social sciences and humanities as material culture, which denotes both natural and human-made entities, which form our physical environment. We, humans, relate to this environment by using, depicting, interacting with or thinking about various material objects or their representations. In other words, material culture is never just about things in themselves, it is also about various ideas, representations, experiences, practices and relations. In contemporary theorising about materi
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32

Boyko, Ihor. "LIFE PATH, SCIENTIFIC-PEDAGOGICAL AND PUBLIC ACTIVITY OF VOLODYMYR SOKURENKO (TO THE 100TH ANNIVERSARY OF HIS BIRTH)." Visnyk of the Lviv University. Series Law 72, no. 72 (June 20, 2021): 158–66. http://dx.doi.org/10.30970/vla.2021.72.158.

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The life path, scientific-pedagogical and public activity of Volodymyr Sokurenko – a prominent Ukrainian jurist, doctor of law, professor, talented teacher of the Lviv Law School of Franko University are analyzed. It is found out that after graduating from a seven-year school in Zaporizhia, V. Sokurenko entered the Zaporizhia Aviation Technical School, where he studied two courses until 1937. 1/10/1937 he was enrolled as a cadet of the 2nd school of aircraft technicians named after All-Union Lenin Komsomol. In 1938, this school was renamed the Volga Military Aviation School, which he graduated
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Macenka, S. Р. "Literary Portrait of Fanny HenselMendelssohn (in Peter Härtling’s novel “Dearest Fenchel! The Life of Fanny Hensel‑Mendelssohn in Etudes and Intermezzi”)." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 195–212. http://dx.doi.org/10.34064/khnum2-17.13.

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Background. Numerous research conferences and scholarly papers show increased interest in the creativity of German composer, pianist and singer of the 19th century Fanny Hensel-Mendelssohn. What is particularly noticeable is that her life and creativity are subject of non-scholarly discussion. Writers of biographical works are profoundly interested in the personality of this talented artist, as it gives them material for the discussion of a whole range of issues, in particular those pertaining to the phenomena of female creativity, new concepts of music and history of music with emphasis on it
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Parker, Christopher, Elizabeth Truax, Ivan Roots, Christopher Hill, R. C. Richardson, Joan Thirsk, W. A. Speck, Neil Curtin, Asa Briggs, and William Richardson. "Reviews: Companion to Historiography, Engendering a Nation: A Feminist Account of Shakespeare's English Histories, the Debate on the English Revolution, the Invention of the Newspaper: English Newsbooks, 1641–49, God's Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England, the Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel, the Oxford Book of the American South: Testimony, Memory and FictionBentleyMichael (ed.), Companion to Historiography , Routledge, 1997, pp. xvii + 997, £100.HowardJean E. and RackinPhyllis, Engendering a Nation: A Feminist Account of Shakespeare's English Histories , Routledge, 1997, pp. xviii + 215, £14.99 pb.RichardsonR. C., The Debate on the English Revolution , 3rd ed., Manchester University Press, 1998, pp.x + 262, £14.99.RaymondJoad, The Invention of the Newspaper: English Newsbooks, 1641–49 , Oxford University Press, 1996, pp. xii + 379, £45.HindsHilary, God's Englishwomen: Seventeenth-century Radical Sectarian Writing and Feminist Criticism , Manchester University Press, 1996, pp. vii + 264, £35, £14.99 pb.CressyDavid, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England , Oxford University Press, 1997, pp. 641, £25.00.EllisMarkman, The Politics of Sensibility: Race, Gender and Commerce in the Sentimental Novel , Cambridge University Press, 1996, pp. xii + 264, £45.AyersEdwards L., and MittendorfBradley C. (eds), The Oxford Book of the American South: Testimony, Memory and Fiction , Oxford University Press, 1997, pp. 597, £30.WinterJay and RobertJean-Louis, Capital Cities at War, 1914–1919 , Cambridge University Press, 1997, pp. xviii + 622, £60.NaimanEric, Sex in Public: The Incarnation of Early Soviet Ideology , Princeton University Press, 1997, pp. 307, $39.50, £27.50." Literature & History 8, no. 1 (May 1999): 76–90. http://dx.doi.org/10.7227/lh.8.1.6.

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Bell, Colin, David E. Cooper, Zygmunt Bauman, Mike Filby, R. J. Holton, Christopher Dandeker, Martin Parker, et al. "Book Reviews: Sociology in America, Animals and Society: The Humanity of Animal Rights, Social Forms/Human Capacities: Essays in Authority and Differences, Labour Process Theory, Max Weber's Construction of Social Theory, Bureaucratisation in Northwestern Europe, 1880–1985: Domination and Governance, Organisational Rules: A Framework for Understanding Organisational Action, Organisations in Society, The Mastery of Reason: Cognitive Development and the Production of Rationality, Postmodern Education: Politics, Culture and Social Criticism, ‘Race’, Ethnicity and Education: Teaching and Learning in Multi-Ethnic Schools, Japan's ‘International Youth’: The Emergence of a New Class of Schoolchildren, The Sociology of the Health Service, Living in a Man-Made World: Gender Assumptions in Modern Housing Design, Women and Industrialization: Gender at Work in Nineteenth-Century England, The Decline and Fall of the British Aristocracy, The Making of Modern France: Ideology, Politics and Culture, Culture and Politics in Northern Ireland 1960–1990, Highland Games: The Making of the Myth, before Novels: The Cultural Context of Eighteenth Century English Fiction, Writing Sites, The Ethnographic Imagination: Textual Constructions of Reality, Life and Work History Analyses: Qualitative and Quantitative Developments, A Sort of Clowning: Life and Times 1940–1959." Sociological Review 40, no. 1 (February 1992): 163–220. http://dx.doi.org/10.1111/j.1467-954x.1992.tb02950.x.

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Keshari, Dr Rita Nath. "A Story Ably Tabled: A Critical Perspective on K. Srilatha’s Novel Table for Four." Creative Saplings, May 23, 2022, 1–8. http://dx.doi.org/10.56062/gtrs.2022.1.2.1.

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A close look at the history of Indian English writing, especially the genre of fiction, reveals that till the late 80’s only a few names of women writers surfaced regularly. However, as the century wore on a new dynamism was visible that prompted the younger generation of women writers to experiment, innovate and create an identity for themselves. Writers belonging to this latter group extended their range from creative writing to criticism, translation and even free-lance journalism. Each activity of theirs seems to be a tributary for their total contribution to writing.Among the vibrant lite
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Beder, Sharon. "The Promotion of a Secular Work Ethic." M/C Journal 4, no. 5 (November 1, 2001). http://dx.doi.org/10.5204/mcj.1929.

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The compulsion to work has clearly become pathological in modern industrial societies. Millions of people are working long hours, devoting their lives to making or doing things that will not enrich their lives or make them happier but will add to the garbage and pollution that the earth is finding difficult to accommodate. They are so busy doing this that they have little time to spend with their family and friends, to develop other aspects of themselves, to participate in their communities as full citizens. Unless the work/consume treadmill is overcome there is little hope for the planet. The
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Goggin, Joyce. "Transmedia Storyworlds, Literary Theory, Games." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1373.

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IntroductionThis essay will focus on some of the connections between digitally transmitted stories, games, narrative processes, and the discipline whose ostensible job is the study of storytelling, namely literature. My observations will be limited to the specific case of computer games, storytelling, and what is often unproblematically referred to as “literature,” in order to focus attention on historical and contemporary features of the development of the relationship between the two that remain largely unexamined. Therefore, one goal of this essay is to re-think this relationship from a fre
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39

Stauff, Markus. "Non-Fiction Transmedia: Seriality and Forensics in Media Sport." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1372.

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At last year’s Tour de France—the three-week cycling race—the winner of one stage was disqualified for allegedly obstructing a competitor. In newspapers and on social media, cycling fans immediately started a heated debate about the decision and about the actual course of events. They uploaded photographs and videos, which they had often edited and augmented with graphics to support their interpretation of the situation or to direct attention to some neglected detail (Simpson; "Tour de France").Due to their competitive character and their audience’s partisanship, modern media sports continuous
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40

Dutton, Jacqueline. "Counterculture and Alternative Media in Utopian Contexts: A Slice of Life from the Rainbow Region." M/C Journal 17, no. 6 (November 3, 2014). http://dx.doi.org/10.5204/mcj.927.

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Introduction Utopia has always been countercultural, and ever since technological progress has allowed, utopia has been using alternative media to promote and strengthen its underpinning ideals. In this article, I am seeking to clarify the connections between counterculture and alternative media in utopian contexts to demonstrate their reciprocity, then draw together these threads through reference to a well-known figure of the Rainbow Region–Rusty Miller. His trajectory from iconic surfer and Aquarian reporter to mediator for utopian politics and ideals in the Rainbow Region encompasses in a
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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end
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42

Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in
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Vatchenko, Svetlana A. "Fielding�s �Amelia�. Thematic Plurality of the Novel." Alfred Nobel University Journal of Philology 1, no. 21 (2021). http://dx.doi.org/10.32342/2523-4463-2021-1-21-5.

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Article deals with the attempt to describe the semantic �apacity of Fielding`s last novel �Amelia� that became the notable event in writer�s biography and remains the object of discussion among the researches starting from its first publication. Fielding was at the height of his fame as the magistrate for Westminster and Middlesex and as a celebrated novelist who was an opponent of Samuel Richardson. His novel �Tom Jones� (1749) despite some harsh criticism had been generally acclaimed. According to the title �Amelia� obviously differs from Fielding�s early novels: �Joseph Andrews�, �Jonathan
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"Charles William Bunn, 15 January 1905 - 13 April 1990." Biographical Memoirs of Fellows of the Royal Society 37 (November 1991): 69–83. http://dx.doi.org/10.1098/rsbm.1991.0004.

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Charles William Bunn’s career was an unusual one. Trained as a chemist, he was largely self-taught in crystallography, a subject dominated during his scientific lifetime by the pupils of W. H. and W. L. Bragg. His own researches bore an individual stamp, coloured by an instinctive feel for the way in which molecules arrange themselves and pack. He was unusual, also, in the extent to which he made use of optical and other non-X-ray methods to solve structural problems. Bunn spent the majority of his working life in the research departments of ICI, at first in the Alkali Division at Winnington,
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Meakins, Felicity, and Kate Douglas. "Self." M/C Journal 5, no. 5 (October 1, 2002). http://dx.doi.org/10.5204/mcj.1979.

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Me? "I" am everywhere. The 'self' permeates contemporary culture. Through capitalist individualism and conservative politics, 'self' must be considered first above the needs of the group - "looking after no. 1". In therapeutic, religious and consumerist discourses of self-improvement, self-help or self-actualisation, 'self' is obscured; an entity which needs to be sought and found, changed or accommodated, an entity which one needs to become "in touch with". Within these permutations "self" carries the assumption of its own existence, as either a stable, unchanging entity or as a contextually
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46

Danaher, Pauline. "From Escoffier to Adria: Tracking Culinary Textbooks at the Dublin Institute of Technology 1941–2013." M/C Journal 16, no. 3 (June 23, 2013). http://dx.doi.org/10.5204/mcj.642.

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IntroductionCulinary education in Ireland has long been influenced by culinary education being delivered in catering colleges in the United Kingdom (UK). Institutionalised culinary education started in Britain through the sponsorship of guild conglomerates (Lawson and Silver). The City & Guilds of London Institute for the Advancement of Technical Education opened its central institution in 1884. Culinary education in Ireland began in Kevin Street Technical School in the late 1880s. This consisted of evening courses in plain cookery. Dublin’s leading chefs and waiters of the time participat
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Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (October 13, 2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique
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48

Franks, Rachel. "Building a Professional Profile: Charles Dickens and the Rise of the “Detective Force”." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1214.

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IntroductionAccounts of criminals, their victims, and their pursuers have become entrenched within the sphere of popular culture; most obviously in the genres of true crime and crime fiction. The centrality of the pursuer in the form of the detective, within these stories, dates back to the nineteenth century. This, often highly-stylised and regularly humanised protagonist, is now a firm feature of both factual and fictional accounts of crime narratives that, today, regularly focus on the energies of the detective in solving a variety of cases. So familiar is the figure of the detective, it se
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (March 7, 2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (June 11, 2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of
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