Literatura académica sobre el tema "Essais (Genre littéraire)"

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Artículos de revistas sobre el tema "Essais (Genre littéraire)"

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Žiak, Peter. "Pour une liberté du genre romanesque. En marge de la théorie du roman de Milan Kundera." Synergies Europe, Nº 16 - 2021 (December 30, 2021): 201–10. https://doi.org/10.5281/zenodo.6048934.

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Les romans de Milan Kundera ainsi que ses essais sur l’art du roman constituent un ensemble cohérent dont le but est de nous rappeler l’art moderne et européen par excellence, soit la tradition depuis Rabelais et Cervantes jusqu’à nos jours. En plus de cela, la vision du roman que Kundera défend dans ses travaux théoriques sert également à éviter des interprétations politiques de ses propres romans. Le roman est d’après cet auteur tchèque (français naturalisé aujourd’hui) un
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Nairn, Angelique. "Crafting the Grotesque." M/C Journal 28, no. 2 (2025). https://doi.org/10.5204/mcj.3164.

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Introduction Special effects (SFX) makeup has long been a powerful tool in the world of performance, used to transform, distort, and reimagine the human form in service of storytelling. From the eerie creatures of horror to the fantastical beings of science fiction, prosthetic makeup plays a crucial role in shaping the visual language of genre media. The American television show Face Off (2011-2018) brought this behind-the-scenes artistry to the forefront, offering viewers an in-depth look at the creative processes of professional special effects and prosthetic makeup artists. Running for 13 s
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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi
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Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio
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Tregoning, William. "'Very Solo'." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2411.

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This article treads a fine line. I want to discuss the way that particular contemporary pop soloists talk about, and are talked about in terms of, authentic identity. And I want to use this to make an argument about the significance of those claims within a broader cultural dialogue about identity; specifically: that they demonstrate the persistent popular desirability of “authentic identity” in the face of its perceived theoretical indefensibility and supposed loss of significance. But I want to do all this without perpetuating the tendency for popular music scholarship to engage “authenticit
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Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou
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Noy, Chaim. "Your Hands. Extended: Performing Embodied Knowledge in Eastern Martial Arts." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.539.

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Sensei claps his hands and calls “hai douzo!”, and it is as if I woke up from a daydream, though I wasn’t daydreaming. I’m sitting seiza (traditional Japanese kneeling posture) in an aikidō seminar taking place in Jerusalem. In the large mirror, which is installed on the opposite wall, I can see my friends sitting near me in a row that extends to my left and to my right. At the center of the hall, sensei is demonstrating a technique. We observe his physical movements closely, while at the same time we also follow his verbal explanations. Yelena, my colleague and student, is assisting him: as s
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Beyer, Sue. "Metamodern Spell Casting." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2999.

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There are spells in the world: incantations that can transform reality through the power of procedural utterances. The marriage vow, the courtroom sentence, the shaman’s curse: these words are codes that change reality. (Finn 90) Introduction As a child, stories on magic were “opportunities to escape from reality” (Brugué and Llompart 1), or what Rosengren and Hickling describe as being part of a set of “causal belief systems” (77). As an adult, magic is typically seen as being “pure fantasy” (Rosengren and Hickling 75), while Bever argues that magic is something lost to time and materialism,
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Lavers, Katie, and Jon Burtt. "Briefs and Hot Brown Honey: Alternative Bodies in Contemporary Circus." M/C Journal 20, no. 1 (2017). http://dx.doi.org/10.5204/mcj.1206.

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Briefs and Hot Brown Honey are two Brisbane based companies producing genre-bending work combining different mixes of circus, burlesque, hiphop, dance, boylesque, performance art, rap and drag. The two companies produce provocative performance that is entertaining and draws critical acclaim. However, what is particularly distinctive about these two companies is that they are both founded and directed by performers from Samoan cultural backgrounds who have leap-frogged over the normative whiteness of much contemporary Australian performance. Both companies have a radical political agenda. This
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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th
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Libros sobre el tema "Essais (Genre littéraire)"

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R, Backscheider Paula, ed. Restoration and eighteenth-century dramatists: First series. Gale Research, 1989.

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2

R, Backscheider Paula, ed. Restoration and eighteenth-century dramatists. Gale Research, 1989.

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3

Dialogue sur l'essai et la culture. Presses de l'Universite Laval, 2008.

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Capítulos de libros sobre el tema "Essais (Genre littéraire)"

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Kouamé, Atchêlô Christelle. "Poésie orale et urbanité : essai d’analyses poétique et stylistique d’un slam empreint de nouchi." In Les parlers urbains africains au prisme du plurilinguisme : description sociolinguistique. Observatoire européen du plurilinguisme, 2020. http://dx.doi.org/10.3917/oep.kosso.2020.01.0147.

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Parmi les différents genres littéraires, la poésie bénéficie d’une certaine sacralisation. Elle semble complexe et moins accessible. Elle est abordée avec tant de gravité que, très souvent, le public semble s’en détourner à l’avantage des autres genres. Aujourd’hui, les nouvelles formes de poésie orale, à l’instar du slam, contribuent à populariser cet art verbal longtemps confiné dans les carcans intellectuels. N&#2
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Levenson, Michael. "Stephen’s Diary in Joyce’s Portrait—The Shape of Life." In James Joyce’s. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195150759.003.0008.

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Abstract Despite the Unflagging Controversy over the character of Stephen Dedalus, remarkably little attention has been paid to the ending of A Portrait of the Artist as a Young Man, where one might have supposed that the problem would become acute. The diary that concludes the novel has had the rare dis tinction of being a virtually unannotated specimen within the Joycean oeuvre, and while it is tempting to keep it free from the endless profusion of inky scholia, it raises issues too important to leave unremarked. One of the most intricate mechanisms in an intricate novel, its workings bear d
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