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Artículos de revistas sobre el tema "Essays and miscellany"

Autor: Grafiati

Publicado: 27 de julio de 2024

Última modificación: 31 de julio de 2025

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1

Redman, Harry, and Will L. McLendon. "L'Henaurme siecle: A Miscellany of Essays on Nineteenth-Century French Literature." South Central Review 3, no. 1 (1986): 91. http://dx.doi.org/10.2307/3189130.

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2

Day, W. G. "Review: Mary Hyde Eccles: A Miscellany of her Essays and Addresses." Library 4, no. 2 (2003): 192–94. http://dx.doi.org/10.1093/library/4.2.192.

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3

Kovalyov, N. I. "Illies, F. (2019). Just now the sky was blue. Texts on art. Translated by V. Serov. Moscow: Ad Marginem Press, Muzey sovremennogo iskusstva ‘Garazh.’ (In Russ.)." Voprosy literatury, no. 4 (August 19, 2021): 286–89. http://dx.doi.org/10.31425/0042-8795-2021-4-286-289.

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The reviewer claims that Florian Illies’ essays demonstrate a perfect balance between pure scholarship and journalism. Despite representing a miscellany of genres (book and exhibition reviews, articles summarising the author’s view of various painters and art historians), the collection proves harmonious due to a common motif of the essays. The book does not draw a strict line between history of literature and art history. Similarly, Illies does not separate art history from the context of the life around art, i. e. the authors’ correspondence, their relationships with their family and friends

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4

Morris, Leslie A. "Mary Hyde Eccles: A Miscellany of Her Essays and Addresses. William Zachs." Papers of the Bibliographical Society of America 97, no. 2 (2003): 282–84. http://dx.doi.org/10.1086/pbsa.97.2.24296035.

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5

Tonkin, John. "A Reformation Miscellany: Some Recent Books on Luther and the Reformation." Journal of Ecclesiastical History 39, no. 3 (1988): 445–54. http://dx.doi.org/10.1017/s0022046900038422.

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To the mixed relief and regret of the scholarly community, Lutherjahr 1983 is fading into the distance but the tide of writings stimulated by the quincentenary shows little sign of abating. Some of the works here reviewed fall into the category of ‘late pickings’ from the 1983 harvest, including three collections of essays which originated at scholarly conferences or colloquia held specifically to mark the quincentenary.

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6

PEDEN, G. C. "The unexplored Keynes and other essays: a socio-economic miscellany - By Anand Chandavarkar." Economic History Review 63, no. 2 (2010): 545–46. http://dx.doi.org/10.1111/j.1468-0289.2009.00519_18.x.

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7

Reggi, Annalisa. "Leopardi and the ancient Greek mathematics." Journal of Science Communication 01, no. 02 (2002): A01. http://dx.doi.org/10.22323/2.01020201.

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"I consider Leopardi's poetry and pessimism to be the best expression of what a scientist's credo should be". This quotation is from Bertrand Russell, no less. With these very emblematic words, the greatest man of letters, the supreme icon of the Italian Parnasse, the author of such collections of poems as Canti (Poems) and Operette Morali (The Moral Essays) and philosophical thoughts as Zibaldone (Miscellany) has been associated to the world of science. This relationship, very intense and to a certain extent new, was greatly emphasised on the occasion of the poet's birth bicentenary. During t

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8

Cano-Echevarría, Berta. "Of Intelligence : A Previously Unknown Tract by Sir Thomas Roe." Huntington Library Quarterly 86, no. 1 (2023): 179–93. http://dx.doi.org/10.1353/hlq.2023.a927372.

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ABSTRACT: Of Intelligence is a hitherto unknown tract written by Sir Thomas Roe and preserved in manuscript form in the National Archives at Kew. It is located in a bundle containing a miscellany of original documents that are mainly concerned with the Holy Roman Empire and the various city states of Germany. A Small Tract of Sir Thomas Roe, intitled, Of Intelligence. Of great Use to all Ministers of State, Ambassadors, etc. is related to the rest of the items because of its references to King Gustavus Adolphus and Swedish participation in the Thirty Years’ War. Roe was one of the most accompl

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9

Wolfthal, Diane. "Scribe and Owner as Artist in a Sixteenth-Century Yiddish Miscellany." IMAGES 11, no. 1 (2018): 210–26. http://dx.doi.org/10.1163/18718000-12340089.

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AbstractA Miscellany of five secular Yiddish chapbooks was created in late sixteenth-century East Swabia. Two of the chapbooks, “Keyser Oktavian” and a collection of “mayses”, were illustrated by their scribe Yitzhak bar Yuda Reutlingen. A Jewish owner also drew on a blank folio. This essay seeks to address two issues. First, although in the past these drawings have often been dismissed as derivative or crude, this article will dispute this assertion. Then this essay will question the ways in which some scholars have masked the manuscript’s Jewish identity, and will explore how the scribe and

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10

Madden, Edward H. "Experience and Nature, the Later Works, 1925-1953, vol. 1, and: Essays, Reviews, Miscellany, and The Public and lts Problems, 1925-1927, The Later Works, 1925-1953, vol. 2 (review)." Journal of the History of Philosophy 23, no. 2 (1985): 271–73. http://dx.doi.org/10.1353/hph.1985.0039.

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11

Polyvyannyy, Dmitry. "“Bulgarian Anonymous Chronicle”: Essay on Analytical Decomposition." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (January 2020): 173–83. http://dx.doi.org/10.15688/jvolsu4.2019.6.14.

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Introduction. The article analyzes а chronicle in the Slavo-Vallachian miscellany manuscript (mid 16th c.) (currently in the Vernadsky National Library of Ukraine in Kiev, Pochaev Lavra Collection, 116, l. 440a–447b). This text is known in scholarly literature as “Bulgarian anonymous chronicle”. Usually it is considered as a wholesome work created in the early 15th c. by an unknown scribe, who followed the traditions of the Tyrnovo literary school and possessed Bulgarian ethnopolitical identity. There were hypotheses that the work was based upon Slavonic translation of a lost work by Byzantine

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12

Brown, Piers. "Confected Miscellanies in Early Modern England: Gascoigne, Davison, Jonson." Huntington Library Quarterly 85, no. 4 (2022): 663–82. http://dx.doi.org/10.1353/hlq.2022.a920279.

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abstract: The history of the miscellany is complicated, in part, by a confusion about the object of study. Not only is the term "miscellany" anachronistic, but also it is used to denote two related but distinct sorts of texts. Most of the print and manuscript collections labeled miscellanies are what we might call process miscellanies; that is, miscellaneous because of the processes of compilation. Comparatively neglected, however, are confected miscellanies, in which the apparent disorder is a deliberate effect created by the compiler. Brown's essay looks at the common tactics of three such c

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13

Garzaniti, Marcello. "The Eulogy of Symeonic Miscellany: the Imperial Patronage of the First Slavic Anthology." Studia Ceranea 11 (December 30, 2021): 549–67. http://dx.doi.org/10.18778/2084-140x.11.28.

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The essay proposes an interpretation of the eulogy of Symeon’s Miscellany considering not only the cultural context of the First Bulgarian Empire at the beginning of the tenth century, but also the historical situation and the literary production of the seventies and eighties of the previous century when the Greek original of the Miscellany known by the name of the Soterios was conceived in Constantinople. This eulogy helps us to better understand the reasons that led to the creation of the Slavic version of this anthology at the time of Symeon. In the Constantinopolitan environment, this anth

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14

North, Marcy L. "Using Digital Finding Aids to Define Manuscript Miscellanies of English Verse, 1575–1675: A Broad Picture of a Material Genre and Its Conventions." Huntington Library Quarterly 85, no. 4 (2022): 705–30. http://dx.doi.org/10.1353/hlq.2022.a920285.

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abstract: North's essay utilizes data derived from electronically searchable finding aids and first-line indexes to help us understand broad trends in the production of early modern manuscript verse miscellanies. Her primary sources are the online Catalogue of English Literary Manuscripts compiled by Peter Beal and the Folger Shakespeare Library's Union First Line Index. She also consults manuscripts themselves to check the reliability of the data. North then uses this broad sketch of miscellany characteristics to highlight some of the relationships between material form, production method, an

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15

Domaradzki, Mikołaj. "Theodore Metochites On Philosophers’ Irony." Peitho. Examina Antiqua, no. 1(5) (January 24, 2015): 295–300. http://dx.doi.org/10.14746/pea.2014.1.14.

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The present article offers the first Polish translation of Theodore Metochites’ important essay on the philosophers’ use and abuse of irony. The translation is preceded by an introduction which briefly presents the author of the Miscellanea philosophica et historica, upon which it reconstructs the argument of essay 8 and provides an assessment of Metochites’ account of irony.

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16

Cook, Megan L. "Miscellaneity and Apocrypha in Chaucer's Works (1532)." Huntington Library Quarterly 85, no. 4 (2022): 643–61. http://dx.doi.org/10.1353/hlq.2022.a920281.

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abstract: The miscellany has, historically, been treated as a category of remainder in catalogs of both manuscripts and printed books. Miscellanies are those volumes that, because of their inherently mixed character, do not fit neatly into other categories. However, this practice risks making miscellanies appear to be haphazard or accidental productions. Recent studies of such books have begun to excavate the strategies of assemblage, borrowing, and reorganization that mark their production. These strategies are not restricted to those books we now term miscellanies; frequently, they can also

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17

Alcalá Galán, Mercedes. "The Dark Side of Things: Praxis of Curiosity in La silva curiosa (Julián de Medrano 1583)." Humanities 14, no. 5 (2025): 100. https://doi.org/10.3390/h14050100.

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Curiosity lies at the heart of the sixteenth-century miscellany books, which served as precursors to the essay genre. Among them, a truly exceptional piece stands out: La silva curiosa by Julián de Medrano, published in 1583. This work pushes the boundaries of curiosity to such an extent that it challenges its classification within the genre of miscellany owing to its unconventional and strange nature. Julián de Medrano, the author of this outlandish work, transforms himself into a character and protagonist, defining himself as an “extremely curious” individual. During his extensive travels, h

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18

MCGETTIGAN, KATIE. "Transatlantic Reprinting as National Performance: Staging America in London Magazines, 1839–1852." Journal of American Studies 53, no. 4 (2019): 893–924. http://dx.doi.org/10.1017/s0021875818001317.

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This essay examines three “American” magazines published in mid-nineteenth-century London: theAmerican Miscellany(1839–40), theGreat Western(1842), and theAmerican Magazine(1851–52). These magazines staged a fantasy of a unified, national and white American culture that regional print cultures and sectional tensions over slavery rendered impossible within the United States itself. They fashioned this fantasy through dialogue with Yankee comedy (an American form constructed through transatlantic circulation); through the theatricality, materiality and composite form of the magazine; and by tran

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19

Schellenberg, Betty A. "“Let Genius Still This Glorious Object Own”: Naming, Signing, Authoring, and Owning in the Manuscript Verse Miscellany." Eighteenth-Century Life 48, no. 1 (2024): 50–71. http://dx.doi.org/10.1215/00982601-10951314.

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This essay covers what it meant to “own” a manuscript verse miscellany in the eighteenth century. Manuscript miscellanies offer palpable, if enigmatic, evidence that the often-obscure individuals who made such books understood themselves to be, simultaneously, readers, copyists, makers, editors, and authors. As a result, when they took ownership of their books by signing their names on elaborate title-pages, such gestures signified something more complex and variable than a claim to “authorship.” Rejecting a post-Romantic oppositional hierarchy of writer over reader and original author over co

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20

Silveira, Liniane Diniz da. "George Cruikshank e as ilustrações para Oliver Twist: como as ilustrações transmitem temas." Imagem: Revista de Hist´ória da Arte 5, no. 2 (2024): 160–84. https://doi.org/10.34024/imagem.v5i2.20184.

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Pretende-se apresentar como ilustrações relacionadas a narrativas são objetos artísticos que demonstram diversas possibilidades de investigação, entre elas as transferências de temas, culturas e metodologias. A análise foi elaborada pelas ilustrações de George Cruikshank para a primeira edição de Oliver Twist, publicada na revista literária Bentley ‘s Miscellany em 1837 e, no Brasil, pela editora Melhoramentos em 195?. Para compreendê-las foi traçado o percurso pela vida e carreira do artista e assim entender como os fatores externos, principalmente sua relação com Charles Dickens, tiveram int

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21

DiGiulio, Scott. "Reading and (Re)Writing the Auctores: Poliziano and the Ancient Roman Miscellany." Journal of Latin Cosmopolitanism and European Literatures, no. 4 (November 16, 2020): 33–58. http://dx.doi.org/10.21825/jolcel.vi4.16470.

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This essay examins the influence of Aulus Gellius' Noctes Atticae (2nd c. CE) on Angelo Poliziano's Miscellaneorum centuria prima (1489); in particular, it reconsiders that manner in which the aesthetics of varietas are deployed in each as part of the broader literary program. First, by exploring ideas of auctoritas, this essay suggests that Gellius' own preferred categories influenced Poliziano's sense of the canon and contributed to the development of his own authoritative persona throughouth Preface of the centuria prima. Second, in examining the ways in which both authors describe their us

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22

Makaryan, Venera. "A Newly Discovered Manuscript of Taqwīm al-adwiya al-mufrada wa-l-aghdhiya by al-Tiflīsī." Journal of Islamic Manuscripts 16, no. 1 (2025): 1–21. https://doi.org/10.1163/1878464x-01502008.

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Abstract This article introduces Matenadaran’s copy of the manuscript titled Taqwīm al-adwiya al-mufrada wa-l-aghdhiya (The Almanac/Tabulation of Medicaments and Foodstuff) written by Abū al-Faḍl Ḥubaysh b. Ibrāhīm b. Muḥammad al-Tiflīsī. Our objective is to determine if this particular copy, which dates back to the 13th century, is the earliest existing dated comprehensive manuscript among other eponymous works. The manuscript is the first work in the Arabic medical miscellany no. 2175 within the collection of Arabic-Script Manuscripts at the Mesrop Mashtots Institute of Ancient Manuscripts—M

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23

Luo, Manling. "Remembering Kaiyuan and Tianbao: The Construction of Mosaic Memory in Medieval Historical Miscellanies." T'oung Pao 97, no. 4-5 (2011): 263–300. http://dx.doi.org/10.1163/156853211x604134.

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AbstractMedieval historical miscellanies have traditionally been seen as repositories of random historical information. This essay examines how the miscellany form makes possible a distinct mode of cultural memory construction, the piecing together of anecdotes gathered from oral and written sources to create a composite, multifaceted picture of the past, or "mosaic memory." Using as examples four monothematic post-An Lushan rebellion collections devoted to the memory of the Kaiyuan-Tianbao era (713-756), we may see how compilers created idiosyncratic versions of mosaic memory as a result of t

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24

Blatt, Heather. "Describing Miscellanies in Late Medieval English Wills." Huntington Library Quarterly 85, no. 4 (2022): 683–704. http://dx.doi.org/10.1353/hlq.2022.a920278.

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abstract: Miscellanies are usually identified through absence: the absence of some unifying codicological, thematic, linguistic, or other cohering principle. After identifying this absence, books can be termed miscellanies—or commonplace books, collections, compilations, household books, and so forth. Such varying terminology highlights the challenges of identifying miscellanies today. Situating the miscellany in its documentary context, this essay examines hundreds of English wills written between 1400 and 1499 to evaluate descriptive trends employed by book owners of the late Middle Ages tha

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25

Schieberle, Misty. "A New Hoccleve Literary Manuscript: The Trilingual Miscellany in London, British Library, MS Harley 219." Review of English Studies 70, no. 297 (2019): 799–822. http://dx.doi.org/10.1093/res/hgz042.

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Abstract This essay identifies a hand which copies and corrects much of the literary manuscript, London, British Library, MS Harley 219, as that of Thomas Hoccleve. Texts in Hoccleve’s handwriting include selections from Odo of Cheriton’s Fables and the Gesta Romanorum (a source for the Series), all of a unique copy of Christine de Pizan’s Epistre Othea, and a glossary of French terms translated into Latin and English. Additionally, Hoccleve’s handwriting can be found in corrections to a French Secretum Secretorum (a source for The Regiment of Princes) that is otherwise copied in another hand.

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26

Voelkel, James R. "Essay Review: Keplerian Miscellany: Johannes Kepler: Gesammelte Werke, Band IX, 2: Calendaria et Prognostica, Astronomica Minora, Somnium." Journal for the History of Astronomy 28, no. 1 (1997): 83–86. http://dx.doi.org/10.1177/002182869702800106.

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27

Anufrieva, Natalia V. "Old believer comics in the handwritten miscellany of spiritual poems of the Vyatka region." Tekst. Kniga. Knigoizdanie, no. 37 (2025): 48–66. https://doi.org/10.17223/23062061/37/4.

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The design of the Russian manuscript book of the late tradition, in continuation of the Old Russian one, has always been distinguished by the close interaction of the text and the illustrative parts. Miniatures of manuscripts were often supplied with written comments on the depicted plot in order to explain more clearly the illustration, the thought inherent in a particular plot and the general idea of the essay. A term for the combination of pictorial components with verbal ones - creolized text (CT) - appeared in the 1990s. CTs are studied by representatives of various fields of knowledge, i

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28

Mitchell, Rick. "Epic Cruelty: On Post-Pandemic Performance." New Theatre Quarterly 37, no. 2 (2021): 119–36. http://dx.doi.org/10.1017/s0266464x21000026.

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As today’s catastrophic Covid-19 pandemic exacerbates ongoing crises, including systemic racism, rising ethno-nationalism, and fossil-fuelled climate change, the neoliberal world that we inhabit is becoming increasingly hostile, particularly for the most vulnerable. Even in the United States, as armed white-supremacist, pro-Trump forces face off against protesters seeking justice for African Americans, the hostility is increasingly palpable, and often frightening. Yet as millions of Black Lives Matter protesters demonstrated after the brutal police killing of George Floyd, the current, interse

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29

Berenstein, Nadia. "Making a global sensation: Vanilla flavor, synthetic chemistry, and the meanings of purity." History of Science 54, no. 4 (2016): 399–424. http://dx.doi.org/10.1177/0073275316681802.

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How did vanilla, once a rare luxury, become a global sensation? Rather than taking the vanilla flavor of vanilla beans as a pre-existing natural fact, this essay argues that the sensory experience that came to be recognized as vanilla was a hybrid artifact produced by an expanding global trade in a diverse set of pleasurable substances, including cured beans from artificially pollinated vanilla orchids, synthetic vanillin, sugar, and a far-flung miscellany of other botanical and chemical materials. Global trade and large-scale production resulted not in the production of a homogenous, stable c

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30

Mantovani, Mattia. "Descartes’ Man Under Construction: The Circulatory Statue of Salomon Reisel, 1680." Early Science and Medicine 25, no. 2 (2020): 101–34. http://dx.doi.org/10.1163/15733823-00252p01.

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Abstract This paper studies the “human circulatory statues” which Salomon Reisel designed in the 1670s in order to demonstrate the circulation of the blood and its effect on the brain. It investigates how Reisel intended this project to promote Descartes’ philosophy, and how it relates to contemporary diagrammatic schematizations of the blood circulation system. It further explores Reisel’s claims concerning the epistemological and practical advantages of working with a three-dimensional model and argues that Reisel intended his statua to address the concerns of his fellow physicians and, more

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31

Heffernan, Megan. "Inventories and Invention: Material Exchange and Literary Value in Englands Helicon." Huntington Library Quarterly 85, no. 4 (2022): 621–42. http://dx.doi.org/10.1353/hlq.2022.a920283.

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abstract: It is well known that collections like Richard Tottel's Songes and Sonettes (1557) were retrospectively classified as miscellanies, as both the lexicon and the conceptual categories for multiauthor books were still being developed in sixteenth-century England. "Miscellany" and "anthology" are bibliographic back-formations, impositions of modern ideals of authorship and coherence on to collections that mix the labors of compilers and poets. This essay asks what histories of production and reception have been hidden by continuing to read Elizabethan poetry books as miscellanies. In par

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32

Pahl, Chance David. "Christopher Smart, Concordia Discors , and the Figure of the Distressed Woman: Sentiment and Sentimental Parody in the Student and the Midwife." Eighteenth Century 63, no. 1-2 (2022): 17–39. http://dx.doi.org/10.1353/ecy.2022.a926991.

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Abstract: This essay discusses the two magazines with which Christopher Smart was most closely associated: the Student, or Oxford and Cambridge Monthly Miscellany (1750–51) and the Midwife, or The Old Woman's Magazine (1750–53). I focus specifically on the rarely discussed sentimental vignettes depicting female virtue in distress that are interspersed through both magazines. Although Smart did not write all of these tales—he produced the Midwife almost single-handedly but was one of several contributors to the Student —the ones he did compose show him to be a shrewd literary projector, respons

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Rybchynska, Nataliia. "“Proceedings of the Historical and Philosophical Section” of the Shevchenko Scientific Society edited by I. Krypiakevych: informational and bibliographic segment." Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, no. 16(32) (December 2024): 80–104. https://doi.org/10.37222/2524-0315-2024-16(32)-4.

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The article analyzes the corpus of informational and bibliographic materials that appeared in “Notes of the Shevchenko Scientific Society” as “Proceedings of the Historical and Philosophical Section”, published in 1924–1937 under the editorship of Ivan Krypiakevych. The editor’s ambitious plans to raise their level, increase their periodicity, bring back the sections, which were popular before the war, and involve reputable historians in their cooperation were hindered by limited funding and a shortage of appropriate authors. In total, 55 scientific articles, 17 short notices in the “Miscella

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34

Pocock, Judy. "A Miscellany of Her Essays and Addresses, by Mary Hyde Eccles; edited by William Zachs." Papers of The Bibliographical Society of Canada 41, no. 1 (2003). http://dx.doi.org/10.33137/pbsc.v41i1.18317.

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35

AVANESOVA, AREVIK. "THE GENRE PECULIARITIES, CULTURAL AND HISTORIC ANALOGUES OF BRUSOV'S «MISCELLANEA»." Brusov Readings, November 22, 2018, 114–22. http://dx.doi.org/10.31377/brus.v0i0.237.

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The whole book has never been published. It consists of thoughts and notes on different topics. The author of the article tried to identify the genre and draw parallels between Brusov and some other authors, who wrote essays in different epochs.

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36

Potter, Jonathan. "Picture Stories, 1840-1860, or Problems with Photographs." Victorian Popular Fictions Journal, October 26, 2020, 59–75. http://dx.doi.org/10.46911/buwd1106.

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“Picture” stories, a whole genre of short fiction denoted by the central role of a picture, were common in the middle decades of the nineteenth century, from the 1840s to the 1860s. They featured in periodicals publishing fiction aimed towards middle- and lower-class readers, such as Ainsworth’s Magazine, Chamber’s Edinburgh Journal, Bentley’s Miscellany, and Sharpe’s London Magazine of Entertainment and Instruction for General Reading. Titles usually made the genre obvious: e.g. “The Story of a Picture” (1842), “The Fatal Picture” (Elder 1843), “The Adventures of a Picture” (Medwin 1843), “Th

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37

Kozličić, Mithad, and Anamarija Kurilić. "Uvodnik." Miscellanea Hadriatica et Mediterranea 1, no. 1 (2017). http://dx.doi.org/10.15291/misc.576.

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The new scientific journal, Miscellanea Hadriatica et Mediterranea, published by the Department of History at the University of Zadar, is focused on multidisciplinary scientific analysis of the historical processes occurring in the Adriatic and Mediterranean and spanning from prehistory to the modern age. Accordingly, even though the first number has predominantly historical papers, this journal is opened to all scientific art-historian, archaeological, linguistic and architectural essays as well as politological and juridical reviews and scientific analyses of numerous other cognate topics de

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38

Mason, Jody. "Rearticulating Violence." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1902.

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Wife (1975) is a novel ostensibly about immigration, but it is also about gender, ethnicity, and power. Bharati Mukherjee's well-known essay, "An Invisible Woman" (1981), describes her experience in Canada as one that created "double vision" because her self-perception was put so utterly at odds with her social standing (39). She experienced intense and horrifying racism in Canada, particularly in Toronto, and claims that the setting of Wife, her third novel, is "in the mind of the heroine...always Toronto" (39). Mukherjee concludes the article by saying that she eventually left Toronto, and C

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